June Gillam writes the Hillary Broome crime fiction series. She is sketching out a new thriller trilogy she’ll fine tune at 2024’s Thrillerfest in New York. A native of California’s Central Valley, June loves the company of writers and readers and was honored with a Jack London Award for service to the writing community. Just out on Audible is Nest of White Crows, book five in the Hillary Broome series.
Legacy of the Wild Vines, book six in the Hillary Broome Crime Fiction series, to be released in spring 2024:
In Legacy of the Wild Vines, a professor on a summer trip to Rome tries to keep her sixteen-year-old gay daughter safe amidst a rash of kidnappings, but when her daughter vanishes, the professor must probe the secrets of a remote Italian village to help find her daughter before it’s too late.
June at the 2023 CA State Fair Authors Booth
Along with Archy the cockroach, “expression is the need of my soul,” as the little poet typed onto paper left in columnist Don Marquis’ typewriter at the Chicago Sun Times office back in the mid-20th century. Archy typed no capital E since he could not operate the shift key with his tiny body flung as he did every night when the journalists went home. For details, see E. B. White’s “From The Best of Archy and Mehitabel.” https://rb.gy/604efi
Like Archy, I started out as a poet and then an academic papers writer until I was hired as a full-time faculty member in English at San Joaquin Delta College in 1990. It was then it hit me that I didn’t know how to write stories even though many of my poems wanted to become stories. Over the next ten years, I studied fiction and had a few short stories published, then took the craft deeper as part of my doctoral work in Transformative Learning and Change at the California Institute of Integral Studies. My dissertation was a cooperative inquiry, published in 2009 as a monography: Women Writing Stories Containing Conflict. I was thrilled.
However, Lambert Academic Publishing priced it at well over $100 and I could not get them to reduce the price. That was when I decided I wanted to be in control of my price points. As a result, Gorilla Girl Ink was born as my imprint and has published all my books: poetry, writing, fiction, and just last year, a children’s picture book with my daughter as illustrator.
So, I’ve been an Indie-published writer since 2012 with Gorilla Girl Ink. Thanks to the support of fantastic sister writers and critique groups along the way, I’ve had a bit of success and enjoyed the ride. But Indie publishing is a lot of work beyond the writing. It includes finding, hiring, and supervising editors, cover designers, formatters, etc. Recently, a medium-sized publisher, Bedazzled Ink, has approached me because of the platform I’ve built with Gorilla Girl Ink. They are interested in publishing my next book, a thriller trilogy set in San Francisco and Lake Tahoe.
The pros and cons of Indie vs Trad publishing are presented on websites such as the well-balanced Book Bub and Writers Digest assessments.
Although not every point in these comparisons holds true all the time, they are worth the effort to consider. After more than ten years as an Indie, I am now ready to focus my time on my writing rather than the publishing of it. I am eager to turn over the publishing tasks to Bedazzled Ink and concentrate on writing, marketing, and teaching workshops, which I enjoy. https://www.bedazzledink.com
My advice for new writers is to join a writer’s group for support and camaraderie. Take a look to see if the San Joaquin Valley Writers branch of the CA Writers Club could be a good fit for you. Check us out at https://www.sjvalleywriters.org
Readers may contact me about my books and upcoming workshops starting in February at https://www.junegillam.com/contact
Groups I belong to include
San Joaquin Valley Writers
Capitol Crimes, Sisters in Crime
Mystery Writers of America
Gold Country Writers