Feb 6, 2023 | Historical, Mystery, Native American |
D. M. Rowell (Koyh Mi O Boy Dah), like her protagonist, Mud, comes from a long line of Kiowa storytellers. After a thirty-two-year career spinning stories for Silicon Valley start-ups and corporations, with a few escapes creating award-winning independent documentaries, Rowell started a new chapter, writing mysteries that also share information about her Plains Indian tribe, the Kiowas. She enjoys life in California with her partner of thirty-eight years, their son, and a feral gray cat.
Never Name the Dead: No one called her Mud in Silicon Valley. There, Mae was a respected professional who had left her Kiowa roots far behind. But when her grandfather called, she had to go back and face her childhood rejection by the tribe. She owed him that. What she didn’t expect was that this visit was only the start of a traditional four-day vision quest that would take her into dark places involving theft, betrayal, murder—and a charging buffalo. And that was only Day One.
What brought you to writing? A life-long passion for reading, specifically mystery novels, fueled my desire to write a mystery series. As a reader, I enjoy series with reoccurring characters and ongoing story arcs. Reading a series allows me to visit old friends year after year.
As I wrote NEVER NAME THE DEAD, I planned it to be a series starting with four books spanning four sequential days emulating a four-day Kiowa vison quest (with a few murders thrown in). The first book is the first day of the vision quest of self-discovery for my main character, Mud. The novel takes place in less than 24 hours, and the second book starts fifteen minutes after the first ends, taking Mud into her second day of the quest with another murder to solve. At the end of her fourth day and fourth book, Mud’s vision quest ends with Mud finding the way to unite her worlds—and solve another murder.
Tell us about your writing process: I try to write for 3 to 4 hours every day. While I’ll start the morning with the intent to write first thing, I let myself be distracted by daily tasks before feeling comfortable enough to sink into my story. I’m not a planner. I write as the story unfolds for me. I’ll start the story once I know the murderer, the victim, and why. After a few chapters, I’ll see the reveal. That gives me my endpoint. Everything in-between comes about as I write it.
The first draft captures the story. At the end of my first draft, I go back through the story to paint a deeper picture and get it in shape to hand off to my editor. I have an excellent editor at Crooked Lanes Book, Sara J. Henry. She knows just where and how to direct the critical trimming needed to make my story shine.
What kind of research do you do? In NEVER NAME THE DEAD, I share a lot of information and insights into the Kiowa tribe, culture, and history—all from the Kiowa perspective.
My research comes from a lifetime of learning from Kiowa elders in my family and tribe. The history and traditions shared in the novel come directly from our oral traditions, originally told by tribal elders.
I was fortunate to grow up with my Kiowa grandfather, C. E. Rowell. He was a master storyteller, artist, and recognized Tribal Historian. My grandfather taught me about our Kiowa history and introduced me to other elders, including a 101 years-old!
I spent over a decade collecting memories, songs, and stories from tribe elders to preserve for future generations. Much of the footage can be seen in my documentary, Vanishing Link, and in a series of Kiowa language lesson videos posted here, www.thekiowapeople.com.
How long did it take you to write your first book? Ten months.
I wrote my first draft of NEVER NAME THE DEAD while taking courses for the UCSDX Creative Writing program. I followed teacher extraordinaire Carolyn Wheat through Novel I, II, and III. At the end of the Novel courses, I had my first draft completed. It took two more drafts before I had the book ready for readers. From start to first draft, it took six months, then four more months to complete drafts two and three.
How long did it take to get it published? I was extremely lucky! I had an agent and a book deal with Crooked Lane Books nine months after finishing the novel.
How do you come up with character names? My main character has three names. LOL!
She is known as Mae in Silicon Valley, where she has built a digital marketing agency on the cusp of national attention. In Oklahoma’s Kiowa country, she’s called Mud, a childhood nickname that stuck.
The main character’s first two names were the easiest for me to come up with. Much in my writing honors my Kiowa culture. I wanted to add a bit of my mom’s side of the family into my novel by using my mom’s name, Mae, and her mother’s childhood nickname, Mud, for the main character’s names. It delighted me as a child to hear one of my great-aunts call my grandmother “Mud.” Even now, it makes me smile.
The hard part was finding how to explain the two names of the main character, especially “Mud.” That was resolved by adding a third name and a Kiowa Naming Ceremony. I won’t reveal any more about the names other than to say that Mud’s Kiowa name speaks to the journey Mae/Mud is on through the first four novels as she finds a way to blend her two worlds; traditional Kiowa spirituality and Silicon Valley tech savvy.
What are you currently working on? I’m working with my editor, Sara J. Henry, on edits for the second novel, SILENT ARE THE DEAD. The title has just recently been finalized.
Who’s your favorite author? I stretch favorite authors to include oral storytellers; that makes the question very easy to answer. My all-time favorite storyteller is my grandfather, the late C. E. Rowell. Grandpa excelled at bringing stories to life. He was an artist, master storyteller, and a man of distinction within the Kiowa tribe. He was a Tribal Elder recognized as the Tribe Historian and Reader of the Dohason and Onko pictoglyph calendars called Sai-Guat, or Winter Marks.
My grandfather brought the people and stories to life for me. No storyteller has captured my imagination as deeply. Grandpa inspired me to follow our traditions and be a storyteller.
C. E. Rowell sharing a story from one of the Kiowa Calendars with tribe members (1999)
Do you have any advice for new writers? Believe in yourself and write your stories! I didn’t write until late in life because I did not believe I could do it or do it well enough. Finally, I started writing for myself, and the story flowed. My happiest moment as a writer came when I finished the first draft. I wrote the book I always dreamed of doing!
How do our readers contact you?
Visit my website at www.dmrowell.com.
Be sure to say hello if you see me at Left Coast Crime or Bouchercon.
Dec 12, 2022 | Fantasy, Native American |
Brian Lush is a music journalist based in Albuquerque, New Mexico. He is the founder of Rockwired.com and was the founding editor of Rockwired Magazine, which ran from 2012 through 2017. An enrolled member of the Yankton Sioux Tribe in Southeastern South Dakota, he studied Creative Writing at the Institute of American Indian Arts in Santa Fe, New Mexico. He received his B.A. in Creative Writing from the University of New Mexico.
Yankton Sioux writer Brian Lush spins a grim tale of war, occupation, and oppression in his debut novel Roger’s War – a gritty, dystopian coming-of-age story with a Native perspective.
With a war between Russia and Ukraine and a lull in a global pandemic, who wants to get lost in a tale of a world gone mad? It wasn’t exactly the kind of territory that writer Brian Lush wanted to mine in what would become his first novel, Roger’s War.
“This was where the muse led me,” says Lush. “The roots of his dystopian coming-of-age story stemmed from the nightmarish events of the 2018 Stoneman Douglas High School shootings and the belief by some that teachers should be armed. “It was pretty wild to imagine high school teachers being armed and yielding that kind of control over kids. Children! Back then, I thought I had at least a short story on my hands. However, life got in the way, and I had other commitments, and the story never saw the light of day. The idea was in the back of my head and then snowballed. The pandemic, and then this little story I had in my head about the abuse of power became this huge novel on how one young boy survives.”
Roger’s War is a tense and frantic narrative that illustrates the life of a young man coming of age in a frightfully repressed society. The country once known as the United States of America has descended into a second civil war. Emerging from the devastation is a rogue nation called Heartland – a totalitarian theocracy under the rule of a maniacal, self-proclaimed prophet known simply as Father and his lethal military. Plucked from the ashes of a war-torn America is a half-Native/half-black fourteen-year-old named Roger Bretagne.
After losing his family to Heartland’s devastating blitzkrieg, Roger is rounded up and matriculated into this stark, repressed, and dangerous new world. His new parents are powerful predators, the quiet country town he lives in is an oppressive hamlet gripped by fear, and his school – under the control of the beastly schoolmaster Brother Isaac – emphasizes brutal indoctrination. Somehow, sanity must prevail. In cautiously navigating the rocky road of this toxic milieu, Roger finds love, allies, and a burgeoning resistance movement hellbent on destroying Heartland and building a glorious future. Whatever that entails.
Roger is not a first when it comes to first-person narratives in worlds gone mad, but his half-Sioux/half-black lineage is a definite first in Native American fiction. Roger is a character that was very unexpected to me. There were a lot of surprises in the writing of this book, but the character of Roger felt like a revelation. While I took great pains to create a character and not put myself or anyone I loved in a fascist society, I feel like I ended up putting myself there. Roger was more than just a window into this world. We share the same heritage. It feels like I’ve got skin in the game.
Roger’s War is available on Kindle and paperback through Amazon.com.
Phone: (505) 239-2666
Nov 14, 2022 | Historical, Memoir, Mystery, Native American |
Lorna and Larry Collins grew up together in Alhambra, California. They have been married for fifty-seven years and have one daughter, Kimberly.
They worked together on the Universal Studios Japan theme park in Osaka. Larry was a Project Engineer responsible for the Jurassic Park, JAWS, and WaterWorld attractions. Lorna was the Document Control Supervisor in the Osaka field office.
Their memoir of that experience, 31 Months in Japan: The Building of a Theme Park, was a 2006 EPPIE finalist, and named one of Rebeccas Reads Best Nonfiction books of 2005.
Their mysteries, set in Hawaii, are Murder…They Wrote and Murder in Paradise.
Along with several friends, Lorna co-wrote the six sweet romance collections in the Aspen Grove Romance Anthologies series, set in Colorado. Directions of Love won the 2011 EPIC eBook Award as best anthology.
Her solo mystery/fantasy is a ‘beach read’ called Ghost Writer. She also wrote Jewel of the Missions: San Juan Capistrano and a children’s book, Lola, The Parrot Who Saved the Mission. Their joint venture is The Memory Keeper, a historical novel set in San Juan Capistrano in the 1800s, told from the point-of-view of a Juaneño Indian.
Larry’s collection of short stories is entitled, Lakeview Park. His latest project is his sci-fi series, The McGregor Chronicles. He has finished nine books in the series.
Their latest collaboration is Dominic Drive, from an idea of Lorna’s late brother, Ronald Travis Lund. (Available in ebook, paperback, hardcover, and audio.)
Dominic Drive is the coming-of-age story of Charlie Williams, a young man who has a difficult childhood but who remains optimistic and hopeful, told through the eyes of another young man who becomes as close as a brother to him. Set in the late 1950s and early 1960s, it captures life in a post-WWII community.
All their books are available on Amazon, Barnes & Noble, their website (www.lornalarry.com), and other online book outlets. Follow Lorna’s blog at http://lornacollins-author.blogspot.com.
Do you write in more than one genre? We started writing a nonfiction memoir of our time spent working in Osaka on the Universal Studios Japan theme park, 31 Months in Japan: The Building of a Theme Park. We never expected to write and publish anything else. However, we attended a writing conference and got an idea for our first Mystery, Murder…They Wrote. This led to our second mystery, Murder in Paradise, and we have added several other genres since.
What is the most challenging part of your writing process? Since we write together, blending our voices into one seamless voice was initially a challenge. Also, Larry is a plotter, and Lorna is a “pantser.” (She writes by the seat of her pants.) Over the first few books, Larry learned to trust the characters, and Lorna became more disciplined. We sometimes disagree on plotlines, but we usually throw out both ideas and settle on another—better—one. After having written several books together, the process has become almost second nature.
What are you currently working on? After nearly three years of research, in 2014, we published The Memory Keeper, a historical novel set in San Juan Capistrano, California, between 1820 and 1890. We talked about a sequel and started the research for it. However, we both were pulled into other projects, and this one languished. When Larry finished Book 9 of The McGregor Chronicles, he was ready to get back to it. Meanwhile, Lorna had written quite a few chapters, but she needed Larry’s voice in the story. They are finally finishing the sequel to be called Becoming the Jewel, to be published soon.
Has an association membership helped you with your writing? After we wrote our first book, it was nominated for an EPPIE award from EPIC (The Electronic Publishing Industry Coalition). We attended their conference in 2006 and became members. There we met publishers, other authors, agents, and other industry professionals, from whom we learned a great deal. We did presentations and panels at over a dozen or more of their conferences, including one keynote address, and Lorna moderated the publishers’ panels. We remained members until the group disbanded several years ago.
Through members of EPIC, we joined PSWA (Public Service Writers Association). We have attended several of their conferences and learned a great deal about police procedures as well as how other safety professionals work. We have also made some great friends in the group.
What’s the most challenging thing about writing characters of the opposite sex? This is where writing together gives us a decided advantage. For the most part, Larry writes the male characters, and Lorna writes the female ones. With one exception: Larry writes most of the old ladies in our novels! For some reason, he started writing them in our first mystery, and he has continued ever since.
Do you ever kill a popular character? If so, what happens to your story? Between 1861 and 1863, a plague (black pox or smallpox) killed 90% of the Indian population of San Juan Capistrano. When we were writing The Memory Keeper, we knew at least one of our characters would have to die. Larry was set to lose one, but Lorna argued with him. If 90% of the native population died, then their family would have to lose more of their members.
When we reread the completed chapters about the plague, Lorna sobbed. She does so every time she rereads the book. A few chapters later, we needed to lose another character. He was a particular favorite, so his loss felt very personal to both of us.
In these cases, their loss was already part of the plot. (Larry is a plotter, remember?) The storyline already included their losses, so the storyline continued as planned.
What obstacles do you face when writing about historical figures? Because we write about the authentic history of San Juan Capistrano, California, and because history is so revered and protected here, we have to be 100% accurate. (History is like a second religion in town.) If we say a particular thing happened at a specific time, it did. Historical figures must be portrayed exactly as they were. So far, we have received no criticism about our historical accuracy, so we must have done a few things right. But in order to achieve this level of accuracy, we have to read a great many books and articles and interview many experts. About 95% of what we learn never makes it onto the pages of our books, but it is necessary for us to know it.
Do you have any advice for new writers? The first thing is to keep writing. Too many writers give up early. Second, join a critique group or take a college-level writing class. Third, when you think you are finished, find a few beta readers, who are NOT friends or family members, to read the complete work and give you feedback. This is where professional organizations can be of great help.
Once you get positive feedback, hire a professional editor. No one can properly edit their own work—including us.
Last, if you intend to self-publish, also invest in a professional cover artist. Since books are now purchased mostly online, the cover must stand out when seen as a thumbnail image. A professional can help you with an image that will sell your book.
Anything else you’d like to tell us about yourselves? Lorna is a well-respected professional editor. She had lots of experience in her former career in Document Control and carried it into her writing profession. She provides content and line editing as well as formatting for ebooks and print.
Larry is a professional cover artist with well over 100 published covers to his credit. He has designed nearly all of the covers for their books.
Aug 4, 2022 | Historical, Native American, Poetry |
Public Safety Writers Association members can submit their work to an annual contest. The winners are revealed at the annual conference. This year’s winners were announced on July 17, 2022. I was delighted to learn that the poem I had submitted, “Sand Creek,” was awarded second place.
The First People trusted you
to protect, and
to feed our people.
You betrayed The People.
You stole the food the Great White Father sent
to nourish The People,
our children, our future.
You betrayed The People.
Instead, you raped our women
beheaded our children.
You failed the Great White Father.
You betrayed The People.
Your soldiers murdered The People.
You murdered The People.
You failed the Great White Father.
You betrayed The People.
We died for your sins,
When you murdered the people.
You failed the Great White Father.
You betrayed The People.
To learn more about the Public Safety Writers Association, visit https://policewriter.com
Jan 3, 2022 | Historical, Mystery, Native American, Police Procedural / Crime, Thriller |
Virgil Alexander was born in his parent’s home in rural Gila County between Globe and Miami, Arizona. His uncles and cousins worked in law enforcement for various agencies. His dad was a volunteer reserve deputy, so he grew up with a lot of cop-talk. His father raised subsistence livestock and kept horses, so as a youth, he spent a lot of time taking care of these. His recreation was camping, hunting, fishing, hiking, and riding. His hot summer afternoons were spent reading at the Miami and Globe public libraries. He enjoyed history, mysteries, westerns, and Arizona geography and nature.
He worked for 42 years in mining jobs, from laborer to corporate management. After retirement, he began consulting with museums on mining and Arizona history, researching and writing papers for the Historical Society, and articles for newspapers, magazines, and webpages. He is a member of the Arizona Historical Society, Public Safety Writer’s Association (PSWA), Western Writers of America, Southwest Writers, and Storymakers. He has won awards from the PSWA in categories: Best Published Fiction Book and Best Non-fiction Published Article.
Alexander’s contemporary rural police series, the Deputy Allred & Apache Officer Victor Series, consists of five mysteries published by Aakenbaaken & Kent. Broken Earth is the 5th book. Alexander’s books are infused with real settings in which the natural and human history of the place is part of the setting. The western lifestyle of ranching, farming, timber, and mining feed into the stories, as does the contemporary Hispanic, Mormon, and Native American cultures.
Broken Earth: Released by Aakenbaaken & Kent on October 6, 2021.
Sergeant Al Victor must walk a thin line between legal ethics and sacred Apache secrets when a fellow medicine man goes bad and flees into the sacred Broken Earth.
My Writing In my pre-retirement career I wrote technical manuals, standard operating procedures, research papers, and training manuals. I also wrote public communications articles and project newsletters. This turned out to be a handicap when I started writing fiction. I sent my first draft of Wham Curse to an editor, and she called me and asked, “Are you an engineer?”
“I’m a technical superintendent.”
“I thought so. You write like an engineer; STOP IT!” She then spent several weeks teaching me not to write like an engineer.
When I’m actually writing my story, I have the general idea in mind. From this, I create a simple outline to refer back to when I start wondering where is this going? But I don’t write to the outline; I let the story flow as it goes. This impromptu style often takes turns I didn’t plan on and often requires adapting earlier parts of the story to make more sense.
I write in vignettes representing one viewpoint, either of a character or the all-knowing narrator. In order to keep track of characters, I maintain a spreadsheet of all my regular and minor characters. So a jeweler, or medical examiner, or rancher from an earlier book might reappear in the book I’m working on when I need one of those people. Likewise, I track all the vignettes and storylines on a spreadsheet. These allow me to control my clues and events in a logical sequence.
Because my books involve two neighboring agencies, I always have multiple storylines. Some of them involve both the Sheriff’s Office and the Tribal Police, and others only involve one of the agencies. So I may have from three to six major storylines, plus quite a few minor ones.
I write several strong women characters in my books, principally Deputy Pat Haley, but also FBI agents, a State Department attorney, ranch women, and Deputy Sanchez’s petit wife, Jennie, who in one of the books shoots a bad guy to save her husband. How do I write my women characters? I think of a man then take away reason and accountability… Wait. No, that was Jack Nicholson. I base my women on women I know or have known. I was fortunate in my career to work with many outstanding and competent women, many in nontraditional roles. The women closest to me, my wife and daughters, are highly accomplished and leaders in their chosen fields.
I generally do a lot of research as I write. Since I really have no idea where my story may take me, about the only preparatory research I do is on the places I plan to use and if I have a particular source of murder I want to pursue. So when I wrote scenes in Chaco Canyon, I researched the place, as well as the organizational structure of the park, the routes that can be used, hotels and restaurants my people would use, etc. Then as I develop the story, I research new items as they pop up.
I use real places for my settings, including towns, streets, specific stores, cafes, wilderness trails, mountains, rivers, hospitals, etc. The only time I use a fictional place is if the place is really bad so that I won’t put a bad light on a real place. If somebody gets food poisoning at a restaurant, it will be a nonexistent place.
Many of my characters are based on real people I have known. I don’t say who I translate as a character because some would be honored, and some would sue. Most are a conglomerate of several people from whom I’ve borrowed their looks, integrity, dark side, or manner of speech.
Looking forward, I will likely write more books in this series. I would also like to get my book on the history of ranching in Gila County finished up. I have been dabbling in writing an epic historical novel using all real people and history to track the western movement of the American frontier, factual but written in novel style.
George, I appreciate the opportunity to appear on your blog. If anyone wants to know more about me, they can go to my webpage to see an expanded bio, all my books, my blog, coming events, photos, and more at: https://virgilalexander.weebly.com/
Nov 18, 2021 | Mystery, Native American, Police Procedural / Crime, Thriller |
Mark Coggins was born in the Four Corners region of New Mexico and is an enrolled member of the Choctaw Nation. His work has been nominated for the Shamus and the Barry crime fiction awards and selected for best of the year lists compiled by the San Francisco Chronicle, the Detroit Free Press, and Amazon.com.
THE DEAD BEAT SCROLL – Private investigator August Riordan’s quest to avenge the death of his old partner drops him in the missing person case his partner was working when he died. An alluring young woman named Angelina is looking for her half-sister, but what Riordan finds instead is a murderous polyamorous family intent on claiming a previously unknown manuscript from dead Beat writer Jack Kerouac.
What brought you to writing? I composed my first published short story, “There’s No Such Thing as Private Eyes,” in the late ’70s for a creative writing class at Stanford University taught by Ron Hansen. This was shortly after I’d learned about Raymond Chandler and his distinctive writing style in another class, that one taught by Tobias Wolff. I was all of 19 years old when I typed out the original draft on my Smith-Corona portable, but it was eventually published in the mid-1980s in a revival of the famous Black Mask magazine, where Hammett and Chandler got their start.
In addition to being my first appearance in print, the tale also introduces my series character, San Francisco private eye August Riordan.
Tell us about your writing process: I maintain a research folder on my computer for each novel I write. In it goes digital photographs, Word and PDF files, links to web pages, etc.—anything that can be stored on disk. I also have a small notebook in which I write a variety of things, including location descriptions, snatches of dialog, plot ideas, and similes. The dialog can be imagined or something I’ve overheard.
Of course, the reason I have the notebook is to draw upon the entries when I’m writing. If I decide to use an item from the notebook, I put a tick mark beside it, so I know I’ve already put it in a novel. But even when I don’t select something I can use directly, I find thumbing through the notebook can be helpful, especially when I’m suffering from writer’s block. Somehow, just reading through everything I’ve jotted down can be inspirational, and I usually come up with an idea to get me back on track again.
Do you ever kill a popular character? If so, what happens to your story? Yes, in The Dead Beat Scroll, I killed a character named Chris Duckworth. (This isn’t a spoiler since the book begins with news of Duckworth’s death.) Duckworth was Riordan’s sidekick for five of the seven books. Many readers found his personality and the byplay between Riordan and him to be one of the most entertaining aspects of the novels. Although Riordan and Duckworth are estranged at the time of Duckworth’s death, I hope Riordan’s regard for Duckworth and the real grief he experiences come across in the book. I found the process of writing the final scene in the novel—which is a celebration of life for Duckworth—to be particularly poignant. I hope some of that poignancy is transmitted in the text.
What kind of research do you do? The first research I do is on Bay Area locations, where most of my books take place. I usually walk around a neighborhood I’m going to set a scene in, taking both pictures and notes that I use to jog my memory when I get to the actual writing.
I also do research about the theme or social issue I’m using to drive the plot. For instance, in my novel Runoff, I researched electronic voting and the possibility of defeating the security of voting machines to rig an election. To do that research, I interviewed computer science experts on the topic and talked with poll workers who had an “on the ground” understanding of how the machines are used in a precinct.
For my novel Candy from Strangers, which was about cam girls, I interviewed a young woman who has a website where she solicits anonymous gifts.
Where do you place your settings—real or fictional locations? My settings can probably best be described as hyper-real. I try very hard to set every scene in a real location—often in San Francisco—and many of my books feature black and white photographs of those locales.
Do you have any advice for new writers? I can’t emphasize enough the importance of critique groups. In addition to providing camaraderie and support, they give you feedback, encourage you to write to deadlines. Reading other writers’ work with an eye towards making suggestions for improvement helps me better understand what does and doesn’t work in fiction. Good writers read a lot, and even better writers read a lot and analyze what they are reading.
The Dead Beat Scroll – https://www.amazon.com/Dead-Beat-Scroll-August-Riordan/dp/1643960318
Podcast (where I do serial readings of some of my books) – https://riordansdesk.buzzsprout.com/
The last phrase of your book’s logline got a chuckle-out-loud from me and your inspirational words warmed me right along with my morning coffee. I love how you describe the intertwining of your own life with the words and stories you put on the page. Also, your website and Facebook page are both lovely. Congratulations from a new fan in the Bronx.
Thank you so much for all your positive words and energy. Love hearing them! And absolutely love having a fan in the Bronx!
Thank you! The cover was designed by the very talented Kara Klontz.
So glad you’re writing! I’m having so much fun finally letting my stories out. I cannot thank the the Creative Writing Program at UCSD Extension and their very talented staff enough for helping me improve as a storyteller.
Thank you! It’s kinda fun making the story happen so quickly. So glad you are writing. Enjoy it!
It’s great that you’re continuing the family tradition of story telling with your writing, Ms. Rowell. Best of luck to you and “Mud.”
Thank you Michael! I hope you enjoy Never Name the Dead.I feel very fortunate to share our Kiowa stories in this way.
I agree with Karen. You ability to write four novels, each based on a day in a vision quest, is a remarkable achievement.
Well book 2 is showing me my folly. LOL! In my mind in works so well.
Fascinating post. Writing a novel that takes place in less than 24 hours sounds like a challenge! I started writing late in life, too. Absolutely love the cover!