Pestilence – In a changing world,
Impacted by global warming, a strange new fungus grows in the damp, humid climate. People have discovered its mind-altering effects – and everyone’s using. Dr. David Leeman has discovered a medicinal use for this compound – a miracle cure, to end antibiotic resistance and treat incurable disease.
Terry is an early beneficiary of the wonder-drug. She’s taking part in clinical trials, but her partner, Alex, is furious. He’s bitterly opposed to the pharmaceutical industry and won’t support her. Little Jessica is developing a drug habit, using the new legal high – then she develops a skin problem.
Dr. Leeman realizes, too late, that his wonder-drug has created a pathway for a new pandemic – a fungal disease that is causing mass deaths across the globe.
As civilization collapses, the three come together, forming a healing commune to boost their immune systems and fight the pathogen. But will they find a cure?
I’ve always enjoyed apocalyptic thrillers, so perhaps it was natural that this would be the theme of my first novel.
‘Pestilence’ published in January 2021, is a pandemic story about a deadly fungus that brings about the end of the world. The idea came to me when I was 16 years old. I was a keen horror fan, inspired by James Herbert. But the story got shelved and wasn’t published for another 30 years, by which time it had evolved into a thriller, substantially changed and improved.
It was pure coincidence that the year I spent pitching the book to agents was the year a real pandemic happened! I’m hoping people will think this makes the book more topical and enhances its appeal!
In the day job, I’m a freelance writer, covering health, travel, and lifestyle topics for a wide range of magazines. I also have non-fiction books on WWII, travel, and freelance writing.
How I Became a Writer – I’d always wanted to be a professional writer, but I had to get a proper job while I lived with my parents and ended up trying to build a career in marketing. The opportunity to become a writer came when I was 36 years old and took voluntary redundancy. With support from my husband, I decided to try my luck at freelance writing, and I’m still doing it 11 years later, so I must have done something right. I write every day from the sunniest room in the house – it’s bright and cozy when the sun’s out. I work from 8 am to 5 pm, taking a break for lunch. I also go for a walk in the afternoons.
My Current Work in Progress – Today I’m writing an article about a cold war nuclear bunker for a general interest magazine. The British government’s preparations for nuclear war in the 1950s were startling, and it came as quite a shock when I first found out how close we’d come to possible nuclear annihilation. They had the leaflets printed for circulation to the public, telling people how to survive nuclear fallout, but they were never distributed because the immediate threat of nuclear war never came.
My Favourite Character in the Novel – In my fiction, the end of the world is caused by a fungal pathogen, not nuclear war! I enjoyed writing the bad guy scenes the most. My bad guy, Alex, is a complicated character with a passion for animal welfare but a tendency to lash out and become violent with people. He’s spent a lot of time in jail, and in the book, he ends up in situations that challenge his character, exposing both the good and the bad. I’d be interested to hear from readers, whether they empathize with him or think he’s a nasty piece of work.
My Favourite Writers – Since becoming a professional writer, I’ve tried to read more widely. I still like James Herbert, but I also like Peter James, Paula Hawkins, and I’m particularly fond of autobiographies and memoirs. My latest read is Without Conscience, a non-fiction book about psychopaths!
Advice for New Writers – My best advice for new writers is to persevere. Even if you take a break, you can always come back to writing when the time is right for you. I suspect I didn’t have what it takes to be a professional writer when I was 16, but I do now.
Also, if you’re struggling with a particular project (remember that book?), it can help to take a long break from your work, because then when you look at it afresh, you can see more clearly which parts are good and which parts need to be improved.
When I drafted Pestilence, I was a pantser. I had a list of ideas but didn’t plot the story well. If I write another novel, I will plan it carefully to save time and energy. Then there will be fewer edits required along the way!
Amazon Author page Author.to/SusieKearley
My blog www.susiekearley.blogspot.com
USA Today and Amazon bestselling and award-winning author Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name.
Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry.
When I first began writing years ago, I wrote romance and romantic suspense, but when the chick lit craze hit the publishing world, my agent suggested I try writing one. That’s when I discovered I had a knack for writing humor. Who knew? I flub every joke I’ve ever tried to tell!
The first book I ever sold straddled a line between women’s fiction and chick lit. Talk Gertie to Me was a humorous fish-out-of-water story about a mother and daughter. The second book I sold was Love, Lies and a Double Shot of Deception, the first book I ever wrote. But with only a few exceptions, my life since late 2009 has been consumed by Anastasia Pollack, the reluctant amateur sleuth of my Anastasia Pollack Crafting Mysteries. That’s when I signed a contract for the first three books in the series, which debuted in 2011.
One of those exceptions came about as a result of an invitation from Amazon. In 2015 they embarked on a new publishing venture. Kindle Worlds was a foray into fan fiction where anyone could write novellas that tied into handpicked existing series. To get the project up and running, Amazon invited additional authors, many recommended by the series authors, to create the first novellas.
There were few rules we had to follow in creating these companion novellas. Authors could use as little or as much of the existing series world as they wanted. We could even change the tone of the original books in the series.
I was asked to write a novella based on author CJ Lyons’ Shadow Ops Series. CJ writes what she calls “Thrillers with Heart.” Since writing the first of the Anastasia Pollack Crafting Mysteries, I’ve turned my back on the dark romantic suspense of my early books to concentrate on humorous tales. I figure there’s already too much in this world keeping us up at night. I want to give my readers an escape from the real world.
Since I had the freedom to create a novella in a different tone from the Shadow Ops books, I reimagined CJ’s domestic thriller series as a humorous caper. If you’re not familiar with capers, think Janet Evanovich’s Stephanie Plum series. Capers are a mashup of suspense or romantic suspense and humor. They’re often similar to amateur sleuth or cozy mysteries but without the restrictions regarding language, violence, or sex.
The Kindle Worlds program disbanded a few years later. The novella authors were allowed to republish their work as long as they received permission from the series author and all references to the original series were removed or changed.
I’m not the fastest writer, and Anastasia tends to keep me busy. I finally got around to updating my novella a few months ago after the release of A Sew Deadly Cruise, the ninth and latest Anastasia Pollack Crafting Mystery. However, I held off publishing the novella so it wouldn’t compete with the release of that book.
I changed the title of the novella from Mom Squad, expanding and rebranding it as Moms in Black, a Mom Squad Caper. If the novella does well, I plan to write two more Mom Squad Caper novellas for a 3-novella series, but right now, I’m hard at work on the tenth Anastasia Pollack Crafting Mystery.
Moms in Black – A Mom Squad Caper
When Cassandra Davenport applies for a job at www.savingtheworld.us, she expects to find a ‘green’ charity. Instead, she becomes the newest member of a covert organization run by ex-government officials. Dubbed the Mom Squad, the organization is the brainchild of three former college roommates—attorney general Anthony Granville, ex-FBI agent Gavin Demarco, and tech billionaire Liam Hatch—all of whom have lost loved ones at the hands of terrorists. Financed by Hatch, they work in the shadows and without the constraints of congressional oversight, reporting directly to Granville.
Demarco heads up one of the six groups that comprise the new operation. He hires Cassandra as the newest member of his New Jersey based team. In the course of monitoring possible terrorist threats, the Mom Squad discovers a link to Cassandra’s ex-husband. Before she’s fully trained, Cassandra is thrust into a world where her ex may be involved with radicalized terrorists bent on killing as many Americans as possible.
And while they’re saving the world from an imminent attack, what in the world will Cassandra do about all that sexual tension simmering between her and her new boss?
Buy Links (pre-order now; available 2/8/21)
Kindle https://amzn.to/2VZHTOcKobo https://www.kobo.com/us/en/ebook/moms-in-black
Apple Books https://books.apple.com/us/book/moms-in-black/id1544138743
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Killer Crafts & Crafty Killers blog: www.anastasiapollack.blogspot.com
Terese Marie Mailhot – A New York Times bestseller
Selected by Emma Watson as the Our Shared Shelf Book Club Pick for March/April 2018
A PBS Newshour/New York Times Now Read This Book Club Pick
A New York Times Editor’s Choice
Winner of the Spalding Prize for the Promotion of Peace and Justice in Literature
Finalist for the Governor General’s Literary Award for English–Language Nonfiction
A Barnes & Noble Discover Great New Writers Selection
An NPR Best Book of the Year
“There are so many sentences I had to read again because they were so true and beautiful. It’s a memoir of pure poetry and courage and invention. Whenever I think about it, my heart clenches with love.” —Cheryl Strayed, The New York Times Book Review.
“A sledgehammer . . . Her experiments with structure and language . . . are in the service of trying to find new ways to think about the past, trauma, repetition, and reconciliation, which might be a way of saying a new model for the memoir . . . If Heart Berries is any indication, the work to come will not just surface suppressed stories; it might give birth to new forms.” —The New York Times.
Do you write in more than one genre? Yes! I have a novel coming out soon! It’s untitled.
What brought you to writing? I loved my mother’s writing very much. She was the first person who really taught me about writing. I would watch her work nightly on poetry or essay, and I always thought it was honorable work.
Where do you write and do allow any distractions? I write in my bedroom, because it’s the only room in the house I could set up an office. I invite distractions. I’m very lucky in my life. This pandemic has taught me to value family time and I’ve also learned how to enjoy being sidetracked. Those moments of distraction can be inspiring and energizing.
Tell us about your writing process: I write every day until I make my wordcount goal. Then I take a few months off and revise. If it’s for something more urgent, I work relentlessly, nonstop, until it’s as good as it gets for that deadline.
What is the most challenging part of your writing process? Time. Work life getting in the way.
What are you currently working on? The novel. I’m giving it time. I finished the first draft, so it’s about time to revise.
Who’s currently your favorite author? Kiese Laymon or Jesmyn Ward or James Baldwin … it’s too hard to choose!
How long did it take you to write your first book and published? It about 6 years to write. It sold two weeks from the time I sent it out and was published a year after.
We hear of strong-willed characters. Do yours behave, or do they run the show? I like the outsiders. I like writing from the perspective of black sheep types, because their interiority is electric and perceptive, willful, and neglected.
Do your protagonists ever disappoint you? Yes.
Do you try to make the antagonist into a more human character? I think flawed characters are my favorite. I like people written off or disregarded, or people who are misunderstood.
Do you have subplots? If so, how do you weave them into the novel’s arc? I think there are underpinned themes in all the work I do. I think, in my current novel, there’s an underpinned theme of joy and collectivity, and I think of it like taste. Like, there should be many dimensions to a good dish. There should be a lot to savor or value in good food. Maybe I’m hungry. It shouldn’t be overbearing the main course.
Do you raise the stakes for your protagonist—for the antagonist? I like work with little plot. I just throw wrenches at my characters until something strikes me.
Do you outline, or are you a pantser? Both.
What kind of research do you do? A lot. As much as humanly possible from all kinds of sources.
What is the best book you ever read? Giovanni’s Room.
Do you have any advice for new writers? You can do it. It’s harder for some, but nothing is impossible.
Anything else you’d like to tell us about yourself and your books? I write for the women I love. I write for my mother.
How do our readers contact you? Teresemailhot.com
Welcome – What book would you like to tell our readers about?
Don’t Leave Yet, How My Mother’s Alzheimer’s Opened My Heart (She Writes Press, 2015) recounts my journey toward understanding our complicated mother-daughter relationship as she struggles through the early stage of dementia-type Alzheimer’s, and my ultimate discovery of compassion and love that goes beyond familial duty.
Do you write in more than one genre? I enjoy the challenge of poetry, creating, and recreating experiences to connect with readers. Finding a precise image or metaphor and using concise and descriptive language engages my mind in sometimes unexpected ways. The discovery can be exhilarating.
What brought you to writing? I was an English major at the University of Wisconsin -Milwaukee. I admired twentieth-century novelists and poets and wondered if I had it in me to create my own work. It wasn’t until after my father died that I began to explore poetry as a way to express grief. A decade later, when my mother was diagnosed with dementia-type Alzheimer’s, my teacher, the terrific poet Ellen Bass, suggested I might explore my experiences further if I went beyond the parameters of poetry. It was then that I turned to prose. It allowed an expansiveness I needed to convey all that I wanted to say. I started by writing vignettes, followed by full scenes with characters, dialogue, and description. Soon I had pages of material with a sense of connectedness.
Where do you write? What, if any, distractions do you allow? I write in my home office, where morning light provides a calm atmosphere and from where I can observe a yellow rose tree and a bevy of finches on the thistle feeder. I don’t tolerate distractions. But I don’t mind my Shih Tsu, Cody, who snores ever so slightly on his bed directly behind me.
Tell us about your writing process: I usually begin writing with a black ballpoint and a Mead notebook. I wrote most of my memoir in notebooks. When I had enough material, I transcribed it into a document on my laptop. I labeled each draft so as not to lose anything interesting or significant. Now I use the same process when writing poetry.
What is the most challenging part of your writing process? Revision is the most challenging. Yet, it’s the part of writing that I enjoy most. I revisit each image and metaphor. When a metaphor doesn’t do its job, I make a list of ten others and then choose the one I think works the best. I also read a poem out loud to gauge the effectiveness of line endings and stanzas. I admit I’m a perfectionist.
What are you currently working on? I’ve recently discovered some old poems that go back several years. I’m trying to revise them but often find myself starting over. I hope to also return to blogging in the near future.
Has an association membership helped you or your writing? The poetry critique group of California Writers Club Tri-Valley Branch, which I lead two times a month, has offered much-needed support as I labor with some of my poems. The members are careful listeners, and they offer critique with enthusiasm. I’ve found the structure and discipline necessary to keep on writing.
Who’s your favorite author? It’s hard to choose just one. I always look forward to reading Jack Kerouac, John Irving, and Jennifer Lauck. My favorite author of all time is John Steinbeck.
What is the best book you ever read? The Grapes of Wrath by John Steinbeck. I’ve read it at least three times. I admire its structure, honesty, and intense feeling.
How long did it take you to write your first book? It took five years to write Don’t Leave Yet. I belonged to a writing class in 2004 with Ellen Bass, reading pages each week from my notebook for critique. My mother passed away in 2008, and I was uncertain as to whether or not I could continue to write our story. Ellen, and my fellow writers, were instrumental in my effort to bring the manuscript to its completion a year later.
How long to get it published? Don’t Leave Yet was a finalist in the Pacific Northwest Writer’s Conference writing competition in the memoir category in 2011. One agent from San Francisco who attended the Conference found the book interesting, but that was it. I pursued other agents with no luck. Then I heard about Brooke Warner, the publisher of She Writes Press. I worked with an editor she recommended. She Writes published my memoir in 2015.
What authors did you dislike at first but grew to enjoy? When I read Bel Canto by Ann Patchett, I thought I might cross her off my list. But when I discovered Truth and Beauty, I was hooked.
Do you outline, or are you a pantser? I began writing Don’t Leave Yet without an outline. By the time I completed the third chapter, I had decided an outline was necessary since I wove together scenes of the present with those of the past. It was a way of keeping characters and events clear in my mind.
Looking to the future, what’s in store for you? I plan to continue placing my poems in literary journals if I’m lucky. I will also enter my chapbook, Treading Water, in more literary competitions with the goal of publication. It was recently named a finalist in Blue Lights Press writing contest.
Do you have any advice for new writers? First and foremost, be true to yourself. Write what’s meaningful and what you love. Observe the world. Read widely. And don’t ever let others tell you that you can’t write.
How do our readers contact you?
— R. Scott Decker, PSWA Vice President and author of Recounting the Anthrax Attacks.
Introduction – As I continue to write and refine my style, I find my mind visualizing the words as I form a sentence. I struggle not to use the same word twice on a page, to stay in the active voice, alter sentence length, and so on. My goal is that writing becomes second nature. It takes work.
I am also finding that I visualize spoken words and unconsciously critique the speaker’s use of words and phrases. My mind sees the spoken words on a page. I find myself cringing at certain phrases used in abundance and not always in the correct form. I evaluate discussions and media commentary for what would be suitable or unsuitable in written narrative. Overuse and misuse of the King’s English has become my unintended pet peeve.
I’m not alone. At the beginning of the year, two young TV announcers/anchors presented their list of overused and abused words. They put “literally” at the top of their list. Unfortunately, many celebrities, including Hollywood A-listers and popular talk show hosts, did not see the broadcast or pay attention if they did. At the top of my list for this season is “moving forward.” It’s everywhere—sports, politics, and the nightly news. Some examples:
Commentator during the fourth game of the 2020 Stanley Cup Finals – “We will continue to monitor COVID test positive results moving forward.” Redundant?
Tom Bevan, opening of the 9/29/2020 Presidential Debate – “Forward-looking vision for the future.” What?
A prolific and widely-read romance author recently penned advice for fellow writers: “I think the biggest mistake an author makes when writing a rough draft is stopping and rereading/editing their work. The key is to keep moving forward and get the whole story out.” Could forward be left out without losing the meaning? I vote, yes.
Second on my list is “transparency” and its negative, “lack of transparency.” When did this one replace the more articulate, “lying by omission,” “not being truthful,” “hiding the facts, “without explanation?” Candidate Joe Biden used “transparency” more than once during the 9/2020 Presidential Debate. Even my personal hero, Chris Wray, Director of the FBI, uses “transparency” in his public addresses.
Landing at third on my overuse list are adverbs—those ending in “-ly.” Usually (oops) they waste oxygen. What morning talk show doesn’t broadcast “literally” during every airing?
New Words and Terms – And there is the use of new words when the tried and true won’t do. For 2020 we have “impactful.” And “content” to describe information. “Break it down” for explaining things. “Deeper look” has replaced closer look and scrutiny. During a Las Vegas Springs Preserve TV ad this past summer, the narrator said, “during a rain event” to describe when it rains; and repeated it three times in one minute! And there is “price point” to describe price; “skill set” to mean skills. Is there no end?
Summing Up – Writing benefits from brevity, using less words to say more. More often than not, it lends itself to a faster paced narrative. As writers, we must embrace the use of a wide and varied vocabulary. Word’s thesaurus feature is a good start. I find reading the work of prominent authors especially useful, such as that of John McPhee. As I took breaks in my book writing to read his tome, Coming into the Country (FSG, 1991), I kept a list of words he used that were unfamiliar to me. The list grew to more than one hundred by the time I finished the book. I kept a dictionary close at hand.