Teacher, Author, and Story Coach
Julaina, please tell us about yourself and your writing.
For the last twelve years, I’ve taught creative writing classes. My attendees have published several books during that time, and I’m always delighted to hold their finished products in my hands. Many of their short stories, memoir-essays, and poetry are in three anthologies that I published on Amazon.
Genre/genres you write in: My stories are in the creative non-fiction, science fiction, and women’s fiction genres. Two of my novels are in the editing stage: Hada’s Fog and Norman in the Painting. The book I’m planning to publish by the end of this year, 2020, is My Mother’s Cancer ~ What Worked and What Didn’t.
I understand you were interviewed by Dona Kozik earlier this week. Please tells us about that. The interview is about me and the first chapter of my book, My Mother’s Cancer ~ What Worked and What Didn’t which will be published in January 2021. This chapter is published in an eBook called Rising Stars, A Kindle Sampler by Donna Kozik. There are 4 other featured authors’ chapters in the book. https://amzn.to/33HjqRk. It was fun being interviewed by Dona. The interview is on YouTube at https://youtu.be/7LRK59ISU7s.
Most people know someone who has cancer. In 2020, the estimated number of new cancer cases is 1.8 million. I am writing my mom’s experience with this rampant disease to tell about the effects of crucial delays in diagnosis and treatment decisions. I also share how we dealt with it physically and emotionally. Our story could help other people who have a loved one and feel alone in the struggles to keep that person alive.
When did you realize you wanted to write novels? In 6th grade, I wrote a story that my teacher took away from me because I was writing during his lessons. He wanted to check out what I was writing. He returned it without any comment.
How long did it take you to realize your dream of publication? It took about four years before any of my stories were accepted for publication. Then I won awards for stories in a few contests.
Are you traditionally published, indie published, or a hybrid author? My stories and essays are traditionally, and hybrid published depending on where I submitted them.
I indie published three anthologies that are on Amazon. The first one is Written Across the Genres for readers to experience a variety of genre examples. The second anthology is Captivate Audiences to Create Loyal Fans. I accepted some stories the members of my writing class wrote to illustrate techniques that improve writing skills.
The third one, published in 2019, is called The Choice Matters about how some choices we make change our lives.
Where do you write? I like to write in my home office. Many of my writer friends write at a café, but I find it too distracting.
Is silence golden, or do you need music to write by? Silence is golden for me to concentrate on my writing.
How much of your plots and characters are drawn from real life? Probably 50% of my characters are based on people I know, but I change how they look, their backstory, etc. so they aren’t identified. I’m a pantser, so my plots write themselves.
Describe your process for naming your characters? My process for naming my characters is that I listen, and the name comes into my mind quickly.
Real settings or fictional towns? Usually, my settings are real places I’ve been to, but I fictionalize the names. The sci-fi novel I’m writing takes place in the small town where I live, but it goes way beyond as the story progresses.
What’s the best book you’ve ever read? The best book I’ve read is Bel Canto by Ann Patchett. I’ve read all of her books, and I was delighted when she came to a local book shop to promote her newest book, and I had my picture taken with her.
What’s on the horizon for you? I will be publishing my latest non-fiction book, My Mother’s Cancer ~ What Worked and What Didn’t by the end of the year. I was chosen as one of five authors who had a chapter published in an anthology, Rising Stars, by Donna Kozik, available on Amazon now. My first chapter about my mother’s cancer, was accepted.
Also, I’m launching my online writing course: “Tell Your Irresistible Story” in a couple of months.
Anything else you’d like to tell us about yourself and your books? I enjoy teaching writing classes and supporting the members in their writing goals.
Contact Information: You can find me at https://www.timetowritenow.com
A Clinical Psychologist People call the Cop Doc
I write the Dot Meyerhoff mysteries: Burying Ben; The Right Wrong Thing; The Fifth Reflection. My non-fiction titles are: Counseling Cops: What Clinicians Need to Know (with Mark Kamena, Ph.D., and Joel Fay, PsyD); I Love a Cop: What the Family Needs to Know; I Love a Fire Fighter: What the Family Needs to Know. Many writers use my non-fiction books as references and get story ideas from the vignettes.
Did you always want to help people and write? When I was a child and again after my second non-fiction book when I grew tired of reality and thought it would be easier to make things up. It isn’t. It’s harder.
Did it take long to become a published author? My first non-fiction book was picked up on the first round of submissions.
Are you traditionally published, indie published, or a hybrid author? I am traditionally published, but maybe try indie publishing in the near future.
Where do you write? I have a home office with a standing desk, and I use a computer.
Is silence golden, or do you need music to write by? I cannot write to music. My sentences have to have a certain rhythm. Music interferes with my ability to hear that rhythm.
How much of your plots and characters are drawn from real life? My protagonist, Dr. Dot Meyerhoff, is somewhat autobiographical, although younger and thinner. As a psychologist, she does things I would have lost my license for doing; impersonating a public official, breaking and entering, and assault with a deadly weapon. I have plagiarized my husband Steve’s entire life for Dot’s love interest, Frank Hollis.
Describe your process for naming your characters? Dot Meyerhoff is named after my mother (Dorothy, aka Dot) and my maternal grandmother, whom I never knew, Rose Meyerhoff. The names of other characters just come to me.
Real settings or fictional towns? I use real settings with fictional names. This gives me the latitude to make stuff up and avoid getting email from readers telling me I got the directions wrong. I’m not consistent, I just finished a short story using real names of towns. As a working police psychologist, I need to protect the identities of my clients and the departments they are associated with.
What’s the quirkiest quirk one of your characters has? Dot Meyerhoff loves popcorn with red wine. And she never gives up on anyone.
If you could have written any book (one that someone else has already written,) which one would it be? There are too many to name.
What’s your biggest pet peeve? In terms of writing, I can get pretty riled up at books about cops who kill three people singlehandedly in one day and never suffer any psychological aftermath. As a police psychologist, this isn’t how it happens. Ditto for stories about abused children who grow up to be ninja warriors and kill their abusers.
You’re stranded on a deserted island. What are your three must-haves? Bread, books, and my husband, Steve.
What was the worst job you’ve ever held? There are so many. Being a tour guide at Rockefeller Center almost made me crazy. Repeating myself over and over was torture. I’ve been a secretary/typist/cocktail waitress and gym instructor. Think “Mad Men,” and you’ll understand.
What’s the best book you’ve ever read? Once again, there are too many to list. I love language, so my favorites, be they mysteries, non-fiction, or literary fiction, have to combine beautiful sentences, deep characters as well as a compelling structure (aka plot).
What’s on the horizon for you? Don’t want to jinx myself, but just maybe another non-fiction book for cops. I also have a completed fourth novel in the Dot Meyerhoff series that is looking for a new publisher. And I’m having a great time working on a standalone. Thanks to the pandemic, I’m really focused.
Anything else you’d like to tell us about yourself and/or your books? This was a different interview. Thanks for asking so many off-the-wall questions. I appreciate your interest. One of the many surprises of being part of the mystery community is how hospitable and supportive my fellow writers are.
Website and/or blog links: www.ellenkirschman.com. I also blog with Psychology Today and contribute a column to the SinC Quarterly.
Hanging Falls: A Timber Creek K-9 Mystery
A deluge has flooded the high ground near Hanging Falls—but heavy rains aren’t the only menace descending on Timber Creek. While on a scouting mission to pinpoint trail damage, Officer Mattie Cobb and her K-9 partner Robo stumble upon a body floating at the edge of a lake. Robo catches a human scent, which leads to an enigmatic forest-dweller who quickly becomes suspect number one.
With help from veterinarian Cole Walker, Mattie identifies the victim and discovers an odd religious cult whose dress and manners harken back to the 19th century. As the list of suspects grows, an unexpected visit from members of Mattie’s long-lost family sheds new light on her childhood as they help Mattie piece together details of the fateful night when she was abducted at age two.
The tangled threads of the investigation and family dynamics begin to intertwine—but darkness threatens to claim a new victim before Mattie and Robo can track down the killers.
When did you know you wanted to be a writer? During the nineties, I owned my own rehabilitation agency and worked long hours as both manager and speech pathologist. My husband ran a busy veterinary practice, and together we balanced the responsibilities of our household and the care of our children. One day I was waiting in the checkout line at the grocery store, and as I gazed at the paperback novels on the bookstand, I was struck with the notion that I wanted to write one of those books, too. By the end of the decade, I was ready to sell my company, and I knew that novel-writing would enter into the next phase of my working career. That’s when I began to study the art and craft of writing fiction.
How long did it take you to realize your dream of publication? Quite a long time actually. I had to learn how to reshape my technical writing experience into fiction writing and all its many facets. I wrote five manuscripts that I consider practice, and that will never be published. It took a journey of a little more than ten years before I found my agent and my publisher.
Do you have a publisher? I’m traditionally published by Crooked Lane Books, a company based in New York, NY.
Where do you write? I’ve converted one of our bedrooms into an office where I also do the bookkeeping for my husband’s veterinary clinic and our Angus cattle herd. I typically write fiction there in the mornings and then spend the afternoons—when I’m often brain dead—doing the many tasks required by our businesses as well as the business of my writing.
Do you need music to write by? For me, silence is golden, and I often light a candle before I sit down. It helps me in that meditational state where I can focus on the movie that plays in my head while I record the action and details.
Where do you find your characters? My Timber Creek K-9 Mysteries features Deputy Mattie Cobb, her K-9 partner Robo, and veterinarian Cole Walker. I mentioned that my husband is a veterinarian, and though I’ve never worked in his practice daily, I’ve assisted him after hours and on weekends countless times. It was always apparent that his clients, and anyone else that happened to be in the barn when he made farm calls, were interested in watching him work, so I was inspired to include a vet in my mystery series.
I wanted to write police procedurals, and it seemed natural to create a second protagonist who was a K-9 officer. My husband put me in touch with one of his clients, who was a K-9 trainer, and he was willing to let me shadow him. I also have a friend who is a retired K-9 officer and trainer, and she has become a valuable consultant for the series. One of her past partners was named Robo, which is what inspired my dog character’s name. And finally, years ago, my husband and I trained two of our dogs in search and rescue. My experiences there have also been applied to my characters and to the dog behaviors in my books. So my real life has contributed greatly to my writing.
Where is Timber Creek? Timber Creek is a fictional town in Colorado inspired by the small town I grew up in and set in the mountains of the southwest corner of the state.
Please tell us a bit about your protagonist. Mattie Cobb suffers from repressed memories caused by childhood abuse. Thus she has a great deal of baggage that she gradually unpacks throughout the series. She struggles with nightmares and flashbacks and has sought help from a trauma counselor who recommended yoga and breathing techniques to combat her posttraumatic stress. In one book, her yoga breathing actually plays a part in saving her life.
You started writing in the nineties, how was the timing? I would have started working toward my writing career much earlier. But in reality, the timing was probably perfect considering everything I had going on in my life when I was younger.
Do you have anything in the works? I’m currently working on the seventh book in the Timber Creek K-9 series, and book eight is also under contract, so I’ll be busy with those during the next couple years. I invite your readers to give the series a try, and I hope they’ll enjoy reading the books as much as I enjoy writing them.
Anything else you’d like to tell us? No, but I do want to thank you for hosting me on your blog. I always appreciate an opportunity to talk about my books.
Contact Information: Email: firstname.lastname@example.org Website: https://margaretmizushima.com/
Lani Longshore introduces us to science fiction, quilting and writing about life (blog)
The Chenille Ultimatum (with Ann Anastasio). Susan thought she was done with space aliens when she sent her mother, Edna, and daughter Cecily as ambassadors to the planet Schtatik. Instead, she must travel across the galaxy to stop a civil war that Edna started when she made herself queen of one of the clans. As Susan struggles to make everyone calm down, she learns how strong she really is, and how important it is to carry an embroidery project wherever she goes.
When did you realize you wanted to write novels? I’ve thought of myself as a writer since elementary school. In high school and college, I produced short stories, poems, essays, and news articles. I was fortunate enough to find a good writing support group as an adult and wrote my first (still unpublished) novel.
How long was your road to publication? The first book in the Chenille series, Death By Chenille, was published twenty years after I began writing novels. I’m working on the fourth novel in that series with co-author Ann Anastasio.
Are you traditionally published, indie published, or a hybrid author? I am indie published.
Where do you write? I write at my computer desk in the family room. I transitioned from writing by hand to a typewriter when I interned at a local weekly newspaper while in high school. In college, my portable typewriter took up most of my desk.
Is silence golden, or do you need music to write by? Since I write in the family room, I write to all sorts of sound. Sometimes there is music, sometimes the television is on, sometimes there is only the drone of the dishwasher from the kitchen. As other people are often in the room, the choice of music isn’t entirely up to me, so I’ve learned to embrace all genres.
How much of your plots and characters are drawn from real life? While aspects of the plots and characters’ are drawn from life, I avoid pulling too much from my own experience. My co-author and I used to perform on the quilt lecture circuit, producing 1-act musicals about quilts and the women who make them. The real story behind a quilt isn’t always entertaining. We took the part that fit our needs and made up the rest, a process we’ve continued in our cozy sci-fi novels about quilters who repeatedly save the world from alien invasions.
Describe your process for naming your characters? I go through a baby book first. If that fails, I start searching the bookshelves for author names I can adapt. If that fails, I go to actors’ names I can manipulate. There was an old movie on TV when I needed a name for a secondary character in the first Chenille novel, Death By Chenille, so Randolph Scott became Scott Randolph.
What’s the quirkiest quirk one of your characters has? One of my aliens puffs out colored smoke from his body whenever he gets emotional. The colors match the emotion.
If you could have written any book (one that someone else has already written,) which one would it be? Why? There are many books I wish I had written, but I am reading A Gentleman in Moscow now by Amor Towles and would love to have written it. His character studies are brilliant, and his plot devices are amazing.
What’s your biggest pet peeve? Complicated punctuation in dialog. People speak in pauses and full stops. Who do you know who speaks in semi-colons? No one, that’s who! It’s rare enough to find someone who speaks in full sentences, so I prefer authors to stick to dashes, commas, and periods (with the occasional exclamation point and question mark where required).
You’re stranded on a deserted island. What are your three must-haves? I don’t suppose I could pull an ocean-going boat, fuel for me and the boat, and a really strong radio from a parallel universe, could I? Okay, then I’ll want a food replicator because I’m a vegetarian, so all the fish in the sea won’t do me any good, and what’s the use of life without chocolate? I’ll also want embroidery supplies to make fiber art to decorate my hut (I get a hut, right?), and a crate of notebooks and pens.
What’s the best book you’ve ever read? I’ve never been able to answer that question because there are so many wonderful books available and more on the way. I also can’t settle on a favorite color or even a favorite candy bar.
What’s on the horizon for you? If the Lord is willing and the creek don’t rise, I’ll finish the fourth book in the Chenille series, The Captain and Chenille, by spring.
Anything else you’d like to tell us about yourself and/or your books? When I finally outgrew imagining I knew everything, I realized if I wanted to know anything at all, I should say yes whenever someone offered to teach me. It’s why I know how to quilt when I don’t have a domestic bone in my body (okay, I love to cook, but that’s a survival skill), and why I’m a black belt in karate when I come from a long line of pacifists. Three bits of trivia: I’ve seen Lenin’s Tomb; two of my quilting students were recipients of presidential pardons for federal crimes; both sides of my family have scandals regarding running away from the clan and taking the reasons why to the grave. As to my books, The Chenille series came out of a failed plan to create a platform for a quilting technique book. Ann and I had a great idea, and our proposal received favorable comments, but we weren’t famous enough in quilt circles for a publisher to take a chance on us. We decided we would write a novel to get some publicity. Quilting mysteries were just starting to take off, but neither Ann nor I had enough confidence we could write a good mystery. Since we had already created quilting vaudeville with our 1-act musical comedies, we decided to create quilting science fiction. We still aren’t well known enough to get our technique book published, but we’re working on our fourth novel. The remarkable thing about our collaboration is that Ann and her family moved several states away before we had finished our second book, and yet we still managed to get that one and the third book completed.
Renowned editor, essayist, screenwriter, teacher, and anthologist.
I met Victoria when she was an instructor in a Master Class at the Kauai Writers Conference. I learned a great deal from her and have maintained a relationship ever since. If you get a chance to hear her speak or teach, do your best to attend. I’m so pleased to have Victoria Zackheim here with us.
Victoria, we would like to hear about how you start a project…whether it’s essay, novel, memoir, or film. We can’t cover all these talents in one visit; you will have to come back for another visit. We’ll let you take the lead—your choice of topic(s) today.
First of all, thank you for the invitation. I’m not so sure about the “renowned” part, but I’ll accept accolades! Now, to your questions…
What inspires you to start a project? I get an idea and cannot shake it. It might be something I’ve read, dreamed, heard in a passing conversation. My novel, The Bone Weaver, started out because I wanted to write a story that dealt with the challenges facing women. In this case, the isolation so many women experience, especially when they focus on their careers. In this case, the protagonist was very successful in her academic environment, but she had no idea how to sustain a relationship. She used her work as her escape. This was fine until a crisis forced her to confront herself.
My film project was more hands-on, in the sense that I overheard someone describing an outrageously funny (and I learned later, serious, and deadly) experience in Northern Ireland, and the story burned through me for several years. It’s now one of my two major projects.
How do you know which genre best fits an idea? Oh, George, you’re asking about my Acorn concept, yes? From an acorn, a nut of an idea comes the project.
I’ve started writing a novel, only to realize early on (hopefully) that it’s a short story…or a personal essay. When I was editing my first anthology, The Other Woman, the essays began arriving. Twenty-one remarkable women were sharing their highly personal stories. From the first essay, I knew this was a play. I saw it. Five women seated on the stage, the script in binders, no memorization, a five-person dialogue about infidelity of all kinds. It’s had dozens of readings, and I never tire of sitting in the audience and watching how actors interpret their roles. And I love that it’s often used as a fundraiser for women’s shelters.
Starting…that is…launching the writing…can be daunting. A lot of people give up at this point. What advice would you like to share about beginning a project? If a project is dumped, it’s often because the grunt work, the preparatory work, wasn’t done. We all read about writers who “just sit down and write” and somehow create a wonderful novel. But I’m guessing there are far more successful projects that result from long hours contemplating the story and character arcs, the plot threads, etc. And then days, sometimes weeks, creating the outline. I have a dear friend, a mystery writer (with 30 million books in print!) who takes at least a week, all day work, to create the first outline, chapter by chapter, scene by scene. Even when she’s satisfied with the outline, she spends more time on it. When she’s certain that it has everything, and in the right order, with characters and plot fully developed, only then does she begin to write.
What happens if a writer begins with a memoir…and then backs away? Family pressure, the guilt of hurting people, or even the fear of a lawsuit. It happens that many of the books I edit (as a freelancer) are memoirs, and I run into this with every project. Dare I reveal this? What will my family/friends/ colleagues think? I recently worked for nearly a year on a memoir with a highly gifted, National Book Award recipient. Her memoir was brilliant, poetic, poignant, charming. Before submitting it to her agent, she shelved it. Too personal, too revealing, family members might feel hurt or angry. I was disappointed because I thought it was a very important work, but I fully supported her decision. Her next step? She was considering reimagining it as a novel.
Have you ever abandoned a project? Why? I have one novel that I wrote sometime in the 80s and put it away. I take it out every few years and noodle with it, but I’m quite sure it will never be published. The plot just doesn’t sing, and I find myself trying too hard to make it relevant. On the other hand, at 3 am, in 1996, I dreamed an entire novel, got up, and wrote a description. I’ve revised that story perhaps a dozen times…and then, last year, at a friend’s urging, I dusted it off and did a major revision. It was soundly and enthusiastically rejected by several agents until TA-DA! A wonderful agent suggested a few changes, which I’m now doing. Who knows? A quarter-century later, that puppy just might get published. Tenacity…or stupidity…I’m not sure. But I’ve always loved the story, so perhaps there’s a chance. Writing is like going to Vegas and placing a bet. Win or lose; we always go back and try again.
At what point does a writer throw it all out? Once thrown out, can a project be resurrected? I have a friend whose first novel was a bestseller. Wait, let me reword that: I have a friend who threw out ten novels, all rejected by agents, before she figured out what wasn’t working…and what was. She wrote, with these guides in place, and she’s had many NY Times bestsellers since then.
But to answer your question: Yes, a project can be resurrected. As we write, we grow, and what might have seemed perfectly fine and gifted writing ten years doesn’t meet our standards today. So…I urge writers to take that old project and see if there’s still life in it. If it excites you, figure out why. If it drags, why? Answer these questions, and you might be ready to revisit the story.
When did you realize you wanted to write and edit? I wanted to write when I was a child. Perhaps it’s because I was pretty lonely, so creating stories in my head kept me occupied? I’m not sure. I took a few writing courses in college, but praise from my professors terrified me. Besides, in “those days,” girls were directed toward “safe” areas: teaching…and…teaching. I knew I didn’t want to teach, so I went into an unrelated field. In fact, I didn’t start teaching until fourteen years ago…and I’ve loved every minute. Online, in a classroom, at writers’ conferences. It’s heaven. And working with so many writers…well, it almost gives me permission to write. I’m a very good writer, but it’s the storytelling that challenges me. Perhaps that’s why I’ve leaned toward editing.
The editing came quite accidentally. I had an idea for an anthology, it sold, and I found myself editing twenty-one personal essays. I have to add that my very first “client” from this anthology was Jane Smiley. I was terrified. I’d never been a real editor, and I was expected to edit a piece written by a Pulitzer Prize recipient? I made myself sick for days, until my agent reminded me that the editor and author work together. So I did the edits, which were few. Jane was a dream. Now, eight anthologies later, and having worked with some of the top writers in the country, I look forward to each project. It’s a rare and often wonderful relationship, this collaboration between author and editor, and both of us want the same result: the best storytelling possible. I’ve worked with perhaps two hundred writers, and there are very few I would never work with again.
Where do you work? In my home office, at my desk, on my orthopedic chair. I also love to write on airplanes. Or I did when there were still airplane flights. Window seat, laptop activated, the world disappears.
Is silence golden, or do you need music to write by? What kind? I love music—classical, mainly—but it’s purposeless to play when I’m working. I hear nothing. Nothing. A fire engine could pull up in front of my house, sirens piercing the air, and I wouldn’t hear it.
How did you get into teaching? A writer friend was teaching online in the UCLA Extension Writers’ Program and suggested I apply. I felt quite inadequate until she reminded me of all the courses I had created and taught, and was teaching, workshops, and conferences. UCLA was wonderful, helping me to create several courses, all of them in the Creative Nonfiction section. I teach every term and have now for fourteen years.
What’s your quirkiest quirk? Really? You expect me to reveal that? Okay, let me think. I’m still thinking. Oh, dear, I don’t think I have any! And for a writer, that won’t do! If any of my friends are reading this, I welcome your input. Please, find me a quirk!
Everyone, at some point, wishes for a do-over. What’s yours? That’s an easy one. I started college in pre-med and was talked out of it by an advisor who thought girls couldn’t compete. (Hey, I’m old, this was a long time ago!) So I majored in English. Looking back, journalism would have been a good choice, or some path that would have taken me into politics. I’ve written speeches and position papers for candidates (Congress and US Senate), but running for office might have worked.
A funny side story: in the 80s, the Democratic party asked me to run for Congress. A Democrat had NO chance of winning this district, so they needed a candidate who could lose and not be dogged by the loss. (In other words, had no future in politics!) I declined, they chose another candidate, he lost.
What’s your biggest pet peeve? I have an exceedingly difficult time working with writers who have chosen me to edit their work, but secretly believe their work is perfect. I had one client whose essay was 6,000 words, but the publication was clear that 3,000 was the limit. I edited it down, she refused every edit. When I (almost patiently) explained that it was too long, her response was memorable: “Perhaps, but every word is a poem.”
Where do you go from there?
What’s the best book you’ve ever read? Oh, not fair! Especially with so many dear friends who are published authors. So, let me tell you the novel that made me understand the magic of writing: Ole Edvart Rolvaag’s Giants in the Earth. I was a teenager and found myself reading the same paragraphs over and over, struck by the images they created, the way I was transported to that time and place. Wallace Stegner’s novels have had a similar effect on me.
What’s on the horizon for you? I’m hoping to complete the revisions of this mystery novel in the next few weeks…but seeing as how I started writing it in the 90s (yes, another century), who knows? I’m working on a screenplay with a very enthusiastic team, and thinking about a two-act play. The outline and a few scenes are written, but it’s a matter of time. I have another play, my favorite of all, but it has a history. I had written all of Act I and II, on my laptop, in an apartment when I was living abroad. I was robbed. He (yes, I saw him) took not only my laptop, but the backup diskette with the entire play and around sixty pages of research. I’ve tried to recreate it, but it’s quite disheartening.
Anything else you’d like to tell us about yourself or projects? I’m very fortunate, because I truly love what I do. Teaching, editing, writing, collaborating. I’m aging, but I become so lost in my writing that I feel ageless. That is, until I have to rise from my chair…