Jan 30, 2025 | Crime, Mystery, Thriller |
Lynn is addicted to the arts, chocolate, and her husband’s cooking. After a long career as a professional dancer and dance educator, Lynn earned her MFA in Writing Popular Fiction from Seton Hill University. She is the award-winning author of five young adult romantic mysteries: MISSING MOM, DEADLY SETUP, LEISHA’S SONG, IT SHOULD HAVE BEEN YOU, and WHILE I DANCED, as well as an adult mystery, MISSED CUE. Lynn lives in Kentucky, where she is working on her next novel.
MISSING MOM: Never mind the circumstantial evidence. Noelle doesn’t
believe her missing mother would ever have committed suicide and undertakes her investigation. Threaded throughout the novel is the story of a young woman nearly twenty years earlier whose escape from an abusive marriage turns out to be related to Noelle’s investigation.
During my dancing days, I choreographed a romantic duet, “Beginnings,” for my husband and me with a Chopin Nocturne as accompaniment. I apologetically told one of my mentors and ballet teachers, “I guess it’s not very original to make a duet with music by Chopin.”
“But Lynn,” she said, “it’s new to you.”
She was right, and her comment made me feel better immediately. Most of my previous choreography was for my students, mostly group pieces and occasional solos. This was the first time I’d tackled a romantic duet. My husband and I were newlyweds, and that dance came from my heart. We went on to perform it for many years.
Lately, I’ve been thinking about the joy of trying new things in my writing. There’s something satisfying about pushing myself out of my comfort zone, which can loosely be described as telling a story from a single point of view linearly: “This happened, and then that happened, etc.” Gradually, I tipped my toe into small variations. I began both IT SHOULD HAVE BEEN YOU and DEADLY SETUP with scenes told from the point of view of the murderer in the act of committing the crime before launching into the meat of the novel, the aftermath of the crime as experienced by the protagonist. In LEISHA’S SONG, I began with a scene that came much later in the story and then backtracked to the inciting incident. In MISSED CUE, while most of the novel was told from the point of view of the investigating detective, I also included a handful of scenes told from the point of view of other characters.
However, my latest novel, MISSING MOM, was my most significant departure. I not only told the story of a daughter’s search for her missing mother, but I threaded another story throughout the book of a young woman nearly twenty years earlier who was caught up in an abusive relationship. Her escape from a violent marriage turned out to be related to the daughter’s investigation of her missing mom.
I didn’t even know what this was called until I read an excellent article by Jane McBride in Children’s Book Insider about “time slip novels” and realized that I’d just written one. When I described what I’d done to another writer, she said somewhat dismissively, “Oh yeah, that’s really popular right now.”
I immediately thought about my ballet teacher’s comment all those years ago. Writing a time slip novel may be a popular, often-used approach, but it was new for me! It was exciting to push myself to try something new. It helped me grow as a writer and made my work richer and more layered.
Ultimately, one of the things I love about being a writer is the same thing I love about being a dancer: There are always new ways to grow. And that’s something to savor and celebrate.
Groups I Belong to:
Sisters in Crime, including the Guppies and my Ohio River Valley chapter, Derby Rotten Scoundrels;
Mystery Writers of America;
Romance Writers of America;
Society of Children’s Book Writers and Illustrators;
Contemporary Romance Writers.
My website: https://lynnslaughter.com (includes my blog and information about all of my books, as well as buy links for them)
Universal Buy Link for MISSING MOM: https://books2read.com/u/mqOKB9
Aug 14, 2023 | Mystery, Thriller |
Lynn Slaughter is addicted to the arts, chocolate, and her husband’s cooking. After a long career as a professional dancer and dance educator, Lynn earned her MFA in Writing Popular Fiction from Seton Hill University. Her first mystery for adults, MISSED CUE, came out this month from Melange Books. She is also the author of four award-winning young adult romantic mysteries: DEADLY SETUP, LEISHA’S SONG, IT SHOULD HAVE BEEN YOU, and WHILE I DANCED. Lynn lives in Louisville, Kentucky, where she’s at work on her next novel, serves on the board of Louisville Literary Arts, and is an active member and former president of Derby Rotten Scoundrels, the Ohio River Valley chapter of Sisters in Crime.
MISSED CUE: When ballerina Lydia Miseau dies onstage in the final dress rehearsal of Romeo and Juliet, homicide detective Caitlin O’Connor is faced with the most complicated case of her career. She strongly suspects that someone murdered the ballerina, and her
investigation uncovers several people close to the star who had reasons to kill her. But the autopsy reveals no apparent cause of death. If Lydia Miseau was murdered, who did it, and how?
Meantime, Caitlin’s worried about her partner at work, who’s drinking way too much. And then there’s her own hot mess of a personal life. She has a bad habit of getting involved with married men. She knows it’s wrong, so why does she keep entangling herself in unhealthy relationships?
Writing About Adults Instead of Teens – I was a teenager when it occurred to me that many grownups I knew weren’t’… well, actually grown up. Granted, as teenagers, we had less experience and could claim our share of dumb decisions and impulsive behavior. At thirteen, I decided it would be no problem to explore an abandoned castle with my friends—except it turned out the place wasn’t abandoned, and an elderly lady with a shotgun chased us off her property. And I shudder when I think about willingly getting in a car three years later with one of my crazier boyfriends who thought it would be fun to show me what it felt like to go 100 miles an hour on the freeway.
But were the adults around me so different? As far as I could tell, they were doing some pretty dumb stuff, too. The glamourous mother of the girls who lived on the floor below me in our apartment building was cheating on her married lover by having an affair with the local barber. Then there was my best friend who came home from school one day to find her mother passed out dead drunk on the kitchen table. And did I mention my yearbook advisor the year I was the editor who chased me around the classroom after the last day of school, trying to put the moves on me?
So, when people ask me if it’s very different to write about adult protagonists rather than teenage ones, I’m not quite sure what to say. Yes, developmentally, the challenges in adulthood are distinctively different, but adults seem to me to be every bit as capable of messing up their lives.
Take the protagonist in my first mystery for adults, MISSED CUE. Homicide detective Caitlin O’Connor is terrific at her job, a hard-working crackerjack professional known for her ability to close cases. And she’s a good, caring person who’s loyal to her friends and terribly worried about her fellow detective who’s been drinking non-stop ever since his wife left him. The problem is that her private life is a hot mess. She has a bad habit of getting involved with married men and has finally decided to go into therapy to figure out why she keeps doing something she feels horribly guilty about.
Then there’s Lydia Miseau, the revered ballerina whose suspicious onstage death Caitlin is investigating. Lydia is universally admired for her brilliant dancing and kindness toward everyone associated with the ballet company. Even the janitor loves her! But as Caitlin digs into Lydia’s life, she discovers the star dancer’s behavior was every bit as imperfect as her own, and several people close to the ballerina had reasons to want to harm her.
As a writer for young adults who’s now dipped my toe into writing for adults, I’ve discovered the waters aren’t so very different. Likable, flawed, and vulnerable characters continue to interest me. Perfect people not only don’t exist in real life, but they’re incredibly boring to write and read about.
And in both my young adult novels and now MISSED CUE, I enjoy writing about characters who grow and change during their journeys. Caitlin not only solves the case but gets a better handle on her personal life.
A hallmark of young adult literature is some sense of hope that in the end, our youthful protagonists can move toward a more positive future.
Hope’s not a bad thing for us adults, either. The idea that throughout our lives, we can continue to solve problems, grow, and mature is one I find incredibly appealing.
Visit my blog at www.lynnslaughter.com
Missed Cue (forthcoming, Melange Books, 2023)
Deadly Setup (Fire and Ice/Melange Books, 2022), Moonbeam Children’s Book Awards Silver Medalist
Leisha’s Song (Fire and Ice/Melange Books, 2021): Agatha Nominee, Silver Falchion Award, Moonbeam Bronze Medalist, Imadjinn Award for Best YA Novel
While I Danced (Write Words), EPIC Finalist
It Should Have Been You (Page Street), Silver Falchion Finalist
Jan 12, 2023 | Mystery, Young Adult |
After a long career as a professional dancer and dance educator, Lynn Slaughter earned her MFA in Writing Popular Fiction from Seton Hill University. She writes coming-of-age romantic mysteries and is the author of the newly released Deadly Setup, a 2022 Moonbeam Children’s Book Awards silver medalist. She is also the author of Leisha’s Song, a 2022 Imadjinn Award winner, a Moonbeam bronze medalist, Agatha nominee, and Silver Falchion Award winner; While I Danced, an EPIC finalist; and It Should Have Been You, a Silver Falchion finalist. Her first mystery for adults, Missed Cue, comes out from Melange Books in the summer of 2023. She lives in Louisville, Kentucky, where she’s at work on her next novel. She currently serves as president of Derby Rotten Scoundrels, the Ohio River Valley chapter of Sisters in Crime.
DEADLY SETUP Seventeen-year-old Sam’s life implodes when her heiress mother’s fiancé turns up dead, and Sam is accused of his murder and goes on trial. She fights to prove her innocence with the help of her boyfriend’s father, an ex-homicide cop. Just when things are looking especially bleak, Sam makes a startling discovery.
What brought you to writing? I spent much of my career as a professional modern dancer and dance educator. But I’d always enjoyed nonfiction writing and research. While still dancing, I moonlighted as a freelance magazine journalist specializing in writing about the challenges of adolescence and parenting teens. In all honesty, I didn’t think I had the fiction gene!
However, when age and injury led to my retirement from dance, I got an idea for a story about a young aspiring dancer with lots of family and friendship issues. That became my first young adult novel, WHILE I DANCED. I got hooked on fiction writing and returned to school, earning my MFA in Writing Popular Fiction from Seton Hill University. It was a wonderful program, and I’ve kept writing ever since!
Tell us about your writing process. I tend to get a general idea for the premise of a novel. For example, DEADLY SETUP began as the kernel of an idea: What if a teenager was accused of murdering her mother’s fiancé?
Before trying to develop a plot, I spend a lot of time developing my characters and their backstories. Out of that work, I get a very good idea about my characters’ internal issues and how they will intersect and conflict with one another. It never ceases to amaze me how many plot ideas and complications grow out of starting with character development! I owe this insight to Elizabeth George. I’ve found her books on craft, WRITE AWAY! and MASTERING THE PLOT, to be so helpful.
What are you currently working on? I’m working on three projects which are at different stages of development:
Missed Cue, my first adult mystery, is coming out this summer from Melange Books, so I’m about to receive editorial notes.
I’ve also been working on a middle-grade fantasy about Varney, a kid vampire who hates the taste of blood and is convinced he’s landed in the wrong body. Thanks to a friendly witch, he gets a chance to switch with a human boy who is very unhappy in his life and longs to be a vampire.
Finally, I’m working on a young adult novel about a teen whose mother goes missing. The evidence indicates suicide, but my teenage protagonist doesn’t believe her mother would have killed herself and is determined to find out what really transpired.
How do you come up with character names? I have a book of baby names that gives a bit about where each name came from and what it means. I love going through it and finding names that seem to fit with the personalities and backgrounds of my characters.
Do you have subplots? If so, how do you weave them into the novel’s arc? I do! I find they often emerge organically from the relationships of the major characters. For example, in DEADLY SETUP, the protagonist has a close gay friend who’s involved in a romance with the closeted son of parents who think homosexuality is a sin. When his parents discover his romance, they forbid him to see his boyfriend. He becomes severely depressed, and after his failed suicide attempt, he eventually moves in with more supportive relatives.
This subplot actually reinforces a major theme of the novel, which is that sometimes when your family of origin is unable or unwilling to be unconditionally loving and accepting, it is sometimes necessary to create an intentional family.
Do you have any advice for new writers? Read voraciously and put yourself on a writing schedule that works for you and that you can stick to!
Join writers’ associations, such as Sisters in Crime and its subgroup, the Guppies, and make use of their resources.
Study craft books and analyze your favorite books in your chosen genre to see what makes them work so well.
Find a supportive writing community and a helpful, constructive critique group. If more than one person points to a problem in your manuscript, pay attention!
Above all, persevere!
Groups I belong to:
Mid-South Region of The Society of Children’s Book Writers and Illustrators
Guppies and my local chapter of Sisters in Crime, the Derby Rotten Scoundrels
I love hearing from readers and can be contacted through my website: https://lynnslaughter.com/
Buy links:
IndieBound: IndieBound.org
Amazon: Deadly Setup – Kindle edition by Slaughter, Lynn.
Print book: https://www.amazon.com/Deadly-Setup-Lynn-Slaughter/dp/B0B5KV5424/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1664994693&sr=1-1
Barnes and Noble: https://www.barnesandnoble.com/w/deadly-setup-lynn-slaughter/1141674720?ean=9798886530087
Books-a-Million: Deadly Setup by Lynn Slaughter (booksamillion.com)
Aug 30, 2021 | Uncategorized |
Lynn Slaughter is addicted to chocolate, the arts, and her husband’s cooking.
After a long career as a professional dancer and dance educator, Lynn earned her MFA in Writing Popular Fiction from Seton Hill University. She writes coming of age romantic mysteries and is the author of the newly released Leisha’s Song; While I Danced, an EPIC finalist; It Should Have Been You, a Silver Falchion finalist; and Deadly Setup (forthcoming from Fire and Ice, 2022). Lynn lives in Louisville, Kentucky, where she’s at work on her next novel and serves as the President of Derby Rotten Scoundrels, the Ohio River Valley chapter of Sisters in Crime.
Tell us about your recent release and your other books. Leisha’s Song centers around a young woman in a year when everything in her life changes. On scholarship at a prestigious New England boarding school, Leisha never intended to fall in love with classical singing or get involved with Cody Harrington—let alone risk her life trying to find her missing teacher.
Leisha’s Song follows two other YA novels, While I Danced and It Should Have Been You. In While I Danced, Cass, an aspiring ballet dancer, deals with family and romantic problems when she discovers a betrayal that leaves her questioning whether she even wants to continue dancing. In It Should Have Been You, seventeen-year-old Clara’s twin sister, a piano prodigy, is murdered. Rumors swirl that Clara was involved in her twin’s demise. And then she starts receiving threatening notes, the first of which says: “It should have been you… But soon.”
What brought you to writing? Initially, writing fiction started as a therapy project! Age and injury had led to my retirement from dance, and I was grieving the loss
of my career and identity as a dancer. I’d always loved reading young adult fiction. Teenagers had been my favorite age group to work with, so I guess it’s not surprising that I was drawn to young adult fiction. When I wrote my first novel about an aspiring dancer, I think it was a way to honor my old life and invent a new dream. Interestingly, my subsequent novels have all involved characters passionate about the arts.
Tell us about your writing process. First, I get the wisp of an idea for a story. For example, in the case of Leisha’s Song, I overheard a conversation at New York’s Port Authority between a young woman and her grandmother. It became apparent that the grandmother was sending her granddaughter off to boarding school in New England, and the teen was reluctant to go. It got me thinking about what it would be like to be a whip-smart young woman of color at a private school populated by mostly wealthy white students. So, I had a vague idea about a character and a setting. Since I’m a romantic mystery writer, I thought about what the mystery would be. I came up with the disappearance of a teacher Leisha was close to and a romance between Leisha and a boy who appoints himself her investigative sidekick. After that, I did a lot of thinking and writing about Leisha and her missing teacher and the people in their lives, past and present. That gave me tons of ideas for plot complications, conflicts, and the identities of folks who might have had a reason to want Leisha’s teacher to disappear. The story grew from there.
What are you currently working on? I’m excited that my fourth YA novel, Deadly Setup, about a young woman who goes on trial for the murder of her heiress mother’s fiancée, is coming out in 2022, so I’ll be working on final edits for that.
Meantime, I’m working on two projects which are a bit out of my comfort zone in that they’re not for young adults. The first is the expansion of a short story I wrote for Malice Domestic’s anthology, Murder Most Theatrical. My story, “Missed Cue,” is now a novel in which the identity of the murderer of a renowned ballerina has actually changed. I’ve had fun developing the personal life of the female homicide detective in charge of the case.
I’m also working on a middle-grade novel about Varney, a young vampire who hates the taste of blood and is convinced he’s landed in the wrong body.
How long did it take you to write your first book? A long time. I worked on it on and off for about ten years. The subsequent novels didn’t take nearly that long!
Do you have any advice for new writers? Never give up. Do lots of reading and write regularly (I call that my “butt-in-chair” prescription!). Study the craft of writing. Join writer’s organizations, take courses, find a helpful critique group, and be open to feedback. If more than one person tells you something is a problem, paying attention is a good idea.
Keep in mind that while lots of writing involves revision, the first order of business is to get something written to work with. The best piece of advice I received in my MFA program was: “You can’t fix a blank page.”
Lynn loves hearing from readers and invites you to visit her website, which also houses her blog: https://lynnslaughter.com/
Leisha’s Song is available at:
IndieBound
Barnes and Noble
Amazon
Lynn, good for you, don’t let anyone dismiss your brilliant ideas. I was once in a group meeting and someone made a derisive comment that “people who sell a hundred books a year consider themselves writers”. Well, I had only published one book and felt gobsmacked by this opinion. Then I said, “This is the first book I’ve ever written. Maybe I’m not a best seller, but the book means something to me.” Book 4 coming out soon. We have to turn off the negativity around us. Darlene
You’re so right, Darlene! And you should be so proud of every one of those books!
I so agree with you, Pam! Your comments are always so inciteful!
Love “new to me” endeavors. Thanks for reminding us how important it is to celebrate these!
Thanks, Marie. I love how pushing ourselves out of our comfort zone can be so rewarding!
Wow, George and Lynn… ‘Joy of trying new things.’ Thanks for the lovely re-focus ( ;
It feels like that might be at the core of what makes us alive. Best of luck with MISSING MOM, Lynn!