JUDY LUSSIE – AUTHOR OF BOUGHT DAUGHTER

Judy Lussie uses her cultural background to write stories about Asian-American women. Her latest novella, Bought Daughter, is based on her grandparents’ immigration to America.

 

Judy writes women’s contemporary novels. Lake Biwa Wishes and the sequel Second Time Around were her first two novels. Her short stories have been included in several anthologies. Her most recent novel is titled Bought Daughter.

The original Moy sisters and their mother. The baby is Judy.

Bought Daughter: When she was a child, Mei-Ling’s poverty-stricken father sold her to a wealthy family. Despite her status as a Bought Daughter, she was determined to go to America. When the Chinese missionary Ah Pu proposed marriage and travel to the New World, she jumped at the chance, even though she did not believe in his God. Could a Christian and an atheist succeed in marriage? Would her past forever haunt her?

What brought you to writing? While on the Board of Directors of Presbyterian publishing Corporation, I was asked to write a week’s worth of devotions for These Days Magazine. At the time, I was the Technical Information Director of Lawrence Livermore Lab in California. This was my first experience in paid non-technical writing. As a result, I received many letters from old friends and compliments from new readers. One man wrote that his wife suffered the same disease I had–polymyositis. The following year he wrote that his wife had died. I offered my prayers. Then later he wrote that he met a widow whom he asked to marry and thanked me for supporting him with my letters. Until then, I never realized how writing could help another person.

Has association membership helped you or your writing? Yes. California Writers Club Tri-Valley Branch (of which I was Program Chair), San Francisco Writers Conference (5-year volunteer), and several writing classes. I met many New York Times best-selling authors and learned more about the art of writing, publishing, and marketing.

Who is your favorite author? I have many, but Lisa See, Erica Jong, and Catherine Coulter are at the top of my list. Each one writes in a different sub-genre, but all are great writers. Lisa See writes historical novels, Erica Jong writes women’s novels, and Catherine Coulter writes crime fiction.

Do you base your characters on real people? Yes. The characters in Bought Daughter are based on my grandparents, aunts, and uncle. The character Kyoko in Second Time Around is based on my granddaughter (when she was 3). I tried making up characters, but they seemed phony.

What kind of research do you do? The research for Bought Daughter fell into my lap. While visiting Angel Island Immigration Station, I was told I could find more information in NARA (National Archives and Records Administration). Previously, as a technical information manager, I was required to send NARA information with strict requirements. Finally, I became a user instead of a contributor. When I entered the facility, I showed them my grandparents’ travel info and signed up as a researcher. The attendant wheeled a cart full of papers in both Chinese and English, which they photocopied for me. With all that information, I knew I had to share it with others. I also use online resources. Taryn Edwards provided a comprehensive list of historical resources.

Where do you place your settings –real or fictional locations? I feel my story is more accurate in the locations I visited. For my first two books, I lived in Japan for two years and skied in many ski resorts around the world. For Bought Daughter, I lived in Chicago Chinatown as a child. I visited China as an adult.

Do you have any advice for new writers? Write, write, write. Even if you just put the manuscript on a shelf. Read, read, read. Highlight passages that move your heart and soul.

Thank you, George Cramer, for inviting me to be a guest blogger.

I can be contacted by email at Sursum Corda Press, LLC. I welcome your comments and questions.

 

9 Comments

  1. Karen Pidduck Vied

    Enjoyed reading your interview Judy.
    Thanks George for sharing this. Really enjoyed reading a bit of your blog! HHS ‘62

    Reply
    • Judy Lussie

      Thank you. Hope you and George renewed a friendship.

      Reply
  2. Alyce M Gee

    Your interview gave me an insight in how you became such an accomplished author. The book also gave me information regarding the struggles of what your grandparents had to overcome. Being the ‘baby’ of that large family, I thank you for passing this history to all the younger ones in our clan.

    Reply
    • Judy Lussie

      Thank you and you’re welcome.
      Peace

      Reply
  3. Marilyn J. Dykstra

    Thanks, Judy! Interesting to read how you started writing fiction and how you base your characters and settings!

    Reply
    • Judy Lussie

      Thank you.

      Reply
  4. Michael A. Black

    Interesting interview, Judy. I live in Chicago as well and always enjoyed visiting Chinatown and see the Big decorative gate there. Your story is fascinating and your tenacity is inspiring. Good luck with your writing.

    Reply
    • Judy Lussie

      Thank you. My uncle designed the gate.

      Reply
    • Brian Gee

      That big decorative gate was designed by Judy’s and my uncle Peter. Judy is my cousin.

      Reply

Submit a Comment

Your email address will not be published.

DAN HOBBS writing as author BEN LEITER

Daniel Hobbs has been a city manager in seven cities across the country, in Maryland, Texas, Michigan, and California. My career took me overseas as an American local government official to W. Germany, Poland, and Japan.
I have been married to a wonderful, patient woman for 35 years, a beautiful native of Peru, who endures my anxieties and writing distractedness with good humor.

Ben Leiter is the author of four published books, available on Amazon and Kindle:

  • CITY MANAGEMENT SNAPSHOTS: ON THE RUN
  • BABY BOOMERSLOVE-BETRAYAL
  • GODS BETRAYAL: THE CREDO
  • BETRAYAL OF FATHER GARZA

Is there a thread or theme that ties your books together, even though they are of different genres? Yes, very much so. Together, these four books examine the cataclysmic collision between the expectations of the baby boomer generation and the primal forces of politics, religion, and romance.

Why the pen name Ben Leiter?  If you read any of my books, you’ll understand why immediately with the authentic, explosive nature of the material and the controversy of storylines and subplots.

Using a pen name provides me the psychological freedom to write what I want; to explore themes without embarrassing me or my family.

The name Ben Leiter translates “been leader” if you use the German pronunciation of the last name. It describes my previous profession as a city manager in seven cities.

Why do you write? Answer: To find out what I think; to figure out why I think what I think; to investigate “what it’s all about.” And to avoid boring people with my strong opinions in conversations. If I put my views on the written page, I must present them in an intelligent and interesting fashion, or the reader won’t turn the page.

Also, writing fiction allows me to explore my favorite theme of betrayal and its sub-themes involving politics, religion, and romance.

What do you want to achieve? Writing objective? Validation as a good writer who has something to say worth reading.

Favorite authors? Answer: John Le Carré, Len Deighton, Michael Connelly; Gillian Flynn, Andy Weir, Anne Lamott, Dennis Lehane, Tom Wolf, Robert Crais, Martin Cruz Smith, Leon Uris, Don Winslow. I’m reading Winslow’s The Cartel for the third time, as I did Flynn’s Gone Girl.

I’ve met and talked with Andy Weir and Bob Woodward.

Bob Woodward and I shared common associations from decades ago in Rockville, Maryland, outside of Washington, D.C.

Can you describe the impact any books have had on you? I’d rather have lunch—at the risk of being lunch—with Hannibal Lector from Silence of the Lambs than with the female protagonist in Flynn’s Gone Girl. That wife-protagonist is like real-world-scary. She’s out there walking around, for sure. Flynn’s book ranks with Catcher in the Rye; The Spy Who Came in from the Cold; and Exodus.

A Leon Uris book, Trinity, provided insight into what we Irish call The Troubles— the colonization atrocities of the English. (I’m part English too, but the Irish always wins out—so much more colorful.)

Tell me about your protagonist in your most recent book. Why will readers like him? My hero protagonist, Father Gabriel Alphonso Esquivel Garza, is a Hispanic-Schwarzenegger-Rambo-renegade Catholic priest with a Zorro complex. He refuses to let principles keep him from doing what is right. He is merciless in defense of children.

Are you a Pantser (write by the seat of the pants, ad hoc) or a Plotter (outline in detail before writing)? Both—here’s how and why. I rely on The Muse, or inspiration, or whatever has caught my fancy at the moment to fling words on paper. Once I have enough “somethings” on paper, I start organizing and putting them into a table of contents with detailed notes under each chapter, which is the equivalent of an outline. I then keep adding, revising. I move stuff I delete to the end of the working draft, to be probably brought forward at a future time after it has “matured.” Advice: never throw anything away.

I experience difficulty deleting my pet phrases and scenes. Some famous author said that your favorite computer key should be the delete key.

How do you vet your work? Three critique groups; two California Writing Club memberships; past developmental editing by Scott Evans, author and English professor at the University of the Pacific.

Strengths and weaknesses of your manuscripts? From the professional writing feedback I have received over the years, the strengths of my work seem to be the imagination, the creativity of the work, and the character (good and bad) of my protagonists.

My drafts have received deserved hits by critique groups for not always letting the reader know immediately what is going on and where we are at. I accept that criticism because I want to pull the reader in. I want the reader to do a little bit of head work.

I love John LeCarré’s writing with its exceptional use of indirection. I remember becoming frustrated in one of his books because I found myself on page 65 and had no idea what was going on. Then I realized. I was in the same situation as the book’s protagonist, trying to identify the traitor in The Circus, LeCarré’s name for British intelligence. The protagonist reflected the puzzle-palace-nature of the events swirling about him. Well done, John.

I also plead guilty to occasional finger waving and sermonizing, which I detest in an explicit form. I prefer my characters to carry that water for me in a hopefully more subtle fashion.

Any indications of a writing life earlier? Over my city management career, I penned many professional articles on everything from strategic planning to embezzlement, which appeared in nationwide publications. At one point, I even had my own column in a newspaper.

I always tried to make my articles interesting or to have a twist. For example, one article carried the all too true title; SOMEONE IS STEALING THE TAXPAYERSMONEY!

As budget director for a large Texas city, I always wanted to tell “the story” behind the numbers. I saw too many budget staff letting themselves get lost in the numbers or “hiding” in the numbers. I felt it important to be clear to my boss, the city manager, his bosses, the city council, and the public about exactly what the budget meant for them for the following year.

I continually rewrote the 20-page budget message at the beginning of the 500-page budget document to get the message right. One of my senior staff, exasperated at my numerous revisions, said, “You’re just a frustrated novelist.” I demurred at the time, but she was correct.

Two of my favorite quotes from that same government staff, one from a very talented colleague, “Numbers are our friends.”

Late in my career, in a job interview with a city council, I was asked why I had published so many articles. The unexpected question triggered a response that I did not know I possessed, “I guess it’s a way to leave a legacy.”

What is your educational background? I am a Case Western Reserve University Ph.D.-in-political-science-drop-out. But, I did secure a Master of Public Administration and a Master of Urban Affairs, an interdisciplinary planning degree.

My B.A. held a major in political science, with minors in English, Philosophy, and Theology.

Other writing observations? I have been pleasantly surprised by the number of people who share my love of books, reading, ideas, and writing.

I relish the open-endedness of the mental challenge of writing. I will never be able to exhaust it. It will wear me down first, I fear.

I respect the work ethic required to become a successful writer, whether commercially published or not.

I admire the creativity of the process and the final product.

I have had Stephen King’s experience, where I get into the story or one of the characters, and it takes on a life of its own and goes places I had not planned.

Since I developed my “rule” years ago never to go back and read a book the second time, this writing occupation gives me the justification and permission to revisit old book-friends.

I should be able to handle the rejection. In my past career, along with the public accolades and good salary, I experienced an enormous amount of criticism—it came with the job territory—on an almost weekly basis. I’m used to it; maybe I miss it and need it.

While my brother has become an accomplished amateur oil painter, I paint with words.

I want to be as accomplished as he in my own artistic genre. But better than oil painting, I can constantly revise my work.

Another reason for writing—it keeps the mind sharp. My family shows too much history of Alzheimer’s. Maybe writing will delay or forestall some of the mental ravages of old age.

Then there is the possibility that I might have something to say. Having been around for decades, I would expect myself to paint some life pictures accurately, if not brilliantly, perhaps with some insight, too, especially if I have been paying attention. Have I? Perhaps I can say something memorable about this thing we all share called the human condition. If I can, then what becomes fascinating are all the ways there are to describe this common experience: short stories, poems; essays; novels.

I like the sound of “I am a writer.”

I have always been a bookworm, loved to read. The mid-westerner in me must justify all those academic credentials and insists on looking for a practical application—writing is it.

I have been energized by writing.

Any final reflection? In my case, the most important contributor to writing was my reading at an early age and continuing non-stop the rest of my life. I was that ten-year-old kid continuing to read under the sheets after my father told me to turn the light off and go to sleep.

My website is http://benleiter.com.

3 Comments

  1. Madeline Gornell

    Great “meeting” you, really like your “painting with words,” and agree on so important to becoming a writer I think. is having been a reader at an early age! Much success!

    Reply
  2. Michael A. Black

    Your Father Garza character sounds like quite an interesting fellow. Good luck with your writing.

    Reply
  3. Michael DeGuire

    I wonder if he should have started out as a writer versus trying to work in public service. Or did the public service help craft his skills. Probably the latter

    Reply

Submit a Comment

Your email address will not be published.

JONI KEIM – Technical, Spiritual, Memoir Writer

 Joni Keim writes technical (alternative health and wellness), spiritual (her father’s influence), and memoirs (matters of the heart)—for 40 years and counting.

Do you write in more than one genre? Yes. I write technical, spiritual, and memoirs.

I first started writing technical in 1979 for natural health magazines. At the time, I worked at the Wholistic Health and Nutrition Institute in Mill Valley, CA, and learned a lot about alternative health. I was a licensed aesthetician, so I began writing articles and teaching classes on a healthy approach to skin care and using non-toxic skin care products. Some years later, I became the technical director for a natural product company that had a skin care line and an essential oil line. I wrote about both for websites, labels, newsletters, and training manuals. I continued to write for magazines. This was my career for over 30 years.

In addition to what I wrote professionally, I also had personal projects. From 2000 to 2008, a colleague, Ruah, and I wrote three books together. The books were based on using essential oils (aromatic plant extracts) in a spiritual context. We both had studied subtle energy healing, and she was a Spiritual Director. Aromatherapy & Subtle Energy Techniques, Aromatherapy Anointing Oils, and Daily Aromatherapy were published by North Atlantic Books in Berkeley. Foreign rights were purchased by Brazil. Many years later, the rights to these books were returned to us, and since that time, 2nd editions have been written and published for all of them. In addition to the books that Ruah and I wrote, I penned two books about angels.

Now in my seventy-plus years, I have written memoirs. The memoir books are a part of what I call my Tribute series—honoring that which has been so dear to me. There are now five books in that series. A book was written for each of two special men in my life that unexpectantly passed away. The books were composed in a simple, child-like style and illustrated with cartoons. However, they were for grown-ups (and the child in all adults). Writing these books was profoundly helpful for me to deal with the grief of losing those dear friends.

What brought you to writing?  I did not major in English or literature in school. Still, I enjoyed the writing assignments and found researching and organizing information rewarding. I was also an avid letter writer—back in the days before email and texting.

When I began writing for natural health magazines, my children were young. The writing process provided intellectual stimulation amidst the diapers and carpooling.

In retrospect, I realize the foundation for the desire and pleasure of writing was probably set when I was a child. I was basically an introvert, and I was the youngest. The rest of the family was gregarious and extroverted, so I never really felt like I fit in. (But I knew I was loved.) My mother used to joke about how sending me to my room was not a punishment, and she would eventually have to get me to re-join the family.

So, in this setting—being an introvert and the youngest—I didn’t have the inclination or the opportunity to talk about things I wanted to, and I didn’t feel I would be heard. Writing allowed me to say what I wanted to say. Maybe more to the point was that I HAD something to say.

What is the most challenging part of your writing process? The most challenging part of my writing process is accessing the “zone” when it eludes me. The “zone” is when I am so fully present, relaxed, and patient that the writing flows and my thinking is energetic, clear, and accurate. When the “zone” is not available, it reminds me of what it is like when you enter a room that smells good. As you stay in that room, you no longer smell the aroma because the olfactory sense goes numb for that scent. Interestingly, when you leave the room for a bit and come back, you can smell it again. So, when I can’t get in the zone, I leave the writing and come back another time.

Where do you write? What, if any, distractions do you allow?  I write in my office at a stand-up desk on an iMac. I look out the wide window to the neighborhood. My dog, Paris, is at my side. I write throughout the day, every day, for a couple of hours total, on various projects.

I have a strong ability to focus and block out distractions. However, if the distraction is overpowering, I simply stop. I know from experience that trying to write when I am not fully present is not worth the time spent.

How long did it take you to write your first book? How long to get it published? My first book, Natural Skin Care: Alternative & Traditional Techniques, was published in 1996 by North Atlantic Books under my name at that time: Joni Loughran. It took me a year and a half to write it. When it was finished, I submitted it, and it was published. The same was true for the three books that Ruah and I wrote.

I feel fortunate about having had such an easy time getting published. It came about because I had met the owner of North Atlantic Books in a doctor’s office waiting room. We were chatting. I told him that I wrote for natural health magazines. He said he was a publisher and told me I should write a book. So, I did, and he published it. Now, I am self-publishing.

Tell us about your writing process. This George Orwell quote makes me laugh: “Writing a book is a horrible, exhausting struggle, like a long bout of some painful illness. One would never undertake such a thing if one were not driven on by some demon whom one can neither resist nor understand.”

I have experienced that sentiment. After each one of the first few books I wrote, I told myself that I wouldn’t do it again. Yet, fifteen books later, I know now that writing is a part of my lifestyle and one that I will likely continue. I haven’t run out of ideas yet.

The first tenets that I embraced when I started writing were 1) write about what I know and 2) include facts, quotes, and anecdotes. When I begin a project, I first lay out the table of contents, knowing that it may change. Then I start one chapter at a time. I also keep a document of random notes. When I am writing a book, it is ever on my mind, and ideas pop up when I least expect them. I will jot them down anywhere I can and then transfer them all into my “Notes” document. Periodically, I go through those notes to ensure I include everything I thought would have value in the book. I have found that this makes the finished book much richer than it would have been.

How can our readers contact You?

Website: www.jonikeimbooks.com

Email: contact@jonikeimbooks.com

2 Comments

  1. Michael A. Black

    I found this blog post to be a very interesting one. I was reminded of that old saying about taking the time to stop and smell the roses. You seem to have a tremendous amount of drive and talent. Good luck with your writing.

    Reply
    • Joni

      Thank you Michael. Wishing you a happy holiday season!

      Reply

Submit a Comment

Your email address will not be published.

BRIAN GUNNEY – Aerospace Engineer, Outdoorsman, Author

Dragon’s Ridge – An orphanage headmistress must use her wits to escape from a dragon, but only compassion can set her free from both dragons and men.

Brian Thao Nguyen Gunney was born in Vietnam and escaped to the U.S. as a refugee in 1975. After briefly considering a creative writing major, he earned a Ph.D. in aerospace engineering and scientific computing from the University of Michigan. He drew on his technical training, outdoor experience, and interest in history to bring dragons into the real world in his first novel, Dragon’s Ridge. Brian works in scientific computer simulations. He writes, hikes, runs, and bikes in Northern California, where he lives with his wife and two teenage children.

Dragon’s Ridge – An orphanage headmistress is snatched, saving a child from a dragon, and the world believes her dead and eaten. For centuries, Gascony’s top predators have treated humankind as easy prey.

But Isodore’s misery has only begun. On a lonely ledge high in the Pyrénées, where even the famed dragon slayers won’t go, she comes to terms with the nature of dragons, her fate in her captor’s hands, and her own dark secret. A child survivor of a dragon’s wrath, she has relied on her wits to stay alive. But it’s compassion that gives that life meaning, stirring a warrior’s idealism, breaching class divisions, and sustaining love for an outcast. On Dragon’s Ridge, Isodore’s struggle brings the two virtues into conflict. She placates her captor to plot her escape, unaware that the plan will cost her a part of herself she can never get back.

Dragon’s Ridge will test the fortitude, resourcefulness, and humanity of the humble headmistress. It will forever change her, the lives she touches, and the world she lives in.

Writing Dragon’s Ridge was an opportunity to present a fantasy setting with scientific plausibility. There is a tradition of minding scientific plausibility in sci-fi, but not so much in fantasy, maybe due to the reliance on magic to explain things. In real life, science and technology are governed by natural laws, with limitations and consequences. When fantasy resembles that, the story feels true to life for me. When it doesn’t, it’s like a free lunch, and there’s no such thing as a free lunch. I’ve enjoyed stories like that, like fairytales or humor or satire. But for adventure stories, I want to feel like I’m right there with the characters, sharing their world and their agency. Scientific implausibility makes it difficult for me.

To complement scientific plausibility, I used a real-world setting. My goal was to make the setting as authentic as possible from the scientific and historical perspectives.

What brought you to writing? I have a very active imagination. A story gets inside my head, and I have to write it down so that it won’t distract me from my work. I had never thought of myself as a writer until I looked back on my life and saw how much writing I had done. Writing is something I’ve returned to time and time again.

Tell us about your writing process: Ideas linger in my head, sometimes for years. They grow without direction or constraint. Sometimes, they collide and happen to fit together like pieces of a puzzle. I think that’s when they turn from ideas into story and grow like a rolling snowball. That’s the inspiration. The telling of the story is the work. My California Writers Club – Tri-Valley Branch critique group, helps keep me making progress. Talking about my drafts helps me think about it, dissect it, understand what’s going on, and see things I had overlooked. Not only can I fix what’s wrong, but I can also find out what else I could add to the scene.

What is the most challenging part of your writing process? Writing characters who are very different from me. I have to get into my characters’ heads to see how they think and respond, but it’s hard to get into a head that’s very different from mine. For example, I’m rather introverted, so it’s hard for me to write outgoing characters at a party.

In the editing process, polishing the manuscript for publication is challenging. Writing is fun and something I do for myself. Moving toward publication means getting a lot of technical things right. It’s important but tedious. I struggle with certain details of the English language, particularly with verb tenses and plurals.

Has an association membership helped you or your writing? Being around writers in TWC reminds me that it’s okay to write. The encouragement I received kept me going when I was stuck. My critique group helps to keep me writing regularly. I knew nothing about publishing or marketing books. Learning from speakers and my peers about how all that works is very helpful to give me an idea of the road ahead.

How long did it take you to write your first book? The idea first came to me about thirteen years ago, and I put the first words down eight years ago. I worked on the book six out of those eight years. In all, I wrote five complete drafts.

How long to get it published? Once I decided to publish the book, it took almost two years. I continued working on the manuscript because I was still studying the art of writing and incorporating what I learned into the manuscript as I was preparing for publication. I didn’t have any luck after a few months of trying the traditional publishing route. I believed I had a good story to tell, so I approached Paula Chinick of Russian Hill Press, an independent publisher in our writing club.

Do your protagonists ever disappoint you? No. As long as a character is authentic, I find them interesting. My characters seem to have minds of their own. If they go off-script, that’s all the better. It shows they’re independent of me. The best ideas come from them acting on their own.

Do you have subplots? If so, how do you weave them into the novel’s arc?  As a novice, I used to be concerned that I didn’t have enough subplots, but when I saw how long Dragon’s Ridge was getting, I stopped being so concerned. Weaving in subplots, for me, is a lot of work. I usually don’t know the subplots ahead of time, so when I get an idea, I have to do quite a bit of rewriting and editing to weave it in tightly.

How do you raise the stakes for your protagonist—for the antagonist? Isodore is fighting for her life from the first scene, so the stakes start out very high for her. But it’s when she wants more than just to live that the reader sees the full depth of her character. For her, the stakes were raised by the opportunity to get things she had thought were out of her reach. Can she bring peace between two enemies? Will she avenge the injustices she had to endure? Could she be her true self? It’s similar for the antagonist. He’s not concerned only with the present struggle. He wants to survive the changes he knows are inevitable, among other things.

I didn’t start the story with complex stakes. They kind of created themselves. I think authors get to play god in their stories, but I don’t think I’m the kind of god who rubs my hands together saying, “Ah-hah!” After constructing the premise of Dragon’s Ridge, I mostly left the characters to find their way to the ending. I like being the observer more than the master.

What kind of research do you do? I had to learn a lot about the setting to figure out how the characters would interact with it, everything from the daily life of peasants to historically significant events. I read up on medieval history, and it’s fascinating. The medieval world was dynamic and lasted a thousand years. It started as the remains of the western Roman Empire and became the foundation of the Renaissance. Popular culture often portrays a composite setting, putting together elements that didn’t overlap much, if at all, in real life.

An example is the chivalrous warrior knights in shining armor. Knights of the Early Middle Ages didn’t care much about chivalry, which was a concept invented by the clergy to incentivize more civil behavior from the warrior class. By the time shining suits of armor came around, knights pretty much stopped being warriors. They were more like athletes competing in tournaments.

I also read about the people, their language, and their technology. I studied the geography and the ecology of the region. I obviously inserted elements of fantasy into the setting. Still, I wanted to keep that minimal and make the setting as historical as I could.

For scientific realism, I had more of a head start because of my aerospace engineering background. To make sure I had scientifically plausible dragons, I did some aerodynamics calculations, which led to a blog post. I also looked at recent theories on giant pterosaurs. I was comforted that my dragons aren’t much different in size than those prehistoric flyers.

I even made tallow torches to verify that what I wrote about them was accurate.

After studying the medieval world, I can’t help but change my perspective on my life a little bit. Salt, one of the cheapest and most ubiquitous commodities in our world, was once available only to the most important people of the medieval world. Now, when I measure out half a teaspoon of salt, I feel rather privileged.

How do our readers contact you? https://dragonsridgebook.com/

In addition to presenting the book, the website has a blog and a contact page. I also have set up an author page at Good Reads: https://www.goodreads.com/author/show/21950689.Brian_T_N_Gunney

Brian enjoying the great outdoors.

7 Comments

  1. Madeline Gornell

    Great meeting you, Brian. Sounds like you’re heading toward a great writing career, with a very flexible and imaginative approach. Much success!

    Reply
  2. Brian T.N. Gunney

    Thank you Michael for your kind words. It certainly has been an interesting, challenging and satisfying journey so far.

    Reply
  3. Jim Hasse

    Great blog subject, George. It is impressive that Brian’s kept his dream alive for so long. Wow, talk about having a vision and bringing it into reality. Interestingly, theories on giant pterosaurs are similar to dragons.
    Congratulations, Brian!

    Reply
    • Brian T.N. Gunney

      Thanks Jim. Toward the end of this lengthy endeavor, your book reminded me of the value of a story told to the best of our ability.

      Reply
  4. Michael A. Black

    Congratulations on completing your first novel. You seem to have a tremendous amount of drive and talent, so I’m sure you’ll be producing more work. Best of luck to you.

    Reply
    • Brian T.N. Gunney

      Thank you for the kind words, Michael. It certainly has been an interesting and satisfying journey so far.

      Reply

Submit a Comment

Your email address will not be published.

JOHN BLUCK – Crime and Sci-Fi Novelist and Storyteller

The title of his latest book is Florida Grand Theft & Other Tales: Crime and Sci-fi Short Stories.

John G. Bluck is the author of five books, some in the crime/mystery genre and others science fiction. He worked for thirty years for NASA and retired as a public affairs officer. Prior to that, he was the daytime crime reporter/photographer for WMAL-TV (now WJLA) in Washington, D.C. During the Vietnam War, Bluck was an Army journalist at Ft. Lewis, Washington.

Another of his recent books, Death in the Holler, earned praise in a BookLife review printed in the January 11, 2021, issue of Publishers Weekly magazine. “For Southern murder mystery fans, this whodunit and its heart-of-gold protagonist will hit a bullseye. Murder, gangs, and black-market marijuana run rampant in this testosterone-filled thriller. . . . Bluck’s mystery keeps readers quickly flipping the pages with short, fast-moving chapters.”

Tell us about your most recent book. My latest book is Florida Grand Theft & Other Tales. It’s a collection of sixteen crime and science fiction short stories; some are strictly fictional crime stories. Others are solely in the science fiction genre. Many of the yarns combine both crime and sci-fi genres. Florida Grand Theft was released on October 4. The first image below is for the paperback and the second is for the eBool.

   

 

 

 

 

 

 

I began writing a couple of the stories as long as fifteen years ago when I was working at NASA. Over the years, I edited and revised them numerous times. One of those stories is the “DNA of History.” In it, ant-sized extraterrestrials visit a young boy, affecting his entire life. A second sci-fi story that I began developing a long time ago is “Adventures in Time.” In this story, an astronaut transmits a message as his ship careens toward a black hole.

I dreamed up other stories only months ago. That’s obvious when you read one of them, “Big Brother’s Bracelets,” which is related to the current pandemic and Covid-19. In this story, a feuding couple has to adjust their lives.

In the first story in the book, “Florida Grand Theft,” a young woman short of money tells how she’s tempted to steal a purse. In “Death by Snub Nose,” a hobo is accused of murder. These are among the crime and sci-fi stories I wrote recently, as is “Buzz.” Buzz is a robotic bee who’s an undercover agent.

Why do you write in more than one genre? I spent much of my life in a career path that’s linked to both crime and science-fiction. When I was in the army, I wrote news stories for an army newspaper and read army news on a couple of local radio stations.

After that, I worked a few years in Washington, D.C., as the television daytime crime cinematographer for WMAL-TV (now WJLA). I mainly covered homicides and bank robberies. Naturally, I covered other stories, too, including sports, politics, and even Watergate. I was in a pool of about six or seven still and motion picture photographers who filmed the submission of President Nixon’s letter of resignation.

Then NASA hired me to be a documentary producer. I saw many fascinating things at NASA that were true, but which might as well have been science fiction. I saw huge rocket engines; walked under the Space Shuttle; peered through telescopes, and wandered through laboratories, machine shops, wind tunnels, as well as many other locations.

When I explored NASA and filmed news for TV, I met many kinds of people. Whether they were in bad or happy situations, they taught me about human nature. Covering news “on the scene” in city streets and later working in science and engineering environments gave me a myriad of potential story ideas related to both crime and science.

How do you create your characters? Lately, I’ve been consulting a psychology book to try to shape some of my characters’ personalities so that they are vastly different from each other. This can lead to conflict and drama.

I don’t try to dictate what a character will do all of the time. I like to put characters with different personality traits into the same room or location. I begin to write dialogue rapidly. I permit the characters to talk, to say what they want. This is hard to describe, but it’s as if they wake up and begin to speak. I simply type what they’re saying. That’s why I say I don’t try to make the characters do or say what I want them to say.

However, there are times when something specific has to happen—a climax, a turning point. Then I might dictate that a tree will fall, a ship will sink, or a fire will erupt. The characters then have to react to the situation based on who they are and their personalities, which I have assigned to them. Sometimes, that personality changes when a character starts to act and come alive. I’ve found that if I “listen” to my characters, rather than try to shape them too much, the people who populate my books are more realistic, more human.

Do you outline, or do you write as you go? When I design a novel (plot it), I like to outline “sort of.” That is, I use the Act I, Act II, and Act III format.  I know where the climax is supposed to be. I write the beginning and the end first and perhaps the climax, and then I fill in the middle of the story. Each scene is like a bubble or a block. I note what “should” happen in a scene.

But as I go along, I let the characters have a lot of freedom, and they may take me off on a tangent. Also, sometimes when I’m writing, a character will just pop up. This is where the “sort of” comes into my writing process. I then have to decide if an unexpected path taken by a character is good or is merely a diversion that takes the story too far off course.

I like to work in this hybrid—mostly planned—but freewheeling kind of a way.

What’s your next book going to be about? Its potential title is Murder at NASA. Luke Ryder, the protagonist of my last mystery novel, Death in the Holler, is called into work undercover to solve a cold-case killing at NASA Ames Research Center in Silicon Valley, where I worked last at the agency. I’m quite familiar with the Ames campus, which some Hollywood producers have called a great location to make a movie. I doubt that Ames would ever be the set for a major movie, but the place has so many good locations for me to use in a novel. I’m almost salivating; I’m ready to completely plot my ideas and turn the characters loose at Ames.

How do our readers contact you?

Readers can message me through my website: http://www.bluckart.com.

They can visit my Facebook page: https://www.facebook.com/JohnGBluckSciFi.

My Twitter page is located at: https://twitter.com/JohnBluck1.

Readers can sign up for my e-mail list by visiting: http://eepurl.com/cJh_pP.

6 Comments

  1. Mar Preston

    I could use a few Florida stories now as Canada grows cold. You’ve had an interesting life and been drawn into some good situations to write about.

    Reply
    • John G. Bluck

      Hello Mar,
      Thanks for finding my stories of interest as winter approaches. Though the first story in “Florida Grand Theft & Other Tales” is set in the sunshine state, there are other stories that take place in the greater Chicago area, northern California, Cleveland, New York and Naples, Italy…. so I hope you also find the stories set in these other locations interesting enough to warm up your imagination. (Many are places where I’ve visited or lived.) Of course, I haven’t been to outer space and a few other locations on which I focus in a few of the yarns.
      But my ultimate goal is to entertain. I hope you enjoy the sixteen stories in the volume.

      Reply
  2. John Schembra

    Interesting background- I can see it would lead to some intruiging plots. I will look you up to find out more about your books!

    Reply
    • John Bluck

      Thank you, John. I appreciate it that you’ll check out some of my books. Cheers, John G. Bluck

      Reply
  3. Michael A. Black

    John Blunk is a masterful writer. I read his Death in the Holler and enjoyed it immensely. I’m delighted that Luke Ryder is heading to NASA for another adventure. I ordered his new short story collection, too. I love stories set in Florida. Good luck, John.

    Reply
    • John Bluck

      Thanks, Michael. I also enjoy your books. I’m looking forward to read one of your latest books, “Chimes at Midnight.”

      Reply

Submit a Comment

Your email address will not be published.