Dr. Katherine Ramsland teaches forensic psychology at DeSales University in Pennsylvania, where she is the Assistant Provost. She has appeared as an expert in criminal psychology on more than 200 crime documentaries and magazine shows, is an executive producer of Murder House Flip, and has consulted for CSI, Bones, and The Alienist. The author of more than 1,500 articles and 69 books, including The Forensic Science of CSI, The Forensic Psychology of Criminal Minds, How to Catch a Killer, The Psychology of Death Investigations, and Confession of a Serial Killer: The Untold Story of Dennis Rader, The BTK Killer, she was co-executive producer for the Wolf Entertainment/A&E four-part documentary based on the years she spent talking with Rader. Ramsland consults on death investigations, talks to killers, pens a blog for Psychology Today, and is writing a fiction series based on a female forensic psychologist who manages a private investigation agency.
Elevator Pitch for I Scream Man: Forensic psychologist Annie Hunter’s PI team plunges into a perilous case of missing kids and a well-connected network of sex traffickers.
In which genres do you write? I started publishing in the mid-1980s, so I’ve covered a range of genres, mostly in nonfiction: biographies, adventure memoirs, travel, true-crime, writing craft, psychology, paranormal, encyclopedias, scientific analyses, textbooks, and even a cookbook. I’ve also written scripts and treatments for Hollywood. With fiction, I’ve published horror, paranormal urban fantasy, and now my private investigation series. I find that there’s a lot of cross-fertilization.
What inspired your current work, the Nut Crackers Investigation series? I teach forensic psychology, including a course called Psychological Sleuthing, on the psychology of investigation (which I designed and for which I wrote the textbook). I also consult on unusual cases, so it was natural to base a character and her investigative team on what I do. I’ve written a lot of nonfiction on forensic science, psychology, and investigation, so I’ve developed a network of consultants – and some are real characters. In the series, I connect Annie Hunter’s team to whatever consultant she might need, from digital to anthropology to meteorology (yes, there’s forensic meteorology!). Between access to plenty of cases, conversations with multiple offenders, and teamwork with many different professionals, I have a solid set-up for creating plots and characters.
How do you incorporate research or true events into your fiction? I generally start with a twisty crime I’ve come across that will call on my characters’ unique skills. On my core team is a cadaver dog handler, a PI who’s also an artist, and a psychologist with a specialty in suicidology and staged scenes. I research the crime, especially in legal documents, and sometimes talk to key personnel (including offenders). Then, like Law & Order, I spin my fictional scenario. Since I also know the psychological literature, I’m careful to develop characters along realistic lines. One more dimension is that I use actual settings, so I go experience them. I take a lot of photos. For example, after I set a scene in a recreational area, I traveled there to see where I might place an inconspicuous grave. Sometimes the places I see inspire me to turn them into settings. The tower in Ireland that poet W. B. Yeats owned, for example.
You’ve written 70 books, along with multiple other types of projects, and you often write more than one at once. How do you keep them straight? I once heard that a change is as good as a rest. I find this to be true. I work on multiple projects at once – including my day job as a professor and assistant provost. Each provides inspiration for the others. I merely keep them in separate folders on my computer, or in separate piles on my office floor. But when I tire of one project, or finish one, I’m glad to have something else to keep the juices flowing. I have no time for postpartum writing grief because another project is calling for attention.
What is your writing process? I’ve written a book, Snap: Seizing your Aha! Moments, which describes one of the best things to do for the creative process. A lot of people believe that flashes of insight happen at random, but I’ve discovered that you can set yourself up for these to occur regularly. In the book, I propose a program that I’ve found useful for generating the spark. I call it a “snap,” because the flash of genius that really counts is insight plus momentum – it snaps you toward action. It resolves your impasse. First, you create your mental salad. You really work at it, gathering all kinds of info and experiences to toss in. Use a routine so you can tap into body memories, too. Then you relax in whatever way works for you. For me, it’s walking. During this time, you let the brain’s association network mix and match to come up with a plot twist, a new character, the resolution of a scene, etc. I’ve been counting on this process for years. I love it.
What advice do you have for new writers? The most important thing a budding writer can do is to form a support group. This is not a critique group. It’s a small group of people who believe in their work and will be there to assure them when they have doubts. Maybe they’ll be proofreaders (mine are). Maybe they’re just cheerleaders. But they’re essential for the hard times that inevitably come to every writer.
You’ve been writing a blog for Psychology Today for ten years. What’s the theme? “Shadow-boxing,” the title and theme, is about our darkest impulses, as well as anything that may lurk beyond our awareness, “in the shadows.” I write a lot about crime and criminals, since that’s my primary field of expertise, but I also write about creativity, literature with dark edges, investigative techniques, and psychological conditions. Sometimes, I review books.
What can we look forward to in this series? I certainly hope readers will enjoy an investigative series with a deep dive into psychology. They’ll learn about psychological quirks as well as investigative tips. Since Annie Hunter is a forensic psychologist with private practice cases on the side, she has insight into criminal behavior that’s often missed by PIs and cops. Annie has a podcast, Psi Apps, and she’s open to a lot of oddities, including cases with paranormal aspects. And I hope to have weather events in every novel. Might be a hurricane, a tornado, a snowstorm, a flood. I love weather, and I love mysterious places. Wherever I go, I’ll take readers with me.
Annie Hunter’s House
How do our readers contact you? Readers can find me mostly on Facebook. I have three pages there. Also, the website has an email address.
Sisters in Crime
Writers Police Academy
Mystery Writers of America
Private Eye Writers of America