David Haldane, a former Los Angeles Times staff writer, has published three books: an award-winning memoir entitled Nazis & Nudists, a short-story collection called Jenny on the Street, and, his latest, an Amazon bestselling compilation of essays exploring life on a tropical island. He has also written and produced radio features, for which he was awarded a Golden Mike by the Radio & Television News Association of Southern California.
Haldane, along with his wife and two young children, currently divides his time between homes in Joshua Tree, California, and Northern Mindanao, Philippines, where he writes a weekly column for the Mindanao Gold Star Daily called “Expat Eye.” A compendium of those pieces was published earlier this year under the title A Tooth in My Popsicle and Other Ebullient Essays on Becoming Filipino, a book expressing the joys, triumphs, tribulations, exigencies, and hilarities of expatriate life. You can get it on Amazon.
What brought you to writing? Many years ago, living in a barren unheated apartment in Berlin, Germany, during the coldest winter months, I hit rock bottom. Specifically, I felt lonely, hopeless, abandoned, and extremely depressed at having to wear my fur coat inside and constantly seeing my breath as white wisps of steam. In utter desperation, I started writing letters to friends back home, especially an old girlfriend who’d given me the boot. It became a daily ritual that saved my life. I’ve been writing ever since.
Do you write in more than one genre? Having spent most of my life working as a journalist, I am naturally drawn to nonfiction. After getting laid off in what came to be known as the Mother of All Recessions, however, I later expanded my notion of nonfiction to include, well, things that weren’t entirely true. As in short stories. Mostly, though, I work somewhere between those two extremes in the realms of narrative nonfiction—i.e., stuff that reads like fiction but isn’t—and personal (often also narrative) essay, which pretty much describes my columns. These days, that’s where I really live.
Where do you write? I write wherever I have to, which can range from hotel rooms on my laptop to in bed on my cell phone. Where I prefer to write, though, is in the spacious office on the top floor of the dream house my wife and I built overlooking Surigao Strait at the northernmost tip of Mindanao Island in the Philippines. It has a 180-degree view of the ocean dotted with distant islands and, frankly, is the place wherein I was born to contemplate the blank page. The only distraction I allow is my two-year-daughter and her three-year-old cousin coming in to visit bearing cookies. They are especially fond of jumping on the couch to see whether they can reach the ceiling, a habit I find quite annoying but also hopelessly enchanting. And definitely uninterruptible.
Do you outline, or are you a pantser? Because most of my writing happens in short bursts, I am, by instinct, a pantser. The idea of plotting something long and complicated is terribly intimidating to me and, frankly, something I can’t even imagine ever doing. What has become an inevitable part of my process, however, is sometimes jotting quick notes after getting an idea, probably in case I forget what it is. Which, I must admit, has happened more than once. After more years of doing this, than I care to admit, I am finally beginning to feel confident in knowing the difference between a mere idea and a genuine story. Still, I don’t always know exactly where it’s going until I sit down to write, which is why the notes help.
Looking to the future, what’s in store for you? I plan to give up writing and become a dog catcher. Just kidding. Actually, I’m planning a sequel, another essay collection starting where this one left off on the theme of surviving a major typhoon that blows the roof of your house and empties all its contents. I’m thinking of calling it Aching Testicles. Also, I just had one of the most amazing experiences of my life; discovering a whole new family in Germany I never knew I had. My mother was a Holocaust survivor who always told us that most of her family got wiped out. It turns out that her brother survived and, not only that, became a prominent journalist, politician, and the father of two children. Not to mention, several other of my grandfather’s descendants of whom we were completely unaware. So now, 90 years later and long after the principles are dead, we’ve all reconnected in a reunion that’s been incredibly emotional for everyone. I think there’s definitely a future book in that: the story of a family tragically torn asunder and then miraculously reunited almost a century later. I’m open to any suggestions for a title.
Do you have any advice for new writers? Sure. First, don’t do it for the money because you probably won’t make much. Pray that writing by actual living human beings rather than AI bots will continue to be a thing, at least until you die. And hope that the next generation retains the ability to read. Finally, don’t become a writer unless you absolutely have to. If it’s not an obsession, don’t even bother.
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Rhonda Blackhurst is a die-hard indie author and enjoys empowering and educating others in the process. She has ten published novels: The Inheritance, a Hallmark-style fiction stand-alone; seven in The Melanie Hogan Mysteries; and the Whispering Pines Romantic Suspense.
In her day job, she has worked in the law enforcement arena in the victim witness field and as a paralegal for the past 20+ years; she recently took an early retirement from the Adams County District Attorney’s Office.
In addition to being an author and indie author consultant, she is a certified life coach with a program called “Rise From Victim to Victor—How to Make What Happens to You, Work for You.” She enjoys running, biking, hiking, spending time at their Arizona house, and anything outdoors. She, her husband, and their very spoiled Fox Face Pomeranian reside in a suburb of Denver.
What brought you to writing? I began writing at an age when no one realized where it would take me—four years old, and unfortunately, it was with crayon on the knotty pine walls of our family home. I didn’t draw pictures. I actually wrote what I thought were words because I apparently had something to say. And it’s never stopped. I spent endless hours sitting on the dock by the lake we lived by or in our fishing boat, dreaming of worlds and words. I wrote a lot of poetry back then. In Jr/Sr High School, I saw the movie Absence of Malice with Sally Field and Paul Newman, and from there, I was determined to be a journalist in New York City. To start, I wrote a few articles for the city newspaper about school events. I got derailed a bit in college, and when my babies were little, I wrote two novels with pen and paper. I still have those manuscripts in boxes. After moving to Colorado, I began writing as a stringer for the local newspaper, but my heart was in fiction. After my last child left home, I began taking writing seriously, joined writers’ groups, and published my first novel in 2012.
What are you currently working on? This past April, I published the last book in a cozy mystery series, Shear Misfortune, in The Melanie Hogan Mysteries.
When a fitness center is a locale for both health and murder,
exercise enthusiasts must weigh their odds of the outcome.
I am writing the first draft of Inn the Spirit of Murder, book one in a new cozy mystery series, The Spirit Lake Mysteries, and having a ball with it. It stars Andie Rose Kaczmarek, the Spirit Lake Inn owner and a life coach, who has a feisty nun as a sidekick. It contains a bit of paranormal activity and all the colorful small-town characters. New ideas for books in the series keep popping up as I write—a writer’s dream! I’ve worked in the law enforcement arena in some capacity—mostly as a paralegal and in the victim witness field—for the past 20+ years. I was immersed in the darkness of the world where there are often no winners in the end. Writing cozy mysteries was my way of being able to leave that darkness in the evenings while I wrote and tied up the ending of the story with a pretty red bow. Cozies give me hope because the good guys win in the end, something I didn’t often see in my day job.
How do you come up with your character names? Naming my protagonist and antagonist is perhaps the most indecisive part of my writing. But when I finally decide on a name, it solidly clicks. In the Abby series (The Whispering Pines Mysteries), the name Abby brings to mind both vulnerability and strength. I have no foundation to hang that on, but it’s such a strong connection in my mind that it’s become a fact. Her ex-husband’s villain in that series makes it his mission to track her down, so he is appropriately named Hunter. In the Melanie Hogan mysteries, I chose the last name of Hogan because one of the most famous governors of Minnesota was Hulk Hogan (Jesse Ventura), and it just seemed to fit. The protagonist in my new series, Andie Rose Kaczmarek, I struggled with the most. I think I changed the first name several times and went back to the first name I chose. And at this point, even if I wanted to, there’s no going back because she’s a character in the last book of the Melanie Hogan Mysteries, which is already published. However, her last name solidly clicked because Kaczmarek is Polish for “Innkeeper.”
Has an association membership helped you with your writing? A resounding Yes! I think writers’ groups are essential to an author. Just being in the same room as a bunch of creatives is energizing. And learning from one another is such a huge benefit. Writers are one of the most giving, helpful groups of people I’ve known. I’ve met so many who are willing to share what they know and help in any way they can. The first writing group I belonged to was Northern Colorado Writers, and theirs was the first conference I attended. They hold a special place in my heart. I’ve added Rocky Mountain Fiction Writers and Sisters in Crime. I’m currently President of Sisters in Crime—Colorado Chapter. I strongly encourage writers, no matter where they are on their writing journey, to get involved in whichever groups they belong to, as well as conferences. Volunteering is the best way to get full advantage of the experience.
Do you have any advice for new writers? There is only one solid rule—write! You will never be a writer if you don’t eventually stop thinking about it and write. And don’t let anyone “should” on you. Your path is uniquely yours. For every person who says you must do it one way, there’s another who will disagree. Your path is your path. Have fun with it!
“Start writing, no matter what. The water does not flow until the faucet is turned on.” ― Louis L’Amour
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Veteran – TV Cameraman, NASA Journalist, Sci-Fi & Mystery Writer
What’s the name of your most recent book? And could you tell us a little about it and any other books you’ve written? My latest novel is “Death in the Holler,” a mystery published on June 15, 2020. Luke Ryder, the main character, is a Kentucky game warden who’s an alcoholic. He’s in danger of losing his job because of his addiction.
Ryder’s life-long friend, Sheriff Jim Pike, wants to hire him, but only if Ryder can control his drinking. Pike offers to ask Ryder’s boss to give him a temporary transfer if a big case comes up. In Kentucky, game wardens are also law enforcement officers.
A Latino man from Louisville is found shot dead on a farm’s food plot shortly after the beginning of “muzzle-loader” deer-hunting season. Sheriff Pike calls on Ryder to help with the investigation. The two lawmen wonder why a man from a big city ghetto would be killed on a remote farm in a holler, a small, wooded valley. And why was he killed with a modern black powder weapon or perhaps an antique flintlock firearm?
This story is loaded with rough and tumble action, plus a smidgen of romance. Readers tell me that as they follow the story, they constantly root for Ryder to defeat his alcoholism and to find the killer.
Another of my books, “The Knight Prowler, a Novella,” is a mystery about a government researcher whose body is discovered not far from the Livermore Lab in Northern California. Rick Knight, the protagonist, is a TV nighttime crime reporter. His brother, John, is a Livermore Police detective. They team-up in an effort to catch the killer.
How did you come up with the ideas for those two mysteries? The concept for “Death in the Holler” came to me when I was visiting my daughter, Melody, and her husband, Matt, in Kentucky. Matt hunts deer with a crossbow. To attract deer, he plants “food plots” on a relative’s farm. My brother-in-law also lives in the Bluegrass State and has hunted deer. I helped him plant a food plot on his farm years ago. So I wondered, what if somebody was killed on a food plot during hunting season? That was how the idea for “Death in the Holler” was born.
As for “The Knight Prowler,” I wrote that short book to see if I would like writing in the crime/mystery genre. I have a background filming crime news for television, though I did this many years ago. My first jobs after my Army service were news cinematography positions. I covered daytime crime for several years for WMAL-TV (now WJLA), the ABC affiliate in Washington, D.C.
I filmed stories about many bank robberies and homicides. Often I found myself in bad sections of town, usually on my own. More than once, friends asked me if I carried a “piece,” a pistol. I didn’t. I found that most folks in the “bad” part of town were good people. At first, I felt edgy going to murder scenes by myself, often after the police had left the scene. But I grew to like the excitement—I became addicted to taking chances to get stories.
Even now, flashes of memory from crime scenes I visited years ago pop into my mind’s eye. I see money blowing across the street after a bank robbery, a pistol lying near a curb of a major avenue, bullet holes in a door, blood on a concrete sidewalk, and much worse. So, when writing a mystery, I find it easy to realistically picture scenes, even though I’ve invented a purely fictional story. When I think of what will happen in my stories, I daydream. I see the story unfold. I hear the characters talk, and I feel the cold or hot air, the humidity. I imagine smells that waft through the air.
Do you write in more than one genre? In addition to crime/mystery, I write science fiction. I began to write it because I worked for NASA for years. I saw many projects and learned of numerous discoveries that would have been fiction in years past.
What brought you to writing? I was born on Chicago’s Southside. When I was very young, my family moved to a small, two-bedroom house in Milton Township between Glen Ellyn, an affluent suburb, and Lombard. I was lucky to attend very fine public schools in Glen Ellyn. In contrast to many of my schoolmates’ families, mine wasn’t well-to-do. At times we were poor. Later, our financial situation was better. But I have always been sympathetic to poor and downtrodden people.
I was good in science and math at school. English was my weakest subject. Some of my teachers urged me to study to become an engineer or a scientist. But I wanted to do something that could help right the wrongs of the world, journalism. So, I studied TV news when I went to the University of Illinois. That’s where I began to learn to write.
The day after I completed college, I was drafted into the Army during the Vietnam War and was on a jet plane on my way to basic training. The university sent my diploma to my parents’ house. The Army made me a journalist. Early on, my Army newspaper editor taught me the most I’d learned to that point about writing. I wrote for the Ft. Lewis newspaper, “The Ranger,” a weekly that included as many as forty pages. It had roughly 20,000 to 30,000 readers because Ft. Lewis is the size of a small city. I also wrote and hosted an Army radio news program that aired on a few stations in the Pacific Northwest.
After the Army, I worked in commercial TV news. I filmed crime and other news events. Later, I was a broadcast engineer at WMAL-AM/FM, an ABC Network station. While I was having a beer with a NASA official, he offered me a job to write and produce documentary programs for the agency. After joining NASA, I made more than a hundred NASA TV programs. Later, I wrote hundreds of articles and news items for NASA. I earned my living for much of my career writing about news events and discoveries. After thirty years, I retired from NASA. It was then that I decided to take a stab at writing fiction.
What are you working on now? I’ve nearly completed a volume of short stories called “Florida Grand Theft & Other Tales.” It not only contains crime stories but also includes a section of sci-fi short stories. My next mystery novel is tentatively titled “Murder at NASA.” Besides that, I’m planning a memoir about my TV news experiences and my time working at NASA.
How do our readers contact you? My website is an excellent place to contact me at http://www.bluckart.com. There’s a place on the home page where you can send me a message. There’s another page on my site that lists my books and where they can be purchased: http://bluckart.com/books.html.