Virgil Alexander was born in his parent’s home in rural Gila County between Globe and Miami, Arizona. His uncles and cousins worked in law enforcement for various agencies. His dad was a volunteer reserve deputy, so he grew up with a lot of cop-talk. His father raised subsistence livestock and kept horses, so as a youth, he spent a lot of time taking care of these. His recreation was camping, hunting, fishing, hiking, and riding. His hot summer afternoons were spent reading at the Miami and Globe public libraries. He enjoyed history, mysteries, westerns, and Arizona geography and nature.
He worked for 42 years in mining jobs, from laborer to corporate management. After retirement, he began consulting with museums on mining and Arizona history, researching and writing papers for the Historical Society, and articles for newspapers, magazines, and webpages. He is a member of the Arizona Historical Society, Public Safety Writer’s Association (PSWA), Western Writers of America, Southwest Writers, and Storymakers. He has won awards from the PSWA in categories: Best Published Fiction Book and Best Non-fiction Published Article.
Alexander’s contemporary rural police series, the Deputy Allred & Apache Officer Victor Series, consists of five mysteries published by Aakenbaaken & Kent. Broken Earth is the 5th book. Alexander’s books are infused with real settings in which the natural and human history of the place is part of the setting. The western lifestyle of ranching, farming, timber, and mining feed into the stories, as does the contemporary Hispanic, Mormon, and Native American cultures.
Broken Earth: Released by Aakenbaaken & Kent on October 6, 2021.
Sergeant Al Victor must walk a thin line between legal ethics and sacred Apache secrets when a fellow medicine man goes bad and flees into the sacred Broken Earth.
My Writing In my pre-retirement career I wrote technical manuals, standard operating procedures, research papers, and training manuals. I also wrote public communications articles and project newsletters. This turned out to be a handicap when I started writing fiction. I sent my first draft of Wham Curse to an editor, and she called me and asked, “Are you an engineer?”
“I’m a technical superintendent.”
“I thought so. You write like an engineer; STOP IT!” She then spent several weeks teaching me not to write like an engineer.
When I’m actually writing my story, I have the general idea in mind. From this, I create a simple outline to refer back to when I start wondering where is this going? But I don’t write to the outline; I let the story flow as it goes. This impromptu style often takes turns I didn’t plan on and often requires adapting earlier parts of the story to make more sense.
I write in vignettes representing one viewpoint, either of a character or the all-knowing narrator. In order to keep track of characters, I maintain a spreadsheet of all my regular and minor characters. So a jeweler, or medical examiner, or rancher from an earlier book might reappear in the book I’m working on when I need one of those people. Likewise, I track all the vignettes and storylines on a spreadsheet. These allow me to control my clues and events in a logical sequence.
Because my books involve two neighboring agencies, I always have multiple storylines. Some of them involve both the Sheriff’s Office and the Tribal Police, and others only involve one of the agencies. So I may have from three to six major storylines, plus quite a few minor ones.
I write several strong women characters in my books, principally Deputy Pat Haley, but also FBI agents, a State Department attorney, ranch women, and Deputy Sanchez’s petit wife, Jennie, who in one of the books shoots a bad guy to save her husband. How do I write my women characters? I think of a man then take away reason and accountability… Wait. No, that was Jack Nicholson. I base my women on women I know or have known. I was fortunate in my career to work with many outstanding and competent women, many in nontraditional roles. The women closest to me, my wife and daughters, are highly accomplished and leaders in their chosen fields.
I generally do a lot of research as I write. Since I really have no idea where my story may take me, about the only preparatory research I do is on the places I plan to use and if I have a particular source of murder I want to pursue. So when I wrote scenes in Chaco Canyon, I researched the place, as well as the organizational structure of the park, the routes that can be used, hotels and restaurants my people would use, etc. Then as I develop the story, I research new items as they pop up.
I use real places for my settings, including towns, streets, specific stores, cafes, wilderness trails, mountains, rivers, hospitals, etc. The only time I use a fictional place is if the place is really bad so that I won’t put a bad light on a real place. If somebody gets food poisoning at a restaurant, it will be a nonexistent place.
Many of my characters are based on real people I have known. I don’t say who I translate as a character because some would be honored, and some would sue. Most are a conglomerate of several people from whom I’ve borrowed their looks, integrity, dark side, or manner of speech.
Looking forward, I will likely write more books in this series. I would also like to get my book on the history of ranching in Gila County finished up. I have been dabbling in writing an epic historical novel using all real people and history to track the western movement of the American frontier, factual but written in novel style.
George, I appreciate the opportunity to appear on your blog. If anyone wants to know more about me, they can go to my webpage to see an expanded bio, all my books, my blog, coming events, photos, and more at: https://virgilalexander.weebly.com/