STEPHEN M. MURPHY – Mystery – USA and Ireland

Boston native STEPHEN M. MURPHY graduated from the College of the Holy Cross in Worcester, Massachusetts, and the University of San Francisco School of Law. After graduating from law school in 1981, he served as a law clerk to the justices of the New Hampshire Superior Court. While in New Hampshire, he worked on a murder trial that inspired his first Dutch Francis novel, Alibi. For over 34 years, he represented plaintiffs in personal injury and employment litigation. He is Past President of the San Francisco Trial Lawyers Association, which voted him Trial Lawyer of the Year in 2008. SuperLawyers have also named him as one of the Top 100 lawyers in Northern California. He is the author of several books and is a member of the Mystery Writers of America and Sisters-in-Crime.

ABIDING CONVICTION: Lawyer Dutch Francis defends a high-profile murder case in which a judge is accused of killing his wife, when his own wife, TV news broadcaster Ginnie Turner, goes missing. As he confronts an ineffectual police department, suspicious that he is involved in his wife’s disappearance, he decides to take matters into his own hands. Exhausted by the murder trial, he struggles to balance both responsibilities, pushing him to the brink of losing everything he holds dear. At first, he thinks Ginnie was kidnapped in retaliation for her recent stories about sex scandals. But after receiving bits of her in the mail—fingernails, hair—he realizes the kidnapper may actually want to punish him. Could his defense of the judge be the reason?

Do you write in more than one genre? Yes. I write mysteries, legal thrillers, and historical fiction set in Ireland. I am still trying to get the latter published.

Where do you write? I generally write at a local café called Simple Pleasures.

What, if any, distractions do you allow? I like to listen to music, preferably jazz, blues, or classic rock and roll while writing.

What are you currently working on? I am writing a mystery featuring a San Francisco judge whose father and son are charged with the murder of a high-tech executive in the Tenderloin.

How long did it take you to write your first book? It took me nearly ten years to write ALIBI, a legal thriller/murder mystery set in New Hampshire, based on my experience as a law clerk to the superior court.

How long to get it published? About five years.

What’s the most challenging thing about writing characters from the opposite sex? I confess to having great difficulty figuring out how women think, which I’m sure is a character defect on my part.

Do you have subplots? Yes.

If so, how do you weave them into the novel’s arc? I tend to link my subplots by theme rather than plot. For example, in ABIDING CONVICTION, my latest Dutch Francis novel, the protagonist’s lawyer has to search for his missing wife while trying a high-profile murder case in which a judge is accused of killing his own wife.

Do you outline, or are you a pantser? Both. I tend to write a rough outline at first, start writing, and when I have a first draft, go back and outline in more detail. I’ve tried outlining an entire book at the beginning but just couldn’t do it.

What kind of research do you do? For my Dutch Francis legal thriller series, I research the geography of the various towns in New Hampshire that are mentioned. Since I lived in New Hampshire for only one year –forty years ago – I find Google Maps and Google Earth invaluable to reacquaint me with the area.

What obstacles do you face when writing about historical figures? The biggest obstacle is creating realistic characters rather than just ones known to history. That means delving into their personal lives, other things they did that did not make them famous and personal relationships. For my Irish historical series, I include many historical figures and have to avoid getting caught up in the history and ignoring the stories I’m trying to tell.

What is the best book you have ever read? It’s tough to single out one book, so I’ll give you two. PRINCE OF TIDES by Pat Conroy and SHANTARAM by Gregory David Roberts. I’ve re-read both and found them just as enjoyable the second time around.

Looking to the future, what’s in store for you? I plan on writing novels in both the Dutch Francis and the Irish history series.

Do you have any advice for new writers? Learn to love the process. The publishing business is a rough one: full of rejection both by agents and publishers. Don’t write just to get published because that may never happen. If you love writing, write for yourself or to share with family and friends. Publication is an added bonus.

How do our readers contact you? or My website has a link to various booksellers for my books.


  1. Pamela Ruth Meyer

    Thanks for this post, Stephen (and George).
    Ten years to write the first book is long, but from what I’ve seen, not all that uncommon. I figure you wrote it while ALSO working full-time representing plaintiffs. Then five years to get the book published. For all of us yet to be published, you are indeed an inspiring model for what Winston Churchill encouraged about perseverance in the darkest of times– “Never, never, never give up.” ( In truth, he said about TEN ‘nevers,’ I believe).
    I’m wondering, did you acquire an agent? If so, how long did that take? I’d love to hear that story. And if you got your first book published without an agent, that piques my interest too. Did you find the journey a lonely one? Did you have much support along the way? Inquiring minds want to know. Thanks again,
    Pamela Ruth

  2. Michael A. Black

    Sounds like some sound advice, counselor. Best of luck on your new one.

  3. Jim Guigli

    “If you love writing, write for yourself or to share with family and friends. Publication is an added bonus.”

    Great advice!


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DENISE P. KALM, BCC -The “Practice” of Writing

Late last year Denise and I were chatting at a California Writers Club – Mt. Diablo Branch meeting about the challenges we writers face. She gave me some advice that worked for me. Recently I was able to convince her to write an article for the blog.


Before we jump in to that, here is a little about Denise..

Denise P. Kalm, BCC, was trained as a personal/executive coach at John F. Kennedy University and as a creativity coach by Eric Maisel. She has been practicing as a coach for over 10 years; her client base includes many IT professionals, engineers and scientists. Her 30+ years of experience in IT, as well as her experience with numerous life transitions informs her work. She earned her MS in Biochemical Genetics at the University of Michigan, and though she hasn’t worked in the field, keeps up on the latest research.

Where I Started – Just like many of you, I loved the idea of writing and seeing my name in print. I wanted to see what people thought of my work and to keep creating it for the rest of my life. But then, there’s that blank page staring at me. Whether you still enjoy writing on paper (I do, when not near a device) or prefer to write on a device, the emptiness of an unfilled page is intimidating.

I tried a variety of tricks. If I didn’t finish a story or a chapter, I could come back to a non-blank page. I tried writing prompts, no success. Even when I had a clear idea in my head of what I wanted to say, once I sat down, my brain said, “not today.”  I’m a big Natalie Goldberg fan, but couldn’t seem to get the words to flow on demand.

The only exception came when I did some writing for newspapers. The challenge is that news has a short shelf life. If you want to respond to an issue, you need to get it done quickly. It also has to be short. All writers know the truth of Blaise Pascal’s famous words, “I have made this longer than usual because I have not had time to make it shorter.”  Writing tight is tough and often takes more edits. And yet, when I worked on these kinds of pieces, writer’s block simply didn’t happen.

The Great Insight – I confess I didn’t analyze or understand why the newspaper work just flowed. As my career shifted from being a super-techie, I found a niche doing a variety of writing for software companies. White papers, articles, public relations, customer success stories, product briefs, etc., became a staple of my workday. At work, there’s always a deadline, so I didn’t have the luxury of sitting around for days, simply thinking about it. I had to write.

Some of the pieces were easier, because they were based on templates. You just followed the “script, putting in the specifics of a product. But most of the work was highly creative. Part of the competitiveness of a software company is in the attractive reading on the website or in print to hand out at conferences. If people don’t read about what you sell, you aren’t going to sell as much of your software.

At first, I struggled a little. But whenever I got stuck, I would take a short walk, just to clear my head. I never focused on what I was working on and just let my mind drift. But inevitably, I would come back with a clear idea of how to construct the piece. Often, I would come up with a great title at the same time.

In a shorter time than you might expect, I could get to work and just start writing. Even when I was crafting a long article or a talk, I had begun to craft ways of approaching it. Who’s the audience? What’s the message I need to convey? Have I narrowed it down to fit in the allowed word count?

As I got better (and faster) at this kind of writing, more assignments came my way. The fun part is I could swap writing for something I didn’t want to do.

When asked to take on blog writing for the company, I felt the same way I did when I wrote a short story that turned out well. Exhilarated, happy, in flow. And the numbers of readers slowly increased, giving me immediate feedback and reward.

Writing ALL the time makes a difference. You need a deadline. You need to craft rules for each type of piece. Just like with cooking, it matters if you’ve done your mise en place – your preparation. Even if you aren’t writing for an employer, you can define those rules and ask the right questions upfront. This serves to get you grounded. If you struggle with your “assignment,” go for a short walk. It has to be outside, in nature. I’ve found a treadmill doesn’t spawn the same creativity.

I hated hearing that the best writers write every day. It seemed too tough an obligation. But they’re right. Just as Malcolm Gladwell noted, it can take 10,000 hours to achieve excellence (and we can all get better). If you only write a few hours a week, you may find it hard to keep improving.

Challenge yourself to write something every day, even if it’s just some of the planning and strategy for your writing. Letters, fleshed out ideas, stories—it all counts if you put in your best effort. I NEVER have writers block anymore! You can do it too.

She is a published author
Lifestorm, – A novel
Career Savvy – Keeping & Transforming Your Job,
Tech Grief – Survive and Thrive Through Career Losses (with Linda Donovan)
First Job Savvy – Find a Job, Start Your Career

Retirement Savvy – Designing Your Next Great Adventure

All are available on major sites as paperbacks and e-books.

Web site:
Twitter @denisekalm
Blog site: Right on the Left Coast | Denise Kalm | Substack



  1. Karen A Phillips

    So true to keep writing! I hadn’t thought to use any kind of “assignment” just to keep pen on paper (or typing on computer). I used to work for a newspaper and boy do I work well under pressure! Writers, remember – deadlines and breaks are your friends. 🙂

  2. Michael A. Black

    You’ve given us some excellent advice about writing. Best of luck with your own projects.


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SONJA DEWING – Traveler with Amazing Setting

Sonja Dewing uses her adventurous spirit and travels to inspire her short stories and novels. She’s worked as everything from a waitress in a haunted Inn to an Instructional Designer for an unnamed government agency.


Now she’s a full-time author and helps other writers through her business, The Women’s Thriller Writers Association. She was nominated for a Silver Falchion for Best Action/Adventure and won second place from the NM Press Women for her novel Castoffs of the Gods and her short story A Glass Mountain. Her published novels include Toy of the Gods, Gamble of the Gods, Castoffs of the Gods, and, coming soon, the final book in the Idol Maker series, Relics of the Gods.

You can start the series with Toy of the Gods – Leslie needs a break. Instead, she’ll have to face down an Inca god and drunken monkeys. Get your copy here:

What are you currently working on? I never just have one thing going on. I think that’s the curse of the over enthusiastic creative, perhaps, but I love being busy. I’m finishing book 4 in my series Relics of the Gods, and I’m producing a podcast – The 5 Minute Author, that’s all about writing and self-publishing tips, and I’m producing my first audiobook. I decided to try a short story audio first. It’s a short horror I wrote under a pen name called Evil Nuns from Space.

How do you raise the stakes for your protagonist? At some point in my book, I ask myself, what’s the worst thing that can possibly happen to my protagonist besides death? That question has always led to some fun and interesting twists. Like in Castoffs of the Gods, Leslie Kicklighter is exhausted from traveling the Amazon river all day but finds herself stranded, away from her friends, and has to find a way to get back to safety. It’s when we truly test our characters that we see what they are capable of.

Do you outline, or are you a pantser? I call myself a plantser (no – not misspelled). Before I start drafting a book, I have very specific scenes in my head. I’ll put those down as a rough outline, then fill in the rest of the story as I write.

Where do you place your settings—real or fictional locations? All of my locations are fictional but based on real locations. When I was in the Amazon basin, I stayed in an eco-resort. I used that resort as my fictional resort in Toy of the Gods. My second book is based in New Mexico, where I live. Then book three is based in the Amazon again, and book four will be in New York City and Iceland, some of my favorite places.

What kind of research do you do? The best research I ever did was to travel to the Amazon in Peru. This was after I had written the draft of my first book. So when I came home, I spent a month rewriting the novel with the jungle as an antagonist. I learned so many things that I would never have gleaned from watching a YouTube video or reading about it. For my current book, Relics of the Gods, I traveled to New York and visited all the places that show up in the book.

How long to get it published? It was a long road for my first book. In search of an agent, I had several male agents tell me no one would read an adventure with a main female character. And I believed them. Until I finally changed my mind and went with a small publisher. I needed someone to tell me my book was good enough to publish. But then two things happened. A stranger gave me a 5-star review on Amazon, and I found out my publisher had never fully read the book. That’s when I took the book back and self-published it.

Do you have subplots? If so, how do you weave them into the novel’s arc? Absolutely. Every character has their own goals, which are often not in sync with other characters. That’s what creates my subplots. For example, in Castoffs of the Gods, Leslie is in the Amazon to find and rescue her friend, AJ is there to find out more about her magic powers, Alex is there to steal an artifact, and others are there for other reasons. Each of those goals will conflict with the other and create subplots. I weave them in through the actions of the characters.

Do you have any advice for new writers? Yes. In your early writing career, please don’t give your writing to friends or family. They’ll tell you two things because they don’t understand that writing is a process (aka, like any job, it takes time to get it right). Either they’ll be really nice and tell you they loved it, or they think they need to be honest and tell you it’s terrible (which might discourage you from ever writing again!). Instead, find a review group of other writers who can share constructive criticism to make the story and your writing better.

How do our readers contact you? They can email me at They can check out my work at or find out more about my group at


  1. Violet Moore

    I passed this quote on to my critique group.

    “It’s when we truly test our characters that we see what they are capable of.”

    • Sonja

      Thanks Violet. 🙂

  2. Michael A. Black

    Evil Nuns From Space… That sounds like an intriguing book. You sound like you take your writing seriously. I’m glad you didn’t listen to those male agents. Keep on trucking and good luck.

    • Sonja

      Thanks Michael! 🙂


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HEATHER WEIDNER – Prolific Cozy Author

Through the years, Heather Weidner has been a cop’s kid, technical writer, editor, college professor, software tester, and IT manager. Vintage Trailers and Blackmailers is the first in her cozy mystery series, the Jules Keene Glamping Mysteries. She writes the Delanie Fitzgerald mystery series set in Virginia. Her Mermaid Bay Christmas Shoppe Mysteries debut in 2023.

Her short stories appear in the Virginia is for Mysteries series, 50 Shades of Cabernet, Deadly Southern Charm, and Murder by the Glass, and her novellas appear in The Mutt Mysteries series.

Originally from Virginia Beach, Heather has been a mystery fan since Scooby-Doo and Nancy Drew. She lives in Central Virginia with her husband and a pair of Jack Russell terriers.

Film Crews and Rendezvous – Hollywood has come to Fern Valley, and the one-stoplight town may never be the same. Everyone wants to get in on the act.

The crew from the wildly popular fan favorite, Fatal Impressions takes over Jules Keene’s glamping resort, and they bring a lot of offscreen drama and baggage that doesn’t include the scads of costumes, props, and crowds that descend on the bucolic resort in the Blue Ridge Mountains. Added security, hundreds of calls from hopeful extras, and some demanding divas keep Jules’s team hopping.

When the show’s prickly head writer ends up dead under the L. Frank Baum tiny house in what looks like a staged murder scene with a kitschy homage to the Wizard of Oz, Jules has to figure out who would want the writer dead. Then while they are still reeling from the first murder, the popular publicist gets lost after a long night at the local honky-tonk and winds up strangled. Jules needs to solve both crimes before filming is canceled and her business is ruined.

How did you come up with the title? This is my first cozy mystery series, and I was looking for titles that described the story but were fun. So far in this series, there’s VINTAGE TRAILERS AND BLACKMAILERS, FILM CREWS AND RENDEZVOUS, and CHRISTMAS LIGHTS AND CAT FIGHTS.

Is there a message in your novel that you want readers to grasp? My stories all have some sort of crime, and most have at least one murder. While I do write crime fiction, I think of them as stories of justice. Good triumphs over evil, and the truth comes out with the help of my amateur sleuth.

What are your current projects? Right now, I’m writing this series and two others. My Delanie Fitzgerald series, set in Richmond, Virginia, features a sassy private investigator who gets in way more trouble than I do. I also write the Mermaid Bay Christmas Shoppe Mysteries (2023), also set in Virginia, that feature a quaint beach town with unique shops and a penchant for attracting trouble.

Name one entity that you feel supports you outside of family members. I was so fortunate to find a group of writers, mentors, and friends when I found Sisters in Crime. This group of mystery and suspense writers has helped me hone my craft, learn the publishing business, and get my first mystery credit.

Is there anything you find particularly challenging in your writing? I love the research and writing parts. I get so energized and excited to work that time just breezes by, but I must admit that revisions and edits are my least favorite part.

Do you have to travel much concerning your book(s)? All of my novels and stories are set in Virginia. I’m a life-long native, and I love to show the beauty, the diverse landscapes, and the wonderful people of the region. We do a lot of day trips for my research. Right now, we live in Central Virginia, where we’re close to cities, the ocean, and the mountains. I love the art and culture of the region, and I will always be a beach girl at heart with my roots in the sand of Virginia Beach.

Do you have any advice for other writers? Writing is a business. If you want to be published, you need to work on your craft, read everything in your genre that you can get your hands on, and be persistent.

What is your favorite quote? I like Laurel Thatcher Ulrich’s “Well behaved women rarely make history.” I also like the quote that’s been attributed to several folks. This is Ann Richards’s version “After all, Ginger Rogers did everything that Fred Astaire did. She just did it backward and in high heels.”

What is your favorite movie, and why? My favorite movie of all time is the 1939 version of The Wizard of Oz. It has all the right elements for a perfect story: friends, a quest, a girl who fights evil, and her adorable dog.

Do you like audiobooks, physical books, or e-books better? Why? I was a diehard advocate of the physical book for years, and then the Pandemic hit. I was so thrilled to be able to get books electronically during the lockdown. So now, I read the turn-the-page kind and the electronic ones.

How do our viewers reach you and find your books?

Website and Blog:
Amazon Authors:

Book Link:


  1. Elizabeth Varadan

    Great interview. I llike her take on what makes a good story (The Wizard of Oz – one of my favorite books and movies of all time). Her books sound appealing. (My goodness, she’s prolific!)

  2. Michael A. Black

    Hey, regular book-books, The Wizard of Oz, and dedication to perfecting your writing craft…. It sounds like you’ve got a real goo grasp on things. Best of luck with your book series.

  3. Pamela Ruth Meyer

    Fantastic questions, George. And heather, I love your inspiring quotes about women meeting the challenges of the world.
    Thank you both,
    Pamela Ruth Meyer

  4. Dru Ann

    Great interview.

  5. Heather Weidner

    Thanks so much for letting me stop by the blog and chat! What a fun interview!

    • George Cramer

      Thank you for sharing your story. I enjoyed learning more about you and your work.


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LYNN SLAUGHTER – Dancer to Award Winning Author

After a long career as a professional dancer and dance educator, Lynn Slaughter earned her MFA in Writing Popular Fiction from Seton Hill University. She writes coming-of-age romantic mysteries and is the author of the newly released Deadly Setup, a 2022 Moonbeam Children’s Book Awards silver medalist. She is also the author of Leisha’s Song, a 2022 Imadjinn Award winner, a Moonbeam bronze medalist, Agatha nominee, and Silver Falchion Award winner; While I Danced, an EPIC finalist; and It Should Have Been You, a Silver Falchion finalist. Her first mystery for adults, Missed Cue, comes out from Melange Books in the summer of 2023. She lives in Louisville, Kentucky, where she’s at work on her next novel. She currently serves as president of Derby Rotten Scoundrels, the Ohio River Valley chapter of Sisters in Crime.

DEADLY SETUP Seventeen-year-old Sam’s life implodes when her heiress mother’s fiancé turns up dead, and Sam is accused of his murder and goes on trial. She fights to prove her innocence with the help of her boyfriend’s father, an ex-homicide cop. Just when things are looking especially bleak, Sam makes a startling discovery.

What brought you to writing? I spent much of my career as a professional modern dancer and dance educator. But I’d always enjoyed nonfiction writing and research. While still dancing, I moonlighted as a freelance magazine journalist specializing in writing about the challenges of adolescence and parenting teens. In all honesty, I didn’t think I had the fiction gene!

However, when age and injury led to my retirement from dance, I got an idea for a story about a young aspiring dancer with lots of family and friendship issues. That became my first young adult novel, WHILE I DANCED. I got hooked on fiction writing and returned to school, earning my MFA in Writing Popular Fiction from Seton Hill University. It was a wonderful program, and I’ve kept writing ever since!

Tell us about your writing process. I tend to get a general idea for the premise of a novel. For example, DEADLY SETUP began as the kernel of an idea: What if a teenager was accused of murdering her mother’s fiancé?

Before trying to develop a plot, I spend a lot of time developing my characters and their backstories. Out of that work, I get a very good idea about my characters’ internal issues and how they will intersect and conflict with one another. It never ceases to amaze me how many plot ideas and complications grow out of starting with character development! I owe this insight to Elizabeth George. I’ve found her books on craft, WRITE AWAY! and MASTERING THE PLOT, to be so helpful.

What are you currently working on? I’m working on three projects which are at different stages of development:

Missed Cue, my first adult mystery, is coming out this summer from Melange Books, so I’m about to receive editorial notes.

I’ve also been working on a middle-grade fantasy about Varney, a kid vampire who hates the taste of blood and is convinced he’s landed in the wrong body. Thanks to a friendly witch, he gets a chance to switch with a human boy who is very unhappy in his life and longs to be a vampire.

Finally, I’m working on a young adult novel about a teen whose mother goes missing. The evidence indicates suicide, but my teenage protagonist doesn’t believe her mother would have killed herself and is determined to find out what really transpired.

How do you come up with character names? I have a book of baby names that gives a bit about where each name came from and what it means. I love going through it and finding names that seem to fit with the personalities and backgrounds of my characters.

Do you have subplots? If so, how do you weave them into the novel’s arc? I do! I find they often emerge organically from the relationships of the major characters. For example, in DEADLY SETUP, the protagonist has a close gay friend who’s involved in a romance with the closeted son of parents who think homosexuality is a sin. When his parents discover his romance, they forbid him to see his boyfriend. He becomes severely depressed, and after his failed suicide attempt, he eventually moves in with more supportive relatives.

This subplot actually reinforces a major theme of the novel, which is that sometimes when your family of origin is unable or unwilling to be unconditionally loving and accepting, it is sometimes necessary to create an intentional family.

Do you have any advice for new writers? Read voraciously and put yourself on a writing schedule that works for you and that you can stick to!

Join writers’ associations, such as Sisters in Crime and its subgroup, the Guppies, and make use of their resources.

Study craft books and analyze your favorite books in your chosen genre to see what makes them work so well.

Find a supportive writing community and a helpful, constructive critique group. If more than one person points to a problem in your manuscript, pay attention!

Above all, persevere!

Groups I belong to:
Mid-South Region of The Society of Children’s Book Writers and Illustrators
Guppies and my local chapter of Sisters in Crime, the Derby Rotten Scoundrels

I love hearing from readers and can be contacted through my website:

Buy links:
Amazon: Deadly Setup – Kindle edition by Slaughter, Lynn.
Print book:
Barnes and Noble:
Books-a-Million: Deadly Setup by Lynn Slaughter (



  1. Valerie Brooks

    Lynn, I was so excited to read that one of my SinC sisters was a dancer. I, too, was a dancer, not by profession. Do you mix this in with your books? I’m embarrassed that I have not read any of your books. I will now.

    • Lynn Doreen Slaughter

      How lovely that you were a dancer, too! My first novel, WHILE I DANCED, was about an aspiring ballet dancer, and all of my novels have characters involved in the arts. My forthcoming mystery for adults, MISSED CUE, is about the investigation of the murder of a ballet dancer who dies onstage in Act III of Romeo and Juliet.

  2. Michael A. Black

    It sounds like you’re dancing right along, Lynn. Keep it going and good luck with all your projects.


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DEB RICHARDSON-MOORE – Journalist / Minister / Author

Deb Richardson-Moore is the author of a memoir, The Weight of Mercy, and four mysteries, including a 2021 Killer Nashville Silver Falchion finalist, Murder, Forgotten. All have been published by Lion Hudson of Oxford, England.



Deb is a former journalist and minister to homeless parishioners in Greenville, SC. She tells the story of her mid-career switch in The Weight of Mercy, a memoir that reveals the traumas and rewards of dealing with addiction and poverty. It has been studied at Harvard and Duke Divinity Schools.

Murder, Forgotten is a stand-alone in which an aging mystery writer is losing her memory. When her husband is murdered in their beachfront home, her grief is mixed with panic: Could she, deep in the throes of a new plot, have killed him? Upcoming in 2023: Deb’s latest work, Through Any Window, has been accepted by Red Adept Publishing in the U.S. Set in a gentrifying area of a vibrant Southern city, tensions are already high between old-timers and rich newcomers. When a double murder explodes, police must determine whether its roots are personal or the rocky result of urban renewal.

Do you write in more than one genre? After a 2012 memoir, I have stuck to murder mysteries.

What brought you to writing? A lifelong love of reading and a 27-year career as a feature writer for a newspaper. After leaving the demands of daily deadlines, I was finally able to write books.

Where do you write? What, if any, distractions do you allow? I write in my cheerful sunroom, with five uncovered windows and loads of happy artwork and family photos. At this point, I’m not in a race to see how many books I can produce! I do allow distractions – coffees and lunches out, volunteer work, speeches, travel.

What are you currently working on? I’m in the editing process of a mystery tentatively titled Through Any Window, which is set in a gentrifying neighborhood in a Southern city. People in new mansions live side by side with people in boarding houses and a homeless shelter and can see their neighbors’ lives through their windows.

Who is your favorite author? It’s a toss-up between Joshilyn Jackson and Jodi Picoult. I’m amazed at the breadth of their work.

How long did it take you to write your first book? In all, it probably took a year. When I was halfway through, my board of directors gave me a sabbatical to finish it. Without that nine weeks, I’m not sure I could have done it. I was in a deathly fight with my inner critic.

How long to get it published? Another three years. To my surprise, a publisher in England picked it up, then agreed to publish my fiction titles as well.

Do you ever kill a popular character? If so, what happens to your story? Yes, I did this once. ( I won’t say which book!) My writers’ group got into a major argument over it. One member thought it was breaking a contract with the reader. Others liked the surprise of it. I loved it because I believe it allowed the story to veer into a deeper, sadder place.

Do you have subplots? If so, how do you weave them into the novel’s arc? You have to have subplots. In Through Any Window, one subplot whirls around the tensions of rich and poor living side by side, and another concerns a young man who recognizes a property where he once lived. The subplots give rise to possible motives for the murders.

Do you base any of your characters on real people? I wrote my three-volume Branigan Powers series about a homeless man who helps a news reporter (Branigan) solve murders. Because he glides through their town virtually unseen, Malachi sees and hears things that other people don’t. I based him on a dear friend, a homeless man who attended my church for 15 years. As for Branigan herself, I’m sure she has aspects of me, as does her friend, Liam, a pastor in a homeless ministry. (I also wrote my dog, Annabelle, into Murder, Forgotten).

Do you outline, or are you a pantser? I don’t know that term! But I don’t outline, so I guess I’m a pantser. I think it’s more exciting if you can constantly surprise yourself. I had so much fun writing Murder, Forgotten, because I couldn’t wait to see how it turned out. It was quite literally almost as much fun as reading a twisty thriller.

Where do you place your settings—real or fictional locations? I mix them all together. The Branigan Powers series was set on my grandparents’ farm in northeast Georgia, but I plopped it near a city that doesn’t exist. In each book, Branigan usually travels to the South Carolina coast.  Murder, Forgotten was set on Sullivan’s Island, SC, and the eastern coast of Scotland. I mixed actual villages and streets and restaurants with fictional houses. Through Any Window is set in fictional Greenbrier, SC, but I draw on much of what is going on in Greenville — and any growing American city.

What is the best book you have ever read? Oddly, not one by my favorite authors. I’d have to say Lionel Shriver’s We Need to Talk About Kevin. Or possibly Ira Levine’s Rosemary’s Baby. I get shivers thinking about both.

How do our readers contact you or learn more about you?

Contact for Deb:
To purchase: or any online seller



  1. Sue Miller

    Really looking forward to your next book

  2. Donnell Ann Bell

    Oh my goodness, fascinating! My TBR is ridiculously long, but i have to add Ms. Richardson’s books. what a superb cover, I might add.

    • Deb Richardson-Moore

      Thanks so much, Donnell.

  3. Candace

    Thanks for this interview. What a fascinating author.

    • Deb Richardson-Moore

      Thanks, Candace.

  4. Michael A. Black

    It sounds like you do a lot of good work besides writing. Best of luck to you.

    • Deb Richardson-Moore

      Thank you, Michael.


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VICKI WEISFELD – Help Authors and Books You Love!

Not long ago, Vicki published the tips below in the Public Safety Writers Association’s newsletter. She previously posted the tips on her blog ( The purpose is to help all of us in “reader relations.” I can’t think of a better way to start the new than by sharing her words.


Readers may be quite willing to help an author but may not know how or may need to be reminded (possibly more than once). You can use these tips in your own promotion—take copies to readings, put them in your own blog or newsletter, etc., etc.—or, if you’re a reader who wants to give a boost to your favorites.

I developed this list around the time my mystery/thriller, Architect of Courage (reviews are great, btw) was published. But I saw it could be a generic product others could use—just a small Thank You for all the support the writing community has given me.

I hope you find it useful—reprint it freely! And customize it with a picture of you or your book (instead of the blue box), and links to your content in #s 8, 9, and 10.

Friends and family members can be incredibly patient when they ask an author solicitous and innocent-sounding questions—like “How’s the book coming?”—and are met with blank looks, or, worse, groans and sighs.

Most authors today—OK, James Patterson’s an exception, and so’s JK Rowling—find that reaching “The End” is just the beginning of their work. Now they have to let the world know about it.

If you have a sense of how much time and effort authors invest in their books, maybe you’ve wondered “What can I do? How can I help?” Yes, indeed, there are things you can do that will help! And, whatever you find time to do, you can be sure it will be greatly appreciated!

Ten ways you can help promote an author or book you admire:
1. Buy your friends’ books. They may have written it with readers like you in mind.
2. Don’t be too quick to pass around a book; instead, encourage others to buy it. Amazon (or book stores), and the author’s publisher keep most of the price of the book. If a book sells for $16, the author receives $2 to $4.
3. Remember, books make great gifts! Maybe a friend or family member needs a thank-you or has a special day coming up.
4. Word of mouth is the most powerful form of book marketing. So, tell people about a book you’ve loved. Don’t be afraid to repeat yourself. Marketers say it takes 13 to 15 repetitions before a message “sticks.”
5. What you say about the book in an Amazon or Barnes & Noble review will influence other would-be purchasers. No need for cringy flashbacks to high school book reports. Just say the two or three things you’d tell a good friend who asked, “Read any good books lately?” Reviews are vital to a book’s success.
6. Share a few words about what you’re reading on social media—GoodReads, Facebook, Twitter, Instagram, LinkedIn, etc.
7. If you enjoyed a book, your book club might too! Many authors are willing to participate in book club discussions in person or by Zoom, etc. People who’ve read my book have invited me to their book clubs, and it’s a fun change-of-pace for me.
8. You can “follow” your favorite authors on Amazon. Search for one of their books, click on the author’s name, and if they have an author page, it will come up with a big “follow” button.
9. If your author has a newsletter, sign up! Author newsletters often include interviews, reviews, and favorites.
10. An author’s blog and website are other ways to keep track of new releases and to learn more about the authors you like to read. Remember, they create them for you.

Many thanks, and happy reading!

Vicki blogs at



  1. Peg (M. E.) Roche

    Great ideas. I’ve saved and will pass on. Thanks, Vicki.!

  2. Michael A. Black

    Vicki is a talented writer and has her own fabulous blog as well. I recall her list of helpful suggestions from the PSWA Newsletter and I agree with Big George that it’s very helpful. Her book, Architect of Courage is also a great read. This lady can write.


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George’s Conference Recommendations for 2023

I attended two writers’ conferences in 2022 in Las Vegas. The Public Safety Writers Association conference was held at the Orleans Hotel and Casino mid-July. It was intimate, with around fifty attendees. The other was 20Books Vegas 2022,  held at Bally’s—a cozy 1,900. Both are reasonably priced.

PSWA has a first-day master’s class followed by two and half days of lectures and panels. For the most part, the attendees write crime, mystery, and thrillers. The catered lunches were fantastic.

I highly recommend PSWA, especially if you want to meet and get to know authors in your field.

Here’s the link for the 2023 conference if you want details:

Join Us for the PSWA Conference (

20Books Vegas begins on Monday with a vendor’s day. Tuesday-Thursdays the presentations start at 9:00 a.m. (sharp); all sessions are forty-five minutes with a timer and are recorded.

While most attendees seem to work in fantasy and Si-Fi, there are more than enough sessions for the mystery and crime writers. The problem for me was that there were as many as ten sessions at a time, making it impossible to see all the presentations I wished to attend. One of my favorite presenters was Maxwell Alexander Drake. He was so valuable I attended four of his lectures. You are on your own for all meals—great room rates well below what you would typically expect to pay.

I recommend 20Books if you are interested in solid craft presentations. There are several meetups for crime, mystery, and police procedural writers.

Conference Sign Up – 20 Books Vegas  Registration opens 7 a.m. Pacific Time January 2, 2023

I plan to attend both in 2023.


  1. Peg (M.E.) Roche

    I joined and registered for both the conference and the workshop after reading George’s blog. Thanks, George!

  2. Shelley Riley

    Both of your suggestions merit consideration. I’m thankful that you took the time to share them with your followers. As always, adding the links is a plus. As one of your avid followers, I wish to thank you for all that you do for us.

  3. B. Lynn Goodwin

    Although these may not be the right conferences for me, I like your recommendations. And maybe it’s exactly right. I’m considering having someone hiding his identity in my next novel.


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GLENDA CARROLL – “Everybody Counts or Nobody Counts”

Glenda Carroll is the author of the Trisha Carson mysteries that take place in the diverse San Francisco Bay area, from the tree-lined streets of Marin County to the fog-covered Golden Gate Bridge and the ‘play ball’ atmosphere of Oracle Park, home of the San Francisco Giants. They include Dead Code, Drop Dead Red, and Dead in the Water. Currently, Glenda is working on the fourth book in the series, Dead to Me. The underlying current in the series is open water swimming. When she isn’t writing or swimming, she tutors first-generation, low-income college-bound high schoolers in English.

Glenda authored an article, Why I like Michael Connelly’s Bosch, for the September 2022 issue of the Northern California Chapter of the Mystery Writers of America newsletter, Line Up. I’m sharing what she had to say about Harry Bosch with her permission.

When everything shut down at the start of the pandemic, I discovered Bosch, a police procedural series streaming on Amazon Prime. The seven-season crime series about Los Angeles police detective Harry Bosch is based on the books by Michael Connelly.

I liked the character of Bosch immediately. He was more than the tough on the outside, marshmallow on the inside detective. He didn’t talk much—he liked jazz.—and had a dog named Coltrane. His past was complicated. His mother was a prostitute who loved her son, fought for him, and was murdered. He ended up in the foster care system. Then, he married and divorced an FBI agent who morphed into a risk-taking professional gambler. Their daughter loved them both but understood that Harry, who spent evenings going over his cases and listening to jazz, was the stable parent. That complicated backstory came into play in each episode, while Harry took extra (and sometime not-so-legal) steps for the homeless and addicted.

It was that personal understanding and internal warmth that set him apart from the usual hardcore detective. He’d been there, down in the trenches, and never forgot it. The part of Harry Bosch couldn’t have been more perfectly cast. Titus Welliver, an actor I had never heard of before, stepped into the persona perfectly.

Somewhere during all this television time, I realized that Bosch was adapted from several police procedurals written by Michael Connelly. I wondered how true to the books the scripts were, so I became a steady customer of the San Rafael Public Library, reading the 20-odd books that Connelly wrote that featured Harry Bosch. To my surprise, the plots were followed, twist by twist. Even some of the dialogue found its way into the scripts. I thought about this for hours, and I really couldn’t say which was better—the books or the streaming series.

When Bosch concluded (you can still find it on Amazon Prime), another series, Bosch: Legacy popped up on Freevee with the same characters and tight plots.

Unfortunately, I’ve seen every episode of both series at least twice. I am currently Boschless, waiting for whatever comes next.

“(Trisha Carson is)…a smart, steadfast gumshoe who continues to flourish… Carroll’s writing bounces off the page.”  Kirkus Reviews

Books are available:  Amazon, Barnes & Noble, iBooks, Kobo, Smashwords, and Kindle

You can reach Glenda at:
FB page:
Amazon author page:



  1. Donnell Ann Bell

    Love this blog! I wasn’t big on the prime Bosch series. Your post makes me want to rethink it. Your books sound quite good, too, Glenda! Will heck them out!

    • Glenda Carroll

      A few of my writer friends felt the same way you do. I’m just giving you my opinion. Maybe I just identified with the main character. (Although I’m not a cop but I understand how the past influences the present. You might want to try Michael Connelly’s book that feature Bosch.

  2. Glenda Carroll

    I’ll check out the audio. Thanks for the tip!

    • Claire

      I’ve found the audio pretty good. I really like the narrator for the Lincoln Lawyer books.

      • Glenda Carroll

        I haven’t really tried audio books. Obviously, that should be my next step. Maybe I need to think of getting my own mysteries on audio.

  3. Victoria Kazarian

    I love Connelly’s books, but I’m always afraid TV adaptations will disappoint me. This gives me encouragement to watch Bosch.

    • George Cramer

      For the most part, I think the TV series did justice to Connelly’s work. I hope to see more of Titus Welliver. I think Titus was spot on for Bosch. Now whenever I think of Bosch, I see Welliver.

  4. Kaye George

    I admit, I had to get used to Welliver in the part. It happened gradually, since I had a much different picture of Bosch from reading the books. He grew on me and I finished the series liking his portrayal. I’ve always been a Connelly fan, from the very beginning. He spoke at a conference, I think it was the one in Boise ID, but don’t quote me, and said he was thrilled to be there because it got him out of watching Finding Nemo for the 17th time with his toddler. This was years ago, after his first book propelled him to the top of the charts. He said he was stunned by that! I guess I pictured HIM as Bosch.

    • Glenda Carroll

      Since I started with the TV series and then read the books, I could see and hear Titus Welliver (what a name!) in the part.

  5. Ann Dominguez

    I think it’s time for me to try these books again. I love Connelly’s Lincoln Lawyer series. Thanks for the nudge!

    • Glenda Carroll

      I liked the Lincoln Lawyer series as well. I use Michael Connelly books (and John Grisham’s, as well) as text books on how they encourage readers to turn the page. I even outlined one of Connelly’s Bosch police procedurals to understand his techniques of telling a story and getting the reader engaged and staying engaged. I learned a lot doing that (until I became so engrossed with the story I forgot to take notes.)

  6. Susan Van Kirk

    I, too, am a big Bosch fan and I had the pleasure of hearing Connelly speak in Phoenix a few years ago. I really liked his latest Ballard/Bosch book.

    • Glenda Carroll

      I would probably act like a tongue-tied teen if I ever met him.

  7. Michael A. Black

    I like Connelly’s books as well, Glenda. Titus Welliver also does the voice of Bosch in the audio book versions of the novels. For the ones featuring Bosch and Connelly’s new character, Renee Ballard, actress Christine Lakin and Welliver do a fabulous duet. Good luck with your own series.


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NATIVE AUTHOR BRIAN LUSH’s Debut Novel is a Haunting Tale of Survival in a Dystopian Nightmare

Brian Lush is a music journalist based in Albuquerque, New Mexico. He is the founder of and was the founding editor of Rockwired Magazine, which ran from 2012 through 2017. An enrolled member of the Yankton Sioux Tribe in Southeastern South Dakota, he studied Creative Writing at the Institute of American Indian Arts in Santa Fe, New Mexico. He received his B.A. in Creative Writing from the University of New Mexico.

Yankton Sioux writer Brian Lush spins a grim tale of war, occupation, and oppression in his debut novel Roger’s War – a gritty, dystopian coming-of-age story with a Native perspective.

With a war between Russia and Ukraine and a lull in a global pandemic, who wants to get lost in a tale of a world gone mad? It wasn’t exactly the kind of territory that writer Brian Lush wanted to mine in what would become his first novel, Roger’s War.

“This was where the muse led me,” says Lush. “The roots of his dystopian coming-of-age story stemmed from the nightmarish events of the 2018 Stoneman Douglas High School shootings and the belief by some that teachers should be armed. “It was pretty wild to imagine high school teachers being armed and yielding that kind of control over kids. Children! Back then, I thought I had at least a short story on my hands. However, life got in the way, and I had other commitments, and the story never saw the light of day. The idea was in the back of my head and then snowballed. The pandemic, and then this little story I had in my head about the abuse of power became this huge novel on how one young boy survives.”

Roger’s War is a tense and frantic narrative that illustrates the life of a young man coming of age in a frightfully repressed society. The country once known as the United States of America has descended into a second civil war. Emerging from the devastation is a rogue nation called Heartland – a totalitarian theocracy under the rule of a maniacal, self-proclaimed prophet known simply as Father and his lethal military. Plucked from the ashes of a war-torn America is a half-Native/half-black fourteen-year-old named Roger Bretagne.

After losing his family to Heartland’s devastating blitzkrieg, Roger is rounded up and matriculated into this stark, repressed, and dangerous new world. His new parents are powerful predators, the quiet country town he lives in is an oppressive hamlet gripped by fear, and his school – under the control of the beastly schoolmaster Brother Isaac – emphasizes brutal indoctrination. Somehow, sanity must prevail. In cautiously navigating the rocky road of this toxic milieu, Roger finds love, allies, and a burgeoning resistance movement hellbent on destroying Heartland and building a glorious future. Whatever that entails.

Roger is not a first when it comes to first-person narratives in worlds gone mad, but his half-Sioux/half-black lineage is a definite first in Native American fiction. Roger is a character that was very unexpected to me. There were a lot of surprises in the writing of this book, but the character of Roger felt like a revelation. While I took great pains to create a character and not put myself or anyone I loved in a fascist society, I feel like I ended up putting myself there. Roger was more than just a window into this world. We share the same heritage. It feels like I’ve got skin in the game.

Roger’s War is available on Kindle and paperback through

Phone: (505) 239-2666


  1. Michael A.Black

    Sounds like an interesting book, Brian, The way things are going, let’s hope people read it and take notice so things don’t turn out like the situation in your novel. I’ve thought about writing a dystopian novel, but it takes a lot of grit. I commend you on your undertaking it. Good luck.

    • Brian Lush

      Thank you for your kind words Michael.


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