Laurel S. Peterson is a Professor of English at Norwalk Community College. She has two poetry chapbooks, That’s the Way the Music Sounds and Talking to the Mirror, and two full-length collections, Do You Expect Your Art to Answer? and Daughter of Sky. She has written two mystery novels Shadow Notes and The Fallen. She served as the town of Norwalk, Connecticut’s Poet Laureate from April 2016 – April 2019.
The Fallen – Clara Montague is dreaming again, and her dreams always lead to trouble. She survives a drive-by shooting that kills a cop but complicates her relationship with police chief Kyle DuPont. The hidden motives behind the shooting lead Kyle and Clara to New Orleans. Will Clara’s visions be enough to keep them safe from Kyle’s past?
Do you write in more than one genre? In addition to writing mysteries, I am a poet with four published books of poetry and two more looking for homes. I’m also working on a multi-genre work of poems and photographs. I tried including essays, but my writing group said they were just poems with too many words! The collection is about grief, so it may never find a home, but I’ve enjoyed the challenge of finding images that would extend my thinking rather than illustrate it.
I started taking photography classes online during the pandemic when, as a community college professor, I spent all my time staring at a screen, grading papers, and responding to frantic student emails. I needed something that wasn’t more words, and I had always wanted to learn to take better pictures. I signed up through a local gallery for a workshop with Thom Williams https://www.instagram.com/tmwilliamsphotography/, a fabulous and patient teacher.
What fascinates me about multi-genre writing is how it fragments forms, which so reflects modern existence. How can writers use that rupture and sense of existential threat to reflect something profound about the human experience? All writers try to do that on some level, but I like to try things that I’m not yet sure I can do.
What is the most challenging part of your writing process? Writing. Not funny? During the pandemic, a friend asked if I did yoga. Yes, I said, but I’m having a hard time just getting to the mat. Many people I knew in graduate school enrolled to give themselves deadlines for writing. It’s an expensive way to create self-discipline, but hey. If I focus on a project, it’s easier. I recently got involved with Writing the Land, https://www.writingtheland.org/, which pairs a writer with a land trust and asks them to write three poems about it during a one-year period. Being part of the project means I get to go on long walks in quiet places, which feels healing.
What are you currently working on? In addition to the multi-genre work I describe above, I’m also revising an old mystery manuscript. This will require setting and character changes. The original book was located partly in Atlantic City, but since Kyle DuPont is a local police chief, I need to shift the setting to Connecticut. Part of the story will now occur on one of Connecticut’s Native American reservations. It’s fun to see how malleable story can be.
Do you base any of your characters on real people? I base many of my characters on real people. Isn’t writing mysteries at least partly about revenge?
In case you’re wondering about people recognizing themselves, I rely on the Anne Lamott idea that people will either always see themselves or will never see themselves in your work, whether they are there or not. Of course, no characterization is exact. That would be cruel.
Do you outline, or are you a pantser? Half and half. I write about 80 or 90 pages, and then I get stuck and need to outline the rest so I know where I’m going. That first spurt motivates me because it’s the fun part, where I’m fleshing out the story and trying to create energy in the characters and setting. After that, writing feels more like a puzzle, ensuring I have all the storylines active and intertwined successfully, making sure the characters are developing. There’s a lot of double-checking and rereading while moving forward in smaller increments.
Do you have any advice for new writers? If there’s anything else you can do with your life and still have a great time, do it. Writing eats at you and you can never retire. You always want more from it. (I just want to be published; ok, now I’m published but I want to be in a better publication; Ok, I’ve got a story out, but now I want a novel; Ok, I’ve got a novel out, now I want two or sixteen novels; Ok, I’m published, but now I want to make money at it; Ok, I’ve made a little money, but I want an Edgar…) Do you see? It’s a terrible idea to take up writing. Save yourself.
How do our readers contact you?
You can reach me at my website, www.laurelpeterson.com,
Instagram or Twitter (both @laurelwriter49)
All my books are available at Amazon or on Bookshop
Crisosto Apache is originally from Mescalero, New Mexico, on the Mescalero Apache reservation, and currently lives in the Denver area with their spouse. They are Mescalero Apache, Chiricahua Apache, and Diné (Navajo) of the Salt Clan, born for the Towering House Clan. They hold an MFA from the Institute of American Indian Arts in Santa Fe, New Mexico, and are an Assistant Professor of English. Crisosto’s debut collection is GENESIS (Lost Alphabet). Their second collection is Ghostword (Gnashing Teeth Publications). They are also the Associate Editor of The Offing Magazine, and their profile can be seen on the website at crisostoapache.com.
Ghostword is my second poetry book from Gnashing Teeth Publications, released in November 2022. Ghostword was inspired by the modernist Japanese writer Akutagawa Ryunosuke’s book, A Fool’s Life (Eridonos Publishers). A Fool’s Life was the last book Ryunosuke wrote before he committed suicide. The publication contains fifty-three entries, with which my book loosely conversates. Though Ryunosuke’s book emphasizes a kind of erasure, my book seeks the opposite, a search for belonging & validation.
Crisosto Apache draws powerfully on his Mescalero Apache language and culture and, guided along the way by touchstone sparks from the Japanese writer Akutagawa Ryunosuke, creates a singular journey out of “emotional burial and systemic abuse.” Where Akutagawa encounters erasure, “Gazing up at them everything was forgotten,” in Crisosto Apache’s hands, everything is remembered and confronted, and, though filled with ash, these poems are testament to struggle, survival, and, x, the mysterious light of existence. — Arthur Sze, author of The Glass Constellation
A powerful personal journey of reflection and response. In lyric vignettes inspired by Akutagawa Ryunosuke’s A Fool’s Life, Crisosto Apache creates an original portrait of a mythic and myth-making protagonist confronting the memories, language, and figures that haunt and inhabit his Ghostword – a stunning collection. – Chip Livingston, author of Crow-Blue, Crow-Black, and Museum of False Starts
Do you write in more than one genre? Poetry is the genre where I have more publications. Though I have written a few reviews and personal entries from my blog, that is not to say I will experiment with other forms. Right now, I am testing my narrative skills and slowly adding content for a memoir. The memoir will focus on my challenges as a gay Native American individual overcoming a binary colonial existence, as well as my perseverance. This approach in a narrative topic is one where I emphasize soul searching through past written journals and voice recordings. I also use sketches from old notebooks to spark a larger conversation about the memory of my life’s journey. Vaguely expressing some of these concepts through my poetry, where I want to explore moments more specifically and with reverence. Much of the writing I do always have something to do with my identity as a Native American or Indigenous person, a person impacted by colonialism, intergenerational transmission of historical trauma, binary implications and marginalization, assimilation & acculturation, prejudice as part of the 2S-LGBTQI+ identity, and so much more. My work seeks to place perspective and self-determination upon many intersectional aspects of my identity. Exploration of many of these concepts will always be an ongoing challenge. One I hope to resolve within my spirit as a creative person.
Tell us about your writing process: Writing starts at a moment of discovery and connection to what ideas come my way. I am always jotting down ideas or concepts for my writing. I keep those ramblings in an organized folder system on my computer, where each folder is categorized with the theme or concept in mind. Periodically I go through these folders in no order and begin to expand on the various concept and themes. I will also try to find reading material that will help me expand my thought process and conceptual content for each of the folders.
What are you currently working on? Having a writing project lined up is a good thing. Perspective projects give me something to look forward to. I am finishing up my third manuscript, called isness. The concept behind this manuscript is poems that represent the “meaningfulness” of the poem in a state of presence or moments. What the poem is “about” in a state of existence as it “exists” without retribution or containment. The work in isness at times feels complicated because of how poetry or art is defined by “others.” What I choose to exemplify in this manuscript is a concept where the poem is a poem that is about what the poem is about in a state of “meaningfulness,” presence, or moment.
How long did it take you to write your first book? The composition of my first book GENESIS (Lost Alphabet, 2018), took about one year and a half to complete as a viable manuscript. The rest of the time, until its publication, was focused on revision. The revision of the first book is still happening. Once my contract runs out, I want to find another publisher to relaunch a revised version. There is so much I learned during the process of my first book. This brings me to the publication of my second book Ghostword (Gnashing Teeth Publication, 2022). The concept for this book has had a long journey which I explain in depth in the Preface of the book.
What’s the most challenging thing about writing characters from the opposite sex? Writing front the perspective of the opposite sex sometimes is a challenge, as well as writing in another persona. There are instances in my writing where I do write in other personas. In my book Ghostword there are several poems where I try to utilize the persona of my mother. Over the years, she and I had many conversations and exchanged stories, so I was able, through these stories, to get a good sense of her perspective. My poem “11. Dawn” is an example where I use my mother’s persona. The story is about a moment when I was a child when she and my father were seeking legal custody of me and my younger brother. I was about ten years old, and my brother was about eight. At the time, I did not know she would sleep in her car across the street where my father was renting a house in Albuquerque, New Mexico. It was not an easy time for either of my parents because they both were from different reservations. My father was a member of the Navajo Nation on a small checkerboard section called Tó hajiileehé (trans., where the water comes from), and my mother was from the Mescalero Apache Tribe, both located in New Mexico. Eventually, my father agrees to have my brother, and I live with my mother on the Mescalero Apache Reservation. The day we arrive at my mother’s reservation was so vivid. The look on the mother’s face when she saw the both of us enter the playground where she worked. She was employed with the tribal children’s daycare at the time.
Another poem where I use my mother’s persona is “4. Saltwell”. This is a poem about my mother as a child. She lived with her mother on a remote part of the reservation called Whitetail, which was very far from the main tribal community and main road. Whitetail was the area on the reservation where the Chiricahua Apache settled once they were released as prisoners of war in 1886 from St. Augustine, Florida. Many of the Apache band remained in Fort Sill, Oklahoma, and the remaining member moved to Whitetail on the Mescalero Apache Reservation. As a child, my mother sometimes was left alone at her mother’s house in Whitetail. She would hitch a ride to the main road and head towards an area of the reservation called Salt Well, where her grandparents lived. She often stayed with her grandparents in Salt Well. This poem is about one moment when she traveled from Whitetail to Salt Well as a child. The journey took her all afternoon because the traffic was minimal that day from Whitetail. She eventually got a ride and arrived at her grandparent’s house at dusk. Experimenting with persona allows me to explore different situations and perspectives, adding a specific depth to the poem and or story. It takes me out of my head and voice, which is necessary to tell good stories.
What kind of research do you do? The research I do for my writing depends on the project. In my first book GENESIS (Lost Alphabet), the research investigated specific indigenous historical moments, such as in my poem, “K‘us tádini tsąąbi’ +2: [38 Necks +2]”. The poem is a list poem paying tribute to the 38 Dakota hanged by President Lincoln’s Executive Order on December 26, 1862, in Mankato, Minnesota. This event is still considered the largest mass hanging in American History. In GENESIS, the tread of the book focused on the nine months in utero in 1970-71, where I investigated current events of the time. What I found out was the expansion of space exploration, lunar launches, and nuclear/atomic testing, which became part of the thread of the book, along with what my mother was experiencing while carrying me for those nine months. In Ghostword (Gnashing Teeth Publishing), much of the research the book focused on was the modernist writer Ryayunosuke Akutagawa (1892-1927) and his last manuscript, A Fools Life (Eridonos Press) and a few of his short stories. The last manuscript is integral to Ghostword because of the unfettered conversation I have with each of the fifty-three entries and the few selected stories. I had to do some background investigation about the concepts and references in each entry and try to pair the same concept for my conversation but interject my own experience of “belonging,” whereas Akautagawa’s voice in each entry focused on “erasure.” This manuscript took many years to complete through constant rewriting and revision. Each entry of my versions went through meticulous examinations to figure out how I was going to balance out a kind of likeness, which was more difficult than I anticipated. I am glad and relieved to know I am not struggling now to have this book exist for people to access in the world.
How do our readers contact you?
Email: email@example.com (serious inquiries only)
Publisher’s website: https://gnashingteethpublishing.com/books/ghostword/
Instagram: @ crisosto_apache
Welcome – What book would you like to tell our readers about?
Don’t Leave Yet, How My Mother’s Alzheimer’s Opened My Heart (She Writes Press, 2015) recounts my journey toward understanding our complicated mother-daughter relationship as she struggles through the early stage of dementia-type Alzheimer’s, and my ultimate discovery of compassion and love that goes beyond familial duty.
Do you write in more than one genre? I enjoy the challenge of poetry, creating, and recreating experiences to connect with readers. Finding a precise image or metaphor and using concise and descriptive language engages my mind in sometimes unexpected ways. The discovery can be exhilarating.
What brought you to writing? I was an English major at the University of Wisconsin -Milwaukee. I admired twentieth-century novelists and poets and wondered if I had it in me to create my own work. It wasn’t until after my father died that I began to explore poetry as a way to express grief. A decade later, when my mother was diagnosed with dementia-type Alzheimer’s, my teacher, the terrific poet Ellen Bass, suggested I might explore my experiences further if I went beyond the parameters of poetry. It was then that I turned to prose. It allowed an expansiveness I needed to convey all that I wanted to say. I started by writing vignettes, followed by full scenes with characters, dialogue, and description. Soon I had pages of material with a sense of connectedness.
Where do you write? What, if any, distractions do you allow? I write in my home office, where morning light provides a calm atmosphere and from where I can observe a yellow rose tree and a bevy of finches on the thistle feeder. I don’t tolerate distractions. But I don’t mind my Shih Tsu, Cody, who snores ever so slightly on his bed directly behind me.
Tell us about your writing process: I usually begin writing with a black ballpoint and a Mead notebook. I wrote most of my memoir in notebooks. When I had enough material, I transcribed it into a document on my laptop. I labeled each draft so as not to lose anything interesting or significant. Now I use the same process when writing poetry.
What is the most challenging part of your writing process? Revision is the most challenging. Yet, it’s the part of writing that I enjoy most. I revisit each image and metaphor. When a metaphor doesn’t do its job, I make a list of ten others and then choose the one I think works the best. I also read a poem out loud to gauge the effectiveness of line endings and stanzas. I admit I’m a perfectionist.
What are you currently working on? I’ve recently discovered some old poems that go back several years. I’m trying to revise them but often find myself starting over. I hope to also return to blogging in the near future.
Has an association membership helped you or your writing? The poetry critique group of California Writers Club Tri-Valley Branch, which I lead two times a month, has offered much-needed support as I labor with some of my poems. The members are careful listeners, and they offer critique with enthusiasm. I’ve found the structure and discipline necessary to keep on writing.
Who’s your favorite author? It’s hard to choose just one. I always look forward to reading Jack Kerouac, John Irving, and Jennifer Lauck. My favorite author of all time is John Steinbeck.
What is the best book you ever read? The Grapes of Wrath by John Steinbeck. I’ve read it at least three times. I admire its structure, honesty, and intense feeling.
How long did it take you to write your first book? It took five years to write Don’t Leave Yet. I belonged to a writing class in 2004 with Ellen Bass, reading pages each week from my notebook for critique. My mother passed away in 2008, and I was uncertain as to whether or not I could continue to write our story. Ellen, and my fellow writers, were instrumental in my effort to bring the manuscript to its completion a year later.
How long to get it published? Don’t Leave Yet was a finalist in the Pacific Northwest Writer’s Conference writing competition in the memoir category in 2011. One agent from San Francisco who attended the Conference found the book interesting, but that was it. I pursued other agents with no luck. Then I heard about Brooke Warner, the publisher of She Writes Press. I worked with an editor she recommended. She Writes published my memoir in 2015.
What authors did you dislike at first but grew to enjoy? When I read Bel Canto by Ann Patchett, I thought I might cross her off my list. But when I discovered Truth and Beauty, I was hooked.
Do you outline, or are you a pantser? I began writing Don’t Leave Yet without an outline. By the time I completed the third chapter, I had decided an outline was necessary since I wove together scenes of the present with those of the past. It was a way of keeping characters and events clear in my mind.
Looking to the future, what’s in store for you? I plan to continue placing my poems in literary journals if I’m lucky. I will also enter my chapbook, Treading Water, in more literary competitions with the goal of publication. It was recently named a finalist in Blue Lights Press writing contest.
Do you have any advice for new writers? First and foremost, be true to yourself. Write what’s meaningful and what you love. Observe the world. Read widely. And don’t ever let others tell you that you can’t write.
How do our readers contact you?
Public Safety Writers Association members can submit their work to an annual contest. The winners are revealed at the annual conference. This year’s winners were announced on July 17, 2022. I was delighted to learn that the poem I had submitted, “Sand Creek,” was awarded second place.
The First People trusted you
to protect, and
to feed our people.
You betrayed The People.
You stole the food the Great White Father sent
to nourish The People,
our children, our future.
You betrayed The People.
Instead, you raped our women
beheaded our children.
You failed the Great White Father.
You betrayed The People.
Your soldiers murdered The People.
You murdered The People.
You failed the Great White Father.
You betrayed The People.
We died for your sins,
When you murdered the people.
You failed the Great White Father.
You betrayed The People.
To learn more about the Public Safety Writers Association, visit https://policewriter.com
ATSNStop the ThreatChuck Thompson
Sarah’s latest crime fiction thriller is The Carlucci Betrayal.
Here is a glimpse into Sarah’s award-winning career:
Sarah Cortez, a Councilor of the Texas Institute of Letters, Fellow of the Dallas Institute of Humanities and Culture, and Fellow of the Virginia Center for the Creative Arts. She has poems, essays, book reviews, and short stories anthologized and published in journals, such as Texas Monthly, Rattle, The Sun, Pennsylvania English, Texas Review, Louisiana Literature, The Midwest Quarterly, Southwestern American Literature. Winner of the PEN Texas Literary Award, her debut poetry collection is How to Undress a Cop. Her books have placed as finalists in many contests, such as the Writers’ League of Texas Awards, Los Angeles Book Festival Awards, and the PEN Southwest Poetry Awards Latino Book Awards, Border Region Librarians Association Award, Press Women of Texas Editing Award. She has been both a Houston and Texas finalist for poet laureate; she is a law enforcement veteran of 28 years. Her memoir entitled Tired, Hungry, Standing in One Spot for Twelve Hours: Essential Cop Essays brings the reader into the patrol car as it reveals America’s most dangerous profession.
The Carlucci Betrayal takes readers deep into the Mississippi Delta during Prohibition to witness the founding of a criminal empire, and not since The Godfather has a Mafia family captivated readers the way the Carlucci brothers do in Robert Wilkins’ and Sarah Cortez’s rollicking novel of love, lust, and naked ambition.
Michael Bracken – Anthony Award-nominated editor of The Eyes of Texas
Genres in Which I Write: I write in more than one genre, and I love seeing how the interaction of skill and intention translates and doesn’t translate across genres.
I began as a literary fiction writer, then to poetry, then to memoir. At this point, I think I’ve been published in almost all popular and literary genres and subgenres. I love all kinds of writing and edit all genres.
Writing Process: In terms of my writing process, I don’t have much leeway to choose a particular set of locations or circumstances to write. As a full-time professional writer/editor, I write when and where I can. I always seem to have deadlines breathing down my neck, whether for writing or editing. I am also an editor for a large international Catholic online journal of the arts. Those deadlines keep me very busy. www.catholicartstoday
First Publication: My first book came out within less than three years of beginning to write poetry. I now have 14 books—all traditionally published. For quite a few years, I had one or two books published per year. I have been very fortunate to work with publishers who really believed in my book projects.
Characters: In the popular genre of crime fiction, there are usually two strong-willed characters: the criminal and the sleuth. They must be fairly evenly matched in order to have a drawn-out conflict that is sufficiently interesting for a reader to read the entire novel.
The process of creating a 3-D character, particularly a main character is involved and mysterious. Tomes have been written about it. Curiously enough, it is the one critically important step that most fiction writers, particularly beginning fiction writers, don’t spend enough time doing. All the hours of research, imagining, taking notes, thinking through personality and choices, and personal history of the character pay off. Yet, most fiction writers either skip this step or do it quickly—a fatal mistake to both plot and the possibility of writing a book that readers enjoy.
Writing Characters of the Opposite Sex: Due to police work and my corporate career before policing, most of my life has been spent working with men. I do not find it a particular challenge to write from a male’s POV. In fact, most of my literary and popular fiction is written in a male’s POV.
Do You Base Characters on Real People? As a freelance editor who has been privileged to work with many writers, I think that basing a fictional character on a real person is an absolute no-no. Fiction that does this results in erratic character motivation and is often boring. Characters must be free to act according to the psychological and emotional dimensions based on the imagined history and personality that the writer has given them. So, you can see from this line of thought that I never base my characters on real people and certainly never on myself.
How To Raise the Stakes for Characters? Especially in popular fiction, but also to a lesser degree in literary fiction, the author’s “job” is to apply stress on the main character. These stresses of circumstance create conflict, and conflict creates plot. The way the stress is applied to each character will be different since each character has a different personality and history.
Does a Protagonist Ever Disappoint You? As an author, I am not thinking about my reactions to characters in a book. I am always thinking, however, about what the scene needs to be of interest to a reader. Sometimes a protagonist needs to fail, whether that failure is of his choice or imposed on him. If the writer is writing a protagonist that changes throughout the book, the protagonist will make mistakes. Some characters, like James Bond, do not change over the course of a book. But even this type of character does experience failure of action and choices.
vintage Italian mafia gangster in 1930 in New York
What Kind of Research Do You Do? I research what I need to research. Sometimes that involves an entire era with its cultural artifacts of music, dance, clothes, attitudes, disasters, politics, etc. Sometimes research is very specifically related to a particular scene. For instance, in The Carlucci Betrayal, I had to find out how a young male below the age of military service would get to Europe in 1938 to volunteer to fight against Hitler. Since 1938 was before the U.S. declared war, I had to see which avenues were open to this young man. This only affected a couple of sentences in a phone conversation between two main characters, but it had to be historically accurate.
Also, for The Carlucci Betrayal, I had to research Mississippi law regarding homicide and manslaughter in the late 1920s for a courtroom scene and for the lawyer’s arguments to be accurately based on the law.
A Writer You Admire: I greatly admire Megan Abbott, a wonderful noir writer. She successfully combines what’s best about crime fiction with exquisitely styled prose. She is so successful because so few writers write with her precision and energy in such gorgeous prose. My favorite title of hers is Bury Me Deep.
Advice for New Writers: I’ll pass along some wise advice from a professional saxophone musician: don’t choose anything but your horn. In other words, writing demands a serious commitment to practice and learning. When the others meet their friends to go bowling or drink at the bars, you must be reading, learning, revising, drafting, studying, etc. If you’re going to be a good (highly skilled) writer, then writing isn’t a hobby. It is your job.
Anything Else You’d Like to Mention: Getting to work on The Carlucci Betrayal was tremendously hard work and also tremendous fun! I’ve always wanted to write Mafia-era fiction. This gave me an opportunity to research plus create three-dimensional characters that acted according to a different era’s pressures in a society that was both more constricted and more free-wheeling than today’s.
I also relished my research into Mafia fashion. Not only for the men but for the women. Holsters, spare magazines, stilettos, razors, cigarette lighters, etc. Types and calibers of guns. Several PWSA members helped me out with these questions. For me, becoming conversant with places of concealment, fashions for men and women, mobsters on different coasts, and what they wore—fascinating! It was a delicious peek into the psychology and practicality of why the mobsters and their ladies wore what they wore.
Readers can contact me at: firstname.lastname@example.org or at email@example.com
Our website, carluccibetrayal.com – Search Results | Facebook, also has a “Contact Me” button.
I am available for virtual book readings and presentations on Mafia Fashion.
Follow us on Facebook at The Carlucci Betrayal | Facebook
Rose Owens writes middle-grade fiction, short story, essay, and memoir.
As a professional storyteller, she often tells stories that she has written. The name of her blog site is Rose the Storylady: Making a Difference through Storytelling and Writing http://www.rose-the-storylady.com. That title explains her motivation for blogging. She is a past vice-president for the Tri-Valley Branch of California Writers. She currently serves as the Newsletter Editor. She edits the Toolbox column in that newsletter, which provides other members a place to ask questions and share information. Rose has become somewhat of an amateur Zoom expert. She hosts storytelling, family chats, a cooking club and art club for her family, and online meetings. Zoom links for her two storytelling programs (Storytelling for All Ages and an Interactive Storytelling Program for preschool and lower elementary students) are posted on her website. Http://www.rosethestorylady.net
Rose is the author of the Maryalise Trilogy (middle-grade fantasy novels) that are available on Amazon. She has also authored a picture book: Who Was There: A Nativity Story for Children. She has been published in the Las Positas and Tri-Valley Writers’ Anthologies. Rose’s essay, “We Live in a Mobile Home,” contains family stories about the process of recovering from a fire that destroyed the interior of her home. It was published in the BYU Alumni Magazine. A BYU Family Recovers from a House Fire with Humor and Help
The Poemsmiths of the Mojave High Desert branch of California Writers have selected two of Rose’s poems, “How Far to Bethlehem” and “They Pity Me in the Village,” for inclusion in the anthology, From Silence to Speech: Women of the Bible Speak Out. Rose recently attended the online Surrey International Writing Conference, where she participated in an Author Showcase and had the opportunity to talk about her books.
Rose lives in Livermore, California. She arrived fifty-five years ago and has settled in nicely. She is the mother of seven children and the grandmother of twenty-five. She finds inspiration for her writing as she crafts, cooks, gardens, walks, and participates in other activities.
Tell us about your recent release and other books. Maryalise and the Snatched Fairy (published 2020) is the third book of my Maryalise trilogy. Maryalise is a fairy child hidden in the mortal world with no memory of her previous life. In Maryalise and the Singing Flowers (2019), she discovers her identity, learns to use magic, and ultimately goes down into an underground cavern without magic to rescue her father, who the evil fairy, Villiana, has imprisoned. In Maryalise and the Stolen Years (2019), she must discover how Villiana has stolen years of magic from the people who are buried in an old forgotten cemetery. William (another fairy) and Cuthelburt (a ghost) help her in this quest. In Maryalise and the Snatched Fairy (2020), she goes into the Fairytale Dimension to rescue William, who has been stolen by Villiana. She interacts with the Cheshire Cat, Snow White’s stepmother, the Hansel and Gretel Witch, the Chicken House, and Baba Yaga. Blackie (who is actually a dragon in disguise) helps her. All three books have been self-published on Amazon. She has also published a picture book: Who Was There: A Nativity Story for Children, available on Amazon.
What brought you to writing? I have always enjoyed writing. As an elementary school student, I wrote poetry and an impossible fairytale story. When I was in junior high school, I wrote very mushy, sentimental love stories. Fortunately, none of these early writings have survived. I wrote poetry and essays during my child-rearing years. In 2007 I registered for a creative writing class. Since that time, I have written essays, poetry, stories, and novels. The idea for my Maryalise trilogy happened because my teacher gave her students a prompt to write on in class. Maryalise emerged from my imagination, and her adventures have been chronicled in three books.
Tell us about your writing process I have learned that when I get an idea, I should write it down—even if I don’t have time to develop it fully. Otherwise, that idea disappears into the void. The Idea for Maryalise and the Snatched Fairy came in a dream. The sensation of being snatched and carried away into the void woke me in the middle of the night. I wrote the details down and went back to sleep. When I looked at my notes in the morning, I realized that I had the idea for my third Maryalise book. When I am working on a book, I start my writing time by reviewing the previous chapter and making minor edits. Then, I am ready to begin the next chapter. After I finish writing, I think about what needs to come next. I process that information during the day and before I go to sleep at night. When I am writing shorter pieces, I usually wait several days before I edit them.
What are you currently working on? I am writing a non-fiction piece about the Bank of Vernal. The 80,000 bricks for this bank were mailed from Salt Lake City, Utah, to Vernal, Utah via the US Postal System. I am using the same research to write The Outlaw Trail, a middle-grade historical fiction novel about the son of William Coltharp (the man who built the Bank of Vernal). Butch Cassidy and Josie Bassett are two of the historical characters who appear in this novel.
There have been a lot of versions of The Three Little Pigs published. But one day, I thought, What About Mama? I am working on telling her story.
How long did it take you to write your first book? It was about three years from the time I created the character of Maryalise until I finished the book. However, it took about ten years to write the Maryalise trilogy. I waited until I had finished all three books before I published them. This turned out to be a good decision because I was able to make minor changes in the first books based on what happened in the third book in the trilogy.
Do you have any advice for new writers?
- Keep a notebook or computer file of ideas.
- Write regularly.
- Edit and edit again.
- Save the pieces that don’t fit into your current project. They may be useful later.
- Find a compatible critique group, listen to the other members. But don’t change your work just because someone else has a different idea.
- Organize your computer files. (I’m still working on this)
- Save backups of your work in 2-3 different places. Save a hard copy. Email a copy to yourself.
- Don’t be afraid to try a new genre.
- Search with your planned title on Amazon or Google it. You want to know what other books have similar titles.
Where do you write? Distractions? I usually write on my computer. Sometimes I am sequestered in my storytelling room, and sometimes I write in the family room. I’m able to tune out the distraction of the television noise and just write. Having a regular schedule for writing keeps me from procrastinating my writing to a time later in the day that never seems to arrive.
How do your readers contact you?
My readers can contact me through my blog http://www.rose-the-storylady.com.
Book links on Amazon:
Maryalise and the Singing Flowers Maryalise and the Singing Flowers (Maryalise Trilogy Book 1) – Kindle edition by Owens, Rose. Children Kindle eBooks @ Amazon.com.
Maryalise and the Stolen Years Maryalise and the Stolen Years (Maryalise Trilogy Book 2) – Kindle edition by Owens, Rose. Children Kindle eBooks @ Amazon.com.
Maryalise and the Snatched Fairy Maryalise and the Snatched Fairy (Maryalise Trilogy Book 3) – Kindle edition by Owens, Rose. Children Kindle eBooks @ Amazon.com.
Who Was There: A Nativity Story for Children Who Was There?: A Nativity Story for Children – Kindle edition by Owens, Rose. Religion & Spirituality Kindle eBooks @ Amazon.com.