Jun 27, 2022 | Cozy, Fantasy, Historical, Mystery, Thriller, Young Adult |
Patti is the co-executive producer for a television series in pre-production titled THUMBS UP! about a boy with Autism and his special dog with opposable thumbs. She is the author of over seventy-five books and over two hundred fifty works in progress. Patti is the very first author to be chosen as a judge for the PBS KIDS GO contest to present the awards as well. She has been an educator, an agent, and an editor. Currently, she sits at home writing in pajamas in Las Vegas, NV, with her three world domination dogs.
England’s most famous witch trial took place in Lancashire in 1612. Ten of the so-called Pendle Witches were hanged at Lancaster Castle after being deemed guilty of witchcraft. Their ghosts reputedly haunt the village of Newchurch, where one of the witches is said to be buried.
Gwen Winter and her two brothers, Lance and Merle, travel to England with their Father to visit their Aunt. Gwen knows what she wants to see and do while there. She is determined to solve a mystery centuries-long, to search for clues of what happened to the sisters Pendle and why they had been accused.
Gwen finds out she has been carrying a family secret that will haunt her for the rest of her life. Will she be able to deal with the new found information long enough to solve the mystery, or will she fall into the deep dark folds of the family secret?
Find out in this first installment of the Ghost Tales Mystery Series, The Pendleton Witches.
Do you write in more than one genre? Actually yes! I write in cozy mystery, thriller, horror, MG, YA, Steampunk, Gaslamp, romance, rom-com, paranormal, fantasy, and many sub-genres
What brought you to writing? I have always dabbled in writing ever since I was a kid. I read a great deal also. My writing inspiration began when I started writing skits for plays when I was young. We used to put on a play once a week for the neighborhood kids and charge them five cents to watch. From there, I went on to work part-time for a newspaper, and the rest is history.
Where do you write? What, if any, distractions do you allow? I have an in-home office. I always write with some kind of background noise. If I get a phone call or someone pops in via social media, I sometimes welcome the distraction.
Tell us about your writing process: Hmm. I don’t have a process per se; I write when the bug bites. I normally try to write something every day after I sit down and check through email, have coffee, spend time with my pups or sit outside, depending on the weather. My writing time is usually done during the morning hours and falls into the afternoon.
What is the most challenging part of your writing process? Motivation! I’m a HUGE procrastinator! And writer’s block.
What are you currently working on? I have several books I’m currently working on at the moment. Cozy, primarily paranormal.
Has an association membership helped you with your writing? Tremendously! Years ago, I joined RWA and the local chapter in the state I was living in at the time. Back then, we were one of the largest with the most published authors. I learned a great deal from them over the years I was a member. I highly suggest to any writer to join as many as you can find.
Who’s your favorite author? Diana Gabaldon. She penned the Outlander series.
How long did it take you to write your first book? Eight months was A LOT of trial and error.
How long to get it published? One year with a traditional publisher back in 1989
We hear of strong-willed characters. Do yours behave or run wild? Oh dear lord! Mine are always running amok in my brain!
Do you outline, or are you a pantser? I used to be a pantser, but now I’ve finally learned, after 43 years, to outline and plot!
What is the best book you have ever read? G WELLS WAR OF THE WORLDS! I was thirteen years old and used to run home from school just to read all 600 pages of it!
Looking to the future, what’s in store for you? Completing our television show, having many books on the best sellers list and published with two of my bucket list publishers.
Do you have any advice for new writers? Yes! STUDY the craft. Anyone can write a book…it takes great skill to write a GREAT one. Do your homework!
Anything else you’d like to tell us about yourself and your books? Our books are for everyone. We write books for children as young as two years old through adult. Our books are clean reads so every age can enjoy them. I write spooky, so anyone who reads RL Stine, Stephen King, and Dean Koonz will enjoy my books. I also write outside that box, so there are books for everyone.
How do our readers contact you? https://www.facebook.com/pattipetronemiller
Jun 2, 2022 | Mystery, Thriller, Young Adult |
Nick Chiarkas grew up in the Al Smith housing projects in the Two Bridges neighborhood on Manhattan’s Lower East Side. When he was in the fourth grade, his mother was told by the principal of PS-1 that “Nick was unlikely to ever complete high school, so you must steer him toward a simple and secure vocation.” Instead, Nick became a writer, with a few stops along the way: a U.S. Army Paratrooper; a New York City Police Officer; the Deputy Chief Counsel for the President’s Commission on Organized Crime; and the Director of the Wisconsin State Public Defender Agency. On the way, he picked up a Doctorate from Columbia University, a Law Degree from Temple University; and was a Pickett Fellow at Harvard. How many mothers are told their child is hopeless? How many kids with potential simply surrender to desperation? That’s why Nick wrote “Weepers”—for them.
Weepers: The murder of an undercover cop in a New York City Housing Project in 1957 has unexpected ties to the unsolved disappearance of a young father walking home in those same Projects with his son, Angelo, on Christmas Eve 1951. The only witness to the cop killing is Angelo, now 13, as he was on his way to set fire to a grocery store at 2:00 am. The killers saw him. These events forge a union between a priest, a Mafia boss, a police detective, and Angelo, a gang member. In Weepers, we see that if you drop a rock into the East River, the ripples will go all the way to Italy. In the end, Weepers shows us that the courage of the underdog—despite fear and moral ambiguity—will conquer intimidation.
Awards for Weepers:
• Firebird Grand Prize Best Book Award (2022)
• Best Mystery Novel for 2017 the John E Weaver Excellent Reads Award by Earthshine. https://www.speakuptalkradio.com/nick-chiarkas-firebird-book-award-winner/
• Award Winner – Best Novel of 2016 by the Public Safety Writers Association (PSWA)
• Award for Best Book Award by Midwest Independent Publishers Association (MIPA)
• Award for Best Young Adult Novel for 2016 by Bookvana
• Award for Best Crossover (Mystery & Young Adult) Best Books Award for 2017
• Award for Best Young Adult Coming-of-Age by Readers’ Favorite for 2018
Nunzio‘s Way: Nunzio drifted back to his childhood there on the Lower East Side. The narrow, trash-lined streets and alleys weaved together decaying brownstone tenements with common toilets—one per floor. Alone at ten years old, after his mother died, he learned to survive in one of the most notorious neighborhoods in the city. He shoveled coal and guarded the produce stored there by the ships docked off South Street to pay for living in the cellar at 57 Canon Street. After school, Nunzio mostly walked the streets. He recalled the putrid smell of decomposing cats and dogs covered with a trembling blanket of insects, rats, and things he didn’t recognize. And lying in the gutter against the sidewalk on Pike Street was a horse, with old and fresh whip wounds, shrouded in a cloak of flying and crawling insects. Only three years later, at the ripe age of thirteen, Nunzio killed his first man, a hulking longshoreman people called “the bear.” His life and the lives of four of his friends changed forever. Plenty of other horrors and hardships confronted him throughout his life, but when he closed his eyes, Nunzio saw the horse.
“Nunzio’s Way” In 1960, Declan Arden, an ambitious New York City lawyer, asked his boyhood friend and client, Nunzio Sabino, the most powerful organized crime boss of his time, to help him win the election for mayor. Nunzio agrees to help Declan, telling him, “In this city, you can have anything you want if you kill the right four people.” In Italy, after killing a top member of the Gomorra, Heather Potter, arrives in New York City seeking vengeance on the people who murdered her family. Those people include Nunzio Sabino and Mac Pastamadeo. Mac is the father of Angelo, the leader of the Weepers gang.
NICK’S FAVORITE WORKSPACE
Five fun facts most people don’t know about me (Nick Chiarkas)
- I received the Law Enforcement Commendation Medal from the Sons of the American Revolution, and I received the Equal Justice Medal from the Legal Aid Society – These two awards are not in conflict but in harmony. I believe that no one is above the law’s enforcement nor below its protection.
- I raised my two oldest children mostly as a single dad – just the three of us. They taught me a lot.
- I was one of a handful of NYPD cops sent to Woodstock in 1969 to provide security – it was incredible.
- While in an Army hospital, I received a very kind letter from J.D. Salinger.
- I was in the movie The Anderson Tapes (Starring: Sean Connery, Dyan Cannon, and Christopher Walken).
Available at Amazon.com, Barnes & Noble, University of Wisconsin Bookstore, Mystery to Me, other local independent bookstores, and from the publisher.
Apr 11, 2022 | Mystery, Police Procedural / Crime, Thriller |
Marie Sutro is an award-winning and bestselling crime fiction author. In 2018, she won the IBPA Benjamin Franklin Award for the Best New Voice in Fiction for her debut novel, Dark Associations. She is a member of Sisters in Crime and a volunteer with California Library Literacy Services.
Her great-grandfather, grandfather, and father served in the San Francisco Police Department, collectively inspiring her writing. She resides in Northern California and is currently working on the next Kate Barnes story.
April 26, 2022, is the release date for Dark Obsessions – The darkest woods hide the darkest of obsessions. SFPD Detective Kate Barnes heads to Washington and finds herself embroiled in a complex case of ever-increasing horrors.
Available for preorder at Amazon and Barnes & Noble, as well as independent bookstores
What brought you to writing? My love of writing burgeoned from an early love of reading. As an ardent bibliophile, the only thing I enjoy more than reading a book is writing one for the enjoyment of others.
In addition, I have always been a huge fan of mysteries and puzzles. Add to that a family legacy wherein my father, grandfather, and great-grandfather all served in the San Francisco Police Department, and crime writing was a natural choice.
What kind of research do you do? Given the nature of my writing, my research is extremely broad. In one sitting, I may go from perusing sales listings for boats (used for the Foul Rudder in Dark Obsessions) to reviewing autopsy photos. While I appreciate the accessibility of online research, I am a big proponent of visiting places and people whenever possible. I am willing to go wherever the answers can be found, including crimes labs, shooting ranges, nature preserves, police departments, and a variety of diverse locales.
Where do you place your settings—real or fictional locations? One of my favorite things about reading is the ability to visit places I have never been to and may never get the chance to see. I always try to incorporate as many real locations in my stories as possible to give others the same opportunity. Fictional settings are reserved for places where a specific plot point or subplot point requires attributes I cannot get from real locations (ex. Aaru in Dark Obsessions). I spend a substantial amount of time on research to ensure fictional, and real places fit together seamlessly.
Has an association membership helped you with your writing? Being a member of Sisters in Crime has been an important part of my writing journey. One of the greatest benefits of membership has been the wonderful support of the Sisters in Crime writing community. They offer an ongoing wealth of informational programs ranging from technical writing assistance to research references and marketing tips.
Do you have subplots? If so, how do you weave them into the novel’s arc? Subplots are a great way to add different types of suspense into the story while enriching the characters. They can also be great ways to strengthen the threads between books in a series. While I always start with a story outline, many of my subplots seem to pop up on their own as I write. Those moments when a new subplot takes off on its own are always magical.
Do you have any advice for new writers? The best advice I can give is to be open and enjoy the journey. While the path is fraught with challenges, it is also full of sources of inspiration and joy. New ideas and feedback are like sunlight. Be willing to pull the drapes wide open!
Mar 7, 2022 | Mystery, Thriller |
Helen Starbuck is a Colorado native, former OR nurse, and award-winning author of the standalone romantic suspense novels Legacy of Secrets, Finding Alex, The Woman He Used to Know, and the Annie Collins Mystery Series. She loves mysteries, suspense, romance, and any book that is well written. She’s a huge fan of books with independent, strong, women characters and, as Neil Gaiman says, “…stories where women save themselves.”
People often ask, what made you decide to write a book? It’s a valid question based on my career. I began as an art major and lasted two years until I discovered that my talent wouldn’t support me. I transferred to nursing school thinking I’d always have a job, and I did. I quickly learned I wasn’t a ‘bedside nurse,’ and I much preferred working in the OR where you care for patients, but for a limited time. I was fascinated by how the body worked and the procedures we performed. I still am, and that adds a note to my books that others may not have. I then became a nurse editor for a specialty nursing journal. I learned to edit articles for publication and help nurses, who generally aren’t writers, develop their articles and publish them.
I have written for my own pleasure since I was a teen, and that continued until I went part-time as an editor. Years ago, working in the OR, I helped care for a patient who had a very puzzling neurological symptom. Those puzzling symptoms were behind the plot of my first novel, The Mad Hatter’s Son, which took about two years from start to finished published book. I indie published the book because my dad passed at 71 and my mom at 94. It brought home to me that we have no idea how much time we have, and I didn’t want to wait for years to see my book published.
I’m a pantser. I can outline a professional article, but I cannot outline my novels. Because of that, probably the hardest part of writing for me is getting through the middle of a book to the end. I know how the book starts and have a pretty good idea how it will end, but that darn middle can be very elusive. Pantsing also requires a lot of revising because the story often deviates from what you thought it would be. You then have to go back, fill plot holes, and make sure timelines are accurate.
People often have questions about creating characters. The most common are How do I come up with names? How do I know who they are? Do they change? Characters come to me in a basic form as if they were real people I’m just meeting. They have names, I’m not sure where they come from, and I have a general idea about how they look, who they are, what their roles are. That can change–sometimes with input from the character. I remember thinking that Alex Frost, the detective in my first book, would be a one-off character, but he became a major player in the series.
In my new book, The Woman He Used to Know, Elizabeth Harper was much less formidable than she ended up being. The plot behind what happened to her and her husband changed a lot. The villain changed as well.
Writing characters of the opposite sex can be a challenge. I don’t want them to be caricatures like you see in some books, both those written by men and those by women. My best defense against that is to run things by several male friends of mine, who graciously put up with my questions and help me make my guys real. One thing I don’t like in romance or romantic suspense books is the ‘alpha male’ character who is rude, obnoxious, condescending, and borderline abusive. The most unbelievable character arc is when he meets the female character, suddenly falls in love, and does a 180-degree turnaround to become thoughtful, kind, romantic. That’s a huge turnoff to me. I don’t think anyone changes that much based solely on meeting someone. My guys may have issues, but they aren’t jerks, just a little wounded or wary of involvement. It takes a while for them to process their feelings and become involved with the woman in the story.
My books are all set in Denver, with the exception of Legacy of Secrets, which takes place on the eastern plains of Colorado. That was a fun book, and I based the town, which is fictional, on a couple of small towns I am familiar with in Montana and Colorado. Colorado is familiar territory, having grown up here. I don’t feel comfortable setting my stories in places I’m not familiar with. Unless you spend a lot of time in a place, you really don’t know the nuances well enough, and you don’t get that by visiting periodically. At least I don’t. The setting is one thing I hear about from readers all the time—how much they enjoy reading about Denver and Colorado and the memories it brings back if they no longer live here.
The places where my characters live and the Denver police department setting are fictional. They are in real areas, but the houses and buildings are not. For example, the characters in my series—Annie Collins and Angel Cisneros—live in a duplex in Washington park and later in a triplex in the area near Speer Boulevard, but the houses are made up. Elizabeth, in my new book, lives in Cherry Creek. It’s hard to get a tour of the Denver police department, so I let my imagination take over and ask for forgiveness from any real Denver police officers or detectives. I talked with Jennifer Kincheloe, a local author. She works in the prison system in Colorado, about what the Denver Detention Center was like and how prisoners are handled. Still, I don’t describe the physical location.
I sometimes use the names of people I know with their permission, and I will often have a contest when a new book comes out for the winner to be a character in my next book. He or she can choose to be a bad guy or a good guy. That’s fun, and people like the opportunity. Otherwise, names just come to me and either fit or not.
People also ask who’s my favorite author. I can’t choose just one, but I love Tana French, Jane Harper, Stephanie Gayle, Michael Connelly, and Craig Johnson, to name a few. I liked Patricia Cornwell at first, but after a few books, her novels became way too graphic for me. Same with Stephen King when Mercy debuted. I have come back to King’s books, and he writes wonderfully, so I plan to read more of his newer books.
If I have any advice for new authors, it is: no matter how good you think your book is, you NEED an editor and a proofer and not just a friend who knows grammar or reads a lot. You need someone who can evaluate your book with an objective eye and help you correct problems, and you need a proofer because, no matter what, you will not see all the errors.
o Readers can contact me at firstname.lastname@example.org
o My website Helenstarbuck.com
o Facebook at Helen Starbuck—Author
o Instagram @helenstarbuck
o Twitter @HelenSStarbuck (yes, two S’s)
o My books on Amazon at https://www.amazon.com/Helen-Starbuck/e/B076KPPQ52/
Dec 27, 2021 | Fantasy, Mystery, Police Procedural / Crime |
Abigail Keam is an award-winning and Amazon best-selling author who writes the Josiah Reynolds Mystery Series about a Southern beekeeper turned amateur female sleuth. The Last Chance For Love Series tells of strangers who come from all walks of life to the magical Last Chance Motel in Key Largo and get a second chance at rebuilding their lives and The Princess Maura Fantasy Series.
Award-winning author Abigail Keam welcomes you to her new mystery series—the Mona Moon Mysteries—a rags-to-riches 1930s mystery series that includes real people and events into the storyline. The new series is about a cartographer who is broke and counting her pennies when there is a knock at her door. A lawyer representing her deceased uncle announces Mona has inherited her uncle’s fortune and a horse farm in the Bluegrass. Mona can’t believe it. She is now one of the richest women in the country and in the middle of the Great Depression!
William Faulkner’s line, “The past is never dead. It’s not even past,” is one of the most quoted lines in American 20th century fiction and resonates today in all literature, including historical mysteries.
Does history revolve in circles or undulate in waves? The same patterns keep emerging—the same type of grifters who try to con the gullible, the same type of heroes who risk everything, and those who watch from the sidelines.
I have always been fascinated by history and knew I wanted to write an entertaining mystery series where I could combine fiction with historical fact.
When I began writing my 1930s Mona Moon Mysteries, I decided to weave real people and events into the story line. I wanted to make those mysteries come alive with both the saints and the scoundrels of the day. After doing much research, I discovered that the 1930s had been politically explosive like the 1960s and today, with many of the same issues still confronting the world. So how does one incorporate themes of social justice, world events, and conflict into a mystery and write a story that is still entertaining and fun to read? Not with a hammer, but with a soft wave of a woman’s hand fan.
One way is to give voice to a female protagonist to whom women will relate. The second is not to become “preachy.” My job as a mystery writer is to author an engaging story with facts that enhance the reader’s enjoyment of the book—not deter. One thing that helps is that my intrepid champion speaks from the perspective of a gal who needed grit and resolve to survive the harrowing years of the Great Depression. She is my “every woman.”
Enter Mona Moon, my American cartographer, who is broke with no prospects in sight. Not good news for a single woman in one of the worst years of the Depression. A man, wearing a Homburg hat, knocks on her tenement door after midnight. She answers with a pistol in hand. The man announces he is a lawyer representing her estranged dead uncle and informs Mona that she has inherited the Moon family fortune.
With that introduction, I plucked Mona from New York City and planted her on a horse farm in Kentucky’s Bluegrass where Mona discovers that half of her farmhands can barely read or write. Her bank refuses to give her credit because she’s a woman, and the employees at the Moon copper mines are threatening to strike due to low pay. All three concerns were real issues in the 1930s, which caused protests/riots in the dark days of the Depression—lack of educational opportunities, women’s economic rights, and workers scraping by on subsistence pay.
Throughout the series, I write about the influential people of the day such as Mary Breckinridge, founder of the Frontier Nursing Service; Gertrude Bell, Far East cartographer and founder of the National Museum of Iraq; Albert “Happy” Chandler, governor of Kentucky and Baseball Commissioner who integrated baseball, Jack Keene, founder of Keeneland Race Course, and Alice Roosevelt, daughter of President Theodore Roosevelt. Alice was witty, provocative, and politically astute, a force in her own right. She was one of the most quoted and socially followed women of her day. To write scenes between Alice and Mona sparring with each other was a pure delight. Having such accomplished women disagree on how to hold the fabric of society together and then solve a murder mystery collectively made me giddy with delight. The words just flew from the keyboard. I hardly had to fictionalize much of Alice’s dialogue. I used many of her famous quotes in the novel and stayed as true to her real character as possible.
- “If you haven’t got anything nice to say about anybody, come sit next to me.”
- “My father always wanted to be the corpse at every funeral, the bride at every wedding, and the baby at every christening.”
- “I have a simple philosophy: Fill what’s empty. Empty what’s full. Scratch where it itches.”
- “My specialty is detached malevolence.”
And by using Alice Roosevelt as a character in Murder Under a Black Moon 6, I will be able to segue to Mona meeting Eleanor Roosevelt, Alice’s first cousin, in Murder Under A Full Moon 7. I have spent many an hour imagining what those three astute women would discuss over lunch.
I believe Faulkner was right about the past. It is never dead, and writers can incorporate the past into their historical mysteries, making them richer. If a reader enjoys the mystery and learns something as well, then I am thrilled because we should all be keepers of history. And as we all know from a good mystery, secrets from the past never stay buried. See you between the pages.
Miss Abigail would love to hear from you!
Wow, Patti, you certainly have written in numerous genres. Your writing process sounds fascinating and ingenious. Best of luck to you.