Mary Keliikoa is the author of award-winning Hidden Pieces and Deadly Tides in the Misty Pines mystery series, the award nominated PI Kelly Pruett mystery series, and the upcoming Don’t Ask, Don’t Follow out June 2024. Her short stories have appeared in Woman’s World and in the Peace, Love and Crime anthology.
A Pacific NW native, she admits to being that person who gets excited when called for jury duty. When not in Washington, you can find Mary with her toes in the sand on a Hawaiian beach. But even under the palm trees and blazing sun, she’s plotting her next murder—a novel that is. www.marykeliikoa.com
There’s an adage that would-be writers often hear when working on their first pieces: write what you know. In fact, in the beginning, and even now, it was advice that I heard quite often. And I don’t disagree. There is wisdom to that. Among other things, when one is so busy making things up, as we fiction writers do, it’s nice to lean into some solid information that we have personal knowledge about. It saves on research, for sure. But let’s face it—one’s knowledge base can only go so far. And I believe that in addition to what you know, writing what you want to learn about, understand, or what fascinates you can add richness to a story.
When I wrote the first book in the Misty Pines mystery series, HIDDEN PIECES, I decided to set the series in a place I was familiar with. That’s why I chose the Oregon coast, where my parents moved our family when I was a toddler.
While I don’t remember much about those early years, by the time I reached the age of five, many things about the coast stuck: the mist and the cool weather that never seemed to end, and that saturated our clothes was near the top. But also the moss laden trees in the towering forests. The hum of the ocean waves reverberating in the air. The sheer rock cliffs and violent eddies at their base. The call of the seagulls overhead, the bark of sea lions on the rocks, and the brackish smell of seaweed.
I also knew the people that chose that area as home. The family-like atmosphere where everyone knows your business. That the worry lines on the face of a fisherman’s wife don’t soften until he’s safely back across the bar. That fish and chips, and beer are necessary fare when gathering to tell tall fish tales at the local gathering hole.
I know the intriguing items that wash up along the ocean beaches, which was an absolute treat for the treasure hunter in me. From glass fishing floats and sand dollars to various creatures in the tidal pools, I could spend hours running along the ocean shores.
Setting I knew. But I also wanted to explore what I wanted to understand. In the Misty Pines series, that is grief—and the desperate need for redemption. In Hidden Pieces, I focused on a true crime that happened in my hometown where two girls went out walking and a car stopped. One girl never made it home. Using that as a backdrop, I explored how an individual might cope with a tragedy like that in their life…or perhaps not cope so well.
In DEADLY TIDES, the second book in the series out now, I went in another direction. I was interested in a phenomenon that has occurred with some regularity in the Pacific Northwest: severed feet washing ashore. Crazy enough, that has been happening for over the past decade. As to who the feet belong to, sadly, many have been victims of accidents, and some due to suicide. However, I write mystery with a dose of suspense, so of course, I chose a more nefarious cause.
Which brings me back to why those feet washed ashore—and understanding what might drive someone to such a gruesome act. And that led me back to that element of grief and how it might change a person.
Sometimes, it takes them to the edge, questioning their own existence. Sometimes, it has them acting out in a way they would not otherwise. Sometimes, grief morphs into bitterness and erodes an individual’s very core.
I explore this in the Misty Pines series through my main characters because it is a subject that I am familiar with…but want to understand. And here’s what I’ve learned.
Grief is a pesky neighbor that shows up at one’s window unannounced and knocks insidiously until it’s let in. There’s always the option to hide—close the window shade and pretend not to be home. But at some point, you have to come out. And grief, like that neighbor, will be waiting. Sometimes, it’s best to just let them in because they aren’t going anywhere—and one might as well learn to live peaceably next door to it because the alternative could be dire…at least that’s the direction I take in my novels. Like those feet, which thankfully I never ran across, severed or otherwise, when out beachcombing as a kid.
Now that I have a better understanding of grief… I’m on the lookout for the next thing to understand that fascinates me and that I can weave into my next story. I have a feeling it won’t be a problem!
AUTHOR WEBSITE: www.marykeliikoa.com
Kelly Oliver is the award-winning and bestselling author of three mystery series: the seven-book contemporary suspense series, The Jessica James Mysteries; the three-book middle grade kid’s series, Pet Detective Mysteries; and the soon to be seven-book historical cozy series, The Fiona Figg Mysteries.
Kelly is currently President of National Sisters in Crime.
When she’s not writing novels, Kelly is a Distinguished Professor of Philosophy Emerita at Vanderbilt University. To learn more about Kelly and her books, go to www.kellyoliverbooks.com.
Downton Abbey meets Agatha Christie in this charming historical cozy. “A delightful English countryside mystery with two handsome suitors and twists and turns worthy of Agatha Christie herself!” – Amanda Flower, USA Today Bestselling Author.
London, 1918 –
Fiona Figg finds herself back in Old Blighty, saddled with shuffling papers for the war office. Then, a mysterious card arrives, inviting her to a fancy house party at Mentmore Castle. This year’s Ascot-themed do will play host to a stable of animal defense advocates, and Fiona is tasked with infiltrating the activists and uncovering possible anti-war activity.
Disguised as the Lady Tabitha Kenworthy, Fiona is more than ready for the “mane” event, but the odds are against her when both her arch nemesis, dark-horse Fredrick Fredricks, and would-be fiancé Lieutenant Archie Somersby arrive unexpectedly and “stirrup” her plans. And when a horse doctor thuds to the floor in the next guest room, Fiona finds herself investigating a mysterious poisoning with some very hairy clues.
Can Fiona overcome the hurdles and solve both cases or will she be put out to pasture by the killer?
Today and every day, I’m grateful for writing. Writing enables me to live. It’s a necessity and not an option. Because of that, I’m especially thankful for readers. At this point, having readers respond to my writing is the most gratifying part of my life.
I began my writing career as a philosophy graduate student and then as a philosophy professor. I wrote nonfiction and scholarly works for decades. I wrote my first fiction, a mystery novel, almost ten years ago. Last December, I retired from Vanderbilt University to write novels full-time. I loved my philosophy career. But I was ready for a new challenge.
One of the greatest joys and challenges of my current writing projects is writing historical characters. I have three mystery series, and only one of them is historical. While I enjoy all of them, writing characters based on real-life people is especially fun.
For example, many of the characters in the latest Fiona Figg & Kitty Lane Mystery, Arsenic as Ascot—out next Tuesday and available for pre-order now—were inspired by real people.
Emilie Augusta Louise Lind af Hageby, known as Lizzy Lind, was a Swedish-born animal activist who founded the Purple Cross for horses and started the first veterinary field hospitals for military animals. She did enter medical school at the University of London to expose their vivisectionist cruelties. And she co-founded—with Lady Nina Douglas, Duchess of Hamilton—the Animal Defense Society with an office on Piccadilly. Nina used her estate at Ferne as a sanctuary for animals abandoned during the war, especially World War II, when food was in such short supply that many pet owners could no longer afford to feed themselves and their pets.
The character of Dr. Sergei Vorknoy is inspired by Dr. Serge Voronoff, known as the “monkey gland expert” and the “monkey gland doctor.” The real Dr. Voronoff, a Russian immigrant, grafted tissue from chimpanzee testicles onto wealthy men and their horses. He claimed the operation would restore youth and vitality and boost intelligence. He performed his operations mainly in France but also in England. This “side hustle” made him rich. Seems lots of wealthy men were ready to give it a go.
The novel Lady Sybil is loosely based on Lady Sybil Grant, daughter of Lord Archibald Primrose, Earl of Rosebery, who served as the prime minister of the United Kingdom from 1894–1895. He did close the gates to one of his estates, The Durdans when his son left to fight and never again reopened them. And after his wife, Hannah de Rothschild, died, he wore mourning for the rest of his life. He was also an avid horse lover and owned several stables and racehorses. He did not, however, hide horses from the War Office, and neither did his groom. Lady Sybil was known for her unconventional ways, including climbing trees, issuing orders with a bullhorn, and traveling with the caravan of Romani she allowed to camp on the estate. Don’t you just love this?
My recurring baddie, Fredrick Fredricks, is inspired by real-life spy Fredrick “Fritz” Joubert Duquesne, the South African huntsman who escaped from prison several times in outrageous ways, adopted several personae and generally charmed his way through high society posing as a New York journalist, a British army officer, and a Russian duke. One of his aliases was indeed Fredrick Fredricks. He was also the leader of an infamous Duquesne spy ring in World War II until his capture in one of the largest espionage convictions in United States history. Fredrick Fredricks is a fan favorite and one of mine, too!
Some of the joys of writing historical characters is learning about fascinating people like these. For a writer, their stories provide built-in plots, which is nice. The challenge is finding an appropriate voice and fleshing them out. Research only gets you so far. Sure. You can learn facts about someone’s life. But that doesn’t tell you who they were. Taking a journey into the head of a historical figure is both exhilarating and an enormous responsibility.
My goal is to tell a good story inspired by real-life characters and true events. Creative license is key to both starting and finishing any project. Without it, I would be paralyzed. Thankfully, at the end of the day, mine are fiction, not history books.
I love historical mysteries because I can learn about history while enjoying a rip-roaring good story.
What do you love about historical mysteries?
Arsenic at Ascot LINKS
Apple Books https://books.apple.com/us/book/arsenic-at-ascot/id6463619182
Barnes & Noble: https://www.barnesandnoble.com/w/arsenic-at-ascot-kelly-oliver/1143980413
Amazon US: https://www.amazon.com/dp/B0CD3N2XSH/
Amazon CA: https://www.amazon.ca/Arsenic-Ascot-Fiona-Kitty-Mystery-ebook/dp/B0CD3N2XSH/
Amazon AU: https://www.amazon.com.au/Arsenic-Ascot-Fiona-Kitty-Mystery-ebook/dp/B0CD3N2XSH/
Kobo CA: https://www.kobo.com/ca/en/ebook/arsenic-at-ascot
Barbara Howard is an author of mystery stories featuring a female amateur sleuth, diverse characters, and a dash of romance. Books include the Finding Home Mystery Series, Final Harvest, Charlotte’s Revenge, and Milo’s Journey. She is a first-generation tech geek turned master gardener. Ms. Howard returned to her Midwestern hometown after an extensive career as a Department of Defense Project Manager at the Pentagon and KPMG Finance and Accounting, Eastern Region. She spends most of her time treasure hunting, spoiling her fur babies, growing veggies, and plotting whodunits.
Please share your elevator pitch with us: The Taste of Rain – College student and part-time health aide Amira Connors wants nothing more than to graduate and successfully launch a non-profit with her latest crush, Attorney Darius Browne. But when a nursing home patient (Claire Stewart) shares shocking details surrounding her husband’s death, Amira pieces together the fractured memories and helps law enforcement identify the actual killer. But is he? Or have Claire’s ramblings entangled Amira into becoming the next target?
Has an association membership helped you with your writing? I belong to several associations, and each relationship is beneficial. I consider Sisters in Crime a shining star above them all. The networking, publishing, and educational resources are top-notch. I’ve built many friendships through my affiliation with SinC.
How do you come up with character names? If you’ve ever contacted me through a direct message (DM) with the classic line “Hello beautiful” or to interest me in cryptocurrency, chances are your name has been added to my list of character profiles. Most often, the murder victim.
What’s the most challenging thing about writing characters from the opposite sex? Making sure that they don’t sound like my ex-husband. Just kidding, sort of. I spent the majority of my career in the Pentagon, tech, and financial firms, all predominantly male environments. I have plenty of voices in my head (I’ve dubbed them the Ghosts of Briefings-Past) that feed my stories.
Do you base any of your characters on real people? Each character is my personal Frankenstein—a patchwork of several people I’ve known. I determine the character’s backstory, internal struggle, goals, and passions. Then, I go shopping for traits and behaviors that match the people I’ve met throughout my life. I’m a quilter, and piecing the fabric is my favorite part of that process. I suppose that has translated into my writing process and makes it fun for me.
Do you outline, or are you a pantser? I am a flexible plotter. I map out everything and try to stick to it. I need a clear path and goal for each scene. However, I allow room for the characters to breathe and grow. If that causes the plot to take unexpected twists and turns, I go with the flow. PS: That always happens, and it’s another part of the fun.
Where do you place your settings—real or fictional locations? Each setting has components from different places where I’ve lived, worked, or visited. Once I decide what the setting should look and feel like, I pull from my experiences in similar places to create it. That way, every time I walk through a scene with a character, it feels very real to me. And I hope that authenticity conveys over to the reader as well.
Do you have any advice for new writers? Try not to compare yourself to other authors. Find your own voice. Continue perfecting your craft. Learn something new every day. And trust the process.
Recent projects: Contributing author to the wedding-themed cozy mystery anthology Malice, Matrimony, and Murder.
Sisters in Crime,
Great Lakes Fiction Writers,
Crime Writers of Color,
Mystery Writers of America,
Gamma Xi Phi
Building Relationships Around Books,
Cozy Crime Collective,
World of Black Writers,
Gamma Xi Phi,
Women Reading Great Books,
Tattered Page Book Club
Contact – http://www.authorbarbarahoward.com
Buy – https://linktr.ee/BarbaraHoward
Amy Rivers is an award-winning novelist and the Director of the Writing Heights Writers Association. She was named 2021 Indie Author of the Year by the Indie Author Project. Her psychological suspense novels incorporate important social issues with a focus on the complexities of human behavior. Amy was raised in New Mexico and now lives in Colorado with her husband and children.
ELEVATOR PITCH Ripple Effect – Forensic psychologist Kate Medina continues to pursue the leaders of a trafficking ring that has plagued her hometown. Still, time is running out, and her sister’s life is on the line. Will Kate uncover the truth in time to save Tilly?
Ripple Effect, the final installment of my psychological suspense series, A Legacy of Silence, was published on October 24, 2023. I’m both elated and relieved. I figure most authors experience this feeling. You pour your blood, sweat, and tears into your creative work like a parent preparing their children for adulthood. You do the best you can to prepare it for the world, but then you have to let go, knowing that you won’t be able to protect it from harsh critics, but also hopeful that it will find someone who will love it for exactly who it is.
Readers who will love our book as much as we do.
Like any relationship, we want to find the perfect match. A reader who will feel all the things we intended them to feel when we wrote the book. Someone who will introduce our book to their friends, taking our work from relative obscurity all the way to the bestseller lists.
Have I taken the metaphor too far? Seriously, my husband says that no matter what I’m writing, it’s a relationship book, and I guess that extends to all aspects of my life. I’ve always been fascinated with human motivation, prompting me to study psychology, victimology, and criminal behavior. I want to know what makes people tick, and the easiest way for me to understand this is through relationships.
This was certainly true in my work as the director of a Sexual Assault Nurse Examiners program serving two rural counties in my home state of New Mexico. Working closely with the first responders who provided services to victims of sexual assault and abuse, it was often my job to talk through secondary trauma and attend to the emotional needs of the nurses in my program. Empathy and a genuine desire to understand people supported those efforts and has inspired me to write about issues of interpersonal violence in what I hope is an authentic and accurate way.
A Legacy of Silence deals with human trafficking and also sisterhood. The books touch on family bonds and romantic relationships while also looking at PTSD, anxiety, sexual predation, and murder. And there’s a reason. Real life is complicated. As humans, we’re constantly juggling–family, career, ambition, passion–and when life throws us some turmoil, those other things don’t just disappear. We work through them with varying degrees of success, and our behavior and actions affect our relationships.
I’m excited that the story is now complete. Ripple Effect marks the end of the saga and hopefully the beginning of some peace for Kate and Tilly and all the people they love. I’ve been immersed in A Legacy of Silence for four years, and I’m looking forward to starting something new. That said, I have a feeling that Kate and Tilly aren’t done with me. I hope everyone enjoys the complete series!
https://hype.co/@amyrivers (contains all my social media links)
Lynn Hesse is the award-winning author of the novels: Well of Rage, Murder in Mobile, Another Kind of Hero, A Matter of Respect, Murder in Mobile, Book 2, and The Forty Knots Burn. Her last two novels won the 2023 Georgia Independent Authors Association Awards for Best Police Procedural, Best Cover Adult Fiction, Best Suspense/Thriller, and the Spotlight on Georgia Fiction.
Outside my bedroom window, the monarch butterfly gathering pollen from my yellow lantana reminds me why I keep judging and entering contests. Surely, it’s not optimism. One day, my writing may brighten a person’s day or make them stop and think, but… Writing is part of my creative life force, a compulsion. I want my voice heard and appreciated, or I wouldn’t write. I need the reinforcement of positive feedback, and I assume others do, too. Of course, first-place winner has a nice ring to it. With second place, I never know if the piece needs more work or if the introverted, quirky protagonist or the reoccurring southern blue-collar themed plot wasn’t relatable to my judges. One academic beta reader told me my language was beautiful, but she couldn’t relate to the characters. Usually, it’s my plain language that critics dismiss as unworthy of their time.
In the past, I judged local writers’ contests in the Atlanta area, and this year, I sponsored a crime-fiction contest for a regional writer’s association. In the second instance, I made up the guidelines for submission and listed Shunn’s formatting rules as an expectation. Nobody followed them. I was left with the dilemma of whether to give monetary prizes for submissions that took my time to wade through novice mistakes: single spacing, no indentions, and page numbers literally in the middle of the pages, not in the footer. I hadn’t anticipated the necessity to clarify that the submissions wouldn’t be read if they didn’t follow standard manuscript formatting, and I felt the weight of responsibility as a solo judge. I caved.
In one contest, I followed strict guidelines set up by a guest agent and scored the writers on different categories such as character development, plot, pace, voice, use of language, grammar, and conflict. The agent picked the winners in each genre and non-genre category from the accumulated scores. I suspect this ten-page scoring system was more equitable for the contestants but a stretch for busy authors trying to complete their short story and novel deadlines.
Again, manuscript formatting wasn’t a priority in this example.
Being jaded, I wondered if the judges narrowed the field for the guest agent and helped find their next breakout novelist. Rather like a professor assigning each student of education to make a children’s book for their final, thus giving the professor material for their thesis. Moving forward, minus my opinion, five judges scored each entry in the second contest example. Although there was a comment section dedicated to giving positive feedback on each entry, I suspected the writers griped about the critical, unjust comments.
I have felt slighted when a one-judge panelist’s comments ran toward the negative, and they didn’t try to filter out their preferences, if not bias, in what they read. It reminds me of reviewers who don’t like your genre or miss that it’s a police procedural, not a mystery, and make comments based on their misconceptions.
With my hesitations put aside about judging others’ work or having mine judged, I’ve decided this fall to volunteer to read and judge ten spooky stories written by 3rd-8th graders. I will fill out the provided scoring form on each submission, and because I love spooky stories by imaginative children, I can gladly forego formatting guidelines. My expectations are minimal. I hope they can write a sentence. My fear is that they’ll write words on the page in a pretty shape like I did in the first grade and think this frazzled adult mind can figure out the puzzle. “You are as sweet as the morning flowers,” I wrote to my mother, who realized by my pouting face that she had missed something important. All the necessary words were present on the paper, plus a red crayon drawing of a flower, but not in any logical order. My overworked mother and father stayed up into the “wee hours of the night,” figuring out what my grade-school mind and heart was trying to say. Mother laminated and framed this early work.
May I do justice to the budding children, the writers of unfiltered truth, and hear their voices.
My mother and sister taught elementary children with hearing and learning disabilities in Atlanta and Lamar and Monroe Counties in Georgia. They will haunt and curse me if I crush a child’s fledgling spirit. The beast of responsibility is nipping at my heels again. To mitigate my bias, I’ll include in the comment section Mr. Kurt Vonnegut’s advice to first please yourself: “If you open a window and make love to the world, so to speak, your story will get pneumonia.” Believe in your story and hone your skills.
A Matter of Respect Forty Knots Burn
Lynn’s short story “Sabotage and A Murder Mystery” is published in Malice, Matrimony, and Murder, 25 Wedding Cozy Mystery and Crime Fiction Stories published by Marla Bradeen and available in November 2023 at local retailers.
“Shrewd Women” was reprinted in Crimeucopia, Boomshalalaking, Modern Crimes in Modern Times, UK in June 2023 and published by Onyx Publications and Discovery Podcast in 2022. Bitter Love,” a humorous view of a homicide detective having a lousy day, appeared in Crimeucopia, The I’s Have It by Murderous Ink Press, 2021, UK. “Jewel’s Hell” was in the Me Too Short Stories: An Anthology edited by Elizabeth Zelvin, published in 2019 by Level Best Books. Lynn left law enforcement to write and lives with her husband and his six rescue cats near Atlanta, Georgia, where she performs in several dance troupes.
Scribblers Web https:www.scribblersweb.com
Michael A. Black is the award winning author of 50 books. A retired police officer, he has done everything from patrol to investigating homicides to conducting numerous SWAT operations. He wrote eleven novels as Don Pendleton in the Executioner series and many Westerns in the Gunslinger series under the name A.W. Hart. His recent novel is in the Trackdown series, Devil’s Lair.
Devil’s Lair – With witnesses falling and a federal case against the cartel in ruins, ex-army ranger Steve Wolf and Special Agent Lucien Pike head to Mexico, chasing both a traitor and an irresistible reward. But betrayal thrives in the heart of darkness, dragging them into a merciless battle where survival is a blood-soaked quest with no mercy given or expected.
When death comes knocking, there’s no quarter given or expected.
Do you write in more than one genre? Most of my stuff is in the mystery and thriller genres. I’ve also been published in other genres, including westerns, sci-fi, horror, pulp fiction, young adult, and sports. Mysteries and thrillers will always be my first love, but I also believe in genre blending. My Western novel, Gunslinger: Killer’s Ghost, is a Western but also a monster story.
What brought you to writing? I’ve been writing all my life. I wrote my first short story in the sixth grade. I was always begging the teacher to let me write a short story. One Friday, she relented and told me I’d have to read it in front of the class on Monday. I struggled all weekend. After I read it aloud, the teacher gave me a “D—Poor Work” grade and told me never to do it again. I look back on this experience as invaluable. It foreshadowed my entire writing career: I got my first assignment, my first deadline, my first writer’s block, and my first rejection, all in three days.
What are you currently working on? My latest book in the Trackdown series is Devil’s Lair. It follows the continuing adventures of ex-army ranger Steve Wolf, who served time for a war crime he didn’t commit and has been trying to clear his name while working as a bounty hunter. He also has some very powerful enemies who set him up and are trying to kill him. In this entry in the series, he gets to strike back a little.
Who’s your favorite author? If I had to pick a single writer who influenced me more than most, I’d have to say, John D. MacDonald. He was a real pro.
How long to get your first book published? My first one never got published. Looking back, It was that bad—a lot of rookie mistakes. I’d gotten some short stories published, so I knew a bit about writing. I wrote a second manuscript and felt it had legs. I sent it off with high hopes and optimism and started a third novel. I’d written the opening line one morning: It had been a year of ups and downs… Then the mailman came, and I found my second manuscript had come back with a rejection letter. I sat down and stared at the computer screen for a long while, trying to decide if I wanted to continue. After a time, the second line came floating to me: More downs than ups. I liked the sound of it and made a solemn vow right then and there that I was going to finish writing the manuscript and I was going to make it the best I could, even if I was the only person who would ever read it. This one eventually became my first published novel.
Do you ever kill a popular character? If so, what happens to your story? A few authors have done this, and I always thought it was a dumb move. I suppose you could make a case for your hero to die heroically, but it would pretty much end any chance of a continuing series. Arthur Conan Doyle killed off Sherlock Holmes and eventually had to bring him back.
How do you raise the stakes for your protagonist? It’s a simple formula: introduce conflict and make things worse as the plot progresses. Then, when it reaches critical mass… BOOM! You have your climax.
What obstacles do you face when writing about historical figures? The biggest problem is avoiding anachronisms. I just read a book set in 1913, and the author still had Maximillian as the emperor of Mexico. He was executed in 1867. Naturally, this ruined it for me, and I didn’t finish it. This unfortunate practice of rewriting history started a few years ago and needs to stop. It’s not only irritating, it breeds stupidity.
What is the best book you have ever read? I’d be hard pressed to pick just one, but I’d have to say James Dickey’s Deliverance is in my top ten. Dickey was a nationally recognized poet who spent ten years crafting the novel. The imagery is stunning, and the writing is lyrical. After I read it, I reread the opening and realized he’d foreshadowed the entire story in that first line.
Do you have any advice for new writers? You can’t be a good writer unless you’re first a good reader, so read all you can and learn from it. Take the time to perfect your craft, get feedback on your work, and try to write every day, even if it’s only one line.
Anything else you’d like to tell us about yourself and your books? If you’re looking for a good thriller, I’d appreciate it if you’d check out my new one, Devil’s Lair. It’s got a little something for everyone—action, thrills, and romance. And many thanks to you, Big George, for this opportunity to be on your blog once again.
How do our readers contact you?
Give me a shout at DocAtlas108@aol.com
I’m a member of the VFW, the FOP, the WWA (Western Writers of America), and the PSWA (Public Safety Writers Association).