A hybrid author, Donna writes squeaky-clean historical and contemporary suspense. She has been published more than 50 times in books; is a member of several writer’s groups; facilitates a critique group; teaches writing classes; ghostwrites; edits; and judges in writing contests. She loves history and research, traveling extensively for both, and is an avid oil painter.
A Mommy By Christmas: – A community care center, a calico cat, and Christmas—can a single middle-aged woman bring a town together in time to celebrate the King’s birthday? Can a widowed father find a reason to join in? And can the pair see God at work in their lives?
Do you write in more than one genre? I write both contemporary and historical mysteries, usually sprinkled with romance.
Where do you write? What, if any, distractions do you allow? I usually write at my desk in my basement office, but at least two days a week, I write away from home. Distractions are many when you work from home: cats, laundry, meals, and my hubby across the desk from me.
Tell us about your writing process: I usually start with a short synopsis. Sometimes I write this by hand rather than on the computer. Then I schedule out the chapters to write and what day that will be. I try not to write on the weekends, but if I get behind…well, suffice it to say, the entire household knows when I fall behind.
What are you currently working on? I am working on a historical mystery, the second in my Mail-Order Romance series, released on December 31st. You can find the preorder here: https://www.amazon.com/dp/B0BLZMWNTD
Do you base any of your characters on real people? I love to base my characters on people I know. I’ve learned that folks love to see themselves in print. Sometimes I use their real names—after asking their permission, of course. A Mommy By Christmas has several examples of real people: the veterinarian is named after a friend; the couple that helps my heroine with the dinner are real names of a dear couple; and the veterinarian’s last name is the surname of dear friends whose son died tragically last year.
Do you have any advice for new writers? Never quit. Let the stories flow. Trust God to get them into the hands of those who need to read them.
Groups I’m connected with:
American Christian Fiction Writers
Writers on the Rock,
Pikes Peak Writers,
Christian Women Writers,
Faith, Hope, and Love Christian Writers,
Christian Authors Network
How do our readers contact you?
www.DonnaSchlachter.com Stay connected so you learn about new releases, preorders, and presales, and check out featured authors, book reviews, and a little corner of peace. Plus: Receive a free ebook simply for signing up for our free newsletter!
Robert Dugoni, New York Times, #1 Wall Street Journal and #1 Amazon Internationally Best-Selling Author of 20 novels in The Tracy Crosswhite police detective series, the David Sloane legal thriller series, and the Charles Jenkins espionage series, as well as several standalone novels including #1 Amazon Kindle download, The Extraordinary Life of Sam Hell.
I’ve written in the past about the secret of writing, how I found it and how I define it when it comes to my own writing. This is a secret I first read about in Steven King’s book On Writing and later had confirmed at the Surrey International Writer’s Conference on a panel with Diana Gabaldon.
I didn’t understand the secret right away, but with time to reflect, I came to terms with it. Years ago, after having written five critically acclaimed novels, I had been let go by one of the big five publishers. I had time to read Stephen King’s book, On Writing, a book given to me many years before by my God-daughter at Christmas, 2004.
On the inside cover, she wrote.
Dear Uncle Bob.
I hope someday you become a rich, famous
millionaire like Stephen King.
It didn’t exactly happen that way, as it doesn’t for most writers.
But as I read King’s book, I came to a passage in which he revealed his secret of great storytelling. It was very simple, really. First, King posed a question. How does a writer sitting at her desk touch the heart and soul of a person she’s never met and never will, living in a small town she’s never visited and never will?
The secret Stephen King wrote is Telepathy.
All you have to do is find that place in your mind and telepathically touch the minds of your readers. Simple right?
About a year later, I was on a conference panel with Diana Gabaldon – the uber successful author of the Outlander series. At the end of our panel, we had time for questions, and this gentleman stood and said, “Diana. Can you explain the magic?”
Diana responded that she would go into her office, close the door, light a candle, and wait until her characters felt comfortable speaking to her. And whatever they said, she wrote. She talked about being in a place where she was not so much creating the story as she was transcribing a story being told to her.
I sat back and ruminated on those words and eventually recalled a time in my writing life when I had experienced something similar. My own bit of telepathy. My own magic… though I really didn’t recognize it at the time.
I was in the seventh grade. My class assignment was to write and deliver a speech from the perspective of a slave, a slave owner, or an abolitionist. I chose an abolitionist. I don’t recall writing my speech. What I do recall, quite vividly, is the feeling that overcame me when I stood at the front of my class and delivered that speech.
When I had finished – it was probably all of four minutes – not one of my classmates clapped. They sat at their desks and stared at me in silence. I remember thinking I’d failed. My story had failed. After a moment that felt like an eternity, Sister Kathleen cleared her throat and gave me the parochial school finger, beckoning me to follow her into the next classroom. She marched me in front of the class and said, “Give your speech.”
When finished, I looked to Sister Kathleen, and she gave me a smile and a nod. What I had done and, more importantly, how I had done it, would remain a mystery to me for many years, despite many more writing assignments in high school, newspaper articles, and novels, none of which would have the same emotional impact as that simple speech on slavery had on my seventh-grade class and on my teacher.
As I pondered King’s and Diana’s words, I realized that back in the seventh grade, I didn’t know the first thing about storytelling or story structure. I didn’t know what makes a good character. I wasn’t even writing from my head. I had written that speech from my heart.
Was that the answer? Was that what King and Gabaldon meant by telepathy and magic?
I went into my office, and I closed the door. I put on classical music. I put my hands on the keyboard. Then I waited.
The next day I tried again. Nothing.
I kept going back until finally, I heard this character in my head. He was telling me a story. His story. This boy had ocular albinism – red eyes. Kids had picked on him and bullied him and called him Sam Hell and Devil Boy. I didn’t know him. We had never met.
He would wake me at four o’clock in the morning and say, “I have more to tell you.”
So I’d go in my office and I’d sit at my desk, and I would transcribe what this boy told me. And when I was done, I had written The Extraordinary Life of Sam Hell…
More importantly, I truly understood what Diana Gabaldon and Stephen King were talking about. What King called Telepathy. And Diana called Magic.
What I call Faith.
A writer has to have faith in his or herself in order to have faith in our stories. We have to have faith that the story we are writing is uniquely our own and that we are telling it raw and unfiltered, and honest. We have to give up control and stop trying to write stories from inside our heads and instead write stories from inside our hearts. Because that is the place where we can truly touch our readers.
We appeal to their minds, but we touch their hearts.
It’s a scary proposition when someone says write a story from your heart because it first requires that we have one and that we are willing to share it with readers, knowing that there will be some who stomp on it and inflict pain.
I feel that way before each new book. February 22, 2022, Thomas & Mercer will release The Silent Sister, the third in the Charles Jenkins espionage series. I think it is the best of the three books and I hope it touches readers’ hearts. It’s a story of selflessness, heroism, and dogged determination. It’s a story of brutality but also kindness. It’s a story of fulfilling one’s destiny, in spite of tremendous odds to the contrary.
I hope it’s a book that will touch readers’ hearts because that is the magic of writing.
How do our readers contact you?
How do we purchase The Silent Sisters? It’s available on Amazon Amazon.com: The Silent Sisters (Charles Jenkins): 9781542008341: Dugoni, Robert: Books