Claire M. Johnson worked as a pastry chef in San Francisco Bay Area for a number of years. Ms. Johnson’s first novel, Beat Until Stiff, was set in the restaurant world and was nominated for the Agatha Award for Best First Novel and was a Booksense pick. Her second book in this series, Roux Morgue, received a starred review from Publishers Weekly. She has written two Jane Austen pastiches and has recently finished a first-person POV historical memoir of Pauline Pfeiffer (Ernest Hemingways’s second wife) and a mystery set in San Francisco in 1930. She is currently President of MWA NorCal.
In 1930 San Francisco, the Moore Detective Agency is two months away from closing its doors. When the wife of one of the most prestigious bankers knocks on their office door asking them to look for her wayward stepson, secretary Maggie Laurent takes the case. The aftermath of the stock market crash nine months earlier is now being realized in soup kitchens and bread lines. She needs this job to help support her widowed mother. Maggie soon finds herself up to her neck in murder, arson, and the lies and double lives of San Francisco’s wealthy elite. Will she be the next victim?
Do you write in more than one genre? I’ve written two mysteries, two Jane Austen pastiches, a standalone YA thriller, a first-person POV biography of Pauline Pfeiffer, and my latest book is a historical noir mystery set in 1930 San Francisco.
What brought you to writing? I moved to the suburbs! I found myself without a name, essentially. I was someone’s wife or mother. I felt my identity slipping away and was terrified that one day I’d walk up, look in the mirror, and there wouldn’t be anyone there. Writing is about as personal as it comes.
Where do you write? What, if any, distractions do you allow? For the first time in my life, I have a real office—no more laptop on the dining room table—with an old-fashioned oak desk that I got from UC surplus. I overlook my garden and am occasionally distracted by the antics of the squirrels chasing each other from tree to tree. Does this make me more productive? No, but it’s lovely to have all my books, my piano, and pictures of my family around me.
What are you currently working on? I’m working on the second in the series set in San Francisco in 1930, right after the stock market crash. In the first book, my heroine Maggie Laurent is the secretary to a detective. When a “dame’ does him wrong, he goes on a months-long bender, and she takes over a simple missing person’s case. Which, naturally, turns out to not be that simple.
Has an association membership helped you with your writing? Yes. I think that belonging to writers’ groups helps you establish a tribe that speaks the same language you do. You can share knowledge, frustrations, successes, and information on agents, what publishers will consider books without an agent, etc. Writing is a business, and I think that networking is critical. Plus, writers are a great group of people.
Who’s your favorite author? I have many favorite authors, but I would say that in this genre that John Le Carre is the master. The genius of Tinker, Tailor, Soldier, Spy is that this book is 90% backstory, which is usually the death knell of any book. And yet… His book The Constant Gardener left me stunned for weeks.
How long did it take you to write your first book and get it published? Oh years. I was lucky that Poisoned Pen Press was just opening its doors, and they were open to writers without agents at that time. Unfortunately, it was difficult then, and twenty years later, it’s even more difficult.
Do you have subplots? If so, how do you weave them into the novel’s arc? I think you must have subplots because otherwise, it becomes too formulaic. Subplots are an excellent vehicle for exposing characters that enriches what happens in the main plot arc. I think this is a tricky road to walk because you don’t want to detract from your main storyline too much. Otherwise, it only serves as a distraction rather as an element that is complimentary. That is the key function of a subplot. It should compliment and enhance some aspect of the main plot line, whether it be an expansion of a character study or even the secret key to solving the puzzle of whodunit.
Do you outline, or are you a pantser? I’m basically a pantser. For me, part of the joy of writing a book is discovering who my characters are. Even though I’m writing this, I’m also acting as the first reader. What are they going to do next? What are they going to say? I’ve heard many writers say that at some point, the characters take over. I have experienced that as well. Your id is firing overtime, and you can’t type fast enough. Even if you don’t use much or any of the additional material, it gives you insight into their character. I’m a character-driven writer, so this is the cream in my coffee. I will say that I always know the ending. First, this tells me why I want to write a book. The “why” a story needs to be told. Second, it gives me a goal post to write to.
Otherwise, I can get distracted by the shiny. I also have a fair idea of what the middle is. Sometimes that gets delayed a bit, but I think if you have a firm grasp on the middle of a book, say around 40,000–45,000 words, then you can race toward that end with the knowledge that much of the book’s character arcs are developed enough that you can concentrate on the action in the last half of the book. Not that you abandon your character arcs because you need them to respond to the plot arcs, but it does give you the freedom to go hell-bent for leather in the last half of the book. I also have a firm beginning in mind, but beginnings are hard for me. I always end up rewriting any beginning to my books a minimum of six times. Grabbing the reader in the first fifteen pages is hard, which these days is a mandatory requirement. The days when you are allowed to mosey into the plot are over.
What kind of research do you do? For my Pauline Pfeiffer historical novel, I delved into the world of Ernest Hemingway, F. Scott Fitzgerald, and the ex-pat world of Paris after World War I. I have more biographies on this period lining my bookshelf than any sane woman should admit to. Also, that period saw an explosion of photographic documentation of history with magazines such as Life.
I’ve just written my first historical mystery novel, which is set in 1930 San Francisco. I’m old enough to remember much of older San Francisco, so I wasn’t faced with trying to capture what San Francisco looked like before the Summer of Love, at which point everything changed. Newspapers are a great source for photographs. The SFGate archive is amazing.
Looking to the future, what’s in store for you? I hope it’s published! I have three finished novels I’m currently shopping. I have self-published before, and while I don’t relish the amount of work that self-publishing entails, I think all these books are good reads and deserve an audience, so I never say never.
Links for Books:
Beat Until Stiff
Pen and Prejudice
Vaseem Khan is the author of two award-winning crime series set in India. His debut, The Unexpected Inheritance of Inspector Chopra, was a bestseller, translated into 16 languages, and a Sunday Times 40 best crime novels published 2015-2020 pick; the series won a Shamus Award in the US. In 2021, Midnight at Malabar House, the first in the Malabar House novels set in 1950s Bombay, won the Crime Writers Association Historical Dagger, and in 2022 it was shortlisted for the prestigious Theakston’s Old Peculier Crime Novel of the Year award. MW Craven, CWA Gold Dagger winner.
ELEVATOR PITCH – THE DYING DAY by Vaseem Khan. Bombay, 1950. A 600-year-old copy of Dante’s The Divine Comedy vanishes, leaving behind a series of complex riddles and bodies. ‘The Da Vinci Code meets post-Independence India.
Do you have any advice for new writers? I wrote and submitted my first novel aged 17! It was awful. I spent the next 23 years and seven novels trying to get published before landing a four-book deal for my Baby Ganesh Agency series. Perseverance is important. But more crucially, it’s important to recognise that quality will out – it takes time and effort to bring your writing to the standard that agents and publishers consider publishable. On my website www.vaseemkhan.com you’ll find a blog piece entitled “Is this is a Dagger I see before me – lessons from 30 years of writing”. It might be useful.
What was your debut novel? And what happened next? My debut, The Unexpected Inheritance of Inspector Chopra, was written after I went to work in India for ten years. It became a Times bestseller after I launched it on the BBC Breakfast sofa to an audience of several million! I then found myself having to write a novel a year. That has meant strict discipline. Luckily, I’m a deadline masochist!
Tell us about your writing process: Wake up. Drown in a few moments of existential angst. Remember that there are still books and cricket in the world, so it can’t be all meaningless. Write for about three hours until my brain stops working. Potter around for the rest of the day, avoiding any DIY assignments my wife would like me to tackle.
What is the most challenging part of your writing process? I’m a detailed plotter – that takes months to get right. My current historical series is compared to Agatha Christie in style – so much so that this year I’m speaking at the International Agatha Christie Festival. The books include complex clues and, sometimes, codes and cyphers, as well as a wealth of historical detail about the period when India became independent after 200 years of British rule. Balancing all these elements is a challenge!
What do you feel are your biggest writing achievements? Getting published after two decades of trying! Followed by winning a Crime Writers Association Historical Dagger, the world’s premier prize for historical crime fiction – for Midnight at Malabar House. In the book, we meet my protagonist, Persis Wadia, newly qualified as India’s first female police Inspector at a time when India is still an intensely patriarchal society. No one knows what to do with her, so they stick her in Bombay’s smallest police station – Malabar House – where all the rejects and undesirables are sent. And then a sensational murder – of an English diplomat – falls into her lap… and she’s off! In fiction, we love pioneers. There’s something mythic about a protagonist challenging the status quo. Persis, as a woman in a male dominated environment, is forced to prove, time and again, that she belongs. As a man, it wasn’t easy to write such a character!
Why do you write about India? I was born and grew up in England but lived in India for a decade in my twenties. It was an intense culture shock. In The Unexpected Inheritance of Inspector Chopra, there is a chapter that takes place in a slum in Mumbai. I visited that slum while living in India, and it was eye-opening to observe poverty on a scale we simply can’t imagine in the West. At the same time, it was life-affirming to see the locals just getting on with things – especially the ever-grinning kids!
How do you come up with character names? A great character name is euphonious, meaning it is pleasing to the ear because it fits the character completely and makes them more real. I trawl through hundreds of online name lists to get just the right name.
We hear of strong-willed characters. Do yours behave or run wild? The Unexpected Inheritance of Inspector Chopra, introduced a middle-aged Mumbai policeman who must solve the murder of a poor local boy – whilst dealing with the odd dilemma of inheriting a baby elephant. What do you do when you live on the fifteenth floor of a tower block, and someone sends you an elephant? Read the book to find out! That elephant has become incredibly popular with readers around the world, so much so that I continue to get email about him. To be clear: he doesn’t talk or fly or solve the mysteries. The elephant is merely a symbol for India and allows me to showcase a different side of Chopra’s personality – he’s a very rigid and honest man. He has to gradually come to terms with the idea that he is responsible for this animal’s welfare.
What’s the most challenging thing about writing characters from the opposite sex? I wrote a female lead for the Malabar House series because I wanted to say something about the patriarchal, sometimes misogynistic society that was India in the 1950s. Persis is ambitious, so much so that she is sometimes quite ruthless in her desire to prove herself. And why shouldn’t she be? We allow male mavericks in crime fiction, so why not a female?
Do you have subplots? If so, how do you weave them into the novel’s arc? Always! For instance, inThe Dying Day, the second book in the Malabar House series, we see twin plots. A 600-year-old copy of Dante’s The Divine Comedy vanishes from Bombay’s Asiatic Society, and the case lands on Inspector Persis Wadia’s desk. Uncovering a series of complex riddles written in verse, Persis – together with English forensic scientist Archie Blackfinch – is soon on the trail. But then they discover the first body.In a subplot, Persis must also investigate the murder of a beautiful white woman whose body is found on train tracks. Could the two cases be related? The trick is to plan in advance exactly how your subplots fit together. If they don’t hang together at all, I think it can sometimes lead to readers feeling cheated! .. Oh, and to date, only one person – an Australian reader – has claimed to have solved all the riddles in The Dying Day. The challenge is made!
Do you base any of your characters on real people? A lot! Early on in Midnight at Malabar House, Persis finds herself working with Archie Blackfinch, an English forensic scientist based in Bombay. They get off to a rocky start, but we know this is going to be one of those will-they-wont-they situations. And this presents a challenge for Persis. Because, of course, this is India just after Independence. The idea of an Indian woman in a relationship with a white Englishman… They’re both socially awkward people – but whereas Archie is one of those Englishmen who’d rather hack their own arm off than speak out of turn, Persis’s determination to succeed sometimes means that she’s a bit ruthless, such as when she almost shoots Archie’s ear off. I guess you could say there’s a lot of me in Archie. (Though my wife hasn’t shot my ear off. Yet.)
Looking to the future, what’s in store for you? I’m getting ready to promote THE LOST MAN OF BOMBAY, the third book in my Malabar House series, out in August in the UK and Kindle in US on August 18, 2022, hardcover on November 22, 2022, in the US. Frankly, I’d buy it just for the amazing cobra on the cover! It’s set in 1950 in Bombay, India. In this one, a white man is found frozen to death in a cave in the Himalayan foothills. His face is crushed, making his identity a complete mystery. When the case lands on Persis’ desk, she discovers a notebook on the body holding a series of cryptic clues. As Persis and Archie Blackfinch chase down the clues, more murders occur in Bombay of Europeans. Could there be a serial killer loose in the city? Pre-orders really help, so don’t be shy!
How do our readers contact you?
The Book Group https://www.facebook.com/groups/readrecommendreview
UK Crime Book Club https://www.facebook.com/groups/ukcrimebookclub
Lost in a Good Book https://www.facebook.com/groups/1715381925391873
Mystery Readers Café https://www.facebook.com/groups/2024429557790696
Bookaholic Café https://www.facebook.com/groups/BookAholicCafe
Book Connectors https://www.facebook.com/groups/1466353170351020
Crime Fiction Addict https://www.facebook.com/groups/507750129408471
The Crime Book Club https://www.facebook.com/groups/CrimeBookClub
The Fiction Café Book Club https://www.facebook.com/groups/FictionCafe
Our guest today is Michael A. Black, author of over 47 books, including his latest series featuring ex-army ranger Steve Wolf as a modern-day bounty hunter.
Michael A. Black is the award-winning author of 47 books, most of which are in the mystery and thriller genres. He has also written in sci-fi, western, horror, and sports. A retired police officer, he has done everything from patrol to investigating homicides to conducting numerous SWAT operations.
Black was awarded the Cook County Medal of Merit in 2010. He is also the author of over 100 short stories and articles and wrote two novels with television star Richard Belzer (Law & Order SVU). His Executioner novel, Fatal Prescription, won the Best Original Novel Scribe Award. His latest novels are the Trackdown series (Devil’s Dance, Devil’s Fancy, Devil’s Brigade, Devil’s Advocate, and Devil’s Vendetta) and Chimes at Midnight (under his own name), Dying Art and Cold Fury (under Don Pendleton), and the Gunslinger series (Killer’s Choice, Killer’s Brand, Killer’s Ghost, Killer’s Gamble, and Killer’s Requiem) under the name A.W. Hart.
Let’s start with something off the beaten track. Tell us something about yourself that isn’t in your bio. Okay…One of the reasons I was interested in writing westerns is that Zane Grey is a distant relation of mine.
You have a new book out. Why don’t you tell us a little bit about it? I’d be glad to. It’s the latest installment of my Trackdown series about disgraced ex-army ranger Steve Wolf, who was wrongfully accused and convicted of a war crime in Iraq and sentenced to prison. Upon his release, his mentor, Big Jim McNamara, picked him up and helped him get back on his feet with Mac’s bail enforcement business, i.e., bounty hunting. Wolf and McNamara had several adventures through the first four books in the series (Devil’s Dance, Devil’s Fancy, Devil’s Brigade, and Devil’s Advocate), and the newest one takes up where the last one left off. It’s called Devil’s Vendetta.
Sounds like a devilish series; what’s the new one about? Devilish is right. Wolf’s goal is to clear his name since he was wrongfully convicted, and through the first four books, he fought to do this by trying to bring the rich and powerful adversary who framed him to justice. In the fourth book, he came close to succeeding, but as everyone knows, nothing is simple when it comes to our justice system. Devil’s Vendetta continues this theme and begins a new story arc. In this book, Wolf receives a call from his mother in North Carolina that his younger brother, Jimmy, has fallen in with a bad crowd, and an intervention is needed. After going back home for the first time since his release from prison, Wolf finds the old adage, “You can’t go home again,” grievously accurate. His hometown has a bit of a problem with political corruption and a growing crystal meth epidemic. To make matters worse, Wolf’s brother and his friends have concocted a dangerous scheme to rip off a drug kingpin. Wolf finds himself battling against superior odds trying to save what family he has left.
And this one continues the series, correct? It does. It’s actually number five in the series. Numbers six and seven are also coming out in short order as well.
You’ve got three new books coming out together? Right. Number six is Devil’s Breed, which takes up where Devil’s Vendetta left off, and then number seven, Devil’s Reckoning, follows in short order. My publisher, Wolfpack, is releasing all three books in the space of about a month (October 4th, October 25th, and November 15th) under their new Rough Edges imprint. I’m feeling a little bit like Charles Dickens. He used to do a chapter a week when his novels were serialized in the newspaper.
That certainly does sound like a quick succession. How long did it take you to write these? I started working on these three last year (2020) in August. I wrote straight through to this past August, with a few other projects interceding from time to time. It was a busy year.
It sounds like it. Three novels in a year is pretty impressive. Actually, I managed to squeeze in a fourth one, but that was a co-author project. I did a novella, too. They don’t call me the fastest keyboard in the Midwest for nothing.
That sounds like a well-earned title. So does the series continue beyond these seven books? Well, each book is a story in itself, with continuing plot threads. At this point, the series could end, but I’ve left enough of a thread that it could continue. That’ll be up to the readers.
What are you working on currently? After spending so much time with Wolf and Mac, I had a yearning to do something different. I also write westerns and had an idea on the back burner for a while. It’s set in 1913 during the early days of motion pictures. It’s got a troubled veteran of the Philippine/American War, a silent movie being filmed, real-life author Ambrose Bierce, the Mexican Revolution, and of course, some nefarious goings-on.
Sounds ambitious. Good luck with that one. But, before we let you go, I have a question about a group you are active in, the Public Safety Writers Association. I understand that you are not just engaged but, in fact, chair the annual PSWA Conference. Please tell us about that.
Sure. I’ve been a member of the PSWA for a number of years and work with the other board members to run the annual conference in July. We always host it in July at the Orleans in Las Vegas and have a great time. I’ve been to many writer’s conferences, and I can truly say that the PSWA Conference is the best. It’s all about sharing your experiences and becoming a better writer. The people are great, and the members come from a variety of backgrounds. It’s affordable and always a lot of fun. Check out the PSWA website for a glimpse of this past conference.
Thanks for stopping by.
Always a pleasure to be on the best of the best blogs, George. Thanks for having me.
How can our readers contact you and buy your books:
Well. Someone in China hacked my website, and I still haven’t gotten around to organizing another one, but all of my books (Ebooks or paperbacks) are available on Amazon.com, Barnes & Noble, or at your local bookstore. If you want to get hold of me, my email is DocAtlas108@aol.com. I’m always glad to hear from people.
Whatever you wish to list here, like links to seller/buy sites or any URL.
Devil’s Vendetta: A Steve Wolf Military Thriller (Trackdown Book 5) – Kindle edition by Black, Michael A.. Literature & Fiction Kindle eBooks @ Amazon.com.
Devil’s Breed: A Steve Wolf Military Thriller (Trackdown Book 6) – Kindle edition by Black, Michael A.. Literature & Fiction Kindle eBooks @ Amazon.com.
Michael was born in Manchester, England. He lived in France and joined a French Order of Missionary priests. He spent ten years in West Africa, several of them during a civil war when he was stood up to be shot. He spent a year living as a hermit in Northern Ireland, was a teacher in Madrid, Spain, and as part of the British ‘brain drain’ taught at the Univ of Puerto Rico.
The owner of MJB Consultants, he flew all over the world monitoring and evaluating humanitarian projects and has worked in more than thirty countries. He is fluent in several languages, an avid golfer, and academically considers himself over-engineered, having three Masters’ Degrees and a Ph.D. On his bucket list is to pilot a helicopter, become fluent in Arabic, and spend a week’s retreat at Tamanrasset in the Sahara Desert.
Michael lives with his French wife, who designs and paints the covers of his books, and a Tibetan terrier in Clayton, California.
His latest novel, The Ethiopian Affair (May 2022), begs the question: Is there a plot to abduct the US ambassador to Ethiopia? MI6, the CIA, and NISS (Ethiopian Secret Service) are faced with discovering the truth.
He has always been a writer, and his first book, The Bishop Wears No Drawers (2017), is a memoir of his time in Africa. Let the Peacock Sing (2020) is a historical novel set against the backdrop of the French Resistance during World War II. His second novel, a coming-of-age book, Becoming Anya, was published in November 2021. Michael also writes fiction and nonfiction articles for several magazines, including Alive East Bay and The Big issue (UK). He is a feature writer for the Mt Diablo Gazette.
Do you write in more than one genre? My first book is a memoir of ten years spent in Nigeria as a catholic missionary priest, where I was stood up to be shot. My second book is the historical novel Let the Peacock Sing.
What brought you to writing? I have always been a writer, mainly nonfiction and academic articles on philosophy and spirituality. Retirement gave me the time to develop my craft and let my imagination run wild.
Tell us about your writing process: I treat my writing like a job as if I am employed and quite disciplined. I usually spend six to eight hours a day on a book, either writing or doing research. I take breaks with a round of golf and vary my writing by producing fiction and nonfiction articles for various magazines.
With fiction, I usually have an idea with just a couple of specific points, and the rest of my process depends entirely on my characters. As they grow and develop, they tell me who they are, what they want to say, and what they are doing.
Nonfiction: It depends on my mood and particular interest at a given moment. I occasionally do book reviews.
What is the most challenging part of your writing process? The only challenge I have as a writer is that there is insufficient time to write all the stories and characters in my head.
What are you currently working on? I am five chapters into a novel comprising six different stories, all intertwined with links to two main characters. It’s fun and challenging.
Has an association membership helped you with your writing? Not really. I joined CWC because writing is a lonely business. I started the Writers Connection, where a group of us could meet to socialize and talk about anything related to writing.
I read more biographies than novels. Who’s your favorite author? Depends on the type of book. Thrillers: John Le Carre; Literary: Edna O’Brien & Jose Luis Borges. Paul Theroux is, for sure as a travel author.
What’s the most challenging thing about writing characters from the opposite sex? Love/romantic scenes are particularly difficult to write, just to get the language balance and sensitivity right. My wife, who is both a painter and psychologist, is always the first to review my drafts and gives me excellent feedback.
Do you have subplots? Always have several subplots. That’s a major part of the fun and challenge in writing.
Do you base any of your characters on real people? Yes. I believe that almost every author, especially early in their career, base some characters on their own experiences. We often write from what we know.
What obstacles do you face when writing about historical figures? Sometimes it’s difficult to access or find all the information needed about a character. For example, I needed a great deal of information about the French railways during World War II. There are lots of bits and pieces, but that complete history has still to be written. I have researched French archives and come away empty-handed.
Where do you place your settings? Depends. I write a lot about places and countries I have lived in, especially France, Ireland, Spain, Nigeria, Ethiopia, and Latin America.
What is the best book you have ever read? Henry Kissinger: 2 Vols. The Whitehouse Years, and he was writing in a second language. From the point of view of command of language and style, Mark Kishlansky’s A Monarchy Transformed: Britain 1603-1714.
Looking to the future, what’s in store for you? My head is full of characters wanting to tell their stories. I’ll just keep writing because I must. I would like to see my book Let the Peacock Sing turned into a mini-series, and I am working on that.
How do our readers contact you?
I’m a debut author, Canadian, and have just signed a two-book publication deal with Level Best Books. My first title, A Nice Place to Die, is due for release in early August 2022. Blood Relations, number two in the series, is due August 2023.
The books are set in Northern Ireland, where I was born and lived for over twenty years. They are police procedurals featuring DS Ryan McBride and his partner DS Billy Lamont, and while they deal with murder, I do add humour and focus on the setting and characters.
Like many of us, I’m sure, my journey to publication was long. I worked (in broadcasting) until I decided to take early retirement, write, and travel. Well, we all know what happened to travel!
As an unpublished writer, I entered a few competitions and won the Mainstream Mystery and Suspense Daphne du Maurier Award in 2019. I’ve been long-listed four times for the Crime Writers of Canada Arthur Ellis Awards, and I was finally shortlisted in the CWC Canadian Awards of Excellence in 2021.
I applied for a few grants to conferences. While I never received a grant, I did come to the attention of one of the committee members who had read and enjoyed my first few chapters. She asked me to send her the book to read. I did not, however, feel it was ready to send out for such professional scrutiny (she was a publisher!) and asked that she allow me some time. Two years later, with Covid in between and many more rewrites on my part, I resent the manuscript. This time she read the whole book and offered me a three-book contract. I ended up deciding to go with two books to start, publishing schedules are short, and I take a long time with my books!
I started out as a pantser. I wrote my first book, Abducted, in one linear process. Honestly, I can’t believe I did it that way. I had absolutely no idea what I was doing. That manuscript, however, did get long-listed in the CWC annual awards competition. That gave me such a boost. I started my second book, the first in the Northern Ireland series. I began to write it the same way and quickly got lost in the plot. Frustrated, I took Simon Wood’s class, Plot Thickeners, via Sisters in Crime. He showed us how outlining and plotting out make life easier. I wouldn’t say I am a total outliner; I wish I was, but more like a hybrid.
I can’t say exactly the best book I ever read, but I love Kate Atkinson’s Jackson Brodie series. I also love November Road by Lou Berney. I enjoy police procedurals so I must mention the wonderful British writer Susan Hill. And I just finished an older book, The Enchanted April, by Elizabeth von Arnim. It was fantastic.
The take-away for me on this journey is, don’t rush your work. Write the best book you can. Take classes, ask for help, write and rewrite. Join critique groups. Read in your genre and outside it. It’s taken me about four years to write A Nice Place to Die. The first edition of that manuscript was not very good. It’s a process. Certainly, for me, as a new writer, joining Sisters In Crime was the single most important thing I did—classes, critique partners, advice online, and making writer friends. Going to conferences is costly but worth it, and if you can afford a professional editor, so much the better. Enter competitions and apply for grants. Why not?
A Nice Place to Die is due for release in August 2022. – It’s 2016, and Northern Ireland remains a deeply divided province by years of distrust and hatred. But not all crimes are related to the troubles, and Northern Ireland’s past history is the least of Detective Sergeant Ryan McBride’s problems. He has enough to worry about with his latest murder inquiry. Unwilling to risk losing the case, he breaks the rules and fails to disclose a one-night stand he had with the victim. As to the investigation, it’s going nowhere fast as one-by-one, his prime suspects are murdered.
Blood Relations is due for release in August 2023 – Retired Chief Inspector Patrick Mullan is found brutally murdered in his bed. Ryan and Billy are called to his desolate country home to investigate. In their inquiry, they discover a man whose career was overshadowed by violence and corruption. Is the killer someone from Mullan’s past or his present? And who hated the man enough to kill him twice?
I’m a graduate of the Humber School for Writers in Toronto and BCAD, University of Ulster. I’m also a member of Sisters in Crime, Crime Writers of Canada, and the Suncoast Writer’s Guild.
Where can our readers contact you and order A Nice Place to Die?
Buy the book: https://amzn.to/3CGIzi0
My email is firstname.lastname@example.org
My website is jwoollcott.com
The Public Safety Writers Association, 2022 writing contest awarded “Coming Home” second place in flash fiction. The 302-word story chronicles the welcome a Vietnam Veteran received upon his arrival in San Francisco, California. The ending is open to the reader’s interpretation.
I’m still running. I’m running from something; I’m not sure what. It’s time to stop running.
It could have been the reception I received at the San Francisco Airport on that cold and foggy day. I had worn the uniform for what seemed an eternity. I took a cab into the city, but it had started before then. First, the baggage handler threw my duffle bag at me, and then the cabbie acted as though I was Typhoid Mary.
I’m confused. I only did what was expected of me. Why this?
Dropped at the Greyhound Bus Depot, I was treated as a pariah. People glowered at me, most backed away. One woman spat on me after saying something about babies, a killer. I had never imagined a woman could do something like that.
The bar was the same; one drink and I walked away. I found myself standing in front of a Harley-Davidson dealer. I went in—it was different. “Hi, welcome home, welcome to Dudley Perkins.”
The man treated me with dignity. Maybe that’s why I bought an Electra Glide in blue. I threw the uniform into a Dempsey dumpster. I didn’t go back for my duffle bag.
Now five days later, I’m in Utah, stopped alongside a lonely highway. Leaning against the motorcycle, I stare at a stark rock formation in a long-dead sea bed. The trees, those with foliage, display orange and yellow leaves that shift and drop as a cold wind passes through the lonely valley. I feel as cold and lonely as the scene in front of me as I prepare to say goodbye to a world that no longer cares.