Frequently accused of drinking too much tea and getting lost deliberately, award-winning writer Debra Bokur is the author of the Dark Paradise Mysteries series (Kensington Books). She’s also a contributing author to Spreading the Word: Editors on Poetry (The Bench Press, 2001) and the former poetry editor at Many Mountains Moving literary journal. Bokur is an award-winning journalist and longtime contributor to national publications, including Global Traveler Magazine. She divides her time between Colorado and coastal Maine.
The Lava Witch – In a remote, mountainous area of a Maui forest near Haleakalā volcano, the naked body of a young woman is found hanging from a tree. The devil is in the details: the woman’s nostrils, mouth, and lungs are packed with lava sand. Her hands are bound in twine, and her feet are charred and blackened, suggesting a firewalking ceremony. Detective Kali Māhoe’s suspicions are immediately aroused. It has all the signs of ritual torture and murder.
But Kali’s investigation soon leads her down a winding trail of seemingly unconnected clues and diverging paths—from the hanging tree itself, a rare rainbow eucalyptus, to rumors of a witch haunting the high areas of the forest, to the legend of the ancient Hawaiian sorceress Pahulu, goddess of nightmares. Casting a shadow over it all—the possibility of a Sitting God, a spirit said to invade and possess the soul.
Aided by her uncle, Police Captain Walter Alaka’i, Officer David Hara, and the victim’s brother, Kali embarks down the darkest road of all. One that leads to the truth of the mountain’s deadly core and a dark side of the island for which even Kali is unprepared.
“This procedural keeps readers guessing all the way to the gratifying solution. Fans of Tony Hillerman will be enthralled.” —Publishers Weekly STARRED REVIEW on The Lava Witch
“A cool police procedural with engaging characters and fascinating components.” —Kirkus Reviews on The Lava Witch
Controlling the Weather – Thanks for inviting me to post on your site today, George. As I prepare for the launch of The Lava Witch, I’ve been mulling over a few concepts that I suspect may be common among both readers and writers of mystery/crime fiction, all of which have coalesced into the notion of controlling the weather.
Consider this: Nearly everything in the world operates according to forces that are out of our control — day and night, tidal waves, tornadoes, disease outbreaks, growing old, watching the neighbors paint their house the wrong color. That’s plenty to dwell on, even on a sunny day, while we can still bolt up and down staircases with ease. When you add in the forces of malevolence, things take a much darker turn.
Like most people, I’ve encountered evil firsthand. Sometimes it’s shiny or dressed up with beguiling surface beauty meant to mislead and confuse; sometimes, it doesn’t bother to pretend to be anything but what it is —cruelty, malice, and deliberate mayhem unleashed to disrupt or destroy the lives and equilibrium of others.
While I’ve never actually talked to other mystery writers or readers about this, I’m sure I’m not alone when I say how satisfying and fulfilling it is to see darkness overcome by goodness and light. I believe it’s one of the reasons we love to read mysteries and thrillers. I know it’s one of the reasons I find it gratifying to write them. Sure, remedying all the ills of the real world and conquering evil in its multitude of forms is beyond my powers as a single human being; but as an author, I can control storms and decide when the sun comes out, and make certain that those who deliberately bring about pain, grief, and misery — at least within the pages of my books — are made fully accountable for their actions. And, I get to bring readers along for the ride, setting off with them on difficult journeys that I know will lead, at last, to a moment of resolution and healing.
How do our readers contact you?
Groups I belong to:
- Sisters In Crime (National, Colorado, and New England chapters)
- Mystery Writers of America
- Rocky Mountain Fiction Writers
- Colorado Authors League
- International Thriller Writers
- Society of American Travel Writers
Award-winning author Kathleen Donnelly is a K-9 handler for Sherlock Hounds Detection Canines—a private narcotics dog company. She enjoys using her K-9 experience to craft realism into her fictional stories. Along with working dogs, Kathleen loves horses. She owns two horses and a bossy yet adorable pony. Kathleen’s love of the mountains inspired her setting for Chasing Justice. She enjoys escaping to the high country to hike and photograph the scenery and wildlife. Kathleen has a B.A. in Journalism from Colorado State University and formerly wrote for The Berthoud Weekly Surveyor, where she won a Colorado Press Award. Kathleen lives in Colorado with her husband and all their four-legged friends.
Please tell us about your upcoming release: Chasing Justice
After losing her military K-9, Marine Maya Thompson swears she’ll never work with dogs again. But when she returns home to Colorado and accepts a job with US Forest Service law enforcement, fate brings K-9 Juniper into her life just as another tragedy unfolds.
“Chasing Justice is a must-read for dog lovers and crime fiction lovers alike.” ~Margaret Mizushima, author of the award-winning Timber Creek K-9 Mysteries, including Hanging Falls
Thanks so much for having me on your blog today, George! I enjoyed answering questions about my path to publication and inspiration for Chasing Justice, my debut novel and the first in a series. Stay tuned to my social media channels and newsletter for more information about future books.
How long to get it published? I started writing Chasing Justice in 2016. However, the idea had been rattling around in my brain for a couple of years. I knew I wanted a female protagonist who would be a K-9 handler. Once I had the concept figured out, I started writing. In 2017, Chasing Justice (then titled Free Base) was a finalist for the Claymore awards, but I hadn’t completed the book yet. However, being a Claymore finalist gave me a confidence boost, and I finished the book over the next few months.
I then entered the book into the Rocky Mountain Fiction Writers Colorado Gold Contest, where it took second place. I thought this would lead to immediate publication, but it received rejections when I sent the book out. I decided to send the manuscript to an editor who had just started freelancing. She’d previously worked at St. Martin’s Press, and the genres she specialized in included mystery and romance. Her edits showed me that while I had the possibility of a good book, I still had a lot to learn. I knew I had to start over except for the first three chapters.
I did just that and continued to study other books along with reverse engineering books that I liked. I started to understand what the editor was telling me. I went back to doing an outline, and I rewrote the entire book finishing it in the spring of 2020. I started querying my novel, and by July of 2020, I had a request to read the full manuscript from my agent Ella Marie Shupe who’s part of the Belcastro Agency. After reading the full manuscript, we talked on the phone, and soon after, Ella Marie offered me representation. We spent the fall of 2020 editing, and in January of 2021, Ella Marie started submitting to publishers. By spring, we had an offer from Carina Press, and I signed the contract a few months later. The rest, as they say, is history.
We hear of strong-willed characters. Do yours behave, or do they run the show? I would love to say that my characters behave, but they just don’t! They seem to have a mind of their own. I do an outline, and we have long talks during that process where I tell my characters to speak now or forever hold their peace. Most of the time, they listen. I have one character in Chasing Justice (I won’t say who because that would be a spoiler.) that started out completely different in previous drafts. I wanted this character to be responsible for certain actions, but in the end, that character won out and got their way.
Maya, my main character, is quite strong-willed and stubborn. We have had many discussions, but what I love about her is how honest she is and how much she wants to do the right thing. She has been a fun character to work with.
Then there’s my fictional K-9, Juniper. While Juniper’s character developed from K-9s that I’ve worked, she can definitely change course and do her own thing—especially if it involves ripping up her dog bed. When you read Chasing Justice, you will see Juniper loves to get her way and keeps Maya on her toes.
Do you have subplots? If so, how do you weave them into the novel’s arc? Chasing Justice has a subplot that I left somewhat open for future stories. There are some small subplots within the novel as well. I used my outline to make sure the subplots made sense in the storyline and blended well with the entire arc of the novel. The freelance editor was very helpful in teaching me about weaving in subplots. The biggest lesson I learned was that you need to have a strong core of the story—one that can be put into a sentence. Once you have that core, you can develop subplots that go with that storyline. For example, Maya comes home to Colorado after being in the military but isn’t speaking to her grandfather. This plays into the main story, but the reason she and her grandfather aren’t speaking is a subplot.
My editor with Carina Press, Mackenzie Walton, also helped me figure out how to weave in and refine the subplots. Mackenzie’s edits on Chasing Justice were fantastic, and she did a great job of pushing me to become a better writer.
How do you raise the stakes for your protagonist—for the antagonist? I love the “what if” game. I spend time brainstorming and mind mapping ideas. I was lucky enough to take some classes from best-selling author Grant Blackwood. He showed us how mind mapping can help tweak the stakes for your character.
I considered ideas such as how a drug-running militia living in the mountains might work. I asked, who are they? Why are they doing this? What type of drug should they be making and trafficking? For most of us, meth and marijuana are the first drugs that come to mind. I wanted something different. I started googling and mind mapping different ideas for drug production. (So far, neither the DEA nor FBI have shown up at my door, after all, my googling. Phew!) I found out about a drug called Krokodil. It’s not common here in the United States. Having an unusual drug upped the stakes for my characters and their investigation.
One thing I learned along the way is to not raise the stakes by adding another plotline. That may sound simple, but I think that happens a lot with new fiction writers. Keep the main plot, and then figure out how you can make things more difficult for your characters. Even with the dog work, I thought, okay, if I’m working a dog in the mountains, what makes things more difficult? Often, in real life, it’s the environment, so I raised the stakes by adding weather issues such as wind and dangers in the forest like trees with broken branches called widowmakers. The “what if” game is a ton of fun!
Where do you place your settings—real or fictional? I created a fictional National Forest for my book. It’s loosely based on the location of the Roosevelt and Arapaho National Forests. I did this because many Coloradoans know the national forests well, and I didn’t want to worry about whether or not there really was a lake near a trailhead. I also thought that by creating a fictional national forest and towns, I would have more fictional leeway for the story.
Do you have any advice for new writers? If you love writing, just stick with it! Learn all you can. Attend conferences and be open to feedback. Conferences allow writers to receive critiques from best-selling authors and editors with extensive backgrounds. Take notes, ask questions, and learn everything you can from them. I have so many published authors to thank for their help as I worked towards publication. I met most of them at conferences. Writing a novel and getting it published is a lengthy process with a big learning curve. Most importantly, enjoy the journey.
How do our readers contact you?
Readers are welcome to reach out anytime via email at: email@example.com
Here are more ways to connect with me:
Newsletter Sign-up: https://kathleendonnelly.com/#newsletter
Where to Purchase Chasing Justice: https://kathleendonnelly.com/chasing-justice/
Seeley James is the author of the highly acclaimed Sabel Security Series featuring veteran Jacob Stearne and athlete Pia Sabel who must work together to bring the rich and powerful to justice. I’ve just released the twelfth book in the series, a moving psychological mystery, The Rembrandt Decision.
Let me tell you about, The Rembrandt Decision: Hours after a man discovers a secret destined to tear his family apart, Pia Sabel discovers his corpse in this psychological mystery reminiscent of both Agatha Christie and Taylor Jenkins Reid.
What brought you to writing? As soon as I finished Treasure Island on a rainy day in my childhood, I knew I wanted to be a writer. But my life turned unpredictable when I was kicked out of my family at fifteen. By seventeen, I was homeless. And at nineteen, I was adopted by a three-year-old girl (details at Adopted). I quickly learned kids require money, especially for a single father, which led me to a career in tech. Many years later, after getting married and having two biological children, I retired early and pursued what I really love: writing.
Tell us about your writing process: Much is said about writing from the heart or letting the characters speak to you. I’m much more like Vladimir Nabokov. When asked what he thought of EM Forster’s proclamation that his characters take over and dictate his works, Nabokov remarked how sorry he felt for Forster’s characters. Nabokov added, “My characters are galley slaves.”
I pave each character’s dark and scary road with broken glass. Their ideas for escape are guillotined without remorse. Would we prefer to watch Serena Williams blindly toss a ball across the court, hoping for a magical point? Or do we expect her to explode a finely aimed shot at the far corner forcing her opponent to attempt an impossibly skillful feat of athleticism?
I write with intention. I’d love to believe in magic, but for me, writing is a lot of hard work. I start with something I feel needs to be expressed. For example, after being shocked to read the CEO of Glaxo referred to a $3 billion fine for criminal sales practices as “… the cost of doing business,” I decided to expand on the next inevitable step for such a moral journey. In 2014, I wrote Element 42, in which a drug company engineers a deadly virus to unleash a global pandemic only its patented drug can cure. Today, fans ask me if the novel is non-fiction.
In my most recent release, The Rembrandt Decision, I addressed an issue from my soul: adoption. As an adopted father, I often heard people say, “They’re not the same as real kids.” I know better. To illustrate family dynamics, I had to create allegorical scenes and sequences to draw out multifaceted sentiments of abandonment, rejection, and inclusion. Which led to the exploration of parenting and what constitutes a mother or father figure. Naturally, that subject raises yet another question: how far should any parent go for their children? How far is too far?
To make it work, I jotted a framework of about five hundred words highlighting the fifteen tenets of Joseph Campbell’s theory of the monomyth. It gave me a flexible platform from which to design each chapter and scene to fit within the archetypal structure. At that point, I had a great plan. Of course, the best thing about great plans is watching them disintegrate on impact. But the original framework allowed me to fix and adjust as I went, knowing that at a certain point, the hero/heroine must meet with the goddess, just as certainly as they will find atonement with the father figure.
When done right, a work based on monomyth becomes a reflection of the universal arc of human life. One day we find ourselves relying on the seemingly supernatural aid of a benefactor, just as we eventually reconcile our rebellious youth with the sober expectations of our upbringing. So must our characters resolve themselves to overcome adversity in the story. That doesn’t happen by accident.
Do you ever kill a popular character? There is a right way and a wrong way to kill a character. Experience through trial and error has taught me the difference between the two. Obi-Wan Kenobi and Ned Stark were executed to set their respective stories on fire. A death that does not ignite action is gratuitous. Don’t get me wrong, a gratuitous death can have an emotional impact, but it feels manipulative to the reader.
In my fifth book in the Sabel Security series, Death and Secrets, I needed co-lead Pia Sabel to step out from her father’s shadow. I wrote his death with the intention to set her in motion. It worked well. Pia’s impetuous nature brought about her father’s demise. At the same time, his own impatience was the direct cause. Recently, I realized I should have done more to draw out the parallels in their stories. In her next book (still in the thinking stages), she will be forced to resolve her guilt with her complicity.
What kind of research do you do? My stories are the result of my research rather than the other way around. As an avid reader of history, economics, geo-politics, and current events, my fiction is an outlet for my studies. (I also read fiction extensively and always carry a book.) In 2019, the horrific mass shooting in Christchurch, New Zealand, was followed five months later by the mass shooting in El Paso, Texas. My morbid interest led me to investigate what these terrorists were thinking. Researching the racism that both extremists believed in, I discovered the existence of a worldwide network of loosely affiliated neo-Nazis and radicalized nationalists. That horrifying concept spurred me to write Death and Conspiracy, a novel about what these fanatics were capable of doing should they get together. It remains one of my most ominous works.
Do you have any advice for new writers? Anyone can tell stories their friends are willing to sit through. Getting people to spend ten hours listening to you is quite a trick. Success is when you tell a story, so fascinating strangers will pay money to hear it. And that’s not easy. Read a lot, write a lot, study the craft, and work hard.
Link to books: http://shop.seeleyjames.com
Link about adoption story: http://seeleyjames.com/adopted
Seeley James (@seeleyjamesauth) • Instagram photos and videos
Seeley James | Facebook
Alma Katsu. Photo by Evan Michio
Alma Katsu is the award-winning author of seven novels. Her latest is The Fervor, a reimagining of the Japanese internment that Booklist called “a stunning triumph” (starred) and Library Journal called “a must-read for all, not just genre fans” (starred). Red Widow, her first espionage novel, is a nominee for the Thriller Writers Award for best novel, was a NYT Editors Choice, and is in development for a TV series.
Something strange is taking place in the waning days of WWII. Meiko, the Japanese wife of a U.S. fighter pilot, follows a mysterious and deadly disease spreading through the Japanese internment camps. Archie Mitchell, a preacher whose wife is killed during the explosion of a fu-go, or fire balloon, is seized with confusing thoughts of revenge. Fran Gurstwold, a reporter intent on escaping from her newspaper’s “pink collar ghetto,” is determined to write up the fire balloon incidents despite the Army’s embargo. And Aiko, Meiko’s daughter, escapes from camp and makes a dangerous solo journey back to Seattle when she’s told her mother has died. It’s all tied together by a forgotten episode in Meiko’s past: a trip taken with her researcher father to a remote island reportedly linked to the Japanese underworld.
Do you write in more than one genre? I’ve been writing historical combined with supernatural or horror or fantasy for six books, but in 2021 my first spy novel, Red Widow, was published. I got the opportunity to write Red Widow because I’d had a long career in intelligence and wanted to try to write a spy thriller that was a little unlike the usual fare—and had a publisher who was willing to take the chance! Overall I’d say writing in more than one genre is a big challenge: readers who like, say, mysteries aren’t necessarily going to pick up your romance novel. Then you have the challenge of trying to market to two separate audiences—it’s tougher than it sounds.
Tell us about your writing process: Generally, I write all morning, from about 7 am until noon, when I make lunch for the family, then write again in the afternoon until I sneak in a little exercise before making dinner. I take care of business during those hours, too: promotion, talking to agents and editors. Evenings are interviews or taping panels and reading ARCs for blurbs. I’m very lucky to do this full-time, but it is a lot of work.
For the historical horror novels, it starts with a quick sprint of research that helps me find the quirky characters and odd little-known facts that will give the book its magic. Then there’s a fairly detailed outline, and I start drafting. I generally draft from beginning to end these days, no jumping around to do favorite scenes first. First drafts are terse. I’ll do a couple more drafts, smoothing prose, filling in plot gaps, finding new twists, understanding the characters better, deepening and enriching. Then it goes to the agent for a first read, and that’s when the real work begins.
How long did it take you to write your first book? My first book, The Taker, took 10 years to get to a publishable state. I’d come back to writing fiction after a long break, and it took a long time to get my sea legs back. It was like I’d been lying on the couch eating potato chips for a decade, and I decided I wanted to run a marathon.
How long to get it published? Once it got to the point where I felt fairly confident it was publishable, it went fast. But those 10 years were filled with querying, and it wasn’t ready, so a lot of rejection and trying to fix the problems without having the chops to do it, which is why it took so long.
Do your protagonists ever disappoint you? I find protagonists much harder to write than antagonists. Villains are interesting, and my villains often end up taking over the book. Anti-heroes aren’t quite the thing these days and often come off as cliché.
Do you have subplots? If so, how do you weave them into the novel’s arc? My books are ALL sub-plots. Except for Red Widow, my books are usually multiple POV, and all those sub-plots have to come together in a satisfying way by the end. It is a ton of work. I use spreadsheets to keep track of everything.
What obstacles do you face when writing about historical figures? Three of my books are historical fiction based on real-life events. The first, The Hunger, is a reimagining of the story of the Donner Party. Most of the characters are based on real people, and I learned after that, people you have to be circumspect about doing that. It can be ghoulish to some readers. If you need to drastically change a real person’s life to make it fit your story, you’re better off creating a completely fictional character. My most recent book, The Fervor, is mostly fictional characters but it’s based on two real-life incidents: the explosion that caused the only deaths on the US mainland during WWII, and the internment of people of Japanese descent.
How do our readers contact you?
Alma’s website https://www.almakatsubooks.com/
Penguin Random House page https://www.penguinrandomhouse.com/books/667268/the-fervor-by-alma-katsu/
Leaving international thrillers to world travelers, Donnell Ann Bell concentrates on suspense that might happen in her neck of the woods – writing SUSPENSE TOO CLOSE TO HOME. Traditionally published with Bell Bridge Books, she has written four Amazon single-title bestsellers. Her most current release is Black Pearl, a Cold Case Suspense, book one of a series, and Until Dead, A Cold Case Suspense, Book two, to be released May 31, 2022. To sign up for her newsletter or follow her on social media, check out www.donnellannbell.com
Hi, George; thank you for inviting me to chat with your readers on your esteemed blog. Before I begin this extremely important subject, I’d like to ask your viewers, especially if they are reading this on their laptops, how many of you have a sticky note or an obstacle blocking your computer camera lens? I’m not a statistical guru, but I would wager the number is more than 50 percent. That, or your newer laptop comes with a device that does it for you.
Did you know that in 2020 (and quite possibly before), employers purchased software programs to monitor their off-site employees to verify they weren’t surfing unrelated work sites and were, in fact, working? People quickly started logging off at night to avoid these unwelcome electronic voyeurs.
I think about things like this because, as my blog title suggests . . . well, you know. I’m careful to research apps to ensure they aren’t loaded with malware. When I’m at my son and daughter’s homes, I whisper around Alexa, stare cryptically at the baby monitors, and don’t get me started on the Ring doorbell. I’ve even searched the dark web . . . All right, no, I haven’t gone anywhere near the dark web. But my antagonist in Until Dead, A Cold Case Suspense has.
I had so much fun creating an evil character who has in-depth knowledge of everything I fret about. At first, I thought I was being ridiculous, that my ideas were over the top. But I’ll have you know I have people—IT expert friends—who not only didn’t laugh at my plot, they dove in and verified what I was writing.
So, imagine you’re on an FBI task force and an assassin with explosives, weapons, and IT skills, one who calls himself The Tradesman, has been hired to take out an assistant U.S. attorney? Would that make you . . . uncomfortable? I bring back my entire team (and a few newcomers) from Black Pearl, A Cold Case Suspense. Fortunately, this task force is smarter, braver, and far more qualified than the author. But I should warn you—there will be times in Until Dead, my task force is paranoid.
Until Dead, a Cold Case Suspense releases May 31, 2022, and is now available for preorder. Until Dead: A Cold Case Suspense – Kindle edition by Bell, Donnell Ann. Mystery, Thriller & Suspense Kindle eBooks @ Amazon.com.
Pre-order at your favorite bookstore today!
“This outstanding follow-on to Donnell Ann Bell’s Black Pearl [is] highly recommended!” — Barbara Nickless, Wall Street Journal and #1 Amazon Charts Bestselling Author
This killer won’t stop . . . until she’s dead
When Lt. Everett T. Pope is notified of an explosion in downtown Denver close to the judicial buildings, his first instinct is a gas leak. No such luck. As Incident Command and Pope’s own Major Crimes unit move in, he discovers he knows the intended victims—an Assistant U. S. Attorney—and Pope’s former partner, now a private investigator, has died shielding the injured AUSA with his body.
As ATF and the FBI take over investigating the bombing and unraveling motives behind the murder attempt, Pope is relegated to a peripheral role. But the injured AUSA’s aunt is a United States senator used to getting results. She turns to the team that solved the Black Pearl Killer murders with a very big ask—find her answers and locate the bomber.
FBI Special Agent Brian DiPietro must recall his entire cold case team from their far-flung assignments, knowing he’s being asked to do the impossible. The senator, however, doesn’t know the meaning of the word. All too soon, DiPietro finds his team working alongside ATF on a red-hot mission. One that uncovers a decades old cold case.
Connect with Donnell!
E-mail * Website * Twitter * Facebook
I’m Darlene Dziomba. I’ve been working in Fiscal Operations and Financial Planning for the University of Pennsylvania for over thirty years. I’m an animal lover. My parents always joked that from the time I learned to walk, I could not pass a dog without wanting to pet it.
Pre COVID, I volunteered at the Animal Welfare Association, a local New Jersey animal shelter. I hope to return to it when the virus dissipates. I miss the staff and the dogs. I had an idea for a book where the amateur sleuth worked at an animal shelter, and the Lily Dreyfus series was born. I have one dog, Billie, an irresistible terrier mix I adopted from AWA.
I had an idea for a book where the amateur sleuth worked at an animal shelter, and the Lily Dreyfus series was born. I have one dog, Billie, an irresistible terrier mix I adopted from AWA.
Clues From The Canines – Lily, an Adoption Coordinator at Forever Friends animal shelter, learns her boyfriend is dead via a dog surrender. Her pack rallies to sniff out the killer.
What brought you to writing? I was in Toronto, attending Bouchercon, and listening to a panel of writers who all had protagonists in animal-related professions. I thought to myself, “I’ve never read a book with an animal shelter employee as the protagonist. I wonder if I could write that?”
I had never attempted to write a book and had a lot to learn. I joined a Writers Workshop, took numerous online classes, and found a coach to assist me. I’m proud of myself for having brought this idea to fruition.
What is the most challenging part of your writing process? I work a full-time job besides my writing job. It is challenging to manage writing, editing, revising, maintaining a blog, maintaining a social media presence, promotions, getting enough sleep, exercising, and long walks with Billie.
Has an association membership helped you or your writing? Yes. I am a member of Sisters in Crime, the Guppies, and two regional SinC groups, SinC Fl Gulf Coast and SinC Grand Canyon Writers.
I am extremely grateful for the internet and Zoom. I’ve attended informative talks, taken craft classes, built a network, and found professional service providers.
How long did it take you to write your first book? How long to get it published? It took two and half years to have a fully written, well-crafted book. I queried agents for two years without much success. I was reluctant to self-publish because I knew an agent would be able to advise me and help me achieve the most success.
The pandemic influenced my decision to self-publish. More than anything else, I wanted my parents to be able to hold a book in their hands with my name on the cover. They are in their eighties, so I didn’t feel I could wait however many years it would take to find the agent and publisher willing to accept my work and decided to self-publish.
From start to finish, it took four and a half years to bring Clues From the Canines to fruition.
Do you base any of your characters on real people? Most of my characters are based on real people. My protagonist is not. Friends ask if Lily represents me and seem surprised when I say no.
The character of Martin is based on the person who was my supervisor at the animal shelter. He was quite the character, and we engaged in a lot of pithy exchanges. Ironically, I had to tone down Martin’s personality. He offended every single beta reader.
I had one friend point blank ask for a character. She plays a major role in the sequel Up Close And Pawsonal.
Do you outline, or are you a pantser? I am not sure “outline” adequately describes what I do. There are psychologists who would love to study my need for the obsessive detail of my plotting template.
I took a course called “Plot Thickeners” with Simon Wood. He showed me a phenomenal plotting method. Then I added to it.
Looking to the future, what’s in store for you? Once the world has conquered COVID, I hope to travel again, and eventually, I will retire from my day job and write full time.
As far as writing, I will keep producing Lily Dreyfus books as long as I can continue to come up with creative plots. For now, getting the first book launched is so exciting. I am basking in being proud of this accomplishment.
Do you have any advice for new writers? Be open-minded. My coach likes to say that she enjoys working with me, “Because you’re smart enough to realize that you need help.” It was important for the process to have beta readers who would be critical and push me to make the book better. One doesn’t need to change their base story, but new writers should toy with the ideas that are offered to them and see if they would enhance the story.
How do our readers contact you?
Thank you very much for hosting me today.