Dec 15, 2022 | Crime, Mystery, Thriller |
Glenda Carroll is the author of the Trisha Carson mysteries that take place in the diverse San Francisco Bay area, from the tree-lined streets of Marin County to the fog-covered Golden Gate Bridge and the ‘play ball’ atmosphere of Oracle Park, home of the San Francisco Giants. They include Dead Code, Drop Dead Red, and Dead in the Water. Currently, Glenda is working on the fourth book in the series, Dead to Me. The underlying current in the series is open water swimming. When she isn’t writing or swimming, she tutors first-generation, low-income college-bound high schoolers in English.
Glenda authored an article, Why I like Michael Connelly’s Bosch, for the September 2022 issue of the Northern California Chapter of the Mystery Writers of America newsletter, Line Up. I’m sharing what she had to say about Harry Bosch with her permission.
When everything shut down at the start of the pandemic, I discovered Bosch, a police procedural series streaming on Amazon Prime. The seven-season crime series about Los Angeles police detective Harry Bosch is based on the books by Michael Connelly.
I liked the character of Bosch immediately. He was more than the tough on the outside, marshmallow on the inside detective. He didn’t talk much—he liked jazz.—and had a dog named Coltrane. His past was complicated. His mother was a prostitute who loved her son, fought for him, and was murdered. He ended up in the foster care system. Then, he married and divorced an FBI agent who morphed into a risk-taking professional gambler. Their daughter loved them both but understood that Harry, who spent evenings going over his cases and listening to jazz, was the stable parent. That complicated backstory came into play in each episode, while Harry took extra (and sometime not-so-legal) steps for the homeless and addicted.
It was that personal understanding and internal warmth that set him apart from the usual hardcore detective. He’d been there, down in the trenches, and never forgot it. The part of Harry Bosch couldn’t have been more perfectly cast. Titus Welliver, an actor I had never heard of before, stepped into the persona perfectly.
Somewhere during all this television time, I realized that Bosch was adapted from several police procedurals written by Michael Connelly. I wondered how true to the books the scripts were, so I became a steady customer of the San Rafael Public Library, reading the 20-odd books that Connelly wrote that featured Harry Bosch. To my surprise, the plots were followed, twist by twist. Even some of the dialogue found its way into the scripts. I thought about this for hours, and I really couldn’t say which was better—the books or the streaming series.
When Bosch concluded (you can still find it on Amazon Prime), another series, Bosch: Legacy popped up on Freevee with the same characters and tight plots.
Unfortunately, I’ve seen every episode of both series at least twice. I am currently Boschless, waiting for whatever comes next.
“(Trisha Carson is)…a smart, steadfast gumshoe who continues to flourish… Carroll’s writing bounces off the page.” Kirkus Reviews
Books are available: Amazon, Barnes & Noble, iBooks, Kobo, Smashwords, and Kindle
You can reach Glenda at:
FB page: https://www.facebook.com/glenda.carroll
Amazon author page: https://www.amazon.com/Ms.-Glenda-Carroll/e/B00CIJ7HJ8/ref=ntt_dp_epwbk_0
Oct 27, 2022 | Mystery, Thriller |
Mary Keliikoa is the author of the multi-award nominated PI Kelly Pruett mystery series and HIDDEN PIECES, the first book in the Misty Pines mystery series. Her short stories have appeared in Woman’s World and the anthology Peace, Love and Crime: Crime Fiction Inspired by Music of the ’60s.
A Pacific NW native, she spent many years working around lawyers. When not in Washington, you can find Mary with toes in the sand on a Hawaiian beach or making plans to travel abroad. But wherever she goes, she’s always plotting her next murder—novel, that is.
HIDDEN PIECES, first in series: A small-town sheriff debilitated from the loss of his child and marriage answers the call for one last case, a “runaway” teen; but when it’s clear the girl has been abducted and ties to a tragic cold case emerge, he must confront his own ghosts before another child is lost.
Thank you so much for having me on your blog today, George! I’m excited to be back. I was here last when DENIED, the second book in my PI Kelly Pruett mystery series, had just come out. Since then, my third and final book in the series, DECEIVED, was released in May, and HIDDEN PIECES, the first in the Misty Pines mystery series, just published.
HIDDEN PIECES means a lot to me for several reasons, but probably the most significant was that it is loosely based on a crime that happened in my hometown in 1979 when two girls went out walking and one didn’t come home. I was drawn to the idea of exploring what happened to the survivor and how one would process that, or not process, the grief of that traumatic experience—especially if the victim was a sibling. While a fictional account, it explores how grief and trauma can have lasting effects, not only for the survivor but also for the cop who felt a failure for not bringing that child home. And it’s all woven into a current abduction. Let’s just say there will be many connections to the past.
What’s the most challenging thing about writing characters from the opposite sex? Hidden Pieces was my first time writing a male protagonist, and I had a bit of a learning curve in working out his thought process, his abbreviated dialogue, how he processed information, and grief of events that have happened in his present and past. Those elements were the biggest challenge. But I tried to approach Jax from the perspective that regardless, many emotions are universal. And while men and women communicate differently, what drives their need for communication is universal. It was definitely fun exploring the full range of differences and commonalities, and I hope to continue to write Jax and other male protagonists in the future.
Do your protagonists ever disappoint you? Such a great question and the answer is no. As a storyteller, I feel my job is to listen to the story the characters want to tell. Sure I have an idea of where I’d like them to go, and I have the case in mind they’re to solve. I even think I know the arc I’d like them to take. But how they get there comes out as I write. And to be honest, they often lead me on a path that is far more interesting and fun than the one I had planned for them.
Where do you place your settings—real or fictional locations?
I have generally kept my stories in the Portland area or used Portland as a reference point. In my PI series, it was set in Portland. In my new series, Sheriff Turner was a Portland homicide detective but came to the fictional small coastal town of Misty Pines.
I often will use the fictional town when I want to reference things in the area, but I want the creative license not to be overly specific. For example, Misty Pines is really a compilation of the Hammond, Warrenton and Seaside, Oregon areas at the northern coast. So I would say even when I do use fictional, I have generally based them on places I’ve been to or know fairly well. In Hidden Pieces, I lived in Hammond for many years as a kid, so that area was the perfect setting for the novel.
What are you currently working on? The second book in the Misty Pines series, DEADLY TIDES, has already been drafted, so I’m currently working on edits for my agent on a domestic suspense novel and starting a standalone where the main character will be a bit of a vigilante. I’m very excited about this new project. I’ve generally written investigator-type protagonists, and this one will be full of moral ambiguity. So she’s going to be a lot of fun to write!
Do you have any advice for new writers? Continue to hone your craft either by taking classes, reading books, or finding a group of other writers you can bounce ideas off. Above all, write. Sometimes you can get caught up in thinking you need to do things a particular way, and nothing beats simply sitting down and getting words on the page. Don’t let anyone define what that means to you, whether it’s a journal, a poem, a short story, or a novel.
And second, find your community. I’ve really enjoyed the connections I’ve made on this journey, and I encourage others to do the same.
Looking to the future, what’s in store for you?
Lots of writing is in store. I am finalizing the second book in the Misty Pines series, which will be out in the fall of 2023, continuing to edit my domestic suspense, and starting on my next project in the next few weeks. I’ve always said as long as I’m having fun, I won’t slow down. And it’s safe to say I won’t be slowing down anytime soon.
How do our readers contact you? https://marykeliikoa.com
May 23, 2022 | Police Procedural / Crime |
Frank Scalise (Frank Zafiro) served with the Spokane Police Department from 1993 to 2013, holding many different positions and ranks. He retired as a captain. He writes gritty crime fiction from both sides of the badge. He is the author of over thirty-five novels, including the River City series of police procedurals and his hardboiled SpoCompton series. In addition to writing, Frank hosts the crime fiction podcast Wrong Place, Write Crime. He is an avid hockey fan and a tortured guitarist. He currently lives in Redmond, Oregon.
I spent twenty years and a day as a police officer. Along the way, I had a lot of the experiences that many police officers encounter, from the mundane to the extraordinary, from the sad to the scary, from the frustrating to the satisfying.
As a lifelong writer, I saw these experiences through that additional artistic lens. So when I started publishing short stories in 2004, it was no surprise that most of them were crime fiction. By the time I retired in 2013, I’d written dozens of stories and ten or so novels. Since then, I’ve added to that catalog, putting my novel count at around thirty-five.
But the latest one, The Ride-Along, may be my most important one yet.
Before you think that is an ego-driven, self-promoting bit of hyperbole, let me add that I don’t think everything I have to say is important. Most of it is just like the things we all say—in other words, the stuff of daily life. My books are meant to entertain and make readers feel and occasionally think a little—this one is different.
As police-involved deaths gained more and more public attention and this subject became a consistent (and loud) part of public discourse, I found myself in an uncommon position.
On the one hand, I’d done the job of law enforcement for two decades. My roles were many and varied, including the heavy lifting of patrol and investigations and leadership. Almost immediately after retiring, I embarked on a four-year mini-career teaching police leadership all over the US and Canada. As a result, I knew the profession well.
So I was frustrated by the lack of understanding shown by much of the public when it came to the job. By this, I mean everything from the ludicrous “shoot ’em in the leg after you kick the knife from his hand” crowd to those with more grounded criticisms. It wasn’t necessarily that they didn’t sometimes have valid points. It was that they were uninformed when it came to the realities of actual police work, and this lack of understanding often resulted in a wide swath of cops being seen in a bad light. Since I’ve known, and sometimes worked closely with, hundreds of men and women in the profession, I knew the high quality of dedicated people doing this difficult job. So that frustrated me.
At the same time, as I got a little distance from the day-to-day workings of the job—and, frankly, outside of the echo chamber of the profession—I saw places where we didn’t do things well. A fair chunk of this revolved around poor communication, or the lack of, with the public. In other words, we don’t do ourselves any favors with the attitude of “we don’t need to explain this to you.”
Some of the prevailing attitudes in the profession seemed wrong to me, too. Same with some of the overarching strategies that have been in place for decades. It seemed clear to me that law enforcement needed to change.
To be fair, we ask a lot of our cops. Some of those tasks would be better done by other professionals, with the result being a) better service delivery to the citizen and b) better use of our law enforcement resources elsewhere.
These two competing frustrations combined to create the most significant frustration of all. That was, I saw hardly anyone actually discussing the issue with the goal of understanding and problem-solving. Instead, things devolved into entrenched political positions. People debated with sound bites and chanted slogans. The best you could hope for was that they’d wait until the other party had finished speaking before launching into a diatribe… but most people sought to drown out the other instead. This tendency existed all across the opinion spectrum.
That wasn’t merely frustrating. It was maddening.
No one was listening.
So I wrote a book that forced people to listen to each other. I put two characters—a police officer and a police reformer—into the same patrol car for an entire graveyard shift. Due to their opposing views, sparks fly… and not the romantic kind.
Make no mistake; this is still a procedural. The officer and the ride-along go on calls for service. But they also talk. They get angry. They are challenged. But… they also listen a little bit.
My goal in writing this book was to fairly present the ideas of both characters. Both are good people with strong convictions. Neither is a straw man for the other to beat up on and then convince of his/her views. Both get the opportunity throughout the book to tell their own truths.
It’s a bit of a spoiler here, but both also have moments in which they pause and actually consider what the other has said.
his isn’t a Pollyanna, Kum-bay-yah novel. There are ragged edges. After all, it is a Charlie-316 novel, and anyone reading the first four containing the Tyler Garrett arc will know better than to expect something utopian. But it does represent two people doing something I wish more of us would do, myself included.
Have an honest, hard conversation that includes listening as much as—or more than—speaking.
I’ve outlined the premise of The Ride-Along already, but for the sake of clarity, here’s the description:
The Tyler Garrett scandal rocked the Spokane Police Department two years ago. Now, a consent decree governs the agency, with Washington D.C. directing its reform. It’s a tumultuous time in the city, and public outcry over local and national events is high.
Change is in the air.
Officer Lee Salter is a third-generation cop who bleeds blue. Amid the departmental chaos, he does the only thing he can—be a good officer. That means showing up for every shift, responding to calls for service, and always doing the right thing. All the while, the Department of Justice and its local supporters hope to catch another officer in its net of reform.
Salter refuses to be that officer.
Melody Weaver is a teacher and activist who believes in a better way. Despite her demanding profession, she dedicates herself to the cause of reshaping policing in her city so that the terrible events—both local and national—can stop. To understand what needs to change, she needs to see the reality of the job up close.
That means a ride-along on the graveyard shift.
And a nation's problems
As you can imagine, it’s a big night for both of them.
If you are looking for a police procedural, it’s in here. If you’re looking for something to make you think. No matter where you are on the opinion spectrum, there will be times you’ll pump your fist in agreement and others where you’ll shake your fist in disagreement. And I suspect there’ll be a few times where you might drop that fist entirely, cock your head, and consider something in a way you hadn’t before.
And that’s why I think this might be the most important book I’ve ever written.
Dec 9, 2021 | Memoir, Mystery, Police Procedural / Crime, Uncategorized |
Ellen Kirschman, PhD. is an award-winning public safety psychologist and author of I Love a Cop: What Police Families Need to Know, I Love a Firefighter: What the Family Needs to Know, lead author of Counseling Cops: What Clinicians Need to Know, and four mysteries, all told from the perspective of police psychologist Dr. Dot Meyerhoff. She blogs with Psychology Today and is a member of Sisters-in-Crime, Mystery Writers of America, and the Public Safety Writers Association.
Thanks, George, for inviting me back just in time for the December 12th launch of my latest, never-before-published fourth Dot Meyerhoff mystery—The Answer to His Prayers—and my first venture into the world of independent publishing.
Poor Dot is in trouble again. She’s trying to plan her wedding to Frank when a 911 dispatcher takes the worst call of her young life. As Dot helps track down the possible arsonist, she proves herself a sensitive yet doggedly persistent sleuth—even when ordered to mind her own business. The case drags her through the seedy underbelly of her small town and finally to the local prison where she meets the imprisoned puppet master Badger, who is an unexpected acquaintance from her past. Badger believes Dot is the only one who can help him get what he wants most in life—contact with a son he’s never met. Stopping at nothing, including kidnapping, his efforts to bend Dot to his will endangers Dot and everyone she loves.
Crime is not the only thing on Dot’s mind. Her anxiety about getting married is causing rifts in her relationship with Frank. Memories of her family and her first marriage are overwhelming, prompting Dot to start therapy with Dr. Philipp Rogoff. Their relationship is contentious. Dot thinks Rogoff doesn’t know what he’s doing. Rogoff thinks Dot is resistant to his advice and only pretending to want help.
I had a good time writing this book, especially the dueling relationship between Dot and Dr. Rogoff. Therapists make the worst clients. Ask me; I’ve been on both sides of the couch. I loved writing about Rivka Meyerhoff, Dot’s plucky widowed mother. Rivka’s rants about anti-Semitism are timely, given the recent rise in hate crimes against Jews. Even though I am Jewish, writing and thinking deeply about what it means to be Jewish in the modern world is a first for me. I have written about religion before. Buddhism is at the heart of The Fifth Reflection, as the mother of a missing child cloaks her pain with kindness, frustrating the police who need her cooperation to catch the abductor.
What I’m Working on Now: Moral choice and moral pain are themes in many of my books, including my WIP, a standalone that is taking up a lot of my time. The provisional title is Call me Carmela. It’s the story of a young girl searching for her birth parents. What she discovers will destroy one family and heal another. The theme is courage: The courage to let go of someone you love, the courage to overcome trauma to help someone who needs you, and the courage to pursue justice, no matter the cost.
For the first time ever, I joined NaNoWriMo with my buddy, Anne Gelder, author of much short fiction and the enchanting, off-beat novel, Bigfoot and the Baby. Another first, I joined up with a NaNoWriMo sub-group of the NorCal Sisters-in-Crime chapter. About ten of us, including our blog host George Cramer, met online almost every day for a short chat and shared writing time. It was more helpful than I anticipated. It helped me stay on track, kept me accountable, and reduced the isolation that is part of any writer’s life. These groups will continue after NaNoWriMo. I intend to keep on going.
Another first is the entrance into the world of independent publishing. When my traditional publisher rejected The Answer to His Prayers, I decided to get my rights back so that I could publish the series all under one roof. I am working with an online marketer. All four books are now available as eBooks on Amazon, with a boxed set coming in January. So far, so good. The first book in the series, Burying Ben, was a #1 best seller in the Kindle Store, Literature & Fiction, Women Sleuths, Police Procedurals, and Jewish American Fiction. The others are also doing better than ever before. Stay tuned to see where this heads.
Thanks again, George, for the opportunity to vent, crow, and indulge in SSP. I am happy to assist my fellow writers with any questions they may have about police psychology, PTSD, psychotherapy, self-publishing, etc. Your readers can follow my occasional blog on Psychology Today or sign up for my occasional newsletter at www.ellenkirschman.com. New signers get a copy of my mini-memoir about my short-lived career as a dance hall hostess.
Sep 30, 2021 | Uncategorized |
John Schembra spent a year with the 557th MP Company in Vietnam in 1970. His time as a combat M.P. provided the basis of his first book M.P., A Novel of Vietnam.
After returning from Vietnam, he became a police officer with the Pleasant Hill Police Department, retiring as a Sergeant after nearly 30 years of service.
John has six other published novels in the mystery/thriller genre. One mystery, Sin Eater, has supernatural undertones. His latest book, The List, won the 1st place award in the Public Safety Writers Association 2021 writing competition. John has earned nine writing competition awards. You can find out more about him and his books and read their first chapters, plus a couple of short stories at his website; www.jschembra.com. John can be reached at his email; firstname.lastname@example.org.
John is currently writing his eighth book, Southern Justness, number six in the Vince Torelli series.
What brought you to writing? I’ve been an avid reader ever since I was a little boy (thanks to my mother) and have admired authors who could weave a story that made me feel I was there, inside their words. While with the police department, I wrote several trade articles on police procedures but didn’t get into fiction until I was 50. I‘d spent a year as an MP in Vietnam. Another police sergeant and Vietnam infantryman and I would swap stories at the police department. Other officers would stop and listen, and one of them told me I should write a book based on my experiences. So, one day, I grabbed a yellow paper pad and a pencil and started writing. 2 years later, my first book, M.P., a Novel of Vietnam, was published. In case you are curious, yes, I did do most of the writing on a computer.
I enjoyed writing the book, and many people liked it. I decided to write a second book, then a third, etc., etc., and here I am, working on my 8th novel!
Tell us about your writing process: I am strictly a pantser. I never was very good at outlining and dislike it immensely, so when I start a book, I write the first chapter, then write an ending. From there, I go back to the beginning and start filling the story in, letting it flow as an active document—a way to say the story flows freely as I write.
Who is your favorite author? Edgar Rice Burroughs. I was introduced to the Tarzan books by my uncle when I was eight or nine. Burrough’s ability to create new worlds, beings, creatures, and plants is amazing. He is the best I’ve read at writing to show, not tell. Burroughs has written eighty novels, and I have read every one of them, most more than once.
I do have to admit the best book I have ever read is Hemingway’s The Old Man and the Sea. What a terrific story. It was books like Burrough’s and Hemingway’s that inspired me to become a writer.
Where do you place your settings—real or fictional locations? The five Vince Torelli mystery/thrillers all take place in the San Francisco Bay Area. Vince is a homicide inspector with SFPD, but his cases take him to various locations around the Bay Area. Since I grew up across the Bay from San Francisco, I try to use real places—streets, buildings, businesses, and surrounding cities are real places. I know when I read a book, if it takes place somewhere I am familiar with, it makes the story more enjoyable for me. Using real places makes the need for research a must. I use Google and Google Maps quite a bit when finding settings for various scenes. Also, I have a couple of close friends who are SFPD officers, so I rely on them to ensure I have Vince doing things according to SFPD procedures. Research is one of the tasks I most enjoy doing in my writing. I actually got the idea for my sixth book, The List, while researching information about the 19th century tunnels under San Francisco. I reconstructed the tunnels, which have mostly been filled in, and used them in several crucial scenes.
Do you write in more than one genre? Yes. I have two books, one at the publisher undergoing editing and getting the cover art done. The other one available through Amazon, Sin Eater, is about a serial killer in a fictitious college town in the central valley of California. There is a supernatural twist to the story that adds a dose of creepiness to the book. The other book, An Echo of Lies, is the story of a police officer who gets gravely wounded during a traffic stop. Not expected to recover fully, he makes a complete and astonishing recovery due to being possessed by a demon.
Do you have any advice for new writers? The best advice I can give is don’t let any doubts you have about writing stop you. If you worry about the mechanics too much, you will never get the book done. Attend a writer’s conference or two. Join a writer’s group— there are tons of them out there, easily found with a google search. Groups such as Sisters in Crime, Mystery Writers of America, California Writers Club can be very helpful in getting you started and on the right track. There will likely be a group near you, wherever you call home.
If you write with a public safety theme, check out the Public Safety Writers Association, which I am the president of. It is a nationwide group of very talented authors willing to help other members with anything to do with writing. We also have a wonderful three-day conference in Las Vegas every year, with terrific keynote speakers and many informative panels, plus it is loads of fun! It is well worth attending. Check us out at www.policewriter.com.
Thank you for taking the time to visit with me. Many thanks to George Cramer, himself an award-winning author, for having me as a guest on his wonderful blog. Keep writing!
Love this blog! I wasn’t big on the prime Bosch series. Your post makes me want to rethink it. Your books sound quite good, too, Glenda! Will heck them out!
A few of my writer friends felt the same way you do. I’m just giving you my opinion. Maybe I just identified with the main character. (Although I’m not a cop but I understand how the past influences the present. You might want to try Michael Connelly’s book that feature Bosch.
I’ll check out the audio. Thanks for the tip!
I’ve found the audio pretty good. I really like the narrator for the Lincoln Lawyer books.
I haven’t really tried audio books. Obviously, that should be my next step. Maybe I need to think of getting my own mysteries on audio.
I love Connelly’s books, but I’m always afraid TV adaptations will disappoint me. This gives me encouragement to watch Bosch.
For the most part, I think the TV series did justice to Connelly’s work. I hope to see more of Titus Welliver. I think Titus was spot on for Bosch. Now whenever I think of Bosch, I see Welliver.
I thought the adaptation was spot on!
I admit, I had to get used to Welliver in the part. It happened gradually, since I had a much different picture of Bosch from reading the books. He grew on me and I finished the series liking his portrayal. I’ve always been a Connelly fan, from the very beginning. He spoke at a conference, I think it was the one in Boise ID, but don’t quote me, and said he was thrilled to be there because it got him out of watching Finding Nemo for the 17th time with his toddler. This was years ago, after his first book propelled him to the top of the charts. He said he was stunned by that! I guess I pictured HIM as Bosch.
Since I started with the TV series and then read the books, I could see and hear Titus Welliver (what a name!) in the part.
I think it’s time for me to try these books again. I love Connelly’s Lincoln Lawyer series. Thanks for the nudge!
I liked the Lincoln Lawyer series as well. I use Michael Connelly books (and John Grisham’s, as well) as text books on how they encourage readers to turn the page. I even outlined one of Connelly’s Bosch police procedurals to understand his techniques of telling a story and getting the reader engaged and staying engaged. I learned a lot doing that (until I became so engrossed with the story I forgot to take notes.)
I, too, am a big Bosch fan and I had the pleasure of hearing Connelly speak in Phoenix a few years ago. I really liked his latest Ballard/Bosch book.
I would probably act like a tongue-tied teen if I ever met him.
I like Connelly’s books as well, Glenda. Titus Welliver also does the voice of Bosch in the audio book versions of the novels. For the ones featuring Bosch and Connelly’s new character, Renee Ballard, actress Christine Lakin and Welliver do a fabulous duet. Good luck with your own series.