DEB RICHARDSON-MOORE – Journalist / Minister / Author

Deb Richardson-Moore is the author of a memoir, The Weight of Mercy, and four mysteries, including a 2021 Killer Nashville Silver Falchion finalist, Murder, Forgotten. All have been published by Lion Hudson of Oxford, England.

 

 

Deb is a former journalist and minister to homeless parishioners in Greenville, SC. She tells the story of her mid-career switch in The Weight of Mercy, a memoir that reveals the traumas and rewards of dealing with addiction and poverty. It has been studied at Harvard and Duke Divinity Schools.

Murder, Forgotten is a stand-alone in which an aging mystery writer is losing her memory. When her husband is murdered in their beachfront home, her grief is mixed with panic: Could she, deep in the throes of a new plot, have killed him? Upcoming in 2023: Deb’s latest work, Through Any Window, has been accepted by Red Adept Publishing in the U.S. Set in a gentrifying area of a vibrant Southern city, tensions are already high between old-timers and rich newcomers. When a double murder explodes, police must determine whether its roots are personal or the rocky result of urban renewal.

Do you write in more than one genre? After a 2012 memoir, I have stuck to murder mysteries.

What brought you to writing? A lifelong love of reading and a 27-year career as a feature writer for a newspaper. After leaving the demands of daily deadlines, I was finally able to write books.

Where do you write? What, if any, distractions do you allow? I write in my cheerful sunroom, with five uncovered windows and loads of happy artwork and family photos. At this point, I’m not in a race to see how many books I can produce! I do allow distractions – coffees and lunches out, volunteer work, speeches, travel.

What are you currently working on? I’m in the editing process of a mystery tentatively titled Through Any Window, which is set in a gentrifying neighborhood in a Southern city. People in new mansions live side by side with people in boarding houses and a homeless shelter and can see their neighbors’ lives through their windows.

Who is your favorite author? It’s a toss-up between Joshilyn Jackson and Jodi Picoult. I’m amazed at the breadth of their work.

How long did it take you to write your first book? In all, it probably took a year. When I was halfway through, my board of directors gave me a sabbatical to finish it. Without that nine weeks, I’m not sure I could have done it. I was in a deathly fight with my inner critic.

How long to get it published? Another three years. To my surprise, a publisher in England picked it up, then agreed to publish my fiction titles as well.

Do you ever kill a popular character? If so, what happens to your story? Yes, I did this once. ( I won’t say which book!) My writers’ group got into a major argument over it. One member thought it was breaking a contract with the reader. Others liked the surprise of it. I loved it because I believe it allowed the story to veer into a deeper, sadder place.

Do you have subplots? If so, how do you weave them into the novel’s arc? You have to have subplots. In Through Any Window, one subplot whirls around the tensions of rich and poor living side by side, and another concerns a young man who recognizes a property where he once lived. The subplots give rise to possible motives for the murders.

Do you base any of your characters on real people? I wrote my three-volume Branigan Powers series about a homeless man who helps a news reporter (Branigan) solve murders. Because he glides through their town virtually unseen, Malachi sees and hears things that other people don’t. I based him on a dear friend, a homeless man who attended my church for 15 years. As for Branigan herself, I’m sure she has aspects of me, as does her friend, Liam, a pastor in a homeless ministry. (I also wrote my dog, Annabelle, into Murder, Forgotten).

Do you outline, or are you a pantser? I don’t know that term! But I don’t outline, so I guess I’m a pantser. I think it’s more exciting if you can constantly surprise yourself. I had so much fun writing Murder, Forgotten, because I couldn’t wait to see how it turned out. It was quite literally almost as much fun as reading a twisty thriller.

Where do you place your settings—real or fictional locations? I mix them all together. The Branigan Powers series was set on my grandparents’ farm in northeast Georgia, but I plopped it near a city that doesn’t exist. In each book, Branigan usually travels to the South Carolina coast.  Murder, Forgotten was set on Sullivan’s Island, SC, and the eastern coast of Scotland. I mixed actual villages and streets and restaurants with fictional houses. Through Any Window is set in fictional Greenbrier, SC, but I draw on much of what is going on in Greenville — and any growing American city.

What is the best book you have ever read? Oddly, not one by my favorite authors. I’d have to say Lionel Shriver’s We Need to Talk About Kevin. Or possibly Ira Levine’s Rosemary’s Baby. I get shivers thinking about both.

How do our readers contact you or learn more about you?

https://www.facebook.com/deb.richardsonmoore/
https://www.facebook.com/groups/readerswriterswordlovers
https://www.facebook.com/groups/286102814821828
https://www.facebook.com/groups/1284419714917352
https://www.facebook.com/groups/852252819063291
https://www.facebook.com/groups/357651988042629
https://www.facebook.com/groups/TheBookClubGirls

Contact for Deb: richardsonmoored@gmail.com
To purchase: www.debrichardsonmoore.com or any online seller

 

7 Comments

  1. Sue Miller

    Really looking forward to your next book

    Reply
  2. Donnell Ann Bell

    Oh my goodness, fascinating! My TBR is ridiculously long, but i have to add Ms. Richardson’s books. what a superb cover, I might add.

    Reply
    • Deb Richardson-Moore

      Thanks so much, Donnell.

      Reply
  3. Candace

    Thanks for this interview. What a fascinating author.

    Reply
    • Deb Richardson-Moore

      Thanks, Candace.

      Reply
  4. Michael A. Black

    It sounds like you do a lot of good work besides writing. Best of luck to you.

    Reply
    • Deb Richardson-Moore

      Thank you, Michael.

      Reply

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VICTORIA KAZAZIAN – Her Trip From Big Tech To Author Via English Teacher

Victoria Kazazian writes the Silicon Valley Murder series. She is at work on a cozy series debuting this fall, The Laughing Loaf Bakery Mysteries, which takes place in the Santa Cruz Mountains.
Victoria’s recent release is Across the Red Sky, Book 2 in Silicon Valley Murder.

 

When CEO and eco philanthropist Rosalind Mabrey is murdered on a local running trail, the chief suspects are Mabrey’s three company co-founders. Since launching the company as a startup with Rosalind twenty years ago, each of the other founders has a reason for wanting to see her dead. Monte Verde police detective Dani Grasso, a runner herself, takes on the case alongside her mentor, Detective Jimmy Ruiz.

This book follows my debut mystery last year, Swift Horses Racing. The characters in that book came to life and started doing things of their own accord—both good and bad—and they demanded that I keep writing about them. George, I liked your question about whether my protagonist ever disappointed me–yes! One of mine made a huge mistake in my first book, and it was heartbreaking, but it made for a better story. His character arc will continue to play itself out in book 3 of this series, which is due out this summer.

On her first murder case, rookie Detective Dani Ruiz literally steps up her game in Across the Red Sky. She’s an avid video gamer who processes cases while playing video games after hours. She’s also grieving the loss of her tight-knit family, who have disowned her for choosing detective work over a job in her Italian grandfather’s grocery store chain.

What brought you to writing? As soon as I learned to read, I was writing. When I was a kid, I’d read a book, then get out a tablet of paper and write my own. Over the years, I wrote fiction secretly while working for tech companies in Silicon Valley as a technical writer, advertising copywriter, then marketing project manager. When I wrote user manuals for a software company, I created characters to use in the examples and developed a narrative through the manuals.

After having kids, I left the tech industry and became a high school English teacher. Teaching literature was one of the best things I could do for my writing. I learned what made a good story. I learned to love a variety of voices and to see the craft of writing in a new way. I also learned to use commas correctly!

How long did it take to write your first book? It took me two years to write my first (unpublished) mystery. Many authors have that starter novel in a drawer somewhere, the one in which they learn structure and work out the bugs in their writing. I learned a lot while writing that first one, but I don’t think it’ll ever leave the drawer. I finished Swift Horses Racing (my first published novel) within a year, then Across the Red Sky took me about four months from start to finish. I learned that I’m a “plantser” when it comes to writing—a “pantser” who plans. I dive in, and the story seems to write itself until I’m about three-quarters of the way through the book. Then I screech to a halt and outline the rest. I need a road map. Sometimes I come up with two different outlines for how the story could end.

Where do you place your settings—real or fictional locations? My setting in this series is Silicon Valley—the south San Francisco Bay Area and peninsula. I’ve created a fictional town on the west side of the valley called Monte Verde. It made me happy that one of my local writing friends thought it was a real town and tried to look it up on a map.

My books don’t go into technology at all; it’s the people in the valley that interest me. I am not much of a techie, but I’m surrounded by them (My husband is a software engineer.) They give me lots of material to write about. It’s a valley full of smart, talented, and very quirky people. Some with too much money and some who don’t have enough money to live on because they’re not working in tech. And there are women fighting to be recognized in the male-dominated tech industry, like my murder victim in Across the Red Sky.

The stakes are high in Silicon Valley for almost everyone. It makes a great setting for a mystery.

Looking to the future, what’s in store for you? I’m continuing my Ruiz-Grasso Silicon Valley Murder series with book 3, A Tree of Poison. The book starts with a home invasion gone wrong in the upscale town of Monte Verde. At the same time, I’m working on a culinary cozy mystery series set in the Santa Cruz Mountains – about a woman who turns in her husband for selling tech secrets and is relocated to a small town under the federal witness protection program. She starts a bakery and is determined to keep a low profile–until the body of a male underwear model turns up on her doorstep. It’s lighthearted, and I’m having so much fun writing it.

Do you have any advice for new writers? Write every day. Take your computer or notepad with you while waiting for your kid to finish soccer practice. Write instead of surfing the net on your phone (preaching to myself here). Write while dinner’s cooking. Write on your lunch break at work. It’s amazing how much you can get done in short bursts. Don’t edit what you’ve written till you’re done writing. Keep reading. Read really good books because that’s the best inspiration for writing one of your own.

Join a writing group or organization. Sisters in Crime has been a big help to me, with lots of resources and very encouraging members. I would not have gotten published as soon as I did without their help.

For more info on my books, go to my website: https://victoriakazarian.com/

Amazon Author Central page  https://tinyurl.com/5y7uje6s

Facebook:  https://www.facebook.com/vkazarian1/

Instagram: vkazarian1

6 Comments

  1. Deb Kuhns

    Great interview! Thanks for the shout out to SinC – a great group!

    Reply
  2. Debra Bokur

    Love the premise for Across the Red Sky, and am a sucker for a tough female protagonist. Thanks, George, for putting Victoria on my reading radar. Good luck with your series, Victoria!

    Reply
  3. Marie Sutro

    You had me at Drop Dead Bread. Great interview!

    Reply
  4. Rita Popp

    Good tips about fitting in short bursts of writing time and not editing as you draft. Best of luck with both series!

    Reply
  5. Violet Moore

    I am a pantser, but this gives me hope that I can become a plantser.

    Reply
  6. Michael A. Black

    It sounds like you’ve honed your skills quite well and have writing down to a science. Thanks for the really good tips and advice. Good luck with your new one.

    Reply

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TERRI BENSON – Old Cars & Pickup Artists

Terri Benson has published three novels and nearly a hundred articles and short stories. In addition to The Pickup Artist, her credits include November 2021—The Angel and The Demon, Book #1 of Lead Me Into Temptation, a historical romance; 2012—An Unsinkable Love, a historical romance set on the Titanic and in the New England Garment Manufacturing District. She works at a Business Incubator, and her hobbies include camping, jeeping, and dirt biking. More info at https://www.terribensonwriter.com/

The Pickup Artist, A Bad Carma Mystery, was released on April 1, 2022, from Literary Wanderlust. A female classic car restorer discovers her newest project comes complete with a serial killer who now has her in his headlights, and, by the way, she’s also the local LEOs #1 suspect.

I’m currently working on more Bad Carma Mysteries and Lead Me Into Temptation books.

Do you write in more than one genre:  Yes, I write both mysteries and historical romance, but no matter what I’m writing, there is bound to be romance, mystery, and a little bit of history.

Tell us about your writing process: I’m a bit odd in that I come up with a title first. Then I figure out what scenario I can see working with that, then I write. Since both my series are fairly defined by the series titles, I know what kind of book I’ll be writing from the start.

Has an association membership helped you with your writing? Absolutely. I’ve belonged to Rocky Mountain Fiction Writers for more than a decade, and I fully credit the great friendships I’ve made there with dozens of amazing writers, agents, editors, and publishers—including the two who published my last two books (The Pickup Artist and The Angel and The Demon)—to those friendships. I had access to hundreds of workshops from RMFW and Pikes Peak Writers that helped me hone my craft, getting me to the point agents and editors would look at my work. I also found the publisher for An Unsinkable Love pre-RMFW via a contact in a critique group I belonged to. I can’t recommend “finding your tribe” enough for new and not so new writers. I’m also a member of Sisters in Crime.

How long did it take you to write your first book? My “first” book took 20 years, but I’ve never submitted it to anyone – eventually, I probably will. My first “published” book took four months to write, and since it was for an open call for books about the Titanic, it had a due date to submit. I remember meeting my best friend, who is my most critical beta reader, and her passing the manuscript from her car to mine in the dark at about 8:00 at night the day it was due to be submitted. If a cop had seen us, they’d have suspected a drug deal! I made edits and submitted it with less than 10 minutes to spare. It was published about a year later, in time for the 100th anniversary of the Titanic’s sinking.

How do you come up with character names? I drive through a cemetery every day to get to work and eat lunch there almost every day (it’s very pretty and quiet, with frequent visits by deer). I often wander around and write down names to use. And for Renni in the Bad Carma Mysteries, when I needed to have her full name be mentioned, I ended up with Renault Landaulette Delacroix because her father was a car-obsessed Frenchman.

We hear of strong-willed characters. Mine run wild and crazy! I’ve discovered some amazing things about my characters over the years, but only when they let me. And sometimes that plays havoc with the story! Do yours behave or run wild?

Do you have subplots? If so, how do you weave them into your story? I always have subplots because my characters demand it. I also think it makes the story more real and in-depth if things are going on between characters that impact and enhance the main plot. It might be a romance with sub-characters or a situation with a car that causes problems to make Renni’s life more difficult, but also helps show her faults and foibles and/or that of other characters.

Do you base any of your characters on real people? My Ed Benson character is patterned off my brother-in-law, with his blessing. But he did go from being a middle-aged white guy to a billionaire inventor who is the spitting image of Morgan Freeman (again, with Ed’s blessing) because that’s what the character wanted.

What kind of research do you do? I do a ton of research. With Bad Carma, I need to have a selection of cars to restore and know what kinds of equipment I’d find and how they’d be used in a restoration shop. For my books, because they all have some historical plotlines, I do a lot of historical research to find out what was happening when the car was being made or the era the romance is set in. I like to know interesting facts that I can use (sparingly!) in the story to give my readers a little tidbit they won’t have known. My favorite tidbit in An Unsinkable Love was that the Titanic had floor tiles that were more expensive than marble – a new product called Linoleum!

Where do you place your settings – real or fictional locations? I generally have settings in the west, around the Four Corners area, because I know those places from spending my life living there or camping and traveling around there. But Unsinkable was set on the Titanic and in the New England garment manufacturing district, so I don’t feel obligated to use any particular place except what works for the story.

 

Why did you choose to have a female classic car restorer as your protagonist in the Bad Carma Mysteries? I’ve always loved old cars, especially those pre-1950, and think that perhaps if I had my life to do over, I might have been Renni! Then I could work on the cars instead of just going to as many car shows and auctions as I can and check out the intricate details on the older cars. My research has uncovered hundreds of potential vehicles to use in my stories, and I find more all the time. The Divco delivery van pictured is what Renni drives to shows and is based on one owned by a guy here in town who let me climb around it and lent me a book on the Divco history. Renni hitches it to a custom-made “Jim Dandy” teardrop trailer. I found the plans for the trailer online and was intrigued because it has an ahead-of-its-time swing away hitch, allowing the kitchen area to be at the front of the trailer rather than the rear like most do. The 1950’s era Mercedes Gullwing pictured is just an amazingly beautiful car and will be featured in a future Bad Carma.

 

Do you have any advice for new writers? Learn everything you can about craft. Join writer groups. Find a critique group. Don’t try to do this alone. It’s more fun, you will be a better writer faster, and you’ll make friends that understand the angst of writing.

Where can our readers learn more about you and where to buy your books?

 My website: https://www.terribensonwriter.com/

My books are available at:

 Amazon: https://www.amazon.com/Books-Terri-Benson/s?rh=n%3A283155%2Cp_27%3ATerri+Benson

Barnes & Noble: https://www.barnesandnoble.com/w/the-pickup-artist-terri-benson/1140930664?ean=9781956615029

As well as most book distributors.

 

 

1 Comment

  1. Michael A, Black

    Terri, you certainly have a unique method for coming up with names. I tend to avoid cemeteries as much as I can. Bad mojo for me. I love going to those old car shows, too. I’ll keep an eye out for your books.

    Reply

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KAYE GEORGE – Cozy, Traditional Mystery, and PREHISTORIC

Kaye George, an award-winning novelist and short-story writer, writes cozy and traditional mysteries and a prehistory series, which are both traditionally and self-published: two cozy series, Fat Cat and Vintage Sweets; two traditionals featuring Cressa Carraway and Imogene Duckworthy; and the People of the Wind prehistory Neanderthal mysteries,  Over 50 short stories have also appeared, mostly in anthologies and magazines. She reviews for Suspense Magazine and writes a column for Mysterical-E. She lives in Knoxville, TN.

Do you write in more than one genre? Kind of, but not really? Most of my writing is mystery, but I work in different sub-genres. I’ve had contracts for two 3-book cozy series and have a couple of other series that are more traditional. And my prehistory series, which doesn’t really fit anywhere, but I call it historical if I have to slot it somewhere. I have done a few horror short stories, but not many.

What are you currently working on? I finished up a psychological suspense novel, which is a huge departure for me. I read a lot in the genre and have wanted to write one for some time. So, I did it! It’s taken me a long time because I lay it down, do another project, and then return to it. I hope to be querying soon. It would be ideal if I could snag a new agent with this since I’m between agents.

Has an association membership helped you with your writing? I have to give a lot of credit to the Guppies chapter of Sisters in Crime. The critique groups, manuscript swaps, and especially the subsidized online classes have given me so much! I gave back for a few years, serving as treasurer, then president. I’m back to just being a member now—very restful.

How long did it take you to write your first book? Not long for the very first one, but that one will never see the light of day. I started on one that got me published after working on a specific one for about ten years. It took about a year to write CHOKE, my first published book, because, by that time, I had learned how to write a mystery. The ten-year book did get published, but the publisher failed, and it’s now languishing until I can find a new home for it. That one was called EINE KLEINE MURDER, but I’d like to change that title if it has a rebirth somewhere.

How long to get it published? The one I worked on for ten years got published a couple of years after the one I wrote in frustration at not getting published in 2011. That one was my first one, CHOKE. However, I jumped at a publisher when I should have been a little more selective. I ended up taking it back and self-publishing it a year later, in 2012. EINE KLEINE came out inf 2013.

What kind of research do you do? For regular books, I research the geography and weather of the area, sunset and sunrise times, too, at least. A whole lot more on occasion for a specific project. I often base a fictitious town on a real one, but I’ll use the real things about the real town. Of course, I research all my murder methods, police procedures, and body trauma. For police and forensics, the Citizens’ Police Academy I took in Austin was a valuable experience.

But for my Neanderthal series, tons and tons and tons of research. I try to keep up with new theories and discoveries, and there have been many of those over the past few years. Fans of that series have been wonderful about keeping an eye out and informing me of new developments, too. It takes me a full year to write one of those. I can write a book in other sub-genres in 9 or 10 months. I’m not a fast writer!

Anything else you’d like to tell us about yourself and your books? The long-awaited third Neanderthal mystery, DEATH IN THE NEW LAND, is finally out on July 10th. I’m very excited to have finally finished this!

How do our readers contact you?

PUBLIC FACEBOOK GROUPS:

 

5 Comments

  1. Michael A. Black

    Wow, Kaye, what a unique idea for a series. It’s got to be a first. Good luck and keep an eye out for those Crow Magnons.

    Reply
    • Kaye George

      I do think this is the only pre-history mystery series. There is other pre-history fiction, but not mysteries. THANK YOU! I’ll be careful!

      Reply
  2. Vicki Batman

    very nice, Kaye and George. vb

    Reply
    • Kaye George

      Thanks, Vicki!

      Reply
  3. Kaye George

    Thanks for the interview today, George! Those are some good questions!

    Reply

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MARTHA CRITES – Protagonist Brings Mental Health To Readers

Martha Crites worked as a mental health counselor for many years. When she decided to write novels, she gave her protagonist another position in the same field. Martha’s two traditional mysteries, Grave Disturbance and Danger to Others, feature Grace Vaccaro, a psychiatric evaluator who determines when a person must be hospitalized against their will.

Danger to Others – October in the Pacific Northwest foothills brings more than a change of season. Psychiatric evaluator Grace Vaccaro is on edge. A field evaluation gone wrong leads to a shooting, Grace’s mother has died, and ghosts from her family past are everywhere. When a young woman says she killed her therapist, Grace suspects it’s delusion and sets out to prove her innocent. Then Laurel escapes from a locked unit, and suspicions abound.

Where do you place your settings—real or fictional locations? My writing is very personal; both setting and plot start from real places. Because privacy is so important in mental health, patients’ stories only give general inspiration. But Harborview Medical Center, Seattle’s old county hospital built in the 1920s, is a rich location. The place is full of odors, basement corridors, and patched together buildings added every few decades. I set scenes everywhere, from the emergency room to psychiatric units, to the morgue. I’m also in love with the Pacific Northwest. Many months a year, the dark and dripping rain strike the perfect mood for mystery. When I first began writing, I had just moved from a rural area to the city. I missed the country and its connection to the natural world, so I set the story in the very house where I used to live. Each day, I could go there in my mind and pull out details that deepened the story. For my third novel, I’m using May as the setting. There will still be plenty of storms but a large dose of hope and rebirth.

What kind of research do you do? Danger to Others explores the difference between the old state hospitals and modern treatment of mental illness—both with their own strengths and weaknesses. Research led me to this story. Writing is never easy for me, but often enough, when I need a plot turn, I find the solution in the news within days. With Danger to Others, I was making progress on the main plot and thought, “I really need a subplot.” By the weekend, the newspaper ran an article about Washington’s Northern State Hospital, a mental institution that closed in 1973.

This was a subplot with my name written all over it. As I was about to save the article for inspiration, I realized just how meaningful the topic was—my father’s mother had died in a state hospital before I was born. Families didn’t talk about mental illness back then. All I’d been told was that she’d had a brain tumor. In my work life, from time to time, when I saw a patient with a brain tumor showing confusion or personality change, I thought, maybe that’s what happened to my grandmother, but my father would never speak of it. So my subplot sent me into research mode.

First, I read every book and watched every movie dealing with historic treatment of mental illness—far more than would ever be incorporated into my writing. I was also fortunate to have the diaries of an aunt that revealed a few mentions of her treatment. Next, I visited Northern State Hospital, where a trail winds through the old dairy farm that supplied food and gave patients meaningful work. The mysterious, collapsing buildings set in the shadow of the North Cascades Mountains inspired several scenes.

At the same time, I sent for my grandmother’s death certificate and learned that there had been no brain tumor. Sadly, she died of a heart attack just 19 days after admission to the hospital. Her death was likely the result of the Insulin Shock Therapy she received. Though it reportedly helped with symptoms, the treatment was so physically hard on patients that its use was discontinued by the 1960s. You can see a portrayal of it in the film, A Beautiful Mind, with Russell Crowe as mathematician John Nash.

My grandmother’s diagnosis was late-onset psychosis, meaning she’d led a normal life. Then and now, families struggle to understand what happens when a loved one experiences mental health problems—especially in a world where mental illness is stigmatized. This springboard for my subplot was fictionalized in Danger to Others. In fiction, my sleuth found people with answers to her questions. Answers don’t exist in my life but resolving my protagonist’s questions satisfied me too. My writing journey led me to learn about my grandmother and how her history, without my knowing, might have led to my career in mental health.

Danger to Others is particularly close to my heart because as I began writing, I realized that what many people know about mental illness and its treatment is based on faulty information. Thus began my mission to humanize people we might find scary or funny in daily life. I aim to decrease the stigma of mental illness by writing fully developed characters who also experience mental illness, all while telling a good story.

My books are available on Amazon and other online sources, or please support your favorite bookstore by requesting it.

Please visit me:

  • On my website where you can contact me or sign up for my newsletter.
  • On Facebook
  • On Instagram @marthacrites.author
  • Or Twitter @critesmartha

1 Comment

  1. Michael A. Black

    Sounds like it’s a great place for a mystery, Martha. I got anxious just reading your description. Good luck with your writing and keep on helping those in need.

    Reply

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