Brian Young is a graduate of Yale University and Columbia University. He is an enrolled member of the Navajo Nation. He enjoys reading, watching movies, playing video games (when he has time), and keeping physically active.
What brought you to writing? When I first wrote The Healer of the Water Monster, I lived in Albuquerque and worked as a meat cutter, and contributed to the native film community as a screenwriter and director. I first envisioned Healer as a movie, possibly a trilogy of feature films. But when I sat down to write it, I knew that a film interpretation wasn’t feasible. The scope and size of Healer’s story was growing in ways that would require an extensive budget to successfully depict. At that time, no one was willing to financially produce native stories because of the prejudiced idea that “Native stories don’t sell.” So, I made the decision to write Healer first as a book because those limitations that filmmaking imposed don’t exist with prose writing. It also helps that I love writing.
How long did it take you to write your first book? Such a long time! Six or seven years? The first draft took me like two months because I was really motivated and in love with the story. I already had daydreamed about the plot points and character growth paths. I did revisions to it for three years. But I was using techniques from screenwriting. I’d have huge paragraphs at the beginning of chapters and scenes going into great detail of the land and environment, then like five pages of nothing but dialogue. I had to grow as a storyteller, definitely as a prose writer. That’s why I decided that getting an MFA was going to help me get Healer published. I was super fortunate but also did a tremendous amount of work to get into Columbia’s MFA for Creative Writing. Through that program, I learned the tools, techniques, and unique abilities that prose writing has.
How long to get it published? I hear this process can take a long time. But for me, it was very short. To complete my MFA program, I did a ground-up revision of Healer for my thesis. I took a third year to rewrite every single sentence of my manuscript. Columbia University’s School of the Arts hosts an agent mixer for third-year writing students and alumni. It was there that I met my agent. I pitched Healer to him, and he wanted to read my manuscript. I wasn’t fully finished with my revision, and he agreed to wait.
A month later, I had finished the revision and sent it to him. When he offered me his representation, I cried. I literally spent ten minutes in my room praying and saying thank you to the Navajo Holy Beings. After accepting his offer through an email, he wanted to go right into sending it out to publishers and editors. After another revision I felt was needed, my agent and I sent Healer out to publishing houses and editors. The rejections came first, as they usually do. But then, we got some interest. My agent set up some meetings, and I had the massive fortune to meet with Rosemary Brosnan, who was gearing up to launch Heartdrum, a native-focused imprint of HarperCollins. I had some immediate gut vibes that told me Rosemary was the one who was going to help bring Nathan’s story across the finish line. After we met, Rosemary offered a pre-empt and my agent worked his magic. By the end, I had a signed two-book deal! It was finalized the day I picked up my mom and sister from LaGuardia for my graduation from Columbia. I had experienced so many setbacks and heartbreaks before. But all that hardship was worth it when I showed my mom my contract. All in all, it took four months, getting an agent then a book deal. After that, Rosemary and I did another revision (I’ve lost count of how many revisions I did), and that is the version that went to print.
We hear of strong-willed characters. Do yours behave, or do they run the show? In my opinion, if your protagonist isn’t making decisions that shape the environment, world, people around them, then why are they the protagonist? Nathan, the protagonist of The Healer of the Water Monster, definitely runs the show. Both he and I agreed that his actions would have consequences for the worlds around him. There are very precious few stories that depict native children as heroes whose actions shape the world around them. So, throughout all the revisions and from the very start, both Nathan and I wanted him to be as active as he could possibly be. I speak of him as an actual person because I spent seven years with him! Actually more, because he is in my next book!
Do you outline, or are you a pantser? On that spectrum, I am more of an outliner. I love seeing the story in its entirety. It’s actually my favorite part of the writing process. I love looking at the macro-level of the story and tinkering with plot points and action beats. When writing a new story, I’ll often do a 27 chapter outline and write a paragraph describing what happens in each chapter and break it down further into scene outlines for each chapter.
That being said, my initial 27 chapter outline usually becomes useless because at the halfway point in the actual writing of the story is when I’ll diverge from the outline. Or I’ll discover some story bits or character emotions that I overlooked when writing the whole story. It’s also here in the middle of the story that the characters start to do their own actions and say their own words. When I’m in the zone, I don’t know what the characters are going to do. It’s like I’m reading a new book that is being written right in front of my eyes.
So, I like to start with having an outline down but will concede to the characters when they start to fully come into their own.
Do you have any advice for new writers? My biggest advice is “Write what you love.” I can’t stress enough that this is a long journey that you are on. From inception to publication, it took me seven years to turn The Healer of the Water Monsterinto a book. You, new writers, are going to be with the story that you are writing for a very long time. If I didn’t love the story or characters, I’m not sure if I would have been as committed to its publication, nor am I sure if I would have been able to devote seven years of my life to Healer. If you love your story, the sacrifices and effort needed to publish a book will be worth it.
People can buy The Healer of the Water Monster on Amazon, but I recommend Red Planet Comics and Books (native owned and operated in Albuquerque, NM)
To reach me, here is my author website: https://brianlyoung.com
Laura Jensen Walker knew she wanted to be a writer ever since she read 103 books in Miss Vopelensky’s first-grade class.
A lifelong lover of mysteries, I never dreamed I’d someday be writing them!
Eager to see the world, I joined the Air Force at 19 and headed off into that wild blue yonder flying a typewriter across Europe. Although my clerk-typist job was boring, traveling was bliss. By the time I was 23, I had visited 15 countries and fallen in love with tea and the land of my heart—England. Later, I majored in journalism, but it took cancer at age 35 to push me to follow my writing dreams of becoming an author. My first book, Dated Jekyll, Married Hyde (non-fiction humor ala Erma Bombeck), came out in 1997. Since then, I’ve written ten humorous non-fiction books and ten novels (chick lit and cozies.)
Murder Most Sweet (Crooked Lane), featuring baker, breast-cancer survivor, and writer Teddie St. John, is my first cozy, released last fall during the pandemic. I wanted to see someone like me in a mystery—a woman who chose to “go flat” after having two mastectomies and is now living her best life. Breasts don’t make a woman. An early editor who read and loved my manuscript, said diversity is important in crime fiction, but diversity isn’t only about color. To my delight and gratitude Murder Most Sweet is nominated for an Agatha Award for Best First Novel. Such a lovely surprise and honor.
Deadly Delights, the sequel to Murder Most Sweet, is my third cozy and twentieth book. (I never dreamed I’d have 20 books under my belt, and still more to come.)
August in Lake Potawatomi, Wisconsin, always means one thing: the annual baking contest. Picture The Great British Baking Show, writ Midwestern. Naturally, bon vivant baker-turned-mystery writer Teddie St. John has a pie in the ring. The white baking tent boasts an array of folding tables housing each entrant’s daily baked good. And at one of those tables sits the corpse of the lecherous head judge, his face half-buried in a delectable coconut cream pie with Teddie’s distinctive embossed rolling pin by his side…covered with blood. With the help of her friends, Teddie must concoct a recipe to clear her name–if the real killer doesn’t ice her first.
I’m thrilled by the great advance reviews Deadly Delights has received.
“Lively characters complement the twisty plot.”
“Deadly Delights moves along at warp speed… [Walker’s] writing and story development is top notch.”
—New York Journal of Books
The ironic thing about the ‘warp speed’ comment is that I wrote Deadly Delights in two-and-a-half months. For many, March and April 2020 were a scary, anxious time as we tried to understand and cope with this crazy pandemic, the likes of which hadn’t been seen in more than a century. Added to the overall anxiety, I have comorbidities that put me in a higher risk group. Scary. I couldn’t focus on anything, including writing and reading. I tried to escape in a good book—some I’d been eagerly anticipating for months—but couldn’t concentrate. Reading has been a joy and great escape my whole life. Except this time. Such a weird feeling—one that I’m happy to say has passed. I also didn’t write a single word on my third cozy during those first two months of the pandemic. The cozy that was due to my editor July 1. Luckily, I managed to get a two-week extension, then wrote like the wind to make that July 15 deadline. My journalism background of writing tight and fast saved me.
My second cozy, Hope, Faith, & a Corpse, a clerical mystery featuring the first Episcopal woman priest in Faith Chapel’s 160-year history, was released in January.
Do you write in more than one genre? I’ve written non-fiction and chick-lit in the past and plan to write more non-fiction and also historical fiction.
What are you currently working on? I’m writing a “Pandemic Postscript” to the memoir I wrote a few years ago that my agent loved but couldn’t sell due to my lack of platform. In non-fiction, it’s essential to have a “platform” of some kind, whether it’s being on the speaking circuit and regularly speaking to large groups around the country who will then buy your book at the back of the room, having a YouTube channel with a zillion subscribers, or having a large/decent social media following.
At the time—prior to signing my cozy contract—I’d been out of the writing/publishing world for more than a decade and no longer had a reader following. I’d stopped public speaking, wasn’t on Twitter, and only had a couple hundred Facebook friends. Multiple editors at several publishing houses told my agent how much they loved the writing in my memoir, but regretfully had to turn it down since I had no platform. Hopefully (fingers crossed) now that I have readers again, a monthly newsletter with a decent number of subscribers, a larger FB presence, and a (small) Twitter and Instagram following, my memoir, the book of my soul, will finally sell.
I’m also started working on my first historical fiction—the book of my heart, set in WWII England—but I’m not ready to say anything more about it yet.
We hear of strong-willed characters. Do yours behave, or do they run the show? Oh, they run the show. Before I began writing fiction when I’d ask a novelist about how their work-in-progress was going, and they’d respond with something like, “I’m waiting for my character to reveal what’s next,” I’d inwardly scoff and think, “You’re the writer; you’re in charge!” Then I started writing my first novel. Ha! In fact, when I started writing my first cozy (now shelved), one of the minor characters, an Episcopal woman priest, let me know she was a major character deserving of her own book. Thus, Hope, Faith, & a Corpse was born.
Do you outline, or are you a pantser? Outline is a dirty word in my house. I’m a total pantser. Mostly. Before I begin my WIP, I usually need to know what the ending is. That way, I have a starting point and an end point, and I fill in the middle. However, in both of my Bookish Baker mysteries, the endings I’d initially envisioned (including the murderer in one—I won’t say which one) changed as the story unfolded.
Looking to the future, what’s in store for you? Hopefully, more cozies in both my series, the Bookish Baker Mysteries and Faith Chapel Mysteries and contracts for the book of my soul (my memoir) and the book of my heart (the historical fiction I’ve been yearning to write for more than three decades.)
How do our readers contact you?
Please contact me through my website, www.laurajensenwalker.com (if you sign up for my newsletter, you get a free gift!)
Facebook Laura Jensen Walker | Facebook
Readers can also connect with me on Twitter @LauraJensenWal1
Hunting ghosts and solving the case before checkout? All in a weekend’s work.
Fleur Bradley is the author of the spooky middle-grade mystery Midnight at the Barclay Hotel (Viking Books for Young Readers, Aug. 2020). She’s passionate about two things: mysteries and getting kids to read. Fleur regularly does (virtual) school visits and speaks at librarian and educator conferences on reaching reluctant readers. Originally from the Netherlands, Fleur now lives in Colorado Springs with her family and entirely too many rescue pets.
Midnight at the Barclay Hotel – When JJ Jacobson convinced his mom to accept a surprise invitation to an all-expenses-paid weekend getaway at the illustrious Barclay Hotel, he never imagined that he’d find himself in the midst of a murder mystery. He thought he was in for a run-of-the-mill weekend ghost hunting at the most haunted spot in town, but when he arrives at the Barclay Hotel and his mother is blamed for the hotel owner’s death, he realizes his weekend is going to be anything but ordinary.
Now, with the help of his new friends, Penny and Emma, JJ has to track down a killer, clear his mother’s name, and maybe even meet a ghost or two along the way.
Other titles of Fleur’s: Super Puzzletastic Mysteries (anthology story, mystery for kids), and the Double Vision trilogy (HarperCollins Children’s)
Do you write in more than one genre? I write mysteries, mostly for kids, but I also like to write short stories. In fact, for the first ten years or so of my writing career, that’s mostly what I wrote. I try to still write a few every year—they’re fun to write, plus the time investment isn’t as huge as a novel-length work. Short stories are also a great way to flex your writing muscle—they’re tough to write.
What brought you to writing? I was a new mom (many years ago!), and I really wanted to do something that was just my own. As an avid reader, I decided to try my hand at fiction writing since all I needed was a pen and paper. I still love that most about writing: I start with a blank page and can make it anything I want.
What, if any, distractions do you allow? Right now, I write at the kitchen table mostly. It’s so unglamorous, really… Sometimes I try to find a different corner of the house to work in just to break the monotony. Covid times being what they are, writing at a coffee shop or library is still off the table. Once I’m into the story though, I forget about everything else. I can write anywhere.
Tell us about your writing process: I usually have the spark of an idea—whether it’s a broad feel of a book (for Midnight at the Barclay Hotel, I wanted to write an Agatha Christie-style mystery for kids) or a good twist or even just the start of the story. Then I let that bounce around my brain a while, until I feel I have all the ingredients to the story figured out—so the mystery, tone, setting, characters. Then I work on an outline and sample chapters that I would eventually send to my agent. She’ll tell me what works, what doesn’t, and I tweak that and write the rest.
What is the most challenging part of your writing process? The most challenging part is the analytical part of my brain that needs to produce a solid plot and outline, and the creative part that just wants to get writing already to see where the characters take me…. It’s truly a battle of wills some days! But that outline is necessary to keep me on track.
What are you currently working on? I’m finishing edits on my next mystery for kids, and I’m getting ready to write the first draft of a YA mystery. I always have several projects going at once—it keeps me from getting bored.
Where do you place your settings—real or fictional locations? I like to take a real location and then create a fictional version of it so that I can write my own rules. For Midnight at the Barclay Hotel, I created the Barclay Hotel based on the Stanley Hotel (from the book/movie The Shining) in nearby to me Estes Park, Colorado. I took some of the elements of the Stanley—the beautiful architecture and woodwork, the ghost stories, the Colorado setting—and amplified them to make for a more exciting story material.
Looking to the future, what’s in store for you? I’m hoping to be able to in-person school and bookstore visits again—I miss seeing people in person, like everyone else I’m sure. The mystery for kids I’m working on now should be out from Viking/Penguin Random House in summer 2022, and then I plan to write another mystery for the 8-12 age group—it’s been such a joy to write mysteries for kid readers, I expect I’ll be writing lots more.
Anything else you’d like to tell us about yourself and your books? To toot my own horn for a minute: I was honored to be nominated for an Agatha Award and the Colorado Book Award for Midnight at the Barclay Hotel. If any blog readers get a chance to read the book, let me know what you think!
For more information on Fleur and her books, visit www.ftbradley.com, and on Twitter @FTBradleyAuthor.
Sabrina Flynn is the author of Ravenwood Mysteries, set in Victorian San Francisco.
When she’s not exploring the seedy alleyways of the Barbary Coast, she dabbles in fantasy and steampunk. She has a habit of throwing herself into wild oceans and gator-infested lakes.
Her new historical mystery, Beyond the Pale, is the eighth book in the Ravenwood Mystery series. An innocent accused. An infamous hotel. And a murder everyone wants to hide.
While recovering from a brutal beating, Atticus Riot is arrested for the murder of his ex-agent—the same agent who left Riot for dead. His wife and partner, Isobel Amsel, watches helplessly as he’s taken to San Francisco’s notorious ‘sweat box’ for interrogation by an inspector with a grudge.
Desperate to save her husband, Isobel seeks out the one ally they have—only he’s in the infamous Hotel Nymphia, neck-deep in a murder investigation with a ghastly corpse and over three hundred suspects. In exchange for the inspector’s aid, Isobel agrees to work as a consulting detective on his case.
Now Isobel needs to prove Riot’s innocence while tracking down a killer no one wants to be caught. The diverging trails lead to an old friend, a tangled web of secret lives, and one all-consuming question: where’s the line between justice and murder?
Do you write in more than one genre? I feel comfortable writing in all genres. I’m currently published in historical mystery, epic fantasy, Gaslamp fantasy, and have a WW1 thriller I’m editing along with a planned contemporary mystery series. It’s always hard for me to pin a genre on the novels I write. Ravenwood Mysteries is a mix of mystery, history, romance, action and adventure, wild west, Victorian, and noir.
Tell us about your writing process: I just tell myself a story. I’ll start at a point or with a vague idea, and that’s pretty much it. My writing process is a lot like hiking to a distant mountain. I know the starting point; I know where I want to end up, but I have no clue what lies between those two points. And sometimes, the twists and turns and obstacles along the way take me to an entirely different mountain. But that’s all right. It’s the journey that’s exciting.
*Note from George: I love Sabrina’s example of hiking from a point to a distant mountain and all the obstacles one faces.
We hear of strong-willed characters. Do yours behave, or do they run the show? I’m an organic writer. So my characters definitely run the show. I don’t know what they’re going to say until I type it, then end up laughing at whatever joke they cracked. There have been numerous times when I want them to do one thing, and they just won’t do it. For example, in the first book, Atticus Riot showed up with a gentleman’s walking stick. I didn’t know why he had a walking stick. I tried to make him limp, but he wouldn’t limp. So I tried to take it away from him, and that didn’t work either. I said, ‘Fine, keep the stick!’ And it wasn’t until halfway through the book that I was like… ‘Oooh, that’s why you have the stick.’ Then in book three, I discovered the stick had sentimental value, so I’ve learned to just go along with the unexpected.
What’s the most challenging thing about writing characters from the opposite sex? I grew up with four brothers, so I actually find writing feminine women difficult. It’s hard for me to connect and understand women (or men) who are stylishly dressed, are worried about breaking a nail, or getting sweaty because it will mess up their hair. I’m not big on talking about feelings in my prose either. I’d rather show it than tell it. So I think that’s something my readers notice pretty quickly with my writing. Several readers have compared Ravenwood Mysteries to some classic noir authors like Raymond Chandler.
Do you ever kill a popular character? If so, what happens to your story? Death is the end of a story. It’s a common everyday occurrence where life goes on for the living. So it’s not something that’s thrilling to me or even shocking in a book. It’s just… death. It’s much more interesting to me as a reader (and writer) to read about people who survive against all odds. Writing characters who live and thrive despite difficult circumstances is the hard part. Death is easy to write.
In my epic fantasy series, I came to a place where the hero could have died this epic death that would’ve been perfect for him, but I found keeping him alive left more of an impact.
Do you have subplots? If so, how do you weave them into the novel’s arc? Oooh, do I ever. I come from an epic fantasy background, so I naturally write overarching storylines into my mystery series. I plant seeds throughout my books for future books in the series. For example, the first sentence in the first chapter of the first book (From the Ashes) isn’t explained until book four of Ravenwood Mysteries. I did the same with another subplot that’s been woven throughout the series, and that will finally be addressed in book nine. I usually have multiple storylines and mysteries going at once, which keeps things interesting.
What kind of research do you do? Lots of reading. And not just from one source. Newspaper archives are great, but they can be slanted one way or the other, so I look for other sources as close to 1900 as I can find. It’s a great way to pick up the actual language of the time and not fictionalized vocabulary and slang.
I’m also very hands on whenever possible. When I lived across from San Francisco, I tried to visit whatever place I was writing about. But so much of San Francisco was destroyed in the 1906 fire that most places have changed locations or were destroyed. Isobel, one of my protagonists, is big on sailing, so I took a sailing class in the bay to get a better feel of it. And when my protagonist was learning lock-picking, I bought a set of lock picks to practice with.
But I think my most drastic bit of research was when I tossed a protagonist overboard into San Francisco Bay, and a beta-reader claimed she would’ve drowned, been eaten by a shark, or died of hypothermia. So I jumped off a ferry at Alcatraz and swam to Aquatic Park in San Francisco sans wetsuit. She didn’t argue with me anymore.
Looking to the future, what’s in store for you? Hopefully, lots of ocean swimming, trail running, and writing!
Where can we find you and your latest work, Beyond The Pale: http://www.sabrinaflynn.com
My books are on all the major online retailers. Here are some links.
Bookbub profile: https://www.bookbub.com/authors/sabrina-flynn
Apple books: https://books.apple.com/us/author/sabrina-flynn/id747418916
Thank you, George, for having me on today. I’ve been writing now for twelve years and have to admit it; I enjoy writing. I guess it’s the storyteller in me. My background has helped me come up with ideas, as I spent nearly thirty years in the Air Force in a career field with a mission very similar to the FBI. I spent another eight years as a financial advisor before becoming a full-time writer. Both jobs gave me a lot of insight into people’s behavior.
In all, I’ve had sixteen books published, two more that I’ve self-published, and one that I co-authored with three other writers. I’ve also had a few short stories published in anthologies. Most of my work has been in the mystery or thriller genres. However, I have four fantasy, adventure books published in the juvenile fiction series.
I have never found writing in different genres difficult. It might be because for years, I wrote short stories for my three daughters as they were learning to read and then for my grandchildren.
In the Air Force, I wrote or reviewed hundreds if not thousands of criminal and counterintelligence investigative reports. While none of my books are based on true crime or actual intelligence reports, my experience gave me thousands of ideas and plots.
I have a fairly strict writing process that includes leaving home before eight each morning, finding a spot inside or outside a coffee house, and writing for about an hour and a half. If I can keep this pace, I find that I can produce a 70,000-word book in around nine months. My first book took longer as I lacked discipline and confidence. My advice to any beginning author is to stay with it, despite any initial disappointments. My first book is admittedly my worst edited. I’ve learned since.
Writing at home has always been difficult for me as I find myself too easily distracted by the refrigerator, the television, or some other project that comes to mind. The noise around me at a Starbucks, for example, I can ignore. In fact, I sometimes describe a character after a customer that catches my eye. I sometimes wonder if a lot of authors aren’t people watchers, too.
I never start with an outline, although I often find myself reading what I’ve written after about sixty or seventy pages and taking notes to ensure I haven’t changed names or descriptions of characters or gone too astray in my plot. After that, I try to remember to add to my character list as I go, but I still find myself mixing up who did what or names. When I finish the entire manuscript, I read the entire story and make a number of changes. About the third or fourth time, I feel the story is good enough to have other people read it to identify mistakes or recommend improvements.
My protagonist in my Jim West mystery series, my first series, is a retired Special Agent from the Air Force Office of Special Investigations. While I am too, that is where the similarities between Jim and me (or any other person) ends. Giving Jim a background I could relate to, and have him living in a state where I also lived for years, made the stories easier to write. After writing five books about Jim, I started my second series: the Clint Smith thriller series. I alternate now between the two series.
The Treasure, my newest book, is the fourth book in the Clint Smith series and is set to be released in April. Clint is a “hunter,” the nice word given to him as a job description that more accurately should be government assassin. The small office to which he belongs is so buried under layers of classified cover mission descriptions that only a few in the government know what they really do.
In The Treasure, Clint heads to Las Vegas on vacation after a successful mission in South America to dig up a stagecoach strongbox he had found in the desert earlier but had left unopened. Upon inspection, he finds several well-preserved old documents. He gives the contents of the strongbox to a lawyer to find buyers. One of the documents, unfortunately, creates a maelstrom of violence and murder, and puts Clint squarely in the crosshairs of some Chinese assassins. Clint leaves Las Vegas to keep out of the spotlight, only to find himself going to Alaska in an attempt to rescue a female police officer assigned to protect him in Las Vegas.
I have always been a big reader and have really enjoyed the works of many authors. Some like Ian Fleming, Rex Stout, John D. MacDonald, Robert Ludlum, I grew up reading. Their work still influences me, while I have since moved on to more contemporary authors.
I will continue to write until my eyes, or my fingers go. I do enjoy it, and if your followers choose to read one of my books, I’d love to receive any feedback or comments they may have. My website is www.bobdoerr.com, and I have an author page on Facebook (20+) Bob Doerr – Author | Facebook
Thank again – Bob Doerr
Terese Marie Mailhot – A New York Times bestseller
Selected by Emma Watson as the Our Shared Shelf Book Club Pick for March/April 2018
A PBS Newshour/New York Times Now Read This Book Club Pick
A New York Times Editor’s Choice
Winner of the Spalding Prize for the Promotion of Peace and Justice in Literature
Finalist for the Governor General’s Literary Award for English–Language Nonfiction
A Barnes & Noble Discover Great New Writers Selection
An NPR Best Book of the Year
“There are so many sentences I had to read again because they were so true and beautiful. It’s a memoir of pure poetry and courage and invention. Whenever I think about it, my heart clenches with love.” —Cheryl Strayed, The New York Times Book Review.
“A sledgehammer . . . Her experiments with structure and language . . . are in the service of trying to find new ways to think about the past, trauma, repetition, and reconciliation, which might be a way of saying a new model for the memoir . . . If Heart Berries is any indication, the work to come will not just surface suppressed stories; it might give birth to new forms.” —The New York Times.
Do you write in more than one genre? Yes! I have a novel coming out soon! It’s untitled.
What brought you to writing? I loved my mother’s writing very much. She was the first person who really taught me about writing. I would watch her work nightly on poetry or essay, and I always thought it was honorable work.
Where do you write and do allow any distractions? I write in my bedroom, because it’s the only room in the house I could set up an office. I invite distractions. I’m very lucky in my life. This pandemic has taught me to value family time and I’ve also learned how to enjoy being sidetracked. Those moments of distraction can be inspiring and energizing.
Tell us about your writing process: I write every day until I make my wordcount goal. Then I take a few months off and revise. If it’s for something more urgent, I work relentlessly, nonstop, until it’s as good as it gets for that deadline.
What is the most challenging part of your writing process? Time. Work life getting in the way.
What are you currently working on? The novel. I’m giving it time. I finished the first draft, so it’s about time to revise.
Who’s currently your favorite author? Kiese Laymon or Jesmyn Ward or James Baldwin … it’s too hard to choose!
How long did it take you to write your first book and published? It about 6 years to write. It sold two weeks from the time I sent it out and was published a year after.
We hear of strong-willed characters. Do yours behave, or do they run the show? I like the outsiders. I like writing from the perspective of black sheep types, because their interiority is electric and perceptive, willful, and neglected.
Do your protagonists ever disappoint you? Yes.
Do you try to make the antagonist into a more human character? I think flawed characters are my favorite. I like people written off or disregarded, or people who are misunderstood.
Do you have subplots? If so, how do you weave them into the novel’s arc? I think there are underpinned themes in all the work I do. I think, in my current novel, there’s an underpinned theme of joy and collectivity, and I think of it like taste. Like, there should be many dimensions to a good dish. There should be a lot to savor or value in good food. Maybe I’m hungry. It shouldn’t be overbearing the main course.
Do you raise the stakes for your protagonist—for the antagonist? I like work with little plot. I just throw wrenches at my characters until something strikes me.
Do you outline, or are you a pantser? Both.
What kind of research do you do? A lot. As much as humanly possible from all kinds of sources.
What is the best book you ever read? Giovanni’s Room.
Do you have any advice for new writers? You can do it. It’s harder for some, but nothing is impossible.
Anything else you’d like to tell us about yourself and your books? I write for the women I love. I write for my mother.
How do our readers contact you? Teresemailhot.com