The first book in the Hector Miguel Navarro Series, New Liberty, is available from many sources. I’m taking this opportunity to share a teaser and Chapter 1.
Outside Phoenix, two gangs rule…
…and one police officer is caught in the middle.
How will he stop them?
Hector’s parents, wealthy east coast college professors, raised him to work towards making the world a better place. In New Liberty, Arizona, gangs have ravaged the city. As a young police officer who lost his mentor, he struggles with the question.
Why did his partner kill himself?
Across town, a small sickly-looking man approaching fifty is about to make a move. DeShawn “The Knife” Galloway has a reputation as a contract assassin who prefers to kill with the Japanese Tanto. And It’s time to take control.
The war will start on his terms.
In a world of human trafficking, drugs, and violence, two people’s lives are about to be intertwined in a way where only one can survive.
But this story isn’t all black and white.
This dark urban crime novel will grab you as it reveals far more than just greed and power. This one will keep you turning the pages.
A Hector Miguel Navarro Novel
And I looked, and behold, a pale horse! And its rider’s name was Death, and
Hades followed him. And they were given authority . . . to kill with sword
and with famine and with pestilence and by wild beasts of the earth. Rev. 6:8
They were alive moments ago.
“I told you to use the GPS. Why’d you buy a Lexus if you aren’t going to use the gadgets?” The old woman chides her even older husband.
“The map program takes too long. Besides, the boy’s graduation isn’t until tomorrow.”
“I know, but we’re not even in Phoenix. We should have been there an hour ago. Admit it. We’re lost.”
“Okay. I’ll pull over and set the GPS. Will that make you happy?” The man was tired from the long drive. Even breaking the drive into two days from Oakland to the Arizona city was more than he should have undertaken at seventy. His wife had suggested they spend a few days in Los Angeles, maybe even visit Disneyland, but the old man had insisted. She had been right. I should have skipped poker with the boys this time.
“Now we’re lost, exhausted, and you finally agree with me. That doesn’t help much.” She was younger by a decade and had offered to help with the driving. The old man was always stubborn and refused to give up the wheel. “This neighborhood looks pretty sketchy. I don’t think we should stop here?”
“We’ll be fine. Besides, there’s no one around.”
A minute later, absorbed in entering the address in the GPS, it’s difficult for the old man with his arthritic hands and new trifocals. Hearing a banging on his side window, and without thinking, he hits the down switch.
“Hey, old brother, whatcha doing?” Standing next to the car door is a skinny kid, fifteen or sixteen. It’s hard to see his face. He’s wearing a dark hoodie with the front cinched down. His hands are jammed deep into the pockets.
“I’m checking my map. We’ll be going.”
“I don’t think so,” the kid says as his right hand appears. He’s holding a small pistol, barely visible in his large hand.
“He’s got a gun,” screams the woman.
“That’s right, Bro. You and the sister get out and walk away.”
The man may be in his seventies, but he’s not about to let a teenage punk rob him. Reaching to put the car in gear, he says, “No.”
The old man doesn’t hear the shot or feel the twenty-five-caliber bullet that passes through his skull and into his brain. The small lead slug comes to rest against the right side of his skull, ending his life. His wife screams as another teenager opens the passenger door and drags her out of the car. Drawing her head back exposes her neck. She sees the Ka-Bar. The blade, dull and heavy, is meant for work, not slicing throats. As the boy saws her neck open, cutting the carotid arteries, blood gurgles until she is dead.
“Don’t get blood on the seat,”
“That’s why I pulled her out. What about the old dude?”
“He didn’t bleed much.”
* * *
Now that they have killed the old couple, they aren’t sure whether to run or take the Lexus. Their problem worsens when three men emerge from Ernesto’s Pool Hall.
“What’re you doing?” demands Jerome. “Geronimo” Dixon. The easily recognized president of the 4-Aces. Even at fifty, he is an imposing figure towering over the men behind him. The man stands six feet five and carries three-hundred pounds—no fat—packed on a muscular frame.
The frightened shooter’s answer is a whisper, almost apologetic. “We jacked them for the Lexus. The old man gave us shit. We had to off him and the old lady.”
“Who the hell gave you permission to jack a car in 4-Aces territory?”
“No one, we didn’t. . .”
“Shut up and gimme the piece. What else you got?”
The boy hands over the small pistol and the other gives up the K-Bar, “All we got.”
Geronimo turns to one of the men standing behind him. “Get DeShawn.”
Within minutes, DeShawn “The Knife” Galloway is at his side—Geronimo motions for the young killers to stand behind the Lexus. Out of earshot, he hands their weapons to Galloway. “This’s going to bring a load of shit our way. Make the idiots disappear.”
“Forever.” The tone of Geronimo’s voice leaves no doubt.
“The old couple?”
“I ought to. If they weren’t innocent civilians, I would.” Geronimo lets out a sigh. “Leave them.
“Don’t nobody touch da bodies, nothing. No DNA to tie the Aces to this shit.”
Galloway calls the other men over and tells the first, “You drive. We gotta clean this up.” To the second, “Put the fools in my Escalade. You ride with me.”
Showing false bravado, the shooter speaks up. “Why?” Stepping close to Galloway, he looks down at the much older and shorter man and repeats, “Why?” adding, “I ain’t no fool, old man.”
Galloway raises his head and gazes into the face of the shooter. His expression is as lifeless as his eyes. The shooter does his best to maintain a defiant pose and succeeds for perhaps three seconds. His body begins to shake. The shivers betray the boy’s fear; without another word, he walks to the Escalade and death.
Here’s the link to the trailer created by Lisa Towles: https://www.youtube.com/watch?v=kvrdESP4jTI
The heading is my life in a nutshell. It’s my birthday, so I’m taking a break from the usual routine to tell you a little bit about me and answer two questions posed by fellow authors—who tried to stump me—they failed.
If you don’t already know, I’m an enrolled descendant of the Karuk Tribe of California. Combining police, private investigator, and corporate experience, I have about forty years of investigative experience. Earning a BA – History from California State University – Hayward took me a dozen years of poor scholarship. Nearly four decades later, I returned to school at Las Positas College. I took a break to earn an MFA-Creative Writing Program from the Institute of American Indian Arts, Santa Fe, before finishing an AA in English from Las Positas.
I was fortunate to conduct and manage thousands of investigations throughout the Americas, Europe, and Asia. After forced retirement, I kept my investigative skills honed by volunteering as an investigator at the San Leandro, California, Police Department.
I want to begin with a shout-out to an incredible mentor, Ramona Ausubel. Ramona was one of my mentors at the Institute of American Indian Arts. She is a fantastic author, and her latest novel THE LAST ANIMAL is the People Magazine Book of the Week. PRE-ORDER NOW!
Besides writing, my passion was long-distance motorcycle riding on my 2001 Harley-Davidson Ultra Classic—my first scooter was a 1959 or 60 Honda 50 (I got stopped for drag racing on it). My sixty-year biker life ended last year when an accident left me with several broken bones—it wasn’t the first time.
Shelley Riley asks: What inspired you first to start telling tall tales? I’m not one of those who has been writing all their life. I was about to turn sixty-seven when the most incredible place I ever worked, PALM, was bought out, and the layoffs began. I ran security and investigations and got advance notice of pending layoffs. Near the end, my name came through.
Feeling strong and unprepared to retire, I began an unsuccessful job search. I learned all about age discrimination. I had sworn never to enter a Senior Center until a writing class was offered. I falsely believed it would help my stellar resume, so I signed up.
To my surprise, it was a fiction writing class. Amazingly, I fell in love with writing and gave up looking for any other type of work. I have two stand-alone novels, and Book One in the New Liberty – A Hector Miguel Navarro series comes out in a few weeks.
Michael A. Black asks: Your writing of dialogue in your books is fresh and realistic, yet it also moves the story along. What tips would you give to other writers for writing convincing and authentic dialogue? I learned early on that I had to leave out the normal jibber-jabber that occurs in our everyday conversations. However, dialogue has to seem natural and to the point, adding to the plot and character development. When I began writing, I included a lot of unnecessary chit-chat. With rewriting and the help of Critters, I started writing more explicit dialogue—there has to be a reason. I ask myself: Why am I writing this? I cut, reevaluate, and rewrite if the conversation is unclear or without purpose. Occasionally, the dialogue seems to wander. When this happens, I’m laying the groundwork for a future event or character development of someone not in the conversation.
I try to add a touch of humor at least once in each chapter, helping humanize my characters.
May will be busy as New Liberty is released, and I will be doing readings and book signings. I hope you can join me at one or more events.
1. 5/9/2023 – New Liberty release – available for pre-order
2. 5/10/2023 – I will moderate the Upstate South Carolin Sisters-in-Crime Mystery Book Club. Michael A. Black with be discussing Chimes at Midnight.
3. 5/13/2023 – Las Positas College Literary Festival – Book signing with local and indigenous authors. Tommy Orange is the keynote speaker. It’s FREE!
4. 5/18/2023 – Barnes & Noble, El Cerrito, 6:00 – 7:330 – Book signing with Lisa Towles
5. 5/20/2023 – NorCal Spring Author Showcase, Orinda Books, 1:00 – 3:00 p.m. – I will read and sign
6. 5/272023 Barnes & Noble, Dublin – 1:00 – 3:00 Book signing.
7. 5/28/2023 – Barnes & Nobel, Walnut Creek – 2:00 – 4:00 p.m Book signing
You can find me at:
California Writers Club – Mt. Diablo
Crime Writers of Color
Sisters-in-Crime – NorCal
Sisters-in-Crime – Colorado
Sisters-in-Crime – Coastal Cruisers
Mystery Writers of America – NorCal
If you can, pop over to Lois Winston’s blog. Her guest today has the initials: GDC.
Links for my books:
The Mona Lisa Sisters
Robbers and Cops
New Liberty -Book 1 in the Hector Miguel Navarro Series
Welcome – What book would you like to tell our readers about?
Don’t Leave Yet, How My Mother’s Alzheimer’s Opened My Heart (She Writes Press, 2015) recounts my journey toward understanding our complicated mother-daughter relationship as she struggles through the early stage of dementia-type Alzheimer’s, and my ultimate discovery of compassion and love that goes beyond familial duty.
Do you write in more than one genre? I enjoy the challenge of poetry, creating, and recreating experiences to connect with readers. Finding a precise image or metaphor and using concise and descriptive language engages my mind in sometimes unexpected ways. The discovery can be exhilarating.
What brought you to writing? I was an English major at the University of Wisconsin -Milwaukee. I admired twentieth-century novelists and poets and wondered if I had it in me to create my own work. It wasn’t until after my father died that I began to explore poetry as a way to express grief. A decade later, when my mother was diagnosed with dementia-type Alzheimer’s, my teacher, the terrific poet Ellen Bass, suggested I might explore my experiences further if I went beyond the parameters of poetry. It was then that I turned to prose. It allowed an expansiveness I needed to convey all that I wanted to say. I started by writing vignettes, followed by full scenes with characters, dialogue, and description. Soon I had pages of material with a sense of connectedness.
Where do you write? What, if any, distractions do you allow? I write in my home office, where morning light provides a calm atmosphere and from where I can observe a yellow rose tree and a bevy of finches on the thistle feeder. I don’t tolerate distractions. But I don’t mind my Shih Tsu, Cody, who snores ever so slightly on his bed directly behind me.
Tell us about your writing process: I usually begin writing with a black ballpoint and a Mead notebook. I wrote most of my memoir in notebooks. When I had enough material, I transcribed it into a document on my laptop. I labeled each draft so as not to lose anything interesting or significant. Now I use the same process when writing poetry.
What is the most challenging part of your writing process? Revision is the most challenging. Yet, it’s the part of writing that I enjoy most. I revisit each image and metaphor. When a metaphor doesn’t do its job, I make a list of ten others and then choose the one I think works the best. I also read a poem out loud to gauge the effectiveness of line endings and stanzas. I admit I’m a perfectionist.
What are you currently working on? I’ve recently discovered some old poems that go back several years. I’m trying to revise them but often find myself starting over. I hope to also return to blogging in the near future.
Has an association membership helped you or your writing? The poetry critique group of California Writers Club Tri-Valley Branch, which I lead two times a month, has offered much-needed support as I labor with some of my poems. The members are careful listeners, and they offer critique with enthusiasm. I’ve found the structure and discipline necessary to keep on writing.
Who’s your favorite author? It’s hard to choose just one. I always look forward to reading Jack Kerouac, John Irving, and Jennifer Lauck. My favorite author of all time is John Steinbeck.
What is the best book you ever read? The Grapes of Wrath by John Steinbeck. I’ve read it at least three times. I admire its structure, honesty, and intense feeling.
How long did it take you to write your first book? It took five years to write Don’t Leave Yet. I belonged to a writing class in 2004 with Ellen Bass, reading pages each week from my notebook for critique. My mother passed away in 2008, and I was uncertain as to whether or not I could continue to write our story. Ellen, and my fellow writers, were instrumental in my effort to bring the manuscript to its completion a year later.
How long to get it published? Don’t Leave Yet was a finalist in the Pacific Northwest Writer’s Conference writing competition in the memoir category in 2011. One agent from San Francisco who attended the Conference found the book interesting, but that was it. I pursued other agents with no luck. Then I heard about Brooke Warner, the publisher of She Writes Press. I worked with an editor she recommended. She Writes published my memoir in 2015.
What authors did you dislike at first but grew to enjoy? When I read Bel Canto by Ann Patchett, I thought I might cross her off my list. But when I discovered Truth and Beauty, I was hooked.
Do you outline, or are you a pantser? I began writing Don’t Leave Yet without an outline. By the time I completed the third chapter, I had decided an outline was necessary since I wove together scenes of the present with those of the past. It was a way of keeping characters and events clear in my mind.
Looking to the future, what’s in store for you? I plan to continue placing my poems in literary journals if I’m lucky. I will also enter my chapbook, Treading Water, in more literary competitions with the goal of publication. It was recently named a finalist in Blue Lights Press writing contest.
Do you have any advice for new writers? First and foremost, be true to yourself. Write what’s meaningful and what you love. Observe the world. Read widely. And don’t ever let others tell you that you can’t write.
How do our readers contact you?
Dr. Eve Sprunt is a prolific writer and consultant on diversity and inclusion, as well as the transition from hydrocarbons to cleaner forms of energy. She is passionate about mentoring younger professionals, especially women struggling to combine parenting and professionalism and those facing cross-cultural challenges.
Her over 120 editorial columns addressed workforce issues, industry trends, and cross-cultural challenges. In addition to authoring 23 patents and 28 technical publications, she is the author of four books: A Guide for Dual-Career Couples (Praeger), Dearest Audrey, An Unlikely Love Story, A Guide to Career Resilience (Springer Nature) as co-author with Maria Angela Capello with whom she authored Mentoring and Sponsoring: Keys to Success (Springer Nature).
During her 35 years in the energy industry, Eve acquired extensive experience working for major oil companies on projects around the world. She was the 2006 President of the Society of Petroleum Engineers (SPE), the 2018 President of the American Geosciences Institute, and the founder of the Society of Core Analysts. She has received high honors from SPE, the Society of Women Engineers, and the Geological Society of America. Her bachelor’s and master’s degrees are from MIT, and she was the first woman to receive a Ph.D. (1977) from Stanford in Geophysics. She speaks and consults on women’s and energy issues and is an active member of the California Writers Club Tri-Valley Writers Branch.
A Guide to Career Resilience (with Maria Angela Capello), 2022
Mentoring and Sponsoring, Keys to Success (with Maria Angela Capello), 2020
Dearest Audrey, An Unlikely Love Story, 2019
A Guide for Dual-Career Couples, Rewriting the Rules, 2016
Do you write in more than one genre? Yes, self-help and memoir/biography
What brought you to writing? It runs in the family. My mother (Ruth Chew) wrote and illustrated 29 children’s fantasy chapter books. Mother’s first and best-selling book, The Wednesday Witch, sold over a million copies. My maternal grandfather was also a writer.
As a female scientist, when technical women were rare, documenting my work in writing (both within the company and in industry publications) improved my odds of getting credit for my work and enabled me to build my reputation.
I volunteered to serve as Senior Technical Editor of the Society of Petroleum Engineers for three years because the role included writing a monthly editorial column. I authored “edgy” articles on workforce issues. After my term ended, I continued writing bimonthly editorial columns for another seven years. I began writing books when I retired and was no longer subject to corporate censorship.
What are you currently working on? I am polishing a memoir/biography of my mother, Ruth Chew, who became a successful children’s book author/illustrator after I left home. Passionate Persistence is based on Mother’s 67 years of daily diaries and my memories. The Tri-Valley Writers critique groups and Lani Longshore (as a beta reader) have been tremendously helpful.
When the leader of my hiking group learned that I was receiving the 2022 Curtis-Hedberg Petroleum Career Achievement Award for outstanding contributions in the field of petroleum geology, she urged me to write a memoir about my career. I was astounded to be selected for that Geological Society of America’s award because my degrees are in geophysics, and I usually impersonated a petroleum engineer. However, my most significant technical contributions involved convincing the engineers that they had overlooked critical aspects of the geology.
How long did it take you to write your first book? The first book I wrote was the one I self-publishing in 2019, Dearest Audrey, An Unlikely Love Story. I found an agent for that manuscript, but in hindsight, I suspect she took me as a client because she was a fan of my mother’s children’s chapter books, which were out of print. Shortly after I signed agreements with the agent to represent both my work and my mother’s, an editor at Random House approached me about the republication of my mother’s books. The agent received a sizable commission on the agreement with Random House but never found a publisher for Dearest Audrey, despite representing it for several years.
That agent didn’t like my manuscript for A Guide for Dual-Career Couples but recommended that I go through the submission process for Praeger, which asked for an outline and sample chapters. Praeger accepted my proposal, and the agent spent months working on the contract, leaving me only about six weeks to get the manuscript completely revised if I wanted to have A Guide for Dual-Career Couples included in Praeger’s spring 2016 catalog. I realized that since I was working for myself, I could work 7-day weeks and long hours, and I met the deadline.
Eventually, I concluded the agent would never find a publisher for Dearest Audrey, so we agreed to dissolve our agreement. I hired a developmental editor through Reedsy, who guided me through the self-publication process. Dearest Audrey was published in 2019.
Self-help books like A Guide for Dual-Career Couples and my two books published by Springer, Mentoring, and Sponsoring, Keys to Success (2020) and A Guide to Career Resilience (2022), are accepted based on an outline and sample chapters. The writing and publication process can be very swift.
Passionate Persistence, The Life of Ruth Chew, which I hope will become my fifth book, may be a tough sell. I asked the developmental editor I used for Dearest Audrey to edit it and advise me on whether I should seek an agent or pursue self-publishing. After I left home, my mother was so focused on her successful career as an author my younger siblings ran wild. She wrote children’s chapter books, but her life was not a story for children.
About twice a week, I go hiking with a group of ladies. When the leader learned I was selected for the Geological Society of America’s lifetime achievement award, she said, “Who’s going to write your story? You need to do it.”
In A Guide to Career Resilience, my co-author and I share examples in which we successfully challenged the system. Both of us consider ourselves to be shy, but I don’t know anyone else who would. Our author at Springer objected to the concept that “forgiveness is easier than permission.” We included the concept and the examples but refrained from using the forbidden phrase. In our careers, my co-author and I leveraged that concept to surmount barriers.
My mother (the title character in Passionate Persistence) was an ambitious woman. She thought her older sister, Audrey (the heroine of Dearest Audrey), was afraid of her own shadow. Ironically, before writing Dearest Audrey, I accepted my mother’s assessment of Audrey despite ample evidence to the contrary – Audrey went on sabbatical to Pakistan in the mid-1950s, not knowing exactly where or what she would teach, and was traveling alone near the Khyber Pass when she met her true love.
Do you base any of your characters on real people? All the time. I always disguise their identity if I use them as a bad example.
Looking to the future, what’s in store for you? I plan to write about my life experiences but will weave them into a self-help book because those are easier to market than memoirs.
Do you have any advice for new writers? Join a writing group.
How do our readers contact you? Please contact me at www.evesprunt.com or email me at firstname.lastname@example.org
Judy Lussie uses her cultural background to write stories about Asian-American women. Her latest novella, Bought Daughter, is based on her grandparents’ immigration to America.
Judy writes women’s contemporary novels. Lake Biwa Wishes and the sequel Second Time Around were her first two novels. Her short stories have been included in several anthologies. Her most recent novel is titled Bought Daughter.
The original Moy sisters and their mother. The baby is Judy.
Bought Daughter: When she was a child, Mei-Ling’s poverty-stricken father sold her to a wealthy family. Despite her status as a Bought Daughter, she was determined to go to America. When the Chinese missionary Ah Pu proposed marriage and travel to the New World, she jumped at the chance, even though she did not believe in his God. Could a Christian and an atheist succeed in marriage? Would her past forever haunt her?
What brought you to writing? While on the Board of Directors of Presbyterian publishing Corporation, I was asked to write a week’s worth of devotions for These Days Magazine. At the time, I was the Technical Information Director of Lawrence Livermore Lab in California. This was my first experience in paid non-technical writing. As a result, I received many letters from old friends and compliments from new readers. One man wrote that his wife suffered the same disease I had–polymyositis. The following year he wrote that his wife had died. I offered my prayers. Then later he wrote that he met a widow whom he asked to marry and thanked me for supporting him with my letters. Until then, I never realized how writing could help another person.
Has association membership helped you or your writing? Yes. California Writers Club Tri-Valley Branch (of which I was Program Chair), San Francisco Writers Conference (5-year volunteer), and several writing classes. I met many New York Times best-selling authors and learned more about the art of writing, publishing, and marketing.
Who is your favorite author? I have many, but Lisa See, Erica Jong, and Catherine Coulter are at the top of my list. Each one writes in a different sub-genre, but all are great writers. Lisa See writes historical novels, Erica Jong writes women’s novels, and Catherine Coulter writes crime fiction.
Do you base your characters on real people? Yes. The characters in Bought Daughter are based on my grandparents, aunts, and uncle. The character Kyoko in Second Time Around is based on my granddaughter (when she was 3). I tried making up characters, but they seemed phony.
What kind of research do you do? The research for Bought Daughter fell into my lap. While visiting Angel Island Immigration Station, I was told I could find more information in NARA (National Archives and Records Administration). Previously, as a technical information manager, I was required to send NARA information with strict requirements. Finally, I became a user instead of a contributor. When I entered the facility, I showed them my grandparents’ travel info and signed up as a researcher. The attendant wheeled a cart full of papers in both Chinese and English, which they photocopied for me. With all that information, I knew I had to share it with others. I also use online resources. Taryn Edwards provided a comprehensive list of historical resources.
Where do you place your settings –real or fictional locations? I feel my story is more accurate in the locations I visited. For my first two books, I lived in Japan for two years and skied in many ski resorts around the world. For Bought Daughter, I lived in Chicago Chinatown as a child. I visited China as an adult.
Do you have any advice for new writers? Write, write, write. Even if you just put the manuscript on a shelf. Read, read, read. Highlight passages that move your heart and soul.
Thank you, George Cramer, for inviting me to be a guest blogger.
I can be contacted by email at Sursum Corda Press, LLC. I welcome your comments and questions.