Our guest today is Alec Peche author of Mystery and Thriller.
Who knows the most about how to get away with murder?
Jill, Nathan, and Angela head to New Zealand and Australia on a trip that is part work and part vacation. Jill is speaking at a forensic conference, while her friends are meeting with wineries to conduct business.
Dr. Jill Quint is a forensic pathologist by training. She left her crime lab to pursue her own winery but was called back by old colleagues to comment on cases. Those referrals expanded into a business where Jill offers second opinions on the cause of death. She also has her PI license and can be hired to investigate a suspicious death. Her friends assist her with cases by bringing their own skills like accounting, interviewing, and social media research. Nathan is her partner and is a world-renown wine label designer.
New Zealand has a reputation as a very safe country, so why are people dying in the cities she visited so far on her trip? They aren’t dying by gunshot or stabbing, rather these are unusual ‘accidents.’ In time, it becomes clear that these deaths are staged as ‘how to get away with murder’ events by a professional.
As Jill and friends transition to Australia, will the killer follow them? Is Jill the final target?
Read Forensic Murder for a crime story set down under.
When did you realize you wanted to write novels? Probably sometime in my 40s after reading a bad book. Throughout my high school and college classes, I was at best an average student, and I hated creative writing. I could rarely think of something to write about when I had to do it for a class.
How long did it take you to realize your dream of publication? In July 2012, I made my first attempt at writing a mystery. I fumbled around looking for a format on what to do. I hit a wall early in that I didn’t know who my characters were or much beyond the story’s premise. I tried software and a few books, but my page was still empty. Then I decided I would just sit down and write a page, then the page became several pages and flowed into chapters and a story. I had no contacts in the writing world, and I felt like my style of writing was cheating as I had no list of characters or an outline. I was a pantser but didn’t know there was such a thing. I finished the book in the spring of 2013, and I had a friend who was my first reader, and she said she enjoyed it. She didn’t tell me it was the best book she’d ever read or that it would be a bestseller. She told me where the holes in my story were. I came out of the business world and had never written more than a three-page memo, so I hired an editor who taught me a little about grammar and style. I published that book in September of 2013. I’ve gone back and re-written it a few times. You don’t use contractions when writing in business, and so I didn’t do that in my first two books. That makes any dialogue stiff, so creating contractions and more casual dialogue was part of the book’s improvements since being first released. I read Stephen King’s memoir ON WRITING and heaved a sense of relief when I learned that many authors don’t outline.
Are you traditionally published, indie published, or a hybrid author? Indie for all 14 books.
Where do you write? Ninety-five percent of my writing is done in my office on a desktop computer in Word. I’ll occasionally write on my iPad, but I like the big screen and mechanical keyboard in my office.
Is silence golden, or do you need music to write by? Silence! My characters are talking to me in my head as I type, and that’s all the ‘noise’ I need to write.
How much of your plots and characters are drawn from real life? From your life in particular? A fair amount of my real life is in my books. My three best friends are the series recurring characters. I worked for over thirty years in hospitals. Not as a physician, but with a lot of physicians over the years. Generally, every book setting is a vacation I’ve taken. I visited Australia and New Zealand two years ago. In FORENSIC MURDER, there are cities in the two countries that I didn’t visit (Wellington, Christchurch, the island of Tasmania), so I used Google Earth to fill in the blanks.
Describe your process for naming your characters? I used to keep a telephone book’s white pages around and randomly pick names. Now, that I have many countries that I set my stories in, I’ll google ‘popular first names or surnames in Israel or Quebec’, and pick a name.
Real settings or fictional towns? A little of both. My protagonist in one series lives in a made-up city in the central valley of California, and my protagonist in my second series lives on Red Rock Island, an actual island in San Francisco Bay.
If you could have written any book (one that someone else has already written,) which one would it be? Why? Harry Potter, the popularity of that book series is quite the empire. Also, it’s a mystery and an adventure. Of course, if I had written it, probably the last two books in the series would have been less dark.
Everyone, at some point, wishes for a do-over. What’s yours? I wished I had picked a different pen name.
What’s your biggest pet peeve? There’s so much strife in the world at the moment, who has the mental energy for pet peeves?
You’re stranded on a deserted island. What are your three must-haves? Another person, a big dog, and shelter.
What was the worst job you’ve ever held? Hand cutting onions at Jack in the Box. I would have to go into the walk-in refrigerator to slow down the tears. To this day, I hate onions.
What’s the best book you’ve ever read? Hard to say. I’ve listened to On Writing 2-3 times, Harry Potter – first in series, Ron Chernov’s Bios of Washington and Grant, JD Robb’s In Death Series. They are all very immersive stories.
What’s on the horizon for you? I’m playing with proposals in my head of starting a new series in Urban Fantasy or Paranormal Mysteries. But first, I need to finish FORENSIC MURDER for its release date of November 2.
Anything else you’d like to tell us about yourself and/or your books? My writing process is evolving. I haven’t hit on the perfect path that works for every book.
Novelist, US Marine, and lifelong student of the American Southwest.
David, please tell us how a Marine became a novelist. I sort of fell into writing by my former profession. Part of my career in the Marines included several tours as a staff officer. The principal duty of a staff officer is to read and write all sorts of documents for the commanding officer. Over the years, several of my seniors told me I was a good writer. I was hooked!
I live in a three-bedroom condo, and one of those rooms is my office. I have it decorated with Native American artifacts of all kinds, which serve not only as items of beauty but items that express the colorful history of the Southwest. I am inspired by the suggestion these artifacts bring of people who were able to live in a harsh land and survive there to this day. I allow no distractions, but they pay no attention to my wishes.
The hardest part of my writing process is sitting in a chair and grinding for five to six hours a day, five days a week. Every now and then, I get a flash of inspiration, but the burst of ideas is soon overshadowed by the research, analysis, and crafting needed to support the idea. In the end, my brain surge delivers new things I did not know before, and that’s where the fun of writing comes in.
My favorite author has to be Michael Connelly, followed by Robert Crais.
I travel to the scene of my crimes. My main character, Peter Romero, lives in New Mexico, and Poisoned by God’s Flesh start there. I’ve lost count of my visits to New Mexico since 1963, and I never cease to marvel at its beauty. My first novel, Mining Sacred Ground, takes place in the wilds of Arizona, a place I’ve visited annually (almost) since 1956. Animal Parts sends Romero to Oklahoma, a location I was stationed at while in the Marines. Twice. My newest novel, Dead Horses, takes place in Southern Colorado, a state I’ve loved since graduating from CU Boulder in 1965. My next novel will take place in Nevada, and that’s about all I know about the story. Many Vegas trips coming up? Of course.
How long did it take to get your first book finished? The Smoked Mirror took ten years, but it was a training vehicle and may never see the light of day.
When does your newest novel become available? Dead Horses – A Peter Romero Mystery, will be released by Amazon on October 9, 2020.
My historical characters are based on Native American legends. The problem with legends is that they are often embellished by succeeding generations of storytellers and listeners. Research will get you either a lack of information on a particular legend or confusing, contradictory stories without attribution to a source. It’s sort of a Wild West in a sense. This is where imagination and artistry come in.
My character names are out of the phone book or from the internet. If I need a character, say the sheriff of a certain county, I look up that person online. Let’s say his name is Johnson. The fictitious character’s name I will use is Jonsson. Nobody gets hurt.
Do you ever use real people for your characters? In my first novel, I tried to base my main character on people I know. It didn’t work for me, so I switched to modeling my characters after imaginary people I have developed. It works a lot better for me.
What can you tell us about your protagonist? My character is somewhere in between introspective and strong-willed. He pushes until push comes to shove, then he attacks. He is a bulldog who is not afraid to bite. How about your antagonists. My antagonists are spiritual in nature and have human characteristics, more often have animal characteristics. To make them human, I give them a sense of humor.
Do you work in any subplot? I usually have two subplots that present complications that challenge the main character and reveal more of his inner strengths.
Pantser or plotter? I am definitely a seat-of-the-pants plotter. The last paragraph leads me to the next. I tried outlining once, but it was only distracting work.
Where do you conduct your research? Most of my research is on the internet. I also have an extensive library on the main interest in my writing life – Native Americana. I have attended classes on Native Americana for the past 25 years and sob up everything I can on the subject, including membership in the Archeological Conservancy. I also write about places I know, which enhances my research online and in reading.
USA Today bestselling and award-winning author Lois Winston
Lois Winston writes mystery, romance, romantic suspense, chick lit, women’s fiction, children’s chapter books, and nonfiction under her own name and her Emma Carlyle pen name. Kirkus Reviews dubbed her critically acclaimed Anastasia Pollack Crafting Mystery series, “North Jersey’s more mature answer to Stephanie Plum.” In addition, Lois is a former literary agent and an award-winning craft and needlework designer who often draws much of her source material for both her characters and plots from her experiences in the crafts industry.
Up until fairly recently, I juggled three careers, one of which gave me the idea for my long-running Anastasia Pollack Crafting Mystery Series. Until retiring last year, I worked for decades as a designer and editor in the consumer crafts industry, primarily designing needlework for kit manufacturers and magazine and craft book publishers. However, I have been known to wield a nasty glue gun from time to time and have the scars to prove it! But it’s been well worth the pain, given the accompanying inspiration it’s provided. (see below)
I began my writing career in the romance genre. My first published book, Talk Gertie To Me, which was more humorous women’s fiction than romance, was published in 2006. Love, Lies and a Double Shot of Deception, a romantic suspense, came out in 2007. By then, I had decided to take my writing in a different direction with a mystery series. Assault With a Deadly Glue Gun was the first book in the Anastasia Pollack Crafting Mysteries. I sold the series at the end of 2009, and the first book was released in January 2011.
But I said I juggled three careers, didn’t I? After selling my first book, the agency which represented me invited me to join them as an associate, which made me, for a time, an author, an agent, and a designer. With the changes that have occurred in publishing the last few years, coupled with the death of two of our agents and the retirement of one, the agency owner decided it was time to close shop after nearly fifty years in business. So now I’m back to one career. Truthfully, it’s the one I love most because it enables me to live 24/7 within my imagination.
The idea for the Anastasia Pollack Crafting Mysteries came about thanks to a conversation my agent had with an editor. The editor was looking for a crafting mystery series. My agent figured, with my background, I was the perfect person for the project. I hadn’t read any crafting mysteries at that point, and when I began researching them, I discovered that most featured amateur sleuths were shop owners. I wanted to come up with something different and tapped into my own industry experiences as a crafts editor, making Anastasia the crafts editor at a women’s magazine.
The idea for the first book came about from a combination of events. My husband had recently lost his job, and although he’s nothing like Anastasia’s husband (thank goodness!), it sent me into a tailspin of worry regarding money. Although I juggled three careers at the time, none of them provided me with a steady income. On top of that, I was having mother-in-law problems. Finally, when I first started contemplating the series, The Sopranos was still on HBO. I’m a Jersey girl. How could I not set a mystery in my home state and involve the Mafia in some way?
All of these elements, along with just having sustained a painful burn from my hot glue gun, came together to form the basis for both the first book and the overall series: When Anastasia Pollack’s gambling-addicted husband permanently cashes in his chips in Las Vegas, her life craps out. She’s left with two teenage sons, a mountain of debt, and her nasty, cane-wielding communist mother-in-law—not to mention a loan shark demanding fifty thousand dollars.
Given the premise for the series, I knew it had to be humorous. I’ve always been drawn to quirky characters. They make me laugh. I think we all need more laughter in our lives, especially with everything going on right now! Releasing those endorphins is the only thing sustaining many of us these days.
In crafting quirky characters, I usually take traits from various people I know, exaggerate them, and blend them together to create unique characters. Let’s face it, most people aren’t as quirky or funny in real life as they are on the printed page. The exception is Lucille, Anastasia’s mother-in-law. With a few minor differences, Lucille’s personality (along with her communist leanings) mirrors that of my now deceased mother-in-law. Hence, the mother-in-law problems I mentioned above—and the reason why some of my husband’s relatives no longer speak to me!
There are now nine full-length novels and three novellas in the Anastasia Pollack Crafting Mystery Series, which have received starred reviews from Publishers Weekly and Booklist and an Amazon #1 Bestseller. The latest book is A Sew Deadly Cruise, released October 1st.
Come for the laughs, stay for the mystery!
A Sew Deadly Cruise – An Anastasia Pollack Crafting Mystery, Book 9
Life is looking up for magazine crafts editor Anastasia Pollack. Newly engaged, she and photojournalist fiancé Zack Barnes are on a winter cruise with her family, compliments of a Christmas gift from her half-brother-in-law. Son Alex’s girlfriend and her father have also joined them. Shortly after boarding the ship, Anastasia is approached by a man with an unusual interest in her engagement ring. When she tells Zack of her encounter, he suggests the man might be a jewel thief scouting for his next mark. But before Anastasia can point the man out to Zack, the would-be thief approaches him, revealing his true motivation. Long-buried secrets now threaten the well-being of everyone Anastasia holds dear. And that’s before the first dead body turns up.
Craft projects included.
Apple iBooks: https://books.apple.com/us/book/a-sew-deadly-cruise/id1526052822
Social Media Links
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Killer Crafts & Crafty Killers blog: www.anastasiapollack.blogspot.com
Mystery/Thriller, Supernatural, Military
In Blood Debt, San Francisco Homicide Investigator and Vietnam veteran Vince Torelli strives to clean up the violence in San Francisco. But, after a suspect in a double murder is killed during an attempted arrest, he finds himself protecting the good police officers of the city he considers family. His efforts put him in the line of fire when he’s targeted. The brother of the suspect victim wants revenge on the officers responsible, and he’ll stop at nothing. He kidnaps Vince, a man obsessively loyal to his job as well as those he works with and defends, a man as smart and committed to his principles as the criminals he catches almost without fail. Vince knows best, though; a blood debt always demands payment.
How long have you wanted to write? When I was a young boy, my mother instilled in me a love of books and reading. I read mostly adventure stories, in particular, a lot of Edgar Rice Burroughs, and I admired how he could spin such wonderful stories. I vowed at a young age to write my own stories someday, as I knew the joy I got from books. I wanted to someday write books that would give that joy to others.
How long did it take you to reach your goal of publication? Many years! With growing up, school, college, the Army, becoming a police officer, marriage, and raising two children, there just wasn’t time for me to write, though I never lost the desire. The opportunity came when the kids were in college, and I had finished my master’s degree. One afternoon, another sergeant and fellow Vietnam Veteran and I were swapping stories from our tours in the police department briefing room. Other officers heard us and stopped to listen. They told me later that day I should write my stories down, they would make a good book. That night, I began writing.
Are you traditionally published, indie published, or a hybrid author? Traditionally published. I researched small publishers, on the advice of a genuinely nice lady, and very prolific author I had met at a writer’s conference and was lucky enough to have one accept my manuscript. I have been with them, Writers Exchange, for 18 years, and all five of my books have been published by them. I have two new novels currently in their queue undergoing editing. I hope to have them published by mid-2021. By the way, that nice lady and I are fast friends and have been for 20 years.
Where do you write? A small 4th bedroom in my house was converted to an office/writing room. It gives me the privacy I need to concentrate, with no interruptions from family (other than the dogs). I have a TV in there. I tune to soft rock music, at low volume, as a background when writing. I find I am more proficient when writing with the background music. It helps me concentrate.
Where do you find your characters? How do you name them? All of them are drawn from real life, at least the main characters. I’ve patterned them after friends, family, and other people I know or have known. Obviously, I change the names, but I have had some readers recognize the character and ask me if the character is based on them, or on so-and-so. I usually tell them, “not entirely.” A couple of times, I have used their real names, with permission, of course, because the name suits the character. Those persons really get a kick out of being in the book!
I try to develop names that suit the characters. If a tough guy is needed, I’m not going to name him Chad, or Chip, or Timmy, etc. I chose Vince Torelli as the name for the protagonist in five of my books—a tough, dedicated, homicide inspector with San Francisco PD. An Italian name, to me, rings of toughness. Of course, the character’s personality has to echo the tough name. I also like to have the protagonist exhibit compassion at times, too. I try to avoid cliché names like “Reaper,” “Savage,” and the like.
Real settings or fictional towns? I use both. In M.P., a Novel of Vietnam, all the locations were real, and all the military units, from whichever side, were real and operated in the area at the time setting of the book. All the areas mentioned in the Torelli books, in San Francisco and the greater Bay Area, are real, as are all towns, streets, highways, hotels, restaurants, etc. I even used the address of my childhood home in one of the books! I like to think it adds a sense of realism when the reader knows or has visited the areas where the scenes take place.
If you could have written any book already written, which one would it be? Any of the Tarzan books! ERB is my absolute favorite author, and I have read almost everything he has written (80 books), a lot of them more than once. His writing is what got me hooked on reading and inspired me to become a writer. By the way, I have 73 of his books in my bookcase.
One other book is The Old Man and the Sea by Ernest Hemingway. An absolutely amazing book, skillfully written. I felt I was on the boat with him. Some of the best descriptive writing I’ve read.
You’re stranded on a deserted island.. what must you have? All my ERB books, my reading glasses, and a Lazy-boy recliner
Anything else you’d like to tell us about yourself and/or your books? As I mentioned, I have written seven books—five published (in Kindle and paperback) and two at the publisher’s. I have posted the first chapters of all my published work on my webpage, including a couple of short stories (non-published). Please take a few minutes to visit the site, learn more about me, view some photos, and read the excerpts. Between the five books and a short story, I have been fortunate to receive eight writing competition awards.
A big thank you to my friend, and award-winning author, George Cramer, for inviting me to post at his blog.
If any of you read a book of mine or the short stories, I would love to hear from you. Please post a review at Amazom.com, or send it directly to me so I can post it at other sites.
Thanks for taking the time to read about me and my writing. I appreciate it.
Best wishes, John
Website and links: www.jschembra.com https://www.facebook.com/Books-by-John
Author names: Michael A. Black, aka Don Pendleton, aka A.W. Hart
I met Mike through the Public Safety Writers Association. He is always willing and ready to help others, whether it be writing or life in general. Mike has become a friend and mentor. Mike is holding a copy of one my favorite Michael A. Black novels: Legends of the West – A Deputy Marshal Bass Reeves Western.
Genre/genres you write in: It’s always been my goal to be published in as many different genres as I could. So far, I’ve been published in mystery, thriller, western, sci-fi, fantasy, superhero, mainstream, new pulp, sports, historical, and horror. I’m still working on a romance story.
My latest ones are westerns under the name A. W. Hart, who’s an Amazon Bestseller. My titles in the series are Gunslinger: Killer’s Choice, Gunslinger: Killer’s Brand, and Gunslinger: Killer’s Ghost. I try to blend historical accuracy with the traditional American western. Actually, I have some legitimacy in this genre. Author Zane Grey was a distant relative of mine.
When did you realize you wanted to write novels? I’ve always had an interest in writing. I wrote my first short story in the sixth grade and read it in front of the class. The teacher scrawled D—Poor work across the front of it in red pen and told me never to do it again. Naturally, I didn’t listen to her. I look back on the experience with fondness. I didn’t know it at the time, but it sort of foreshadowed my entire writing career to come: I got my first assignment, my first deadline, and my first rejection all in the space of about three days.
How long did it take you to realize your dream of publication? I struggled for at least ten years trying to get published. In those days, they’d send you a rejection slip with your returned story. I had enough of them to paper the wall in every room in my house. One day I got another story back in one of my self-addressed-stamped-envelopes and noticed the one editor had scrawled something along the seal: Close, but no cigar. Too long. Try again. I was ecstatic. I’d finally gotten some actual feedback for an editor. I promptly rewrote the story and submitted it to another magazine, and it turned out to be my first published story.
Are you traditionally published, indie published, or a hybrid author? All of my stuff has been traditionally published. However, I started out in small press magazines. The market was a bit different back then. They didn’t pay a lot, sometimes only with contributor’s copies, but it gave me a place to learn. As Elmore Leonard once said about the old pulps: “They gave you a place to be bad.” I’ve been published by small press, big press, and a lot of them in between. To me, it makes little difference. I’m just as proud as of my stories that have appeared in those small press mags as I am the big houses. Although the money is nice, I always try to be professional and give my writing the best effort each time out, regardless of the size of the publisher.
Where do you write? I like to write at the kitchen table on the laptop. Once I’m into my zone, I don’t have to worry about anybody bothering me except one of my cats. I’m very leery about writing outside of my home because of my concern about being vulnerable. Some people say they like to write at a restaurant or coffee shop. For me, this would be virtually impossible due to me constantly watching my surroundings.
Is silence golden, or do you need music to write by? I’ve tried listening to music, and it usually distracts me more then it helps. Normally, I don’t listen to any music and try to remain free of distractions.
How much of your plots and characters are drawn from real life? From your life in particular? Being a military vet who served overseas and having been a police officer for thirty some years after that, I’ve had a ton of experiences to draw upon. I’m hesitant to use very many of them because so many involved victims of crimes. I’d never want a victim or a victim’s family to read something I’d written and think that I was capitalizing on their suffering, so I always mask these experiences heavily. Mostly it’s about what the characters experience, and I use the emotions and feelings that I experienced in my writing. I know what it feels like to experience danger, injury, be stabbed, have a bullet whiz by my head, etc. And I know what it feels like to be scared, and I know what it feels like to be lucky. As Winston Churchill once said, “The most exhilarating feeling in the world is to be shot at without result.”
Describe your process for naming your characters? Names are a double-edged sword for me. I tend to repeat them often. The name Jim turns up in my writing a lot for some unknown reason. I keep a character log listing each name I used when I’m writing a book. It’s one way of keeping them straight.
Real settings or fictional towns? I use both and often use fictional settings within real cities. I try to keep things realistic if it’s set in an actual location. I think a bit of artistic license and discretion is a good idea in regards to setting. It’s never good practice to portray a real place in your book in a negative way.
What’s the quirkiest quirk one of your characters has? I’ve had a lot of characters with quirks, so this is a hard one to answer. Writing the Executioner series (as Don Pendleton), I have to come up with James Bond-type villains who are larger than life. I usually try to put a dose of kink into some of the villains, but it’s also important to give the bad guys one of two good aspects, so they don’t come off as cardboard. An agent once advised me to give one of my villains a severe dental problem or a pet dog to which he was fiercely loyal. So I did the next best thing and gave him a phobia about tooth decay and had him brushing his dog’s teeth religiously. Since no good deed goes unpunished, I had the dog subsequently urinate on the guy’s rug.
If you could have written any book (one that someone else has already written,) which one would it be? Why? This is a tough one. I’d have to pick one of the books that I was forced to read in school, perhaps The Scarlet Letter or Moby Dick … maybe one of Faulkner’s such as Light in August. I’d choose any one of the above, so I could cut all of the excess out of them and make sure they had satisfying endings.
Everyone, at some point, wishes for a do-over. What’s yours? I haven’t thought about it much. There are no do-overs, only regrets. But that’s why life is bittersweet.
What’s your biggest pet peeve? I don’t suffer fools gladly.
You’re stranded on a deserted island. What are your three must-haves? Food, water, and a quick way to get back to civilization.
What was the worst job you’ve ever held? I’ve had quite a few, but I’d have to say pulling KP in the army was one. Well, maybe latrine duty … But these gave me the incentive to apply myself to become a squad leader, so I didn’t have to pull those anymore. When I was 19, I had to drive a truck around the South Side of Chicago delivering tires to gas stations. That was pretty bad.
What’s the best book you’ve ever read? Wow, this is a tough one. There have been so many. I suppose the best one is Deliverance, by James Dickey. He was a nationally recognized poet in the 1960s. He spent ten years writing a first-person thriller about four city dwellers who go on a canoe trip into the mountains of Georgia and have a horrific experience that changes them forever. It has the best first line of any book I’ve ever read:
It unrolled slowly, forced to show its colors, curling, and snapping back whenever one of us turned loose.
Man, that guy could write. When I finished the novel, I went back and reread that first line and realized he had summed up the entire book with that one sentence.
What’s on the horizon for you? That remains to be seen. Hopefully, more books and short stories to be written. I’m currently working on a new series for Wolfpack publishers about modern day bounty hunters. We’re calling it the Trackdown series. The first one is due on in October, and it’s called Trackdown: Devil’s Dance.
Anything else you’d like to tell us about yourself and/or your books? My books are meant to be entertaining. I always try to write the kind of book I’d like to read, and this is essential because, as any writer knows, you have to read your own book several times before you turn it in.
Contact Information, Website, and/or blog links: Right now, my website is out of commission. I have an Amazon Author’s Page as well as author pages on Crossroad Press and Wolfpack Press. Anybody wanting to chat, my email is DocAtlas108@aol.com.
Teacher, Author, and Story Coach
Julaina, please tell us about yourself and your writing.
For the last twelve years, I’ve taught creative writing classes. My attendees have published several books during that time, and I’m always delighted to hold their finished products in my hands. Many of their short stories, memoir-essays, and poetry are in three anthologies that I published on Amazon.
Genre/genres you write in: My stories are in the creative non-fiction, science fiction, and women’s fiction genres. Two of my novels are in the editing stage: Hada’s Fog and Norman in the Painting. The book I’m planning to publish by the end of this year, 2020, is My Mother’s Cancer ~ What Worked and What Didn’t.
I understand you were interviewed by Dona Kozik earlier this week. Please tells us about that. The interview is about me and the first chapter of my book, My Mother’s Cancer ~ What Worked and What Didn’t which will be published in January 2021. This chapter is published in an eBook called Rising Stars, A Kindle Sampler by Donna Kozik. There are 4 other featured authors’ chapters in the book. https://amzn.to/33HjqRk. It was fun being interviewed by Dona. The interview is on YouTube at https://youtu.be/7LRK59ISU7s.
Most people know someone who has cancer. In 2020, the estimated number of new cancer cases is 1.8 million. I am writing my mom’s experience with this rampant disease to tell about the effects of crucial delays in diagnosis and treatment decisions. I also share how we dealt with it physically and emotionally. Our story could help other people who have a loved one and feel alone in the struggles to keep that person alive.
When did you realize you wanted to write novels? In 6th grade, I wrote a story that my teacher took away from me because I was writing during his lessons. He wanted to check out what I was writing. He returned it without any comment.
How long did it take you to realize your dream of publication? It took about four years before any of my stories were accepted for publication. Then I won awards for stories in a few contests.
Are you traditionally published, indie published, or a hybrid author? My stories and essays are traditionally, and hybrid published depending on where I submitted them.
I indie published three anthologies that are on Amazon. The first one is Written Across the Genres for readers to experience a variety of genre examples. The second anthology is Captivate Audiences to Create Loyal Fans. I accepted some stories the members of my writing class wrote to illustrate techniques that improve writing skills.
The third one, published in 2019, is called The Choice Matters about how some choices we make change our lives.
Where do you write? I like to write in my home office. Many of my writer friends write at a café, but I find it too distracting.
Is silence golden, or do you need music to write by? Silence is golden for me to concentrate on my writing.
How much of your plots and characters are drawn from real life? Probably 50% of my characters are based on people I know, but I change how they look, their backstory, etc. so they aren’t identified. I’m a pantser, so my plots write themselves.
Describe your process for naming your characters? My process for naming my characters is that I listen, and the name comes into my mind quickly.
Real settings or fictional towns? Usually, my settings are real places I’ve been to, but I fictionalize the names. The sci-fi novel I’m writing takes place in the small town where I live, but it goes way beyond as the story progresses.
What’s the best book you’ve ever read? The best book I’ve read is Bel Canto by Ann Patchett. I’ve read all of her books, and I was delighted when she came to a local book shop to promote her newest book, and I had my picture taken with her.
What’s on the horizon for you? I will be publishing my latest non-fiction book, My Mother’s Cancer ~ What Worked and What Didn’t by the end of the year. I was chosen as one of five authors who had a chapter published in an anthology, Rising Stars, by Donna Kozik, available on Amazon now. My first chapter about my mother’s cancer, was accepted.
Also, I’m launching my online writing course: “Tell Your Irresistible Story” in a couple of months.
Anything else you’d like to tell us about yourself and your books? I enjoy teaching writing classes and supporting the members in their writing goals.
Contact Information: You can find me at https://www.timetowritenow.com
A Clinical Psychologist People call the Cop Doc
I write the Dot Meyerhoff mysteries: Burying Ben; The Right Wrong Thing; The Fifth Reflection. My non-fiction titles are: Counseling Cops: What Clinicians Need to Know (with Mark Kamena, Ph.D., and Joel Fay, PsyD); I Love a Cop: What the Family Needs to Know; I Love a Fire Fighter: What the Family Needs to Know. Many writers use my non-fiction books as references and get story ideas from the vignettes.
Did you always want to help people and write? When I was a child and again after my second non-fiction book when I grew tired of reality and thought it would be easier to make things up. It isn’t. It’s harder.
Did it take long to become a published author? My first non-fiction book was picked up on the first round of submissions.
Are you traditionally published, indie published, or a hybrid author? I am traditionally published, but maybe try indie publishing in the near future.
Where do you write? I have a home office with a standing desk, and I use a computer.
Is silence golden, or do you need music to write by? I cannot write to music. My sentences have to have a certain rhythm. Music interferes with my ability to hear that rhythm.
How much of your plots and characters are drawn from real life? My protagonist, Dr. Dot Meyerhoff, is somewhat autobiographical, although younger and thinner. As a psychologist, she does things I would have lost my license for doing; impersonating a public official, breaking and entering, and assault with a deadly weapon. I have plagiarized my husband Steve’s entire life for Dot’s love interest, Frank Hollis.
Describe your process for naming your characters? Dot Meyerhoff is named after my mother (Dorothy, aka Dot) and my maternal grandmother, whom I never knew, Rose Meyerhoff. The names of other characters just come to me.
Real settings or fictional towns? I use real settings with fictional names. This gives me the latitude to make stuff up and avoid getting email from readers telling me I got the directions wrong. I’m not consistent, I just finished a short story using real names of towns. As a working police psychologist, I need to protect the identities of my clients and the departments they are associated with.
What’s the quirkiest quirk one of your characters has? Dot Meyerhoff loves popcorn with red wine. And she never gives up on anyone.
If you could have written any book (one that someone else has already written,) which one would it be? There are too many to name.
What’s your biggest pet peeve? In terms of writing, I can get pretty riled up at books about cops who kill three people singlehandedly in one day and never suffer any psychological aftermath. As a police psychologist, this isn’t how it happens. Ditto for stories about abused children who grow up to be ninja warriors and kill their abusers.
You’re stranded on a deserted island. What are your three must-haves? Bread, books, and my husband, Steve.
What was the worst job you’ve ever held? There are so many. Being a tour guide at Rockefeller Center almost made me crazy. Repeating myself over and over was torture. I’ve been a secretary/typist/cocktail waitress and gym instructor. Think “Mad Men,” and you’ll understand.
What’s the best book you’ve ever read? Once again, there are too many to list. I love language, so my favorites, be they mysteries, non-fiction, or literary fiction, have to combine beautiful sentences, deep characters as well as a compelling structure (aka plot).
What’s on the horizon for you? Don’t want to jinx myself, but just maybe another non-fiction book for cops. I also have a completed fourth novel in the Dot Meyerhoff series that is looking for a new publisher. And I’m having a great time working on a standalone. Thanks to the pandemic, I’m really focused.
Anything else you’d like to tell us about yourself and/or your books? This was a different interview. Thanks for asking so many off-the-wall questions. I appreciate your interest. One of the many surprises of being part of the mystery community is how hospitable and supportive my fellow writers are.
Website and/or blog links: www.ellenkirschman.com. I also blog with Psychology Today and contribute a column to the SinC Quarterly.
Hanging Falls: A Timber Creek K-9 Mystery
A deluge has flooded the high ground near Hanging Falls—but heavy rains aren’t the only menace descending on Timber Creek. While on a scouting mission to pinpoint trail damage, Officer Mattie Cobb and her K-9 partner Robo stumble upon a body floating at the edge of a lake. Robo catches a human scent, which leads to an enigmatic forest-dweller who quickly becomes suspect number one.
With help from veterinarian Cole Walker, Mattie identifies the victim and discovers an odd religious cult whose dress and manners harken back to the 19th century. As the list of suspects grows, an unexpected visit from members of Mattie’s long-lost family sheds new light on her childhood as they help Mattie piece together details of the fateful night when she was abducted at age two.
The tangled threads of the investigation and family dynamics begin to intertwine—but darkness threatens to claim a new victim before Mattie and Robo can track down the killers.
When did you know you wanted to be a writer? During the nineties, I owned my own rehabilitation agency and worked long hours as both manager and speech pathologist. My husband ran a busy veterinary practice, and together we balanced the responsibilities of our household and the care of our children. One day I was waiting in the checkout line at the grocery store, and as I gazed at the paperback novels on the bookstand, I was struck with the notion that I wanted to write one of those books, too. By the end of the decade, I was ready to sell my company, and I knew that novel-writing would enter into the next phase of my working career. That’s when I began to study the art and craft of writing fiction.
How long did it take you to realize your dream of publication? Quite a long time actually. I had to learn how to reshape my technical writing experience into fiction writing and all its many facets. I wrote five manuscripts that I consider practice, and that will never be published. It took a journey of a little more than ten years before I found my agent and my publisher.
Do you have a publisher? I’m traditionally published by Crooked Lane Books, a company based in New York, NY.
Where do you write? I’ve converted one of our bedrooms into an office where I also do the bookkeeping for my husband’s veterinary clinic and our Angus cattle herd. I typically write fiction there in the mornings and then spend the afternoons—when I’m often brain dead—doing the many tasks required by our businesses as well as the business of my writing.
Do you need music to write by? For me, silence is golden, and I often light a candle before I sit down. It helps me in that meditational state where I can focus on the movie that plays in my head while I record the action and details.
Where do you find your characters? My Timber Creek K-9 Mysteries features Deputy Mattie Cobb, her K-9 partner Robo, and veterinarian Cole Walker. I mentioned that my husband is a veterinarian, and though I’ve never worked in his practice daily, I’ve assisted him after hours and on weekends countless times. It was always apparent that his clients, and anyone else that happened to be in the barn when he made farm calls, were interested in watching him work, so I was inspired to include a vet in my mystery series.
I wanted to write police procedurals, and it seemed natural to create a second protagonist who was a K-9 officer. My husband put me in touch with one of his clients, who was a K-9 trainer, and he was willing to let me shadow him. I also have a friend who is a retired K-9 officer and trainer, and she has become a valuable consultant for the series. One of her past partners was named Robo, which is what inspired my dog character’s name. And finally, years ago, my husband and I trained two of our dogs in search and rescue. My experiences there have also been applied to my characters and to the dog behaviors in my books. So my real life has contributed greatly to my writing.
Where is Timber Creek? Timber Creek is a fictional town in Colorado inspired by the small town I grew up in and set in the mountains of the southwest corner of the state.
Please tell us a bit about your protagonist. Mattie Cobb suffers from repressed memories caused by childhood abuse. Thus she has a great deal of baggage that she gradually unpacks throughout the series. She struggles with nightmares and flashbacks and has sought help from a trauma counselor who recommended yoga and breathing techniques to combat her posttraumatic stress. In one book, her yoga breathing actually plays a part in saving her life.
You started writing in the nineties, how was the timing? I would have started working toward my writing career much earlier. But in reality, the timing was probably perfect considering everything I had going on in my life when I was younger.
Do you have anything in the works? I’m currently working on the seventh book in the Timber Creek K-9 series, and book eight is also under contract, so I’ll be busy with those during the next couple years. I invite your readers to give the series a try, and I hope they’ll enjoy reading the books as much as I enjoy writing them.
Anything else you’d like to tell us? No, but I do want to thank you for hosting me on your blog. I always appreciate an opportunity to talk about my books.
Contact Information: Email: email@example.com Website: https://margaretmizushima.com/
Lani Longshore introduces us to science fiction, quilting and writing about life (blog)
The Chenille Ultimatum (with Ann Anastasio). Susan thought she was done with space aliens when she sent her mother, Edna, and daughter Cecily as ambassadors to the planet Schtatik. Instead, she must travel across the galaxy to stop a civil war that Edna started when she made herself queen of one of the clans. As Susan struggles to make everyone calm down, she learns how strong she really is, and how important it is to carry an embroidery project wherever she goes.
When did you realize you wanted to write novels? I’ve thought of myself as a writer since elementary school. In high school and college, I produced short stories, poems, essays, and news articles. I was fortunate enough to find a good writing support group as an adult and wrote my first (still unpublished) novel.
How long was your road to publication? The first book in the Chenille series, Death By Chenille, was published twenty years after I began writing novels. I’m working on the fourth novel in that series with co-author Ann Anastasio.
Are you traditionally published, indie published, or a hybrid author? I am indie published.
Where do you write? I write at my computer desk in the family room. I transitioned from writing by hand to a typewriter when I interned at a local weekly newspaper while in high school. In college, my portable typewriter took up most of my desk.
Is silence golden, or do you need music to write by? Since I write in the family room, I write to all sorts of sound. Sometimes there is music, sometimes the television is on, sometimes there is only the drone of the dishwasher from the kitchen. As other people are often in the room, the choice of music isn’t entirely up to me, so I’ve learned to embrace all genres.
How much of your plots and characters are drawn from real life? While aspects of the plots and characters’ are drawn from life, I avoid pulling too much from my own experience. My co-author and I used to perform on the quilt lecture circuit, producing 1-act musicals about quilts and the women who make them. The real story behind a quilt isn’t always entertaining. We took the part that fit our needs and made up the rest, a process we’ve continued in our cozy sci-fi novels about quilters who repeatedly save the world from alien invasions.
Describe your process for naming your characters? I go through a baby book first. If that fails, I start searching the bookshelves for author names I can adapt. If that fails, I go to actors’ names I can manipulate. There was an old movie on TV when I needed a name for a secondary character in the first Chenille novel, Death By Chenille, so Randolph Scott became Scott Randolph.
What’s the quirkiest quirk one of your characters has? One of my aliens puffs out colored smoke from his body whenever he gets emotional. The colors match the emotion.
If you could have written any book (one that someone else has already written,) which one would it be? Why? There are many books I wish I had written, but I am reading A Gentleman in Moscow now by Amor Towles and would love to have written it. His character studies are brilliant, and his plot devices are amazing.
What’s your biggest pet peeve? Complicated punctuation in dialog. People speak in pauses and full stops. Who do you know who speaks in semi-colons? No one, that’s who! It’s rare enough to find someone who speaks in full sentences, so I prefer authors to stick to dashes, commas, and periods (with the occasional exclamation point and question mark where required).
You’re stranded on a deserted island. What are your three must-haves? I don’t suppose I could pull an ocean-going boat, fuel for me and the boat, and a really strong radio from a parallel universe, could I? Okay, then I’ll want a food replicator because I’m a vegetarian, so all the fish in the sea won’t do me any good, and what’s the use of life without chocolate? I’ll also want embroidery supplies to make fiber art to decorate my hut (I get a hut, right?), and a crate of notebooks and pens.
What’s the best book you’ve ever read? I’ve never been able to answer that question because there are so many wonderful books available and more on the way. I also can’t settle on a favorite color or even a favorite candy bar.
What’s on the horizon for you? If the Lord is willing and the creek don’t rise, I’ll finish the fourth book in the Chenille series, The Captain and Chenille, by spring.
Anything else you’d like to tell us about yourself and/or your books? When I finally outgrew imagining I knew everything, I realized if I wanted to know anything at all, I should say yes whenever someone offered to teach me. It’s why I know how to quilt when I don’t have a domestic bone in my body (okay, I love to cook, but that’s a survival skill), and why I’m a black belt in karate when I come from a long line of pacifists. Three bits of trivia: I’ve seen Lenin’s Tomb; two of my quilting students were recipients of presidential pardons for federal crimes; both sides of my family have scandals regarding running away from the clan and taking the reasons why to the grave. As to my books, The Chenille series came out of a failed plan to create a platform for a quilting technique book. Ann and I had a great idea, and our proposal received favorable comments, but we weren’t famous enough in quilt circles for a publisher to take a chance on us. We decided we would write a novel to get some publicity. Quilting mysteries were just starting to take off, but neither Ann nor I had enough confidence we could write a good mystery. Since we had already created quilting vaudeville with our 1-act musical comedies, we decided to create quilting science fiction. We still aren’t well known enough to get our technique book published, but we’re working on our fourth novel. The remarkable thing about our collaboration is that Ann and her family moved several states away before we had finished our second book, and yet we still managed to get that one and the third book completed.
Renowned editor, essayist, screenwriter, teacher, and anthologist.
I met Victoria when she was an instructor in a Master Class at the Kauai Writers Conference. I learned a great deal from her and have maintained a relationship ever since. If you get a chance to hear her speak or teach, do your best to attend. I’m so pleased to have Victoria Zackheim here with us.
Victoria, we would like to hear about how you start a project…whether it’s essay, novel, memoir, or film. We can’t cover all these talents in one visit; you will have to come back for another visit. We’ll let you take the lead—your choice of topic(s) today.
First of all, thank you for the invitation. I’m not so sure about the “renowned” part, but I’ll accept accolades! Now, to your questions…
What inspires you to start a project? I get an idea and cannot shake it. It might be something I’ve read, dreamed, heard in a passing conversation. My novel, The Bone Weaver, started out because I wanted to write a story that dealt with the challenges facing women. In this case, the isolation so many women experience, especially when they focus on their careers. In this case, the protagonist was very successful in her academic environment, but she had no idea how to sustain a relationship. She used her work as her escape. This was fine until a crisis forced her to confront herself.
My film project was more hands-on, in the sense that I overheard someone describing an outrageously funny (and I learned later, serious, and deadly) experience in Northern Ireland, and the story burned through me for several years. It’s now one of my two major projects.
How do you know which genre best fits an idea? Oh, George, you’re asking about my Acorn concept, yes? From an acorn, a nut of an idea comes the project.
I’ve started writing a novel, only to realize early on (hopefully) that it’s a short story…or a personal essay. When I was editing my first anthology, The Other Woman, the essays began arriving. Twenty-one remarkable women were sharing their highly personal stories. From the first essay, I knew this was a play. I saw it. Five women seated on the stage, the script in binders, no memorization, a five-person dialogue about infidelity of all kinds. It’s had dozens of readings, and I never tire of sitting in the audience and watching how actors interpret their roles. And I love that it’s often used as a fundraiser for women’s shelters.
Starting…that is…launching the writing…can be daunting. A lot of people give up at this point. What advice would you like to share about beginning a project? If a project is dumped, it’s often because the grunt work, the preparatory work, wasn’t done. We all read about writers who “just sit down and write” and somehow create a wonderful novel. But I’m guessing there are far more successful projects that result from long hours contemplating the story and character arcs, the plot threads, etc. And then days, sometimes weeks, creating the outline. I have a dear friend, a mystery writer (with 30 million books in print!) who takes at least a week, all day work, to create the first outline, chapter by chapter, scene by scene. Even when she’s satisfied with the outline, she spends more time on it. When she’s certain that it has everything, and in the right order, with characters and plot fully developed, only then does she begin to write.
What happens if a writer begins with a memoir…and then backs away? Family pressure, the guilt of hurting people, or even the fear of a lawsuit. It happens that many of the books I edit (as a freelancer) are memoirs, and I run into this with every project. Dare I reveal this? What will my family/friends/ colleagues think? I recently worked for nearly a year on a memoir with a highly gifted, National Book Award recipient. Her memoir was brilliant, poetic, poignant, charming. Before submitting it to her agent, she shelved it. Too personal, too revealing, family members might feel hurt or angry. I was disappointed because I thought it was a very important work, but I fully supported her decision. Her next step? She was considering reimagining it as a novel.
Have you ever abandoned a project? Why? I have one novel that I wrote sometime in the 80s and put it away. I take it out every few years and noodle with it, but I’m quite sure it will never be published. The plot just doesn’t sing, and I find myself trying too hard to make it relevant. On the other hand, at 3 am, in 1996, I dreamed an entire novel, got up, and wrote a description. I’ve revised that story perhaps a dozen times…and then, last year, at a friend’s urging, I dusted it off and did a major revision. It was soundly and enthusiastically rejected by several agents until TA-DA! A wonderful agent suggested a few changes, which I’m now doing. Who knows? A quarter-century later, that puppy just might get published. Tenacity…or stupidity…I’m not sure. But I’ve always loved the story, so perhaps there’s a chance. Writing is like going to Vegas and placing a bet. Win or lose; we always go back and try again.
At what point does a writer throw it all out? Once thrown out, can a project be resurrected? I have a friend whose first novel was a bestseller. Wait, let me reword that: I have a friend who threw out ten novels, all rejected by agents, before she figured out what wasn’t working…and what was. She wrote, with these guides in place, and she’s had many NY Times bestsellers since then.
But to answer your question: Yes, a project can be resurrected. As we write, we grow, and what might have seemed perfectly fine and gifted writing ten years doesn’t meet our standards today. So…I urge writers to take that old project and see if there’s still life in it. If it excites you, figure out why. If it drags, why? Answer these questions, and you might be ready to revisit the story.
When did you realize you wanted to write and edit? I wanted to write when I was a child. Perhaps it’s because I was pretty lonely, so creating stories in my head kept me occupied? I’m not sure. I took a few writing courses in college, but praise from my professors terrified me. Besides, in “those days,” girls were directed toward “safe” areas: teaching…and…teaching. I knew I didn’t want to teach, so I went into an unrelated field. In fact, I didn’t start teaching until fourteen years ago…and I’ve loved every minute. Online, in a classroom, at writers’ conferences. It’s heaven. And working with so many writers…well, it almost gives me permission to write. I’m a very good writer, but it’s the storytelling that challenges me. Perhaps that’s why I’ve leaned toward editing.
The editing came quite accidentally. I had an idea for an anthology, it sold, and I found myself editing twenty-one personal essays. I have to add that my very first “client” from this anthology was Jane Smiley. I was terrified. I’d never been a real editor, and I was expected to edit a piece written by a Pulitzer Prize recipient? I made myself sick for days, until my agent reminded me that the editor and author work together. So I did the edits, which were few. Jane was a dream. Now, eight anthologies later, and having worked with some of the top writers in the country, I look forward to each project. It’s a rare and often wonderful relationship, this collaboration between author and editor, and both of us want the same result: the best storytelling possible. I’ve worked with perhaps two hundred writers, and there are very few I would never work with again.
Where do you work? In my home office, at my desk, on my orthopedic chair. I also love to write on airplanes. Or I did when there were still airplane flights. Window seat, laptop activated, the world disappears.
Is silence golden, or do you need music to write by? What kind? I love music—classical, mainly—but it’s purposeless to play when I’m working. I hear nothing. Nothing. A fire engine could pull up in front of my house, sirens piercing the air, and I wouldn’t hear it.
How did you get into teaching? A writer friend was teaching online in the UCLA Extension Writers’ Program and suggested I apply. I felt quite inadequate until she reminded me of all the courses I had created and taught, and was teaching, workshops, and conferences. UCLA was wonderful, helping me to create several courses, all of them in the Creative Nonfiction section. I teach every term and have now for fourteen years.
What’s your quirkiest quirk? Really? You expect me to reveal that? Okay, let me think. I’m still thinking. Oh, dear, I don’t think I have any! And for a writer, that won’t do! If any of my friends are reading this, I welcome your input. Please, find me a quirk!
Everyone, at some point, wishes for a do-over. What’s yours? That’s an easy one. I started college in pre-med and was talked out of it by an advisor who thought girls couldn’t compete. (Hey, I’m old, this was a long time ago!) So I majored in English. Looking back, journalism would have been a good choice, or some path that would have taken me into politics. I’ve written speeches and position papers for candidates (Congress and US Senate), but running for office might have worked.
A funny side story: in the 80s, the Democratic party asked me to run for Congress. A Democrat had NO chance of winning this district, so they needed a candidate who could lose and not be dogged by the loss. (In other words, had no future in politics!) I declined, they chose another candidate, he lost.
What’s your biggest pet peeve? I have an exceedingly difficult time working with writers who have chosen me to edit their work, but secretly believe their work is perfect. I had one client whose essay was 6,000 words, but the publication was clear that 3,000 was the limit. I edited it down, she refused every edit. When I (almost patiently) explained that it was too long, her response was memorable: “Perhaps, but every word is a poem.”
Where do you go from there?
What’s the best book you’ve ever read? Oh, not fair! Especially with so many dear friends who are published authors. So, let me tell you the novel that made me understand the magic of writing: Ole Edvart Rolvaag’s Giants in the Earth. I was a teenager and found myself reading the same paragraphs over and over, struck by the images they created, the way I was transported to that time and place. Wallace Stegner’s novels have had a similar effect on me.
What’s on the horizon for you? I’m hoping to complete the revisions of this mystery novel in the next few weeks…but seeing as how I started writing it in the 90s (yes, another century), who knows? I’m working on a screenplay with a very enthusiastic team, and thinking about a two-act play. The outline and a few scenes are written, but it’s a matter of time. I have another play, my favorite of all, but it has a history. I had written all of Act I and II, on my laptop, in an apartment when I was living abroad. I was robbed. He (yes, I saw him) took not only my laptop, but the backup diskette with the entire play and around sixty pages of research. I’ve tried to recreate it, but it’s quite disheartening.
Anything else you’d like to tell us about yourself or projects? I’m very fortunate, because I truly love what I do. Teaching, editing, writing, collaborating. I’m aging, but I become so lost in my writing that I feel ageless. That is, until I have to rise from my chair…