KATHERINE RAMSLAND – Forensic Psychology in Fiction

Dr. Katherine Ramsland teaches forensic psychology at DeSales University in Pennsylvania, where she is the Assistant Provost. She has appeared as an expert in criminal psychology on more than 200 crime documentaries and magazine shows, is an executive producer of Murder House Flip, and has consulted for CSI, Bones, and The Alienist. The author of more than 1,500 articles and 69 books, including The Forensic Science of CSI, The Forensic Psychology of Criminal Minds, How to Catch a Killer, The Psychology of Death Investigations, and Confession of a Serial Killer: The Untold Story of Dennis Rader, The BTK Killer, she was co-executive producer for the Wolf Entertainment/A&E four-part documentary based on the years she spent talking with Rader. Ramsland consults on death investigations, talks to killers, pens a blog for Psychology Today, and is writing a fiction series based on a female forensic psychologist who manages a private investigation agency.

Elevator Pitch for I Scream Man: Forensic psychologist Annie Hunter’s PI team plunges into a perilous case of missing kids and a well-connected network of sex traffickers.

In which genres do you write? I started publishing in the mid-1980s, so I’ve covered a range of genres, mostly in nonfiction: biographies, adventure memoirs, travel, true-crime, writing craft, psychology, paranormal, encyclopedias, scientific analyses, textbooks, and even a cookbook. I’ve also written scripts and treatments for Hollywood. With fiction, I’ve published horror, paranormal urban fantasy, and now my private investigation series. I find that there’s a lot of cross-fertilization.

What inspired your current work, the Nut Crackers Investigation series? I teach forensic psychology, including a course called Psychological Sleuthing, on the psychology of investigation (which I designed and for which I wrote the textbook). I also consult on unusual cases, so it was natural to base a character and her investigative team on what I do. I’ve written a lot of nonfiction on forensic science, psychology, and investigation, so I’ve developed a network of consultants – and some are real characters. In the series, I connect Annie Hunter’s team to whatever consultant she might need, from digital to anthropology to meteorology (yes, there’s forensic meteorology!). Between access to plenty of cases, conversations with multiple offenders, and teamwork with many different professionals, I have a solid set-up for creating plots and characters.

How do you incorporate research or true events into your fiction? I generally start with a twisty crime I’ve come across that will call on my characters’ unique skills. On my core team is a cadaver dog handler, a PI who’s also an artist, and a psychologist with a specialty in suicidology and staged scenes. I research the crime, especially in legal documents, and sometimes talk to key personnel (including offenders). Then, like Law & Order, I spin my fictional scenario. Since I also know the psychological literature, I’m careful to develop characters along realistic lines. One more dimension is that I use actual settings, so I go experience them. I take a lot of photos. For example, after I set a scene in a recreational area, I traveled there to see where I might place an inconspicuous grave. Sometimes the places I see inspire me to turn them into settings. The tower in Ireland that poet W. B. Yeats owned, for example.

You’ve written 70 books, along with multiple other types of projects, and you often write more than one at once. How do you keep them straight? I once heard that a change is as good as a rest. I find this to be true. I work on multiple projects at once – including my day job as a professor and assistant provost. Each provides inspiration for the others. I merely keep them in separate folders on my computer, or in separate piles on my office floor. But when I tire of one project, or finish one, I’m glad to have something else to keep the juices flowing. I have no time for postpartum writing grief because another project is calling for attention.

What is your writing process? I’ve written a book, Snap: Seizing your Aha! Moments, which describes one of the best things to do for the creative process. A lot of people believe that flashes of insight happen at random, but I’ve discovered that you can set yourself up for these to occur regularly. In the book, I propose a program that I’ve found useful for generating the spark. I call it a “snap,” because the flash of genius that really counts is insight plus momentum – it snaps you toward action. It resolves your impasse. First, you create your mental salad. You really work at it, gathering all kinds of info and experiences to toss in. Use a routine so you can tap into body memories, too. Then you relax in whatever way works for you. For me, it’s walking. During this time, you let the brain’s association network mix and match to come up with a plot twist, a new character, the resolution of a scene, etc. I’ve been counting on this process for years. I love it.

What advice do you have for new writers? The most important thing a budding writer can do is to form a support group. This is not a critique group. It’s a small group of people who believe in their work and will be there to assure them when they have doubts. Maybe they’ll be proofreaders (mine are). Maybe they’re just cheerleaders. But they’re essential for the hard times that inevitably come to every writer.

You’ve been writing a blog for Psychology Today for ten years. What’s the theme? “Shadow-boxing,” the title and theme, is about our darkest impulses, as well as anything that may lurk beyond our awareness, “in the shadows.” I write a lot about crime and criminals, since that’s my primary field of expertise, but I also write about creativity, literature with dark edges, investigative techniques, and psychological conditions. Sometimes, I review books.

What can we look forward to in this series? I certainly hope readers will enjoy an investigative series with a deep dive into psychology. They’ll learn about psychological quirks as well as investigative tips. Since Annie Hunter is a forensic psychologist with private practice cases on the side, she has insight into criminal behavior that’s often missed by PIs and cops. Annie has a podcast, Psi Apps, and she’s open to a lot of oddities, including cases with paranormal aspects. And I hope to have weather events in every novel. Might be a hurricane, a tornado, a snowstorm, a flood. I love weather, and I love mysterious places. Wherever I go, I’ll take readers with me.

Annie Hunter’s House

How do our readers contact you? Readers can find me mostly on Facebook. I have three pages there. Also, the website has an email address.

Website: https://www.katherineramsland.net/
Facebook: https://www.facebook.com/katherine.ramsland
Twitter: https://twitter.com/KatRamsland
Blog: http://www.psychologytoday.com/blog/shadow-boxing
Group Membership:
Sisters in Crime
Writers Police Academy
Mystery Writers of America
Private Eye Writers of America



  1. Vicki Batman

    Thank you, Katherine. I’ve appreciated your blogs, etc.

  2. Marie Gallagher

    Hey K, I’m going to read your new book (I Scream Man) and suggest it to my Book Club!! Sounds like the kind of book I’m going to love reading!!!

    • Katherine Ramsland

      Hey, Marie! Thanks. If your book club wants me to come in by Zoom, I’d be happy to.

  3. Kassandra Lamb

    The series sounds fascinating. Can’t wait to read I Scream Man.

  4. Valerie Brooks

    Hi Katharine, I’ve found immense help from your books. The snap idea is so worth nurturing. I’m so eager to read I SCREAM MAN. Congrats!

    • Katherine Ramsland

      Thanks, Valerie. I’m glad I’ve been able to inspire you. I appreciate the post.

  5. Margaret E Mizushima

    Just ordered I Scream Man! I’m looking forward to reading your new book and meeting Annie Hunter. I also use walking to come up with new plot ideas. I enjoyed your interview with George!

    • Katherine Ramsland

      Thank you, Margaret. I hope you enjoy meeting my team and entering their adventure. Thanks for reading the blog.

  6. Debra Bokur

    You had me at “forensic meteorology,” Katherine. I look forward to meeting Annie Hunter. As for creating momentum and sorting out plot lines and details, walking has been my solution throughout my own writing career. Nothing like a brisk ramble to shake things loose.

    Happy writing!

    • Katherine Rams;and

      Hi Debra:

      Walking has always been my go-to for inspiration, and it always works. I’m glad you’ve had the same experience. Thanks for reading about my work. I hope you enjoy the book.

  7. Ellen Kirschman

    Hi Katherine: I look forward to your new series. I am always interested in how other psychologists fictionalize their work.

    • Katherine Rams;and

      Thank you, Ellen. I’m excited to be launching this series. Psychologists have more range than we usually see in fiction.

  8. Joyce

    This book is right up my alley, Katherine, I can’t wait to read it. Sounds fabulous.

    • Katherine Rams;and

      Thanks, Joyce! I appreciate it.

  9. Katherine Ramsland

    Thank you. I appreciate your comment. Thanks for dropping by.

  10. Michael A. Black

    Interesting insights on writing, especially regard set up the “snap.” Best of luck with your new book.


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LYNN WIESE SNEYD – Coordinator of Book Publicity for Authors

Lynn Wiese Sneyd is a professional writer and owner of LWS Literary Services, a boutique agency that coordinates book publicity campaigns for authors, assists with query letters and book proposals, and provides ghostwriting and editing services.



Her most recent books are The Horse Lover: A Cowboy’s Quest to Save the Wild Mustangs and Cowboy Up! Life Lessons from Lazy B, both of which she co-authored with H. Alan Day. A frequent presenter at writer’s conferences and workshops, Lynn is the literary consultant for the Tucson Festival of Books and the producer of “The Cowboy Up” podcast.

Before starting LWS Literary Services, Lynn served as the literary publicist for Russell Public Communications and a community relations manager at Barnes & Noble Booksellers. She graduated from the University of Wisconsin-Madison with a B.A. in English. A recipient of a Ragdale fellowship, Lynn currently resides in Tucson, AZ.

The Horse Lover was released in paperback on September 1, 2022, after eight years in hardcover. Lauded by Booklist in a starred review as “an instant classic, the award-winning memoir tells the story of the cowboy who started the first government-sponsored wild horse sanctuary and the adventures he had caring for and training 1500 wild mustangs. The University of Nebraska Press decided to publish a trade paperback version due to strong annual sales.

Do you write in more than one genre? Prior to ghostwriting The Horse Lover, I published a parenting book, some essays, and a handful of poems. My intention was to try my hand at fiction. But when Alan knocked on the door and shared his story, I knew his memoir needed to find a home. I edited the manuscript, but based on agents’ comments, we didn’t quite get the storytelling right. At my suggestion, Alan hired a few other editors. Again, no one was making the cut. One day, frustrated, I just blurted out, “Let me help you write it,” which was insane because I’d never written a memoir and had been on a horse only half a dozen times in my entire life. Alan, however, agreed. So we started from scratch and eventually figured out how to tell his story. I then went on to ghostwrite three other memoirs, one of them also with Alan.

What is the most challenging part of your writing process? Writing a creative nonfiction story, specifically a memoir means that you have to get the facts correct. Yes, some details rely on memory, but other details remain static over the years. The landscape in Arizona, for instance: is dusty, dry, and expansive. How does that differ from the landscape of the South Dakota Sand Hills? And how can you make the reader feel those differences? And what about the details of a ranch: the fencing, the corrals, the barn, the main house? As a ghostwriter, I had to rely on the author to share these details. Often, I corroborated my understanding of what I was hearing with facts and images researched on the Internet.

How do you go about writing something you don’t know? I still can’t believe I was involved in writing The Horse Lover. First of all, I grew up in Wisconsin riding a Schwinn bicycle, not a palomino, a paint, or any horse. Horses frightened me. Maybe that’s why I transferred from the horse-riding unit to the sailing unit at Girl Scout camp. So who ends up being my writing partner? Alan Day was one of the great American cowboys. Alan grew up on a 200,000-acre cattle ranch in southeastern Arizona, was practically raised on a horse, and had adventures that I only heard about on Netflix. I can’t tell you how often he described and diagramed what it was like being horseback in a football-field-sized corral with 100 frightened wild mustangs. Also, I really had to listen to his word choice and syntax and not insert my own versions, which tended to sound feminine. He’d usually catch the errors, and we’d have a good laugh and correct them. With all the memoirs, I probably spent as much time listening as writing.

Do you have subplots? If so, how do you weave them into the novel’s arc? Captivating stories almost always have subplots. Sometimes I see them before I start writing. Other times, they present themselves. When I started writing The Horse Lover, I was concerned that the story, while fascinating, wasn’t enough for a full manuscript. It wasn’t until we were about one-third of the way through the manuscript that one of the main subplots presented itself. Alan was talking about the wild horses and absently said, “Reminds me of the time I roped a renegade bull.” I’m sorry, you did what??? It turns out the wild bull story was suspenseful and colorful and involved one of the horses he dearly loved. That’s when I started weaving stories about horses he had loved throughout his life into the wild horse narrative. 73,000 words later, we had a book!

Looking to the future, what’s in store for you? I’m finally trying my hand at fiction, something I’ve wanted to do for the past thirty years. I’m finishing the final draft of a novel that has to do with art and is set in the Midwest, where I grew up. It’s such a kick to create characters and a story. I’m eager to finish and see where the book lands.

For more information about The Horse Lover and Cowboy Up, visit www.alandayauthor.com.
For more information about LWS Literary Services, visit www.lwsliteraryservices.com.
And to listen to The Cowboy Up Podcast, tune in at https://podcasts.apple.com/us/podcast/the-cowboy-up-podcast/id1521902050.


  1. Michael A. Black

    From Wisconsin to Arizona is quite a change. Ironically, one of the few times I was on a horse was up in Tomahawk, Wisconsin. Bless you and Alan for what you did for the wild mustangs. good luck with your writing.

    • Lynn Wiese Sneyd

      Thank you, Michael. There’s something about Wisconsin and horses. Not sure what it is. But thank goodness for lakes! Lynn


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STEVE RUSH – Writing Crime Scenes: Authenticity and Credibility

Steve Rush is an award-winning author who won joint first prize in the 2020 Chillzee KiMo T-E-N Contest and was a finalist in the 2020 Page Turner Awards.

His experience includes tenure as a homicide detective and chief forensic investigator for a national consulting firm. He was once hailed as “The best forensic investigator in the United States” by the late Joseph L. Burton, M.D, under whom he mastered his skills and investigated many deaths alongside Dr. Jan Garavaglia of Dr. G: Medical Examiner fame. Steve has investigated 900+ death scenes and taught classes related to death investigation. His specialties include injury causation, blood spatter analysis, occupant kinematics, and recovery of human skeletal remains.

Do you write in more than one genre? In addition to my latest release, Kill Your Characters: Crime Scene tips for Writers, I write suspense/ thrillers and have three nonfiction books in the Christian market.

What brought you to writing? I began writing after reading multiple novels and watching the masters unfold stories page after page. A homeless man’s murder prompted me to write my first novel (Façade, written pseudonym Shane Kinsey) after I identified the deceased by skin removed from his thumb. (In the novel, a killer uses skin from a dead man’s thumb to leave a bloody thumbprint at his murder scenes.) Wings E-press was accepted and published in 2010. I was hooked.

Where do you write? What, if any, distractions do you allow? I write at home ninety-nine percent of the time. I shut off my surroundings and become a spectator in my characters’ world. The other percent is in a hotel/condo while on vacation or a weekend getaway. I get involved to the extent I have no clue of anything happening around me.

Tell us about your writing process: I am a pantser. I tried to outline and found myself deviating from my notes more and more. I have an idea of story and denouement and write as the story unfolds in my thoughts. I like to ask “What if?” and go from there.

What are you currently working on? I am writing about a high-school senior who lost his parents in a fire-bombing.

Who’s your favorite author? Dean Koontz

How long did it take you to write your first book? Several years writing while working a full-time job that required travel across the U.S.

Do you ever kill a popular character? If so, what happens to your story? My latest book is all about killing characters, so, yes, I kill characters when necessary to advance the story and keep the others honest.

What authors did you dislike at first but grew to enjoy? Stephen King. The first novel of his I read left me wondering if he is a writer I should continue to read. I read The Green Mile and others and believe King is in the top five of the best-writer list.

Do you base any of your characters on real people? No.

Where do you place your settings—real or fictional locations? Both.

Do you have any advice for new writers? I will elaborate below. Add suspense. Increase tension. Write what you know.

Writers and editors differ in opinion when it comes to book-length fiction. They suggest we turn off our self-editor and get words on the page. Edit the work after we have a first draft. While the advice works well in most cases, some authors prefer to edit along the way. One author reviews and edits the writing done in a previous session. Another author edits while writing. (Both are New York Times best-selling authors.)

Some authors are outliners; others are pantsers. I am a pantser. I find editing along the way works best for me.

Whatever method you choose, the most crucial aspects to remember when writing inciting incidents, especially crime scenes, are authenticity and credibility. This is where more-than-a-few writers see a stop sign. How can we write what we know if we don’t know it?

Facts support our efforts. I learned this from the cases I investigated as a homicide detective and forensic investigator. They prompted me to write, Kill Your Characters—Crime Scene Tips for Writers.

Facts paint images we want readers to see as if everything happens in their presence. We show readers how to kill. We show how to collect evidence, how to investigate deaths, and how to put together a case for prosecution. Each endeavor must embrace appropriate facts.

Elements of story direct readers where we want them to go until a twist of facts proves otherwise. This includes misdirection. Some facts inserted in the story alter the outcome. Details in fiction reflect real-world situations. Unbelievable instances in life frequently prove to be true, although many come as a surprise to us. When readers see events as too easy and convenient, skepticism turns focus away from our story.

The next step begins when the protagonist arrives and examines the scene. Choices rest on their training from that time forward. The difference between a protagonist’s competence and incompetence depends on their level of expertise. That expertise, or the lack thereof, comes from the facts we give them.

As writers, we share ideas visualized in our minds. We invite our audience to see our inciting incidents. We reveal bits and pieces of the story, one scene after another. We perform our job well when we grab their attention and keep them reading.

True-to-life facts support and give credibility to our stories. What better way to intrigue our readers?

Kill Your Characters—Crime Scene Tips for Writers

There’s a dead body on the floor, and your detective character has to learn every detail about the crime in order to solve the case and bring the murderer to justice. If you’re not an experienced forensic investigator, how can you describe the manner of death accurately so that the evidence means what you want it to mean?

Kill Your Characters by former detective and forensic investigator Steve Rush gives you the tools you need to pass the inspection of all the armchair detectives (and more than a few real ones) out there. Discover your ultimate empowerment source for writing the page-turning inciting incident you have always wanted to write. Become a master and save hours of research effort searching elsewhere for accurate information.

This book will help you answer: How did your character die? What were the circumstances of the murder? What weapon did the killer use? What evidence was left behind? How can you build a rock-solid case against the suspect?

Kill Your Characters will help you answer these questions and more with facts to back up your fiction. When plotting the next murder scene for your story, you may run into obstacles such as how the detectives determine the time of death or the forensic evidence left by a gunshot wound. Steve Rush’s extensive experience is accumulated in a series of writing tips that will significantly improve your story. Kill Your Characters is for any author looking to elevate their murder scenes with credible and authentic details.

Order your copy here: https://www.amazon.com/dp/1947521780







1 Comment

  1. Michael A. Black

    Great summary of writing advice, Steve. I look forward to reading your books. Best of luck to you. I’d love for you to do a presentation at the PSWA Conference some time.


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LYNN DOWNEY – Native Californian and Award-winning Historian of the West

Lynn was the company Historian for Levi Strauss & Co. in San Francisco for 25 years. Her biography of the company’s founder, Levi Strauss: The Man Who Gave Blue Jeans to the World, won the Foreword Reviews silver INDIE award.

Her latest book, American Dude Ranch: A Touch of the Cowboy and the Thrill of the West, is a cultural history of the dude ranch, America’s original vacation. The book has been reviewed in The Wall Street Journal, True West, and Denver Post.

Her first work of fiction, Dudes Rush In, is a historical novel set on an Arizona dude ranch in the 1950s. The book won a Will Rogers Medallion Award and placed first in Arizona Historical Fiction at the New Mexico-Arizona book awards.

Lynn got obsessed with the dude ranch when she worked for Levi’s She has amassed a large collection of traditional and unusual ranching memorabilia. She works as a consulting archivist and historian when she’s not writing. Her clients include the Charles M. Schulz Museum in Santa Rosa, California; Beaulieu Vineyard in Rutherford, California; the Desert Caballeros Western Museum in Wickenburg, Arizona; and the Chemehuevi Indian Tribe in Lake Havasu City, Arizona. She lives in Sonoma County, California.

American Dude Ranch: A Touch of the Cowboy and the Thrill of the West, was published March 2022. “Dude ranches are more interesting than City Slickers would have you believe. They’ve influenced American culture for 140 years, from food to film to gender relations.”

Lynn’s other published works include:

  • Arequipa Sanatorium: Life in California’s Lung Resort for Women, 2019. Winner of the WILLA award for Scholarly Nonfiction from Women Writing the West.
  • Arizona’s Vulture Mine and Vulture City, 2019. Finalist for the New Mexico-Arizona book award.
  • A Short History of Sonoma, 2013.

Lynn Shares Her Story: I’ve been writing since I was a kid, but I didn’t get paid for it until 1985 when I sold my first article to a historical journal. And until 2020, all of my published work was nonfiction about the history of the West. In that year, Pronghorn Press released my first novel, Dudes Rush In, which was a story that had been bouncing around in my head for nearly ten years.

I wanted to write a historical novel about a dude ranch (with a bit of mystery in the story), and one night the characters and plot started running through my head like someone turned on a movie projector. The ranch itself, called the H Double Bar, was based on a real dude ranch in one of my favorite places, Wickenburg, Arizona – once called the Dude Ranch Capital of the World. Yes, though I am a dudine (I don’t ride), I’ve stayed at dude ranches and loved every minute.

I worked on the novel sporadically for a few years, in between writing my other books. But in 2019, I made a commitment to finish the story, even though the process of writing fiction was so different from writing history. I wondered if I’d be able to do it, but the experience turned out to be some of the most fun I’ve ever had as a writer. I had a plan or outline for each chapter because that’s how I organize my nonfiction. My characters had other ideas, so I just took them where they wanted to go. I’ve always heard novelists talk about how little control they had over their stories, and now I know what they meant.

When I turned in the manuscript of Dudes Rush In to the publisher, I went right to work on my next history book, which came out in March of this year: American Dude Ranch: A Touch of the Cowboy and the Thrill of the West. Making the switch from fictional to real dude ranching wasn’t hard at all. I had been researching dude ranches since my time at Levi’s, and I decided that I wanted to look at their 140-year-history from a cultural standpoint. I’d found so many links between dude ranching and movies, food, clothing, the role of women, literature, and more. And that’s where all the best stories were.

Right now, I’m about halfway finished writing my second novel. It’s a sequel to Dudes Rush In, which will probably be called Dude or Die. Then I’ll put my history hat back on and will write the story of a young Boston writer and poet who joined a dangerous western expedition in 1871 and ended up dying in one of the West’s most infamous massacres.

Groups: I am the 2022 President-Elect of Women Writing the West and a member of Western Writers of America.



  1. Paulla Hunter

    Fascinating. I have only been to one Dude Ranch, and that was when I was only a teen.

  2. Michael A. Black

    I tried to leave a comment yesterday, but apparently it didn’t go all the way through. I mentioned what a great idea it was to have a book set at a dude ranch. I’ll have to look into your writing, Lynn. Good luck.


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JOE – A Casualty of War

Today’s guest suffered a bout with Covid and couldn’t make it. So, I decided to share one of my flash fiction stories.

The award-winning poem Sand Creek will be posted on Thursday, August 4, 2022.

Coming Home will be posted on Thursday, August 18, 2022.


Fifty years ago, Agent Orange covered the young lieutenant from head to foot. Not yet known as a killer, his platoon cursed the mess left by the defoliant. Later, Peter laughed at their ghost-like photo images. Now in his seventies, he mused, I’m just another casualty of the Vietnam War. The doctors gave him six weeks.

I have one last shot at Joe. The best time, late afternoon.

Pete needed an experience he could savor. Only a mile to Joe’s, the old man took his time wandering through the forest of changing colors. He first came here on a spring day before he left for Vietnam. The trees had been shielded by leaves in brilliant shades of green—young and strong, much as he had been. The approaching winter turned the landscape into a strange rainbow of orange, yellow, red, and brown. Pete saw his cold and bleak future reflected in nature’s cycle of life, death, and rebirth.

Only I won’t be reborn.

He arrived early, perfect timing for an afternoon nap. Joe would be doing the same. A rock shelf provided enough warmth for Pete to enjoy a brief respite from the pain that came with the cancer.

Pete assembled his gear when he awoke.

Joe had been his elusive quarry for many years. Today might be the day.

Standing in the shallow current, Pete made his first cast. The fly dropped with a loud plop. This won’t do. Joe will never come up for something so clumsy.

Pete’s fourth cast drifted as if on a cloud. His hand-tied mayfly floated to the water’s surface. Joe struck—stronger than Pete ever imagined—much stronger.

Be careful. Work slowly. Joe can break the three-pound test. He has before.

With a skill honed over decades, Pete worked his quarry back and forth, ever closer. Until he slid his net under a still combative Joe, the fish everything Pete could have hoped for in a native Brown Trout—a real trophy—at least eight pounds.

With the compassion of a true sportsman, Pete removed the small barbless hook. He held Joe up to the sky, an offering to the gods. He knelt, and with tenderness bordering on love, Pete gently returned Joe to the swiftly moving water.

This is the best day of my life!

In a few months, it will have been fifty years since the end of the Vietnam War. American Warriors who survived the armed conflict are still dying from the effects of Agent Orange.




  1. Violet Moore

    A poignant story that lets me see Pete’s determination although he is cancer-ridden from the effects of Agent Orange with no hope for survival.

    Looking forward to seeing the next story stories.

    • George Cramer

      Thursday 8/4/22 – Sand Creek

      Thursday 8/18/22 – Coming Home

  2. Linda Todd

    George. I remember the day you drafted this story in Julaina’s class. Reading it today tugged at my heart as much as it did the day it was born. Thanks for sharing it on your blog.

  3. Kathryn Wilder

    Thank you for this, George. It’s good to remember even the hard things sometimes. Love to you!

    • George Cramer

      Kat, thank you. Guess what! I miss you and am sending a giant hug.

  4. Michael A. Black

    Excellent story, George. It’s amazing on how you captured so much in so few words. You captured the imagery perfectly. Good job. Thanks for sharing this one.

    • George Cramer

      Thanks, Mike. Coming from you those are awesome comments.


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DOUG VINCENT – Debuts Child Book

Born in Poughkeepsie, New York, and now settled in San Jose, California, with his wife Jennifer and daughter Jasmine, Doug Vincent is a high-tech security professional, small business owner, and now a children’s book author! Doug and his family are active in the community and work hard to influence positive change. Writing these books is another way to accomplish that objective.

Why did I write the book? I wrote this book to help parents start the discussion about important qualities needed to be successful in life. Confidence in your thoughts, words, and appearance is essential, and I wanted to write something to help.


What are you currently working on? I am currently working on the second book, Happiness Is Key To A Stronger Me, which I hope will be ready by Fall 2022.

How long to get it published? I self-published Confidence Is Key To A Stronger Me, and it took one year. (October 2020 to October 2021.) I hoped it would have been faster but learned that there was more to the process than anticipated.

Visit Doug at https://www.booksbydougv.com

Confidence Is Key To A Stronger Me can be found on Amazon. Amazon.com: doug vincent confidence is key to a stronger me

Hardcover can be found on Barnes and Noble online.


1 Comment

  1. Michael A. Black

    Love the title, Doug. It’s great that you’re instilling confidence in young children. Good luck with your next book.


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