In The Pale-Faced Lie, David Crow presents a riveting account of growing up on the Navajo Indian Reservation with a mentally ill mother and violent father, an ex-con from San Quentin who groomed David to be his partner in crime.
DAVID CROW spent his early years on the Navajo Indian Reservation in Arizona and New Mexico. Through grit, resilience, and a thirst for learning, he managed to escape his abusive childhood, graduate from college, and build a successful lobbying firm in Washington, DC.
Today, David is a sought-after speaker, giving talks to various businesses and trade organizations around the world. Throughout the years, he has mentored over 200 college interns, performed pro bono service for the charitable organization Save the Children, and participated in the Big Brothers Big Sisters program. An advocate for women, he is donating a percentage of his royalties from The Pale-Faced Lie to the Barrett House, a homeless shelter for women in Albuquerque. David and his wife, Patty, live in the suburbs of DC.
Do you write in more than one genre? I have only written non-fiction so characters are real people, and the book captures what they actually did. I hope to write fiction in the future.
What brought you to writing? I always wanted to write but knew the process is completely different from ordinary business writing, which I had always done before. I studied creative writing but must confess that my publisher was my greatest teacher. Sandra Jonas took a very rough manuscript and helped me create a readable book that has been quite successful. The creative writing process, in my opinion, requires a great deal of study and practice. There has been nothing easy or quick about it. On the contrary, it may be the hardest thing I have ever attempted.
Tell us about your writing process: I write every day, but it can be painful. I struggle to get into a rhythm and to move the process forward. It took nearly ten years to write the book. The last two working with Sandra were very challenging because I still had a significant learning curve.
Has an association membership helped you or your writing? I belong to several writers groups, including the Western Writers of America. I have attended the Writer’s Digest Annual meeting in NYC and several others. Every one of them has helped me better understand what it takes to be a successful writer.
Who’s your favorite author? I have several favorite authors and new ones all the time. I am finishing Kristin Hannah’s, The Four Winds, a novel about the Dust Bowl—it is excellent. I loved Larry McMurtry, Cormac McCarthy, Erik Larson, Jeff Guinn, Chris Enss, and countless others. I am an avid reader.
How do our readers find you and your work?
Mescalero / Chiricahua Apache and Diné Navajo from New Mexico.
Crisosto Apache is an alumnus from Insitute of American Indian Arts (AFA 1992 / MFA 2015) and Metropolitan State University of Denver (BA, 2013) for English and Creative Writing. His work also includes Native LGBTQI / ‘two spirit’ advocacy & public awareness.
“Entirely new, experimental, and worth the effort of reading. Passionate in places, contemplative in others, he travels from that ancient past toward the distant universe.”—Linda Hogan
“These poems record not only the nine months of history occurring while the poet formed in gestation… it attempts to make sense of the whirling world of chromosomes, of snow across body-laden battlefields, the whirl of strobe lights in a sex club, and the spiral which meets in the center where isdzán and haastiń (woman and man) become indistinguishable. Apache’s collection challenges our footing on things we thought we knew.”—James Thomas Stevens
Do you write in more than one genre? Though most of my writing falls under the poetry genre, more specifically the Native American Literary genre, I am trying to develop my narrative elements by writing a memoir. The emphasis for the memoir is my experience growing up on my Mescalero Apache reservation in New Mexico as a gay male, as well as my experience off the reservation in urban areas as a marginalized Native American.
What brought you to writing? I originally started my education wanting to be an artist, a painter. During my adolescent years, I did a lot of illustration in my spare time and read a lot of poetry-the classics. I was mostly drawn to the fantasy style of artwork. My illustration got me a scholarship to the Institute of American Indian Arts in Santa Fe, New Mexico, in the fall of 1989. I studied two-dimensional design my first two semesters when I was approached by Arthur Sze, the head of the Creative Writing department at the time. He convinced me to change my major, and that was my introduction to writing. I can say I have always acknowledged myself as a lifetime student of Arthur Sze because of the influence taught through his courses and the materials offered. My second manuscript, titled “Ghostword,” is highly influenced by a modern Japanese writer introduced to me by Arthur. The writer is Ryūnosuke Akutagawa, and the book “A Fool’s Life” (Eridanos Press). I have carried carbon copy excerpts from the book distributed in his class until I finally found the book in a reprinted collection of Akutagawa’s work. Until I located a copy, “A Fool’s Life” had been out of print. So, my second manuscript is a kind of conversation or life response.
Tell us about your writing process: My writing process varies from time to time. First, I must say it is important for me to distinguish myself as an artist first before identifying myself as a writer. My identity as an artist is what fuels my creative aspiration for writing. Most of my creative bursts come during the night. I am sometimes awakened by jolting moments to write. When this occurs, I do get up and go directly to my computer and begin typing. It is during these moments many of the fundamental ideas come through for my poetry. The writing is almost automatic, and it feels closer to being on “automatic pilot.” Many of the poems in my book GENESIS have come from these waking moments. Some of the approaches for my writing focus on the juxtaposition of my indigenous language and the English language. Through translation, I found this technique interesting how the language interacts as meaning and description. It is fascinating to me to examine the interaction of language and the mapped direction the language interaction takes me, which resembles the action of “unfolding” or “uncovering.” I always look forward to reading other writers’ work because I draw influence and encouragement from what is written. I often think and wonder if the “jolting wake” in the night comes from the influence of reading, where my mind finally assembles ideas for my writing.
What is the most challenging part of your writing process? The most challenging part of my writing process is finding time to focus on the writing and revision process. Because my time is mostly dedicated to my teaching job as an English professor (and all the facets of faculty responsibilities) and my volunteer position as the Associate Editor of Poetry for The Offing online magazine, it can sometimes be challenging to find dedicated time to focus on my writing. I have a small office in my house where I have a small library and a computer. I sometimes have closed the door and try to focus on my writing. I keep the door closed when I am not in my office so I can separate the concept of the room as not part of the house. When I am in my office, I am usually in the headspace of work. It is especially important now in these current times of the pandemic. I do take my time seriously when I am in my office and focusing on my creative written work.
Do you have any advice for new writers? About writing, my only encouragement is to just write. The act of writing is the most important part of the writing process, even though it may be bad writing. I save all my scribblings and voice recorded entries to various folders on my computer. I learned to carry with me a voice recorder to voice my ideas. I used to carry a small notebook but often misplaced them. My voice recorder fits into my pocket and works simply fine. It is important to find or reserve time to focus on writing. It is simply not enough to assemble and collect ideas. Much of the writing process is composing ideas into the structure and revising. Working on a manuscript also takes a lot of time and care. Deciding how much material should go into a working manuscript and to what order also is part of the process that deserves much consideration. If you are a beginning writer and have made it to the point of assembling a manuscript, then you deserve recognition and congratulations. It is a huge accomplishment to assemble a manuscript. Publishing your work is also important. Finding places to publish your writing can be challenging. Rejection is part of the writing process. Do not criticize yourself for rejection. Sometimes it is all about timing. Most of my publishing opportunities come from my network of friends who write. Establish a network. To summarize, make time to read, submit & publish, and most importantly, keep writing.
How do our readers contact you? Your website, blog links, any links you want posted?
GENESIS book order Link: http://amzn.to/2FzG409
My website: http://crisostoapache.com/books-2/
Lost Alphabet’s website: http://www.lostalphabet.com/genesis/