Vaseem Khan is the author of two award-winning crime series set in India. His debut, The Unexpected Inheritance of Inspector Chopra, was a bestseller, translated into 16 languages, and a Sunday Times 40 best crime novels published 2015-2020 pick; the series won a Shamus Award in the US. In 2021, Midnight at Malabar House, the first in the Malabar House novels set in 1950s Bombay, won the Crime Writers Association Historical Dagger, and in 2022 it was shortlisted for the prestigious Theakston’s Old Peculier Crime Novel of the Year award. MW Craven, CWA Gold Dagger winner.
ELEVATOR PITCH – THE DYING DAY by Vaseem Khan. Bombay, 1950. A 600-year-old copy of Dante’s The Divine Comedy vanishes, leaving behind a series of complex riddles and bodies. ‘The Da Vinci Code meets post-Independence India.
Do you have any advice for new writers? I wrote and submitted my first novel aged 17! It was awful. I spent the next 23 years and seven novels trying to get published before landing a four-book deal for my Baby Ganesh Agency series. Perseverance is important. But more crucially, it’s important to recognise that quality will out – it takes time and effort to bring your writing to the standard that agents and publishers consider publishable. On my website www.vaseemkhan.com you’ll find a blog piece entitled “Is this is a Dagger I see before me – lessons from 30 years of writing”. It might be useful.
What was your debut novel? And what happened next? My debut, The Unexpected Inheritance of Inspector Chopra, was written after I went to work in India for ten years. It became a Times bestseller after I launched it on the BBC Breakfast sofa to an audience of several million! I then found myself having to write a novel a year. That has meant strict discipline. Luckily, I’m a deadline masochist!
Tell us about your writing process: Wake up. Drown in a few moments of existential angst. Remember that there are still books and cricket in the world, so it can’t be all meaningless. Write for about three hours until my brain stops working. Potter around for the rest of the day, avoiding any DIY assignments my wife would like me to tackle.
What is the most challenging part of your writing process? I’m a detailed plotter – that takes months to get right. My current historical series is compared to Agatha Christie in style – so much so that this year I’m speaking at the International Agatha Christie Festival. The books include complex clues and, sometimes, codes and cyphers, as well as a wealth of historical detail about the period when India became independent after 200 years of British rule. Balancing all these elements is a challenge!
What do you feel are your biggest writing achievements? Getting published after two decades of trying! Followed by winning a Crime Writers Association Historical Dagger, the world’s premier prize for historical crime fiction – for Midnight at Malabar House. In the book, we meet my protagonist, Persis Wadia, newly qualified as India’s first female police Inspector at a time when India is still an intensely patriarchal society. No one knows what to do with her, so they stick her in Bombay’s smallest police station – Malabar House – where all the rejects and undesirables are sent. And then a sensational murder – of an English diplomat – falls into her lap… and she’s off! In fiction, we love pioneers. There’s something mythic about a protagonist challenging the status quo. Persis, as a woman in a male dominated environment, is forced to prove, time and again, that she belongs. As a man, it wasn’t easy to write such a character!
Why do you write about India? I was born and grew up in England but lived in India for a decade in my twenties. It was an intense culture shock. In The Unexpected Inheritance of Inspector Chopra, there is a chapter that takes place in a slum in Mumbai. I visited that slum while living in India, and it was eye-opening to observe poverty on a scale we simply can’t imagine in the West. At the same time, it was life-affirming to see the locals just getting on with things – especially the ever-grinning kids!
How do you come up with character names? A great character name is euphonious, meaning it is pleasing to the ear because it fits the character completely and makes them more real. I trawl through hundreds of online name lists to get just the right name.
We hear of strong-willed characters. Do yours behave or run wild? The Unexpected Inheritance of Inspector Chopra, introduced a middle-aged Mumbai policeman who must solve the murder of a poor local boy – whilst dealing with the odd dilemma of inheriting a baby elephant. What do you do when you live on the fifteenth floor of a tower block, and someone sends you an elephant? Read the book to find out! That elephant has become incredibly popular with readers around the world, so much so that I continue to get email about him. To be clear: he doesn’t talk or fly or solve the mysteries. The elephant is merely a symbol for India and allows me to showcase a different side of Chopra’s personality – he’s a very rigid and honest man. He has to gradually come to terms with the idea that he is responsible for this animal’s welfare.
What’s the most challenging thing about writing characters from the opposite sex? I wrote a female lead for the Malabar House series because I wanted to say something about the patriarchal, sometimes misogynistic society that was India in the 1950s. Persis is ambitious, so much so that she is sometimes quite ruthless in her desire to prove herself. And why shouldn’t she be? We allow male mavericks in crime fiction, so why not a female?
Do you have subplots? If so, how do you weave them into the novel’s arc? Always! For instance, inThe Dying Day, the second book in the Malabar House series, we see twin plots. A 600-year-old copy of Dante’s The Divine Comedy vanishes from Bombay’s Asiatic Society, and the case lands on Inspector Persis Wadia’s desk. Uncovering a series of complex riddles written in verse, Persis – together with English forensic scientist Archie Blackfinch – is soon on the trail. But then they discover the first body.In a subplot, Persis must also investigate the murder of a beautiful white woman whose body is found on train tracks. Could the two cases be related? The trick is to plan in advance exactly how your subplots fit together. If they don’t hang together at all, I think it can sometimes lead to readers feeling cheated! .. Oh, and to date, only one person – an Australian reader – has claimed to have solved all the riddles in The Dying Day. The challenge is made!
Do you base any of your characters on real people? A lot! Early on in Midnight at Malabar House, Persis finds herself working with Archie Blackfinch, an English forensic scientist based in Bombay. They get off to a rocky start, but we know this is going to be one of those will-they-wont-they situations. And this presents a challenge for Persis. Because, of course, this is India just after Independence. The idea of an Indian woman in a relationship with a white Englishman… They’re both socially awkward people – but whereas Archie is one of those Englishmen who’d rather hack their own arm off than speak out of turn, Persis’s determination to succeed sometimes means that she’s a bit ruthless, such as when she almost shoots Archie’s ear off. I guess you could say there’s a lot of me in Archie. (Though my wife hasn’t shot my ear off. Yet.)
Looking to the future, what’s in store for you? I’m getting ready to promote THE LOST MAN OF BOMBAY, the third book in my Malabar House series, out in August in the UK and Kindle in US on August 18, 2022, hardcover on November 22, 2022, in the US. Frankly, I’d buy it just for the amazing cobra on the cover! It’s set in 1950 in Bombay, India. In this one, a white man is found frozen to death in a cave in the Himalayan foothills. His face is crushed, making his identity a complete mystery. When the case lands on Persis’ desk, she discovers a notebook on the body holding a series of cryptic clues. As Persis and Archie Blackfinch chase down the clues, more murders occur in Bombay of Europeans. Could there be a serial killer loose in the city? Pre-orders really help, so don’t be shy!
How do our readers contact you?
The Book Group https://www.facebook.com/groups/readrecommendreview
UK Crime Book Club https://www.facebook.com/groups/ukcrimebookclub
Lost in a Good Book https://www.facebook.com/groups/1715381925391873
Mystery Readers Café https://www.facebook.com/groups/2024429557790696
Bookaholic Café https://www.facebook.com/groups/BookAholicCafe
Book Connectors https://www.facebook.com/groups/1466353170351020
Crime Fiction Addict https://www.facebook.com/groups/507750129408471
The Crime Book Club https://www.facebook.com/groups/CrimeBookClub
The Fiction Café Book Club https://www.facebook.com/groups/FictionCafe
Our guest today is Michael A. Black, author of over 47 books, including his latest series featuring ex-army ranger Steve Wolf as a modern-day bounty hunter.
Michael A. Black is the award-winning author of 47 books, most of which are in the mystery and thriller genres. He has also written in sci-fi, western, horror, and sports. A retired police officer, he has done everything from patrol to investigating homicides to conducting numerous SWAT operations.
Black was awarded the Cook County Medal of Merit in 2010. He is also the author of over 100 short stories and articles and wrote two novels with television star Richard Belzer (Law & Order SVU). His Executioner novel, Fatal Prescription, won the Best Original Novel Scribe Award. His latest novels are the Trackdown series (Devil’s Dance, Devil’s Fancy, Devil’s Brigade, Devil’s Advocate, and Devil’s Vendetta) and Chimes at Midnight (under his own name), Dying Art and Cold Fury (under Don Pendleton), and the Gunslinger series (Killer’s Choice, Killer’s Brand, Killer’s Ghost, Killer’s Gamble, and Killer’s Requiem) under the name A.W. Hart.
Let’s start with something off the beaten track. Tell us something about yourself that isn’t in your bio. Okay…One of the reasons I was interested in writing westerns is that Zane Grey is a distant relation of mine.
You have a new book out. Why don’t you tell us a little bit about it? I’d be glad to. It’s the latest installment of my Trackdown series about disgraced ex-army ranger Steve Wolf, who was wrongfully accused and convicted of a war crime in Iraq and sentenced to prison. Upon his release, his mentor, Big Jim McNamara, picked him up and helped him get back on his feet with Mac’s bail enforcement business, i.e., bounty hunting. Wolf and McNamara had several adventures through the first four books in the series (Devil’s Dance, Devil’s Fancy, Devil’s Brigade, and Devil’s Advocate), and the newest one takes up where the last one left off. It’s called Devil’s Vendetta.
Sounds like a devilish series; what’s the new one about? Devilish is right. Wolf’s goal is to clear his name since he was wrongfully convicted, and through the first four books, he fought to do this by trying to bring the rich and powerful adversary who framed him to justice. In the fourth book, he came close to succeeding, but as everyone knows, nothing is simple when it comes to our justice system. Devil’s Vendetta continues this theme and begins a new story arc. In this book, Wolf receives a call from his mother in North Carolina that his younger brother, Jimmy, has fallen in with a bad crowd, and an intervention is needed. After going back home for the first time since his release from prison, Wolf finds the old adage, “You can’t go home again,” grievously accurate. His hometown has a bit of a problem with political corruption and a growing crystal meth epidemic. To make matters worse, Wolf’s brother and his friends have concocted a dangerous scheme to rip off a drug kingpin. Wolf finds himself battling against superior odds trying to save what family he has left.
And this one continues the series, correct? It does. It’s actually number five in the series. Numbers six and seven are also coming out in short order as well.
You’ve got three new books coming out together? Right. Number six is Devil’s Breed, which takes up where Devil’s Vendetta left off, and then number seven, Devil’s Reckoning, follows in short order. My publisher, Wolfpack, is releasing all three books in the space of about a month (October 4th, October 25th, and November 15th) under their new Rough Edges imprint. I’m feeling a little bit like Charles Dickens. He used to do a chapter a week when his novels were serialized in the newspaper.
That certainly does sound like a quick succession. How long did it take you to write these? I started working on these three last year (2020) in August. I wrote straight through to this past August, with a few other projects interceding from time to time. It was a busy year.
It sounds like it. Three novels in a year is pretty impressive. Actually, I managed to squeeze in a fourth one, but that was a co-author project. I did a novella, too. They don’t call me the fastest keyboard in the Midwest for nothing.
That sounds like a well-earned title. So does the series continue beyond these seven books? Well, each book is a story in itself, with continuing plot threads. At this point, the series could end, but I’ve left enough of a thread that it could continue. That’ll be up to the readers.
What are you working on currently? After spending so much time with Wolf and Mac, I had a yearning to do something different. I also write westerns and had an idea on the back burner for a while. It’s set in 1913 during the early days of motion pictures. It’s got a troubled veteran of the Philippine/American War, a silent movie being filmed, real-life author Ambrose Bierce, the Mexican Revolution, and of course, some nefarious goings-on.
Sounds ambitious. Good luck with that one. But, before we let you go, I have a question about a group you are active in, the Public Safety Writers Association. I understand that you are not just engaged but, in fact, chair the annual PSWA Conference. Please tell us about that.
Sure. I’ve been a member of the PSWA for a number of years and work with the other board members to run the annual conference in July. We always host it in July at the Orleans in Las Vegas and have a great time. I’ve been to many writer’s conferences, and I can truly say that the PSWA Conference is the best. It’s all about sharing your experiences and becoming a better writer. The people are great, and the members come from a variety of backgrounds. It’s affordable and always a lot of fun. Check out the PSWA website for a glimpse of this past conference.
Thanks for stopping by.
Always a pleasure to be on the best of the best blogs, George. Thanks for having me.
How can our readers contact you and buy your books:
Well. Someone in China hacked my website, and I still haven’t gotten around to organizing another one, but all of my books (Ebooks or paperbacks) are available on Amazon.com, Barnes & Noble, or at your local bookstore. If you want to get hold of me, my email is DocAtlas108@aol.com. I’m always glad to hear from people.
Whatever you wish to list here, like links to seller/buy sites or any URL.
Devil’s Vendetta: A Steve Wolf Military Thriller (Trackdown Book 5) – Kindle edition by Black, Michael A.. Literature & Fiction Kindle eBooks @ Amazon.com.
Devil’s Breed: A Steve Wolf Military Thriller (Trackdown Book 6) – Kindle edition by Black, Michael A.. Literature & Fiction Kindle eBooks @ Amazon.com.
I’m a debut author, Canadian, and have just signed a two-book publication deal with Level Best Books. My first title, A Nice Place to Die, is due for release in early August 2022. Blood Relations, number two in the series, is due August 2023.
The books are set in Northern Ireland, where I was born and lived for over twenty years. They are police procedurals featuring DS Ryan McBride and his partner DS Billy Lamont, and while they deal with murder, I do add humour and focus on the setting and characters.
Like many of us, I’m sure, my journey to publication was long. I worked (in broadcasting) until I decided to take early retirement, write, and travel. Well, we all know what happened to travel!
As an unpublished writer, I entered a few competitions and won the Mainstream Mystery and Suspense Daphne du Maurier Award in 2019. I’ve been long-listed four times for the Crime Writers of Canada Arthur Ellis Awards, and I was finally shortlisted in the CWC Canadian Awards of Excellence in 2021.
I applied for a few grants to conferences. While I never received a grant, I did come to the attention of one of the committee members who had read and enjoyed my first few chapters. She asked me to send her the book to read. I did not, however, feel it was ready to send out for such professional scrutiny (she was a publisher!) and asked that she allow me some time. Two years later, with Covid in between and many more rewrites on my part, I resent the manuscript. This time she read the whole book and offered me a three-book contract. I ended up deciding to go with two books to start, publishing schedules are short, and I take a long time with my books!
I started out as a pantser. I wrote my first book, Abducted, in one linear process. Honestly, I can’t believe I did it that way. I had absolutely no idea what I was doing. That manuscript, however, did get long-listed in the CWC annual awards competition. That gave me such a boost. I started my second book, the first in the Northern Ireland series. I began to write it the same way and quickly got lost in the plot. Frustrated, I took Simon Wood’s class, Plot Thickeners, via Sisters in Crime. He showed us how outlining and plotting out make life easier. I wouldn’t say I am a total outliner; I wish I was, but more like a hybrid.
I can’t say exactly the best book I ever read, but I love Kate Atkinson’s Jackson Brodie series. I also love November Road by Lou Berney. I enjoy police procedurals so I must mention the wonderful British writer Susan Hill. And I just finished an older book, The Enchanted April, by Elizabeth von Arnim. It was fantastic.
The take-away for me on this journey is, don’t rush your work. Write the best book you can. Take classes, ask for help, write and rewrite. Join critique groups. Read in your genre and outside it. It’s taken me about four years to write A Nice Place to Die. The first edition of that manuscript was not very good. It’s a process. Certainly, for me, as a new writer, joining Sisters In Crime was the single most important thing I did—classes, critique partners, advice online, and making writer friends. Going to conferences is costly but worth it, and if you can afford a professional editor, so much the better. Enter competitions and apply for grants. Why not?
A Nice Place to Die is due for release in August 2022. – It’s 2016, and Northern Ireland remains a deeply divided province by years of distrust and hatred. But not all crimes are related to the troubles, and Northern Ireland’s past history is the least of Detective Sergeant Ryan McBride’s problems. He has enough to worry about with his latest murder inquiry. Unwilling to risk losing the case, he breaks the rules and fails to disclose a one-night stand he had with the victim. As to the investigation, it’s going nowhere fast as one-by-one, his prime suspects are murdered.
Blood Relations is due for release in August 2023 – Retired Chief Inspector Patrick Mullan is found brutally murdered in his bed. Ryan and Billy are called to his desolate country home to investigate. In their inquiry, they discover a man whose career was overshadowed by violence and corruption. Is the killer someone from Mullan’s past or his present? And who hated the man enough to kill him twice?
I’m a graduate of the Humber School for Writers in Toronto and BCAD, University of Ulster. I’m also a member of Sisters in Crime, Crime Writers of Canada, and the Suncoast Writer’s Guild.
Where can our readers contact you and order A Nice Place to Die?
Buy the book: https://amzn.to/3CGIzi0
My email is email@example.com
My website is jwoollcott.com
Terri Benson has published three novels and nearly a hundred articles and short stories. In addition to The Pickup Artist, her credits include November 2021—The Angel and The Demon, Book #1 of Lead Me Into Temptation, a historical romance; 2012—An Unsinkable Love, a historical romance set on the Titanic and in the New England Garment Manufacturing District. She works at a Business Incubator, and her hobbies include camping, jeeping, and dirt biking. More info at https://www.terribensonwriter.com/
The Pickup Artist, A Bad Carma Mystery, was released on April 1, 2022, from Literary Wanderlust. A female classic car restorer discovers her newest project comes complete with a serial killer who now has her in his headlights, and, by the way, she’s also the local LEOs #1 suspect.
I’m currently working on more Bad Carma Mysteries and Lead Me Into Temptation books.
Do you write in more than one genre: Yes, I write both mysteries and historical romance, but no matter what I’m writing, there is bound to be romance, mystery, and a little bit of history.
Tell us about your writing process: I’m a bit odd in that I come up with a title first. Then I figure out what scenario I can see working with that, then I write. Since both my series are fairly defined by the series titles, I know what kind of book I’ll be writing from the start.
Has an association membership helped you with your writing? Absolutely. I’ve belonged to Rocky Mountain Fiction Writers for more than a decade, and I fully credit the great friendships I’ve made there with dozens of amazing writers, agents, editors, and publishers—including the two who published my last two books (The Pickup Artist and The Angel and The Demon)—to those friendships. I had access to hundreds of workshops from RMFW and Pikes Peak Writers that helped me hone my craft, getting me to the point agents and editors would look at my work. I also found the publisher for An Unsinkable Love pre-RMFW via a contact in a critique group I belonged to. I can’t recommend “finding your tribe” enough for new and not so new writers. I’m also a member of Sisters in Crime.
How long did it take you to write your first book? My “first” book took 20 years, but I’ve never submitted it to anyone – eventually, I probably will. My first “published” book took four months to write, and since it was for an open call for books about the Titanic, it had a due date to submit. I remember meeting my best friend, who is my most critical beta reader, and her passing the manuscript from her car to mine in the dark at about 8:00 at night the day it was due to be submitted. If a cop had seen us, they’d have suspected a drug deal! I made edits and submitted it with less than 10 minutes to spare. It was published about a year later, in time for the 100th anniversary of the Titanic’s sinking.
How do you come up with character names? I drive through a cemetery every day to get to work and eat lunch there almost every day (it’s very pretty and quiet, with frequent visits by deer). I often wander around and write down names to use. And for Renni in the Bad Carma Mysteries, when I needed to have her full name be mentioned, I ended up with Renault Landaulette Delacroix because her father was a car-obsessed Frenchman.
We hear of strong-willed characters. Mine run wild and crazy! I’ve discovered some amazing things about my characters over the years, but only when they let me. And sometimes that plays havoc with the story! Do yours behave or run wild?
Do you have subplots? If so, how do you weave them into your story? I always have subplots because my characters demand it. I also think it makes the story more real and in-depth if things are going on between characters that impact and enhance the main plot. It might be a romance with sub-characters or a situation with a car that causes problems to make Renni’s life more difficult, but also helps show her faults and foibles and/or that of other characters.
Do you base any of your characters on real people? My Ed Benson character is patterned off my brother-in-law, with his blessing. But he did go from being a middle-aged white guy to a billionaire inventor who is the spitting image of Morgan Freeman (again, with Ed’s blessing) because that’s what the character wanted.
What kind of research do you do? I do a ton of research. With Bad Carma, I need to have a selection of cars to restore and know what kinds of equipment I’d find and how they’d be used in a restoration shop. For my books, because they all have some historical plotlines, I do a lot of historical research to find out what was happening when the car was being made or the era the romance is set in. I like to know interesting facts that I can use (sparingly!) in the story to give my readers a little tidbit they won’t have known. My favorite tidbit in An Unsinkable Love was that the Titanic had floor tiles that were more expensive than marble – a new product called Linoleum!
Where do you place your settings – real or fictional locations? I generally have settings in the west, around the Four Corners area, because I know those places from spending my life living there or camping and traveling around there. But Unsinkable was set on the Titanic and in the New England garment manufacturing district, so I don’t feel obligated to use any particular place except what works for the story.
Why did you choose to have a female classic car restorer as your protagonist in the Bad Carma Mysteries? I’ve always loved old cars, especially those pre-1950, and think that perhaps if I had my life to do over, I might have been Renni! Then I could work on the cars instead of just going to as many car shows and auctions as I can and check out the intricate details on the older cars. My research has uncovered hundreds of potential vehicles to use in my stories, and I find more all the time. The Divco delivery van pictured is what Renni drives to shows and is based on one owned by a guy here in town who let me climb around it and lent me a book on the Divco history. Renni hitches it to a custom-made “Jim Dandy” teardrop trailer. I found the plans for the trailer online and was intrigued because it has an ahead-of-its-time swing away hitch, allowing the kitchen area to be at the front of the trailer rather than the rear like most do. The 1950’s era Mercedes Gullwing pictured is just an amazingly beautiful car and will be featured in a future Bad Carma.
Do you have any advice for new writers? Learn everything you can about craft. Join writer groups. Find a critique group. Don’t try to do this alone. It’s more fun, you will be a better writer faster, and you’ll make friends that understand the angst of writing.
Where can our readers learn more about you and where to buy your books?
My website: https://www.terribensonwriter.com/
My books are available at:
Barnes & Noble: https://www.barnesandnoble.com/w/the-pickup-artist-terri-benson/1140930664?ean=9781956615029
As well as most book distributors.
Good morning. I am Albert vande Steeg, an immigrant from the Netherlands. My careers include ranch hand, police officer (detective) contractor, and a builder of missionary buildings in fourteen foreign nations; Europe, Africa, South America, and the South Pacific.
Cops have many stories that relate humor, intrigue, serious crime, and danger. Most of these stories are told when cops get together and they “one-up” each other. Others are told at family gatherings. When the stories are good and told well, someone will say, “you should write a book.” That is what my former partner said, and six months later, The Black Band had its first draft.
Yes, it was a struggle to get published. Having no experience and no writers club or conferences to guide, I found the Writer’s Market with all the publishers and agents listed. Reading this taught me how to persevere. Six months later, the contract was offered, and nine months later, The Black Band was published by Oak Tree Press.
The Black Band has been rewritten and titled “The Canopy.” Many of the stories found in the book originated at the cop bar, The Canopy. That is where stories were told and retold over mugs of beer and giant “Texas” cheeseburgers.
Writing about places is easier if one is familiar with the setting, so the descriptions are natural and real. Maps are used to correct street names and create a community the reader will identify as genuine.
Finding names for characters posed a real difficulty. Remembering created names of people not known brought a memory fog to writing. The solution was to name all the good and liked characters the first name of a friend or person that is admired and the last name of another such person. The bad guys then became people who are not liked or admired, again mixing first and last names. That is easy to do when doing police work.
For instance, there was a particular thief who stole calves from farmers. Knowing that many farmwives use the cash they receive from selling calves for their grocery fund, I was offended because my early years were spent in hunger during WWII. His name and that of a Sergeant who stole a pistol from the evidence locker became the name of the calf thief.
Speaking of hunger reminds me of that time enduring the pangs of hunger and the fear of living under the Nazi occupation, a story told each year to the fifth graders at our local elementary school. Having heard the war and immigration story, these students and their teachers suggested that it would be a good read if written.
That was the birth moment for writing The Dutch Winter. I knew how it started and how it would end; the plot and stories would flow as writing began for a historical novel. It had to be a novel in order to include the many stories told by parents, uncles, and aunts and historical accuracy for locations and events. The research was done by touring the sites in Holland and subscribing to a group that publishes Dutch war events, and I interviewed people who lived during that time.
Since there is a retirement home with many Dutch residents nearby, it is easy to find people in their nineties who would tell their stories over a nice lunch at their favorite restaurant. There I found a spry ninety-three-year-old lady who carried messages for the underground resistance as a girl of sixteen. She was a lovely lady with great humor who cried when telling of the horrors she experienced.
The Dutch Winter is not limited to one hero or heroine. The Dutch were patriotic and brave in their zeal to resist Germany and protected the lives of the underground fighters and Jews from capture and extermination in concentration camps.
Another main character is a Dutch patriot that returned to Holland from Minnesota to fight the Nazis. He is paired with the girl who delivered messages, and they fight side by side, and, as every story needs some romance, they marry.
That required that I know where he came from and be familiar with his hometown. I chose a small country town where a friend was born and raised. Along with a map and internet search of the town, Pease, Minnesota became real.
To ensure that the cities, streets, and places in Holland were spelled correctly and placed geographically, I secured maps of these places to verify accuracy.
All my writings bring the characters to life with their beliefs and practices. During WWII, it took faith in God and strength of character to survive hunger and fear. Thirty thousand Dutch died of starvation during the winter of 1944-45. The majority were grandfathers who gave what little they had to their children and grandchildren and then searched for food and died on the streets, too weak to continue.
That patriotism and spiritual strength is evident in The Dutch Winter.
The Dutch Winter and The Canopy are available to order at any bookstore or Amazon.
My website is Albertvandesteeg.com and my email is firstname.lastname@example.org