Glenn Quigley is an author and artist originally from Tallaght in Dublin, Ireland, and now living in Lisburn, Northern Ireland, with his partner of many years. His first novel, The Moth and Moon, was published in 2018. When not writing, he paints portraits in watercolours and tweets too many photos of lighthouses. He maintains a website of his latest work at www.glennquigley.com.
The Knights of Blackrabbit book one: These Young Wolves – Spinning off from the Moth and Moon trilogy, THE KNIGHTS OF BLACKABBIT book one: THESE YOUNG WOLVES sees burly former crime lord Vince Knight returning to Port Knot to take command of the Night Watch—the very people who spent a good deal of time trying to imprison him. Under the scrutiny of the island’s ruling council, a distrusting local population, and a certain dashing captain, Vince must battle against the criminals he used to lead.
The Knights of Blackrabbit book one: These Young Wolves was released on 20th December 2022 from Ninestar Press. www.ninestarpress.com
The Great Santa Showdown It’s two weeks before Christmas, and the official Santa Claus of the small town of Yuleboro is retiring. Bookstore owner Gregory and tree farmer John will have to battle through a tournament designed to test the skills of any would-be Kris Kringles. As they go head to head in the town’s first-ever Great Santa Showdown, will it be more than just the competition that heats up?
The Great Santa Showdown is available from JMS Books: https://www.jms-books.com/glenn-quigley-c-224_559/the-great-santa-showdown-p-4550.html
You can find my other published works on my Amazon page: https://viewauthor.at/glenquigley.
Do you write in more than one genre? I tend to write Historical Fiction* for my novels and contemporary for my short stories. That said, I am currently working on a contemporary novel.
(*Technically, as they’re set in an alt-history, my novels are Historical Fantasy, but that makes it sound like a world of “knights, wizards, and dragons” instead of “everyone is treated equally, regardless of race, gender, or sexual orientation.”)
Where do you write? What, if any, distractions do you allow? I write in my spare bedroom/study with the door closed. I cannot have any other sounds except for the white noise of a howling thunderstorm and crackling fire that I found on Youtube. I started listening to it when writing the storm scene in my first novel, The Moth and Moon and found it really helps me concentrate. I can’t listen to music or TV as I can’t have any other voices or competing narratives playing while I’m writing.
We hear of strong-willed characters. Do yours behave or run wild? They mostly behave themselves though if one character pushes to the front of my mind, they tend not to shut up until I’ve written their story. Very occasionally, one character will refuse to do what I want and insist on doing things their own way. For example, Lady Eva Wolfe-Chase was a side character in The Moth and Moon, but she insisted on becoming central to the plot of the follow-up novel, The Lion Lies Waiting. Sometimes, you’ve got to get out of a character’s way and let them have their turn in the spotlight.
Do you have subplots? If so, how do you weave them into the novel’s arc? Absolutely. Subplots are essential to my work. They flesh out side characters and help build a world. In my Moth and Moon series, the setting is a little village on a remote island. Subplots help to establish the world and convince the reader that this is a living, breathing place. Sometimes the subplots tie directly into the main plot, sometimes, they’re there to justify a side character’s actions later in the story, and sometimes they add some flavour or shift the tone a little.
Do you base any of your characters on real people? In a way. I often cast actors in the roles of my characters, especially during a first draft. This helps to solidify them in my mind and gives me something to build from. Usually, by the time the story is finished, they’ve evolved and grown into their own thing. I have a character in my upcoming novel, The Knights of Blackrabbit, book one: These Young Wolves, who was inspired by the late actor James Robertson Justice. I took his on-screen persona (big, blustering, and physically intimidating) and applied it to the character of Captain James Godgrave. This was an enormous help in getting that character off the ground, so to speak. It was a foundation on which I could build. Similarly, in my new short story, The Great Santa Showdown, I cast two of my favourite Hallmark movie actors in the lead roles.
I’ve yet to consciously base a character on anyone I know personally, though reading back, I can spot some friends and family popping up in certain aspects. It’s funny how that happens without me being conscious of it at the time.
Do you outline, or are you a pantser? For The Great Santa Showdown, I had a rough idea for the plot first (a small town holding a competition to pick their new Santa Claus), but mostly I tend to start with an image or line of dialogue and build on that. Once I’ve got a sense of the story, I’ll work out a character arc (a story circle). This usually gives me enough sense of what the plot will need to be for the arc to make sense. So, I’m a little bit of both, I think.
What kind of research do you do? My novels are set in an alternate 18th century, so I have a lot of leeway when it comes to historical accuracy, but I still try to stick as close as I can to actual history. This tends to be less about world events and more about clothing/architecture/day-to-day life. I read a lot about small towns, fishing villages, boats, and clothing of the era. A lot of research is done online, which can be time-consuming as I have to check the sources on many things. The main character of The Moth and Moon trilogy, Robin Shipp, sails a Cornish lugger (a traditional fishing boat), and I read two books written by someone who sailed a similar boat in the late 20th century just to try and pick up some little details that I could use. I’ve also got a dictionary of Regency-era slang words, which is a fun read!
Where do you place your settings—real or fictional locations? Fictional. I created a group of islands off the coast of Cornwall called the Pell Isles, and that’s where The Moth and Moon trilogy and its spin-off, The Knights of Blackrabbit series, are set. I find there’s much more freedom in a fictional location and a lot to keep track of. I have maps made of Merryapple (the island setting for The Moth and Moon) and Port Knot (the town where The Knights of Blackrabbit is set) to help keep things straight. For The Great Santa Showdown, I created the small, All-American town of Yuleboro and gave it lots of Christmas-themed street names, which I loved doing. Some of the best fun in writing comes from making up places you’d love to visit and making up people you’d love to meet there.
Where to find me online:
Other works by the author:
The Moth and Moon
The Lion Lies Waiting
We Cry the Sea
Use as Wallpaper
The Great Santa Showdown
It sounds like an interesting concept writing historicals set in an alternate universe. Do you use a big printed template to keep things straight or is it all in your head? Best of luck to you.
Thanks, Michael! I have a master timeline of all events mentioned, and that gets updated with each new story. Aside from that, I’ve got some notes about the technology used (it’s mostly clockwork stuff) so that I can drop those into the stories to maintain a sort of continuity. I try to steer as close to real world history as I can, for the same of simplicity.