Sep 19, 2022 | Historical, Memoir, Mystery, Thriller |
Michael was born in Manchester, England. He lived in France and joined a French Order of Missionary priests. He spent ten years in West Africa, several of them during a civil war when he was stood up to be shot. He spent a year living as a hermit in Northern Ireland, was a teacher in Madrid, Spain, and as part of the British ‘brain drain’ taught at the Univ of Puerto Rico.
The owner of MJB Consultants, he flew all over the world monitoring and evaluating humanitarian projects and has worked in more than thirty countries. He is fluent in several languages, an avid golfer, and academically considers himself over-engineered, having three Masters’ Degrees and a Ph.D. On his bucket list is to pilot a helicopter, become fluent in Arabic, and spend a week’s retreat at Tamanrasset in the Sahara Desert.
Michael lives with his French wife, who designs and paints the covers of his books, and a Tibetan terrier in Clayton, California.
His latest novel, The Ethiopian Affair (May 2022), begs the question: Is there a plot to abduct the US ambassador to Ethiopia? MI6, the CIA, and NISS (Ethiopian Secret Service) are faced with discovering the truth.
He has always been a writer, and his first book, The Bishop Wears No Drawers (2017), is a memoir of his time in Africa. Let the Peacock Sing (2020) is a historical novel set against the backdrop of the French Resistance during World War II. His second novel, a coming-of-age book, Becoming Anya, was published in November 2021. Michael also writes fiction and nonfiction articles for several magazines, including Alive East Bay and The Big issue (UK). He is a feature writer for the Mt Diablo Gazette.
Do you write in more than one genre? My first book is a memoir of ten years spent in Nigeria as a catholic missionary priest, where I was stood up to be shot. My second book is the historical novel Let the Peacock Sing.
What brought you to writing? I have always been a writer, mainly nonfiction and academic articles on philosophy and spirituality. Retirement gave me the time to develop my craft and let my imagination run wild.
Tell us about your writing process: I treat my writing like a job as if I am employed and quite disciplined. I usually spend six to eight hours a day on a book, either writing or doing research. I take breaks with a round of golf and vary my writing by producing fiction and nonfiction articles for various magazines.
With fiction, I usually have an idea with just a couple of specific points, and the rest of my process depends entirely on my characters. As they grow and develop, they tell me who they are, what they want to say, and what they are doing.
Nonfiction: It depends on my mood and particular interest at a given moment. I occasionally do book reviews.
What is the most challenging part of your writing process? The only challenge I have as a writer is that there is insufficient time to write all the stories and characters in my head.
What are you currently working on? I am five chapters into a novel comprising six different stories, all intertwined with links to two main characters. It’s fun and challenging.
Has an association membership helped you with your writing? Not really. I joined CWC because writing is a lonely business. I started the Writers Connection, where a group of us could meet to socialize and talk about anything related to writing.
I read more biographies than novels. Who’s your favorite author? Depends on the type of book. Thrillers: John Le Carre; Literary: Edna O’Brien & Jose Luis Borges. Paul Theroux is, for sure as a travel author.
What’s the most challenging thing about writing characters from the opposite sex? Love/romantic scenes are particularly difficult to write, just to get the language balance and sensitivity right. My wife, who is both a painter and psychologist, is always the first to review my drafts and gives me excellent feedback.
Do you have subplots? Always have several subplots. That’s a major part of the fun and challenge in writing.
Do you base any of your characters on real people? Yes. I believe that almost every author, especially early in their career, base some characters on their own experiences. We often write from what we know.
What obstacles do you face when writing about historical figures? Sometimes it’s difficult to access or find all the information needed about a character. For example, I needed a great deal of information about the French railways during World War II. There are lots of bits and pieces, but that complete history has still to be written. I have researched French archives and come away empty-handed.
Where do you place your settings? Depends. I write a lot about places and countries I have lived in, especially France, Ireland, Spain, Nigeria, Ethiopia, and Latin America.
What is the best book you have ever read? Henry Kissinger: 2 Vols. The Whitehouse Years, and he was writing in a second language. From the point of view of command of language and style, Mark Kishlansky’s A Monarchy Transformed: Britain 1603-1714.
Looking to the future, what’s in store for you? My head is full of characters wanting to tell their stories. I’ll just keep writing because I must. I would like to see my book Let the Peacock Sing turned into a mini-series, and I am working on that.
How do our readers contact you?
Jan 10, 2022 | Historical, Mystery, Thriller, Uncategorized |
I’m a native Californian living in the San Francisco Bay Area. My life path has included Catholic ministry, marriage, children, and a grandchild. The writing bug bit me somewhere along that path, and I’ve published 16 books ranging from spirituality to romantic drama to a trilogy based on Victor Hugo’s Les Misérables.
Please tell us about your book and blurb and any comments about any other of your books:
Inspector Javert: at the Gates of Hell (Book 3 of the Wisdom of Les Misérables Trilogy)
Inspector Javert’s central theme: “What happens in the next instant after the heart beats for the last time.” Javert gazes into the River Seine. What future has he after freeing his enemy Jean Valjean? Rather than face his options, he leaps into the river.
- Book 1… Lessons From the Heart of Jean Valjean (nonfiction)
- Book 2… Bishop Myriel: In His Own Words
Do you write in more than one genre? I write both fiction and nonfiction. Topics range from romance/action to the arts and spiritual themes.
What brought you to writing? After a 20-year career in Catholic ministry, the writing bug bit.
Tell us about your writing process: I am gifted with (a) a love for the craft and (b) the ability to focus on the task at hand and stay with it for long stretches of the day. I don’t set goals about page count; I just stay with the process.
What is the most challenging part of your writing process? Most challenging is never allowing myself to fall in love with the draft I’m working on. Writing Inspector Javert brought that lesson home. At draft 10, I said, “Done!” The final book took 20+ drafts.
Has an association membership helped you or your writing? Without a doubt, my most important association throughout my career has been with the California Writers Club (Mount Diablo Branch). I tell people, “As a writer, it’s the only place I can go where people know what I’m talking about.”
Who’s your favorite author? If I have to pick one, it is Victor Hugo. He was such a complex human being in his personal life. That very complexity fed his mammoth ability to create the most varied and unforgettable characters.
How long did it take you to write your first book? My first three books came out as a series under the name Adult-to-Adult (Christ in Our Lives, Christians and Prayer, and Christians Reconciling, Winston Press). I drew upon material I developed during my ministry years.
How do you come up with character names? When writing fiction, names just seem to come to me. This may sound sappy, but the characters tell me their names.
We hear of strong-willed characters. Do yours behave, or do they run the show? My characters run the show, whether they behave themselves or misbehave. To me, a novel is boring if everyone “does the right thing” all the time. Characters must behave like real people. They can sin and repent—or not. There must always be a measure of growth as the story arcs to the end.
What’s the most challenging thing when writing characters of the opposite sex? As a male writer, it’s always a challenge to climb inside the mind and body of a woman character. In my trilogy (A Love Forbidden, Finding Isabella, and I’ll Paint a Sun), all the main characters are women. As is the protagonist in The Saint of Florenville. I’ve never heard a complaint from female readers that I “didn’t get it right.”
Do you ever kill a popular character? A protagonist, no. Supporting characters might need to die. Hugo modeled this in Les Misérables. At the barricade, the boy Gavroche dies first. Then his sister, Eponine, dies in Marius’s arms. Enjolras, the rebel leader, dies. Everyone dies except Jean Valjean and Marius.
How do you raise the stakes for your protagonist—for the antagonist? Inspector Javert: at the Gates of Hell offers a good example. Javert’s ordered life turns upside down when he allows doubt to creep into his soul. Could a lifelong criminal be capable of goodness? That crack in Javert’s armor demands recognition. He might have gotten it wrong all his life. In an instant, the entire structure of his life falls apart.
Do you outline, or are you a pantser? A hybrid “pantser.” I begin a novel with an idea arc. I don’t create an outline. I count on the characters to surprise me by doing something I didn’t see coming. In my Les Mis trilogy, I had to follow the plotline set by Hugo. E.g., Javert can’t be a warm-hearted, fun-loving cop. Nor could Jean Valjean act out of character. I worked within the parameters of Hugo’s storyline. After Javert’s death, I had complete freedom to do anything I wanted.
What kind of research do you do? Primarily, I focus on getting the historical time, place, weather, etc., as accurate as possible. It helps if I’ve actually visited the places where I set my story. For example, I’ve been to Paris four times over the years and have a feel for the local environment as I experienced it.
Where do you place your settings—real or fictional locations? It depends on the story. Inspector Javert bound me to get the time and place right. In another novel, I built my own world. Whether setting a story in San Francisco (I’ll Paint a Sun) or Peru (Circles of Stone and Down a Narrow Alley), I needed to get it as right as possible, though I’ve never been to Peru.
What is the best book you have ever read? Les Misérables. All 1,200 pages of it.
Do you have any advice for new writers? First, stop talking about writing and just do it. Don’t let your first draft be your last draft. Have faith in yourself and do the work.
Second, find a compatible writing community for moral support and learning the craft of writing. Third, have fun. Writing doesn’t have to be torture—if it is, don’t do it
If none of this appeals to you, find something else you like to do.
How do our readers contact you?
What a wealth of material, Michael! You need three lives to complete all the works you have in you. I was going to mention the same thing Debra mentioned about being a spy. I know, I know, you can’t say anything.
Best of luck with your work!
Michael’s an inspiration to those who know him. As a fellow writer, I’m in awe of his pool of experiences from which he builds his work. I’m grateful to be in his writing community. I mostly listen and hopefully learn from him.
Michael, the only thing missing from your resume is “international spy.” But I suppose most international spies-turned-author don’t publicize that, correct? Your books sound fascinating!
The life you’ve lived is made for writing stories.
Having your spouse as the first reviewer is a special gift!
It sounds like you’ve got a lot of experiences to drawn upon. I had a friend who was in country during the Nigerian civil war and he said it was brutal. Congratulations on surviving. Best of luck to you in your writing.