Ms. Barbara Butterfield is California-born and raised and currently resides in a suburb of Phoenix, Arizona, where she lives with her favorite feline friend: Baybee.
Romance, integrity, suspense, playfulness, and personal growth are all values that play a vital role in her novels. More importantly, the gospel and spiritual growth are also an aspect of life into which she delves.
Ms. Butterfield has written for many years, her first novel having been penned at the age of fourteen. She also studied writing and journalism, becoming the Editor-In-Chief of the school’s newspaper.
My latest work, “A Curious Christmas,” will be coming out shortly. These days, I primarily write in the military and law enforcement genres, so this light-hearted romance with a touch of psychology, mixed with a healthy dose of poignancy, is a bit different for me.
“A Curious Christmas” synopsis: Alysha Dunsworth is running from haunting memories of tragedy but soon discovers there’s no guarantee of winning the race.
Two recently published novels were a particular favorite to write: “The Last Flag” and its sequel: “Partners in Crime.”
At the time, Charles and Zach, the two leading characters, were co-workers of mine. I used their names because of their personalities and the way they interacted with each other, but the storyline was created.
Because of their inspiration, those books were so much fun to write. Total ‘guy’ books, these two novels don’t even have a leading lady.
The Last Flag goes from Charles and Zach serving in the Marine Corps to Partners in Crime, where we see they have been discharged (honorably, though just barely) and now recruited into the FPI (Federal Piracy Interdiction), which is a division of the FBI and the trouble they get into there. When all is said and done, and the angst and laughter have subsided, Charles and Zach save the day and go from being toast…to heroes. Both are exceptionally entertaining yet complex stories.
So, years ago, friends said, ‘you ought to write a book.’ It seems they got a warped kick out of my letters. One person even complimented me by saying my humorous writing style was a cross between Erma Bombeck and Dave Barry. I have to admit that was quite humbling.
One day, while waiting for the moving van to arrive, I was bored. Everything was packed, except the computer. I sat down and tapped out a single paragraph that later developed into a 7-book series, and that was that. Now, eighteen novels later, I’m still writing.
I write in my living room at a little table that I pull over in front of my easy chair, with my old laptop (that I should replace.)
I write from emotion, which means I feel what I write. Consequently, my books are not written sequentially, but each chapter is written based on how I’m feeling at the time and then inserted where it belongs in the story, like driving from San Francisco to Los Angeles by way of Denver.
Writing comes very easily to me. In twenty years of writing, I can only think of one time that I had ‘writer’s block.’ I had a friend at the time who was a lawyer in Texas, I lamented to him, and within minutes he sent me a 1-page ‘idea.’ I was off and running, and “The Rogue of Port Cuevas” was born (my own 1800’s pirate’s story).
For me, the most challenging aspect of writing is suspense. I’m in too much of a hurry to let my readers know what’s going to happen. So, I have to pace myself. Not always an easy thing to do. That said, the only people that die in my novels are the bad guys. The bad guy in “For Love or Money” was particularly obnoxious, and he did get it good in the end.
I do my research online. Google can be handy. But also, as applicable, my friends can be a resource: an RN (who also edits for me), a retired USAF colonel who was a pilot, a retired USMC captain, etc. I belong to one writers association, and the expertise of its members is also a good resource.
I rarely use an outline to write from. But I have at times, depending on how convoluted the plot/sub-plots are.
My characters are created, but I often use my friend’s names for my characters. I’m fascinated by names, so when I run across one that is particularly interesting, odds are… it’ll turn up in a book.
Another aspect of my writing is that I create the covers. I have used some ‘stock’ photography, but I moved into doing my own cover and interior galleys quite some time ago.
I orchestrate the whole gig: models, locations, props, and costuming. For “Journeys with Jesus,” I produced a music video to compliment the story. It was a unique and moving experience to watch the production unfold and see the story spring to life.
I choreograph the entire production: scene by scene and time it to include both camera time and costume changes. Depending on the complexity, I’ll host a pre-production meeting. In short, it’s a lot of work, but also a lot of fun.
Lastly, hmmm, advice for new writers? Writing can be a special and unusual calling. It can be rewarding and frustrating. Getting into writing is one of the hardest things you will ever attempt. It almost seems as if literary agencies exist merely to reject your work, thereby kicking you to the proverbial emotional curb. Roll with it, learn, and keep going.
I self-publish for this very reason. It still gets the book out there where people can read it and like it. In my case, people love my work and have told me so. But all I get from agencies are rejections. Hence, I self-publish…and keep going.
Also, writing doesn’t pay, not until you build a name and reputation, and that can be a long, hard climb, and it surely doesn’t happen overnight, if at all. So, you write not for the money, but because it is the heart of who you are.
So, in short, write. If there’s a story inside of you, it will find a way to make itself known.
Also, you never write a final copy when you first sit down at the computer. You will write and then fix it. Then read it, and change it. Eventually, you’ll end up with a manuscript that is just the way you want it. If you’re having a hard time starting, just sit down, jot out a paragraph and see where it leads. Remember, you don’t always need a map to see where the road may lead.
Readers are welcome to contact me at my email email@example.com. Books may be purchased through any online retailer like amazon.com or Barnes & Noble, etc.
Mark Langley – Talks About his Approach to Writing
My latest book, Death Waits in the Dark, is the second in a series concerning Arthur Nakai, a former Marine, ex-Shadow Wolf for the CBP. He has left that life and runs his own outfitting business in Northwest New Mexico. His wife, Sharon, a local KZRV news reporter and sometimes anchor, is still struggling with the loss of their first child, and the two of them are trying to move forward in their marriage. This is stressed in my first book, Path of the Dead, and begins to reshape them in Death Waits in the Dark.
I have always wanted to tell stories. After a terrifying car crash in my thirties, I sat in the hospital wondering what if I hadn’t made it? What if I was alive only with the help of machinery? What had I done with my life? From that moment on, I decided to live and go where I always wanted to go: the American Southwest. My parents took me there on a vacation when I was twelve, and the land had been a part of my soul ever since. I had to go back. I had to go back to what I felt was my home. Upon doing so, the urge to write of characters that inhabited that land grew evermore present inside me. I took a two-week trip and dictated everything I saw, felt, smelled, and heard into an old Panasonic tape recorder. That trip became Path of the Dead.
I’ve been told I do things a little backward. I normally think of a title and then create a story around it. Then I sit down and create characters along with backstories and begin to work out the plotline. I may go through several drafts, but I sit down at my laptop and let the Characters take over when I have all I need.
The third book in my Arthur Nakai series, When Silence Screams, is about a missing nineteen-year-old from Santa Fe. When Arthur is visited by the girl’s mother and her brother, she has been missing for six months. The family believes she has been sold into sex-trafficking. While Arthur is searching for her, he learns of a fifteen-year-old girl that has vanished, leaving only her bicycle behind. Then a young woman in her early twenties is fished out of a lake on the Navajo reservation with a ghastly revelation. Are the three connected? Arthur will have to find out.
After reading about the Missing and Murdered Indigenous Women and Girls on the reservations in both the US and Canada, I created this story. Like Shirley, Becenti tells Arthur, “When a white girl goes missing from a golf course, the world hears about it. Let it be an Indian, and no one cares.” When I read that in 2016 alone, 5,712 girls and women went missing, I had to tell a story that would make people aware and think. I don’t tell the reader how to think but encourage them to form their own opinions.
Currently, I am reading Craig Johnson’s Longmire series as well as Anne Hillerman’s continuations of her father’s works. I confess I don’t get a lot of time to read, but I have read my author idols: Robert B. Parker, Mickey Spillane, and Ernest Hemingway, along with Ian Fleming and John D. MacDonald (whom I share a birthday with).
Path of the Dead took me about 20 years to write. I have a favorite saying John Lennon said years ago: “Life is What Happens To You While You’re Busy Making Other Plans.” I began Path of the Dead under the title Navajo Wind, then met the woman who became my wife, worked hard, took her adolescent daughter as my own, and life took over. Other things became more important. For the next 20 years, it was an on-again-off-again romance with writing. Then, at the end of 2016, after retiring, I decided to take my one chance at making my dream come true. And thank God, it did. A few months later, I had an agent and a two-book deal with Blackstone Publishing.
Character names seem to fall into place as I develop the persona of each character. If the name flows, I use it. If it doesn’t, I keep searching. The names have to feel real, not contrived, for me to create a character around them.
As most writers can attest to, you can think all you want about how they would react. Still, whether they are having a conversation, involved in some action, they tend to have a mind and will of their own and do things you hadn’t thought of. Their own “humanity” comes to the surface.
I don’t believe that a man can’t write from a woman’s perspective or vice versa. A lot of Sharon’s actions and words are my wife’s. I think that adds to the reality of their marriage. And my readers have told me they love the characters because they are believable. In Death Waits, I deal with PTSD and Arthur’s military past. Having never had that experience, I turned to my friends that had joined after high school and had been in Afghanistan. I sat and listened and learned a great deal. Then I did a lot of research, and that made me able for Arthur to convey that bond of brotherhood and talk of his past truthfully.
I love having subplots. In Path of the Dead and Death Waits in the Dark, I use them. I find that even if they are little things that actually have happened in the area Arthur calls home, not only will the readers that live in that area remember them, but other readers will see the subplot as an interesting little detour.
Arthur’s looks are based on a Native actor. Sharon is based on a TV reporter I got to know. Jake Bilagody resembles my grandfather in stature. In When Silence Screams, a few characters are based on friends I had in high school and my first job.
I always outline. I find it is much better to have a road map than to wing it. I outline the story as a whole, then each chapter. That always seems to change, however, when the characters take over the narrative.
I compile folders, if not binders, of research concerning what the story will be involving. That is both the hardest part and the most enticing part of being a writer—learning about things of which you had no idea.
I tell my readers that 98% of the locations are real. I have been there, driven the hard-packed roads, and tried to bring those places to life. Then, the other 2% are fictional because there is so much more leeway to accomplish what a writer needs to.
When Silence Screams will be out next August, but right now, I am researching book four, “GLASS.” It concerns the terrible grip crystal meth has on the reservations. In this age of Covid, I cannot visit the area as I have in the past. I rely on doctors near me and the internet to explore this scourge. Glass will be set for release in 2022.
The best advice I have for other writers is to never give up. Perseverance is the key. Never give up on your dream and goal, and NEVER give up on yourself. If you do, then you have lost. No matter how many naysayers there are, they do not understand your dream or goal. That cannot even imagine it. Only you do. Live your truth.
Here is my contact information:
Our guest today is Mark R. Clifford
A Proud fourth-generation San Franciscan, Mark is the second-born in an Irish Catholic family of seven, making him a self-proclaimed expert in the pseudoscience of birth order characteristics. He served in the Marine Corps infantry for ten years and as a Police Officer for over a quarter-century. TYPHOON COAST tells the story of what haunts him.
In the Marines, he rose to the rank of Staff Sergeant. Mark received Special Operations training while attached to the 3d Marine Division in Okinawa and was operating in the Philippines in 1991 during the historic eruption of Mount Pinatubo. His law enforcement career was equally eclectic. He rose to the sergeant’s rank and served in a myriad of assignments to include SWAT and undercover narcotics.
Mark still calls the San Francisco Bay Area home. He and his wife have been married for almost thirty years and have raised three beautiful children. He has written for the San Jose Mercury, Contra Costa Times, San Leandro Times, and read his works at the famous Cody’s Books in Berkeley.
Mark, we have a few questions about TYPHOON COAST and your writing history. To begin with, what genre or genres do you write in? I work mainly in adventure fiction, magical realism, and historical fiction.
Please tell us a bit about your book.
Ten-year-old Trent McShane watches in horror as his beautiful young mother is swept away from California’s Typhoon Coast into the unforgiving wild blue Pacific, never to be seen again. Lost and bewildered, Trent falls under the spell of class clown Eddie Thompson, who has a wanderlust for treasure hunts—in particular, the infamous World War II Golden Lily Treasure, buried on the other side of the ocean, deep in the wild green Philippine jungle.
Together, Trent and Eddie follow childhood illusions of grandeur through San Francisco, then become men in the vast Philippine mountains. Mount Pinatubo explodes with apocalyptic fury, but does it take the Golden Lily Treasure with it? Eddie and Trent are not alone in the hunt. The trillions in treasure could afford the US government incredible power in international affairs and bankroll the nation’s black operations. It’s all fair game.
Typhoon Coast is a rollicking ride through 1980s San Francisco, through the vibrant eyes of a boy who loses his mother, and then his innocence. In the jungles of the Philippines, in the 1990s, that boy becomes a man, falls in love, and begins a lifelong quest for a mythical treasure trove hidden in the canopy. Magical realism and romanticism merge with the hard, cold reality of a Marine’s life to reveal a glimpse into how the imagination conspires to keep us dreaming.
When did you realize you wanted to write novels? After twenty-six years, I retired from police work as a Sergeant on June 1st, 2020. Sadly, I watched a massive mob loot and burn the town I served from one end to another. I had friends die on those streets. Friends become disabled; their dreams cut short. Police officers live many lifetimes. It is common to live a lifetime in one shift—all a single life’s emotions wrapped up in a unique tour.
I lost a friend and fellow writer on those streets. He was savagely gunned down. As I folded the flag over his coffin, I promised I’d write a novel. I started soon after.
How long did it take you to realize your dream of publication? Sharing my work with the world was always part of the plan. As the writing process ended, the marketing began. I quickly realized that the publishing industry was changing, and I had to make my luck.
Are you traditionally published, indie published, or a hybrid author? Next step! I am not the smartest guy. But I am stupidly ambitious. I found a guy (now friend) who wanted to give indie publishing a shot. I put the magic on paper, and Greg put his spell on the computer. It was a joint operation, and we were pretty proud of Typhoon Coast the day she was born.
Where do you write? I write from where I am in life. I went from being an altar boy and an Eagle Scout to being a Marine and a cop. I work at my computer in the family room every morning at 6:30. Writing is not a discipline for me; writing is something I serve.
I reach for my hot cup of black coffee in a military veteran mug that my kids gave me for Christmas years ago. The computed screen glows in a dark room. My dog sleeps on the couch behind me. I like quiet; however, I don’t need it. Technically, I was not a true feral child raised by wolves, but I’m Irish-Catholic, and I was the second oldest in a family of seven children—I got peace like I got stigmata.
The world is still quiet at six-thirty—a treat.
I remember my dreams from the night before. I still dream about the jungle and the streets. The concerns of the day will begin in a couple of hours. At six-thirty, the story I serve weaves itself into the rules of my craft. I am its servant.
How much of your plots and characters are drawn from real life? Henry David Thoreau wrote, “How vain it is to sit down to write when you have not stood up to live.” I will never claim that Typhoon Coast is an autobiography. On the other hand, every single detail has a pure life nexus. A writer must write from a place they know.
Sadly, at twenty-six, I was wealthy beyond imagination.
The Philippines is a nation of 7,641 islands and just as many spectacles. June 1991, I was a Marine stationed on Luzon, the chain’s largest island, where fate had ushered me to a front-row seat to an epic adventure. While enduring the fatigue of jungle patrol, I’d befriended a Filipino selling machetes. He’d disclosed to me the suspected whereabouts of a treasure trove rumored to be near the top of the now-infamous Mount Pinatubo.
There is much history about this legendary Golden Lily Treasure, as well as intrigue behind its origin. My new cohort and I soon took a jarring jeepney ride, to board a slow-sinking banca boat that ferried us back to the boonies, where we footslogged toward Pinatubo’s Vesuvius splendor, to unearth our riches in Luzon’s lawless wilderness.
Treasure hunting is rousing. I don’t need to bother you with the intricate details of how the machete man read a series of etchings in rocks, or how we avoided a bottle as if it was a landmine because the Japanese filled Saki bottles with deadly gas to protect the cemented entrances from looters. But we’d found the sealed cave! I could smell the perfume of my soul within…that undeniable fragrance of one’s hopes and dreams. The bigger problem was staying alive to claim it. However, in the end, it didn’t matter. A few days later, I was back on filthy jungle patrol. I tasted the unmistakable lure of treasure that had seeped into my nose and caked to the back of my tongue, as I watched Pinatubo’s cataclysmic eruption blow 500 feet of its summit twenty-two miles into the wild blue yonder.
Typhoon Coast was inspired by the second-largest volcanic eruption of the twentieth century, which blew my life of opulence to oblivion. I have since raised a family and was a cop for more than twenty-five years. I plan on writing two more books based upon the adventures of Typhoon Coast’s main character, Trent McShane. We will follow his life of dramatic happenstance, as he is plucked off his beat and back into the Marines, seizing opportunities to right his life’s tragic wrongs on the trail of a high-stakes mission.
Describe your process for naming your characters? One of the biggest problems with man is that we name everything we see! A “name” is a label that simplifies very complicated things. For example, “Man” is a word that reduces a person’s biology, psychology, genetics, and personal history to three letters. I have lost lots of friends whom I immortalize throughout Typhoon Coast. Their loved ones will recognize them.
Real settings or fictional towns? Why? Create a world that your reader will understand and do it early. I learned something important about storytelling as a young cop. I’d lose my audience at body number two in a multiple homicide story. It wasn’t that I couldn’t tell a dramatic tale; it was that the subject matter was just too remote for a reasonable person to grasp. Now try telling a story about being buried alive in quaking cataclysmic volcanic eruption while a typhoon raged outside. An actual apocalypse that blackened out the sun. They just can’t connect. As a result, I create composite settings and situations to better reach my reader. They are not looking for me. I’m looking for them.
What’s the best book you’ve ever read? I rarely read for pleasure today. I write. I do read voraciously to see how others have written. I have bookshelves uniformly fitted with tattered books that profoundly influenced my inner writer. Drum roll…. The best book I ever read (and recommend to fellow artists) …. Ready for the big reveal?
Answer: The Moon and Sixpence is a novel by W. Somerset Maugham, told in episodic form by a first-person narrator, in a series of glimpses into the mind and soul of the central character Charles Strickland, a middle-aged English stockbroker who abandons his wife and children to pursue his desire to become an artist.
BUT! Don’t run out and buy it. It’s available through my website and Amazon.
What’s in the future for you and your writing? To continue to write, of course. A story can be told from many perspectives.
Anything else you’d like to tell us about yourself and/or your books? Stay tuned for Barbary Coast: Fly from Evil to be released in 2021!
Website and/or blog links: www.typhooncoast.com