Kaye George, an award-winning novelist and short-story writer, writes cozy and traditional mysteries and a prehistory series, which are both traditionally and self-published: two cozy series, Fat Cat and Vintage Sweets; two traditionals featuring Cressa Carraway and Imogene Duckworthy; and the People of the Wind prehistory Neanderthal mysteries, Over 50 short stories have also appeared, mostly in anthologies and magazines. She reviews for Suspense Magazine and writes a column for Mysterical-E. She lives in Knoxville, TN.
Do you write in more than one genre? Kind of, but not really? Most of my writing is mystery, but I work in different sub-genres. I’ve had contracts for two 3-book cozy series and have a couple of other series that are more traditional. And my prehistory series, which doesn’t really fit anywhere, but I call it historical if I have to slot it somewhere. I have done a few horror short stories, but not many.
What are you currently working on? I finished up a psychological suspense novel, which is a huge departure for me. I read a lot in the genre and have wanted to write one for some time. So, I did it! It’s taken me a long time because I lay it down, do another project, and then return to it. I hope to be querying soon. It would be ideal if I could snag a new agent with this since I’m between agents.
Has an association membership helped you with your writing? I have to give a lot of credit to the Guppies chapter of Sisters in Crime. The critique groups, manuscript swaps, and especially the subsidized online classes have given me so much! I gave back for a few years, serving as treasurer, then president. I’m back to just being a member now—very restful.
How long did it take you to write your first book? Not long for the very first one, but that one will never see the light of day. I started on one that got me published after working on a specific one for about ten years. It took about a year to write CHOKE, my first published book, because, by that time, I had learned how to write a mystery. The ten-year book did get published, but the publisher failed, and it’s now languishing until I can find a new home for it. That one was called EINE KLEINE MURDER, but I’d like to change that title if it has a rebirth somewhere.
How long to get it published? The one I worked on for ten years got published a couple of years after the one I wrote in frustration at not getting published in 2011. That one was my first one, CHOKE. However, I jumped at a publisher when I should have been a little more selective. I ended up taking it back and self-publishing it a year later, in 2012. EINE KLEINE came out inf 2013.
What kind of research do you do? For regular books, I research the geography and weather of the area, sunset and sunrise times, too, at least. A whole lot more on occasion for a specific project. I often base a fictitious town on a real one, but I’ll use the real things about the real town. Of course, I research all my murder methods, police procedures, and body trauma. For police and forensics, the Citizens’ Police Academy I took in Austin was a valuable experience.
But for my Neanderthal series, tons and tons and tons of research. I try to keep up with new theories and discoveries, and there have been many of those over the past few years. Fans of that series have been wonderful about keeping an eye out and informing me of new developments, too. It takes me a full year to write one of those. I can write a book in other sub-genres in 9 or 10 months. I’m not a fast writer!
Anything else you’d like to tell us about yourself and your books? The long-awaited third Neanderthal mystery, DEATH IN THE NEW LAND, is finally out on July 10th. I’m very excited to have finally finished this!
How do our readers contact you?
PUBLIC FACEBOOK GROUPS:
Martha Crites worked as a mental health counselor for many years. When she decided to write novels, she gave her protagonist another position in the same field. Martha’s two traditional mysteries, Grave Disturbance and Danger to Others, feature Grace Vaccaro, a psychiatric evaluator who determines when a person must be hospitalized against their will.
Danger to Others – October in the Pacific Northwest foothills brings more than a change of season. Psychiatric evaluator Grace Vaccaro is on edge. A field evaluation gone wrong leads to a shooting, Grace’s mother has died, and ghosts from her family past are everywhere. When a young woman says she killed her therapist, Grace suspects it’s delusion and sets out to prove her innocent. Then Laurel escapes from a locked unit, and suspicions abound.
Where do you place your settings—real or fictional locations? My writing is very personal; both setting and plot start from real places. Because privacy is so important in mental health, patients’ stories only give general inspiration. But Harborview Medical Center, Seattle’s old county hospital built in the 1920s, is a rich location. The place is full of odors, basement corridors, and patched together buildings added every few decades. I set scenes everywhere, from the emergency room to psychiatric units, to the morgue. I’m also in love with the Pacific Northwest. Many months a year, the dark and dripping rain strike the perfect mood for mystery. When I first began writing, I had just moved from a rural area to the city. I missed the country and its connection to the natural world, so I set the story in the very house where I used to live. Each day, I could go there in my mind and pull out details that deepened the story. For my third novel, I’m using May as the setting. There will still be plenty of storms but a large dose of hope and rebirth.
What kind of research do you do? Danger to Others explores the difference between the old state hospitals and modern treatment of mental illness—both with their own strengths and weaknesses. Research led me to this story. Writing is never easy for me, but often enough, when I need a plot turn, I find the solution in the news within days. With Danger to Others, I was making progress on the main plot and thought, “I really need a subplot.” By the weekend, the newspaper ran an article about Washington’s Northern State Hospital, a mental institution that closed in 1973.
This was a subplot with my name written all over it. As I was about to save the article for inspiration, I realized just how meaningful the topic was—my father’s mother had died in a state hospital before I was born. Families didn’t talk about mental illness back then. All I’d been told was that she’d had a brain tumor. In my work life, from time to time, when I saw a patient with a brain tumor showing confusion or personality change, I thought, maybe that’s what happened to my grandmother, but my father would never speak of it. So my subplot sent me into research mode.
First, I read every book and watched every movie dealing with historic treatment of mental illness—far more than would ever be incorporated into my writing. I was also fortunate to have the diaries of an aunt that revealed a few mentions of her treatment. Next, I visited Northern State Hospital, where a trail winds through the old dairy farm that supplied food and gave patients meaningful work. The mysterious, collapsing buildings set in the shadow of the North Cascades Mountains inspired several scenes.
At the same time, I sent for my grandmother’s death certificate and learned that there had been no brain tumor. Sadly, she died of a heart attack just 19 days after admission to the hospital. Her death was likely the result of the Insulin Shock Therapy she received. Though it reportedly helped with symptoms, the treatment was so physically hard on patients that its use was discontinued by the 1960s. You can see a portrayal of it in the film, A Beautiful Mind, with Russell Crowe as mathematician John Nash.
My grandmother’s diagnosis was late-onset psychosis, meaning she’d led a normal life. Then and now, families struggle to understand what happens when a loved one experiences mental health problems—especially in a world where mental illness is stigmatized. This springboard for my subplot was fictionalized in Danger to Others. In fiction, my sleuth found people with answers to her questions. Answers don’t exist in my life but resolving my protagonist’s questions satisfied me too. My writing journey led me to learn about my grandmother and how her history, without my knowing, might have led to my career in mental health.
Danger to Others is particularly close to my heart because as I began writing, I realized that what many people know about mental illness and its treatment is based on faulty information. Thus began my mission to humanize people we might find scary or funny in daily life. I aim to decrease the stigma of mental illness by writing fully developed characters who also experience mental illness, all while telling a good story.
My books are available on Amazon and other online sources, or please support your favorite bookstore by requesting it.
Please visit me:
- On my website where you can contact me or sign up for my newsletter.
- On Facebook
- On Instagram @marthacrites.author
- Or Twitter @critesmartha
Jennifer J. Chow is the Lefty Award-nominated author of the Sassy Cat Mysteries and the L.A. Night Market Mysteries. The first in the Sassy Cat series, Mimi Lee Gets A Clue, was selected as an OverDrive Recommended Read, a PopSugar Best Summer Beach Read, and one of BuzzFeed’s Top 5 Books by AAPI authors.
JENNIFER currently serves as Vice President on the national board of Sisters in Crime. She is an active member of Crime Writers of Color and Mystery Writers of America. Connect with her online at www.jenniferjchow.com
Death by Bubble Tea Two cousins who start a food stall at their local night market get a serving of murder in this first novel of a delicious new cozy mystery series.
This is the first in a new series! I’m excited about the L.A. Night Market Mysteries because it combines my own personal history of working at a family restaurant with my love for food. Also, I get to add recipes at the back of the book!
(My other recent cozy series is the Lefty Award-nominated Sassy Cat Mysteries, which feature Los Angeles pet groomer Mimi Lee and her sassy telepathic cat, Marshmallow.)
How do you come up with character names? In general, I get inspiration from baby name books, online name generators, and the Social Security archives. For Death by Bubble Tea, Yale popped into my head because I know a few folks who are named after universities (yes, I do know a Harvard!). Celine’s name cropped up because I wanted to pay homage to celebrity-inspired names (along with popular artists and songs that my family enjoys karaokeing to).
We hear of strong-willed characters. Do yours behave or run the show? My characters usually run the show. I’d love for them to rein themselves in, but a few like to hog the limelight. On the other hand, it puts them in interesting and precarious sleuthing situations. My comedic characters often add a huge dose of sparkling wit and humor.
Do you have subplots? If so, how do you weave them into the novel’s arc? I usually do have a subplot. A lot of these are character-driven. In my last Sassy Cat Mystery, Mimi Lee Cracks the Code, Mimi Lee and her boyfriend Josh go on a romantic getaway that soon turns sour. She’s got crimes to solve—and a relationship to mend!
With Death by Bubble Tea, there’s an ongoing conflict with recently arrived Celine. Yale has to deal with her opposite personality cousin along with running a new food stall.
The subplots come organically, as I think they do in real life. People are dealing with multiple things on an everyday basis, and that’s reflected in my stories.
What kind of research do you do? I try to research in all sorts of ways. The Sassy Cat series had me visiting pet salons, going down the rabbit hole of YouTube pet grooming videos, and having vivid encounters with animals at dog readings, cat cafes, and more.
With the L.A. Night Market series, I suppose I unknowingly did pre-research. I’ve gone to multiple night markets (think lively festivals set in the evenings) in Asia and in the States. My family has roots in Southern China and Hong Kong, so I didn’t have to research those cultural aspects as much. However, I did keep a dim sum cookbook around while writing and had a Chinese dictionary handy. Since Book 1 is called Death by Bubble Tea, I also did obligatory boba tastings (yum!). For the recipes in the back of the book, I made several attempts and passed those culinary efforts on to my family to eat and drink.
Where do you place your settings—real or fictional locations? I have a mix of real and fictional in my settings. Usually, it’s a made-up community in an actual geographic region. For example, the L.A. Night Market series has a small fictional planned community called Eastwood Village, but it’s positioned in the greater West L.A. area. I also had fun inserting real sites into this new series, particularly with the more unique locations that Yale and Celine visit as Yale takes her cousin around and introduces her to Los Angeles.
I was born in London, England, a few years after World War II. I watched London being patched back into a vibrant commercial center. Sights of bombed-out buildings and devastation still linger in my memories.
At age 26, I moved to Saudi Arabia to work for Aramco (an oil company.) I worked there for four years and traveled widely in the region. I grew to love and be intrigued by the local people and their culture.
Years later, as I neared retirement, my family requested I write down some of the many stories I had told over the years. One theme kept appearing in these pieces, my driving a Chevy Blazer from London to the eastern province of Saudi Arabia – a journey of 5,500 miles in 15 days. That became my first book, a memoir, Journey to Self, published in September 2019 – available on Amazon.
While working on that book, I said I had no idea how to write a novel. It seemed overwhelming. However, after one workshop, I saw I had the basic framework for a fictional story. Having never been one to shy away from a challenge, I started work on it. My story is set around a Syrian family and covers themes such as:
- most Syrians, most Muslims, like ourselves, want to live in peace – that is not fiction,
- how to counter a ruthless dictator,
- the roles of men and women in Syrian society,
- how to hold grief, love, and fear while fighting for your life,
- how people, despite their dire circumstances, can imagine a hopeful future.
In the past few weeks, I have received feedback from a group of beta-readers, and so far, there have been no show-stoppers but plenty of words of encouragement. While working through the multiple drafts of this first novel, I started work on the sequel: Syrian Rebirth – Ahmed’s World. This is now a completed initial draft. I have in mind the third and final book in the series, Syrian Rebirth – Fatima’s World.
Syrian Rebirth – Rashid’s World. Rashid wished his family to be safe. He joined the fight against Syria’s brutal president. How would that affect him, his family, and his country?
What brought me to writing: Writing is a way for me to purge demons that hindered me for too many years. I learned to read as a child, but I truly hated and, in some ways, feared it. I read my first book for pleasure when I was 26 years old. To many people, that may sound horrifying, but it was my world as a youngster. Numbers and logic were my saving graces. I became a computer software engineer for a career. Reading never became a pleasurable activity for me. I missed reading the classics, much to my detriment.
Over the years, I have displayed some competence in various artistic mediums: drawing, painting, woodcraft, story-telling, and cooking. Then I started writing, and it became a passion. I have taken many classes, and some teachers have had a profound impact on my writing.
Tell us about your writing process: I arise early each day and make my wife’s coffee (a survival technique I learned early.) Depending on the priorities of the day, I make time most mornings to review and edit what I worked on the previous day. I try to dedicate an hour or two each day to writing new material or making revisions to pieces that are my focus at that time. If I do not manage to find time, I do not judge myself but try to use my sense of frustration as an impetus for the following day.
Do I kill popular characters? Yes. My novels are thrillers. I think in my first novel, more characters are dead than alive in the end. And several of the dead are good/popular characters. One of my favorite characters in that first novel is among the dead, and I still grieve their loss. Reading that section still causes my eyes to tear up. A few beta-readers admitted they cried when that death happened.
How do you raise the stakes for the protagonist? One of my teachers frequently tells me to keep winding up the tension and never let it go. I understand this and try to do that. But I do find when a sub-plot comes to its termination, then along with that, some of the protagonist’s tension is released. So in my novel, the tension is more like waves with spikes along them. Even though some tension may be released at times, it still adds to the overall tension.
How did I come up with Character Names. Most of my main characters are Arabic. So names like Joan, Paul, Marge, and Randy are inappropriate. Thankfully, lists of Arabic names can be found on the web. I have selected names with which I am comfortable, and I hope readers will not trip over. I have tried to have each name start with a different letter for easier recognition. In the forward to each book, I have listed out the main characters and their relationship so that readers have a quick reference, e.g. Rashid is married to Fatima.
Do I outline, or am I a pantser? At heart, I am a pantser, but I will admit that I have my thoughts reasonably outlined in my head before I tackle a section. What fascinates me is how my mind conjures up a scenario that appears on the page/screen without me consciously thinking about it. Sometimes, as I fathom out how to write a section, I will realize in my wordy/ugly first draft I left a hook or a character that will allow for a smooth continuance of the current storyline.
Sources of Expertise / Advice. I have read posts, articles, and books about the book’s locations, particularly from current day journalists. Also, I found a local Islamic Center and talked with one of the leaders about these novels. He gave me some useful information and encouraged me to continue working on them. He agreed that, basically, Syrian refugees are people who have been forced out of their homeland by violence and intimidation. They are desperate to find a safe environment in which to raise their children. They are no more inherently violent than we are.
Going forward, I have plenty of work integrating the comments that I received from beta readers and improving the readers’ experience of the novel. After that, I will reach out to a few agents and publishers. If those connections raise no interest, I am prepared to self-publish, which I did for my memoir.
A reader of this post may be able to assist me with achieving one of my next steps. Does anyone know a Syrian or a person from the Middle East who may be willing to read the revised beta draft of the novel? I would be appreciative if anybody could suggest a female as the book addresses gender roles in Syrian society. But I am looking for any person from that region who may be willing to review the revised draft.
My website can be found at: www.BDHWrites.com
My blog can be found at: www.BDHWrites.com/blog
My email address is: BDHWrites@gmail.com
Patti is the co-executive producer for a television series in pre-production titled THUMBS UP! about a boy with Autism and his special dog with opposable thumbs. She is the author of over seventy-five books and over two hundred fifty works in progress. Patti is the very first author to be chosen as a judge for the PBS KIDS GO contest to present the awards as well. She has been an educator, an agent, and an editor. Currently, she sits at home writing in pajamas in Las Vegas, NV, with her three world domination dogs.
England’s most famous witch trial took place in Lancashire in 1612. Ten of the so-called Pendle Witches were hanged at Lancaster Castle after being deemed guilty of witchcraft. Their ghosts reputedly haunt the village of Newchurch, where one of the witches is said to be buried.
Gwen Winter and her two brothers, Lance and Merle, travel to England with their Father to visit their Aunt. Gwen knows what she wants to see and do while there. She is determined to solve a mystery centuries-long, to search for clues of what happened to the sisters Pendle and why they had been accused.
Gwen finds out she has been carrying a family secret that will haunt her for the rest of her life. Will she be able to deal with the new found information long enough to solve the mystery, or will she fall into the deep dark folds of the family secret?
Find out in this first installment of the Ghost Tales Mystery Series, The Pendleton Witches.
Do you write in more than one genre? Actually yes! I write in cozy mystery, thriller, horror, MG, YA, Steampunk, Gaslamp, romance, rom-com, paranormal, fantasy, and many sub-genres
What brought you to writing? I have always dabbled in writing ever since I was a kid. I read a great deal also. My writing inspiration began when I started writing skits for plays when I was young. We used to put on a play once a week for the neighborhood kids and charge them five cents to watch. From there, I went on to work part-time for a newspaper, and the rest is history.
Where do you write? What, if any, distractions do you allow? I have an in-home office. I always write with some kind of background noise. If I get a phone call or someone pops in via social media, I sometimes welcome the distraction.
Tell us about your writing process: Hmm. I don’t have a process per se; I write when the bug bites. I normally try to write something every day after I sit down and check through email, have coffee, spend time with my pups or sit outside, depending on the weather. My writing time is usually done during the morning hours and falls into the afternoon.
What is the most challenging part of your writing process? Motivation! I’m a HUGE procrastinator! And writer’s block.
What are you currently working on? I have several books I’m currently working on at the moment. Cozy, primarily paranormal.
Has an association membership helped you with your writing? Tremendously! Years ago, I joined RWA and the local chapter in the state I was living in at the time. Back then, we were one of the largest with the most published authors. I learned a great deal from them over the years I was a member. I highly suggest to any writer to join as many as you can find.
Who’s your favorite author? Diana Gabaldon. She penned the Outlander series.
How long did it take you to write your first book? Eight months was A LOT of trial and error.
How long to get it published? One year with a traditional publisher back in 1989
We hear of strong-willed characters. Do yours behave or run wild? Oh dear lord! Mine are always running amok in my brain!
Do you outline, or are you a pantser? I used to be a pantser, but now I’ve finally learned, after 43 years, to outline and plot!
What is the best book you have ever read? G WELLS WAR OF THE WORLDS! I was thirteen years old and used to run home from school just to read all 600 pages of it!
Looking to the future, what’s in store for you? Completing our television show, having many books on the best sellers list and published with two of my bucket list publishers.
Do you have any advice for new writers? Yes! STUDY the craft. Anyone can write a book…it takes great skill to write a GREAT one. Do your homework!
Anything else you’d like to tell us about yourself and your books? Our books are for everyone. We write books for children as young as two years old through adult. Our books are clean reads so every age can enjoy them. I write spooky, so anyone who reads RL Stine, Stephen King, and Dean Koonz will enjoy my books. I also write outside that box, so there are books for everyone.
How do our readers contact you? https://www.facebook.com/pattipetronemiller