Patti is the co-executive producer for a television series in pre-production titled THUMBS UP! about a boy with Autism and his special dog with opposable thumbs. She is the author of over seventy-five books and over two hundred fifty works in progress. Patti is the very first author to be chosen as a judge for the PBS KIDS GO contest to present the awards as well. She has been an educator, an agent, and an editor. Currently, she sits at home writing in pajamas in Las Vegas, NV, with her three world domination dogs.
England’s most famous witch trial took place in Lancashire in 1612. Ten of the so-called Pendle Witches were hanged at Lancaster Castle after being deemed guilty of witchcraft. Their ghosts reputedly haunt the village of Newchurch, where one of the witches is said to be buried.
Gwen Winter and her two brothers, Lance and Merle, travel to England with their Father to visit their Aunt. Gwen knows what she wants to see and do while there. She is determined to solve a mystery centuries-long, to search for clues of what happened to the sisters Pendle and why they had been accused.
Gwen finds out she has been carrying a family secret that will haunt her for the rest of her life. Will she be able to deal with the new found information long enough to solve the mystery, or will she fall into the deep dark folds of the family secret?
Find out in this first installment of the Ghost Tales Mystery Series, The Pendleton Witches.
Do you write in more than one genre? Actually yes! I write in cozy mystery, thriller, horror, MG, YA, Steampunk, Gaslamp, romance, rom-com, paranormal, fantasy, and many sub-genres
What brought you to writing? I have always dabbled in writing ever since I was a kid. I read a great deal also. My writing inspiration began when I started writing skits for plays when I was young. We used to put on a play once a week for the neighborhood kids and charge them five cents to watch. From there, I went on to work part-time for a newspaper, and the rest is history.
Where do you write? What, if any, distractions do you allow? I have an in-home office. I always write with some kind of background noise. If I get a phone call or someone pops in via social media, I sometimes welcome the distraction.
Tell us about your writing process: Hmm. I don’t have a process per se; I write when the bug bites. I normally try to write something every day after I sit down and check through email, have coffee, spend time with my pups or sit outside, depending on the weather. My writing time is usually done during the morning hours and falls into the afternoon.
What is the most challenging part of your writing process? Motivation! I’m a HUGE procrastinator! And writer’s block.
What are you currently working on? I have several books I’m currently working on at the moment. Cozy, primarily paranormal.
Has an association membership helped you with your writing? Tremendously! Years ago, I joined RWA and the local chapter in the state I was living in at the time. Back then, we were one of the largest with the most published authors. I learned a great deal from them over the years I was a member. I highly suggest to any writer to join as many as you can find.
Who’s your favorite author? Diana Gabaldon. She penned the Outlander series.
How long did it take you to write your first book? Eight months was A LOT of trial and error.
How long to get it published? One year with a traditional publisher back in 1989
We hear of strong-willed characters. Do yours behave or run wild? Oh dear lord! Mine are always running amok in my brain!
Do you outline, or are you a pantser? I used to be a pantser, but now I’ve finally learned, after 43 years, to outline and plot!
What is the best book you have ever read? G WELLS WAR OF THE WORLDS! I was thirteen years old and used to run home from school just to read all 600 pages of it!
Looking to the future, what’s in store for you? Completing our television show, having many books on the best sellers list and published with two of my bucket list publishers.
Do you have any advice for new writers? Yes! STUDY the craft. Anyone can write a book…it takes great skill to write a GREAT one. Do your homework!
Anything else you’d like to tell us about yourself and your books? Our books are for everyone. We write books for children as young as two years old through adult. Our books are clean reads so every age can enjoy them. I write spooky, so anyone who reads RL Stine, Stephen King, and Dean Koonz will enjoy my books. I also write outside that box, so there are books for everyone.
How do our readers contact you? https://www.facebook.com/pattipetronemiller
Karen C. Whalen is the author of two mystery series for The Wild Rose Press: the Dinner Club Mysteries featuring Jane Marsh, an empty nester who hosts a gourmet dinner club, and the Tow Truck Mysteries starring Delaney Moran, a super feminine shoe-a-holic who drives a tow truck. Both are cozy mysteries about strong friendships and family ties set in Colorado. The first book in the Dinner Club series tied for First Place in the Suspense Novel category of the 2017 IDA Contest sponsored by Oklahoma Romance Writers of America.
Whalen worked for many years as a paralegal at a law firm in Denver, Colorado, and was a columnist and regular contributor to The National Paralegal Reporter magazine. Whalen loves to host dinner clubs, entertain friends, ride bicycles, hike in the mountains, and read cozy murder mysteries.
Toes on the Dash – Shoe-a-holic Delaney Morran inherits a tow truck business from her absent dad. The dead body of her ex-boyfriend is discovered in the trunk of her first towed vehicle. She must solve the crime and toughen up to make the business a success and feel the father-daughter connection she seeks.
Many authors count among my favorites, but three stand out the most. Laura Ingalls Wilder, Anne Morrow Lindbergh, and Erma Bombeck.
Laura Ingalls Wilder wrote about her life as a homesteader’s daughter and wife during the years 1870 through 1890. I started reading Anne Morrow Lindbergh’s A Gift from the Sea, published over fifty years ago. Then I read through her five volumes of diaries and letters covering 1922 through 1944. Erma Bombeck wrote a newspaper column and humorous books about her life between 1965 and 1996. There are four things these writers have in common, which are also the reasons they are my favorites: they wrote about a very specific time period, they wrote about their own lives, they wrote with a strong sense of place (Laura the prairie, Anne the ocean, and Erma the suburbs) and they were talented women writers.
Lucky for them, they lived in exciting times and places. Also, they had interesting lives and a whole bunch of talent.
Erma Bombeck is the only one of the three whose life span overlapped with mine. I sent her a letter right before she died and she wrote me back. I keep that letter on my desk and look at it every day.
These women writers inspired me to write. First, I wrote a column for a paralegal magazine (paralegal being my original career). Erma Bombeck also wrote a column, and I’m proud to be remembered as a columnist, too. When I progressed to writing novels, I set my books in Colorado, an evocative western setting. My books are not memoirs, however; they are murder mysteries. My tow truck mystery series is a mash up of Janet Evanovich’s Stephanie Plum novels and Gemma Halliday’s High Heel Mysteries. So, all right, Janet Evanovich and Gemma Halliday are my favorite authors, too.
I will be forever thankful to the woman writers who have gone before me and inspired me. Because of them, I was able to achieve my own dream of becoming a published author. As Laura Ingalls Wilder is quoted as saying, “No one has ever achieved anything from the smallest to the greatest unless the dream was dreamed first.”
Thank you, Laura, Anne, and Erma, for daring to dream first.
These are Karen’s social media links:
These are Karen’s buy links:
Barnes & Nobel: https://www.barnesandnoble.com/w/toes-on-the-dash-karen-c-whalen/1140989970?ean=2940160712291
Apple books: https://books.apple.com/us/book/toes-on-the-dash/id1609810860
Ana Manwaring is a former newspaper lifestyle columnist. Her poetry, personal narratives, book reviews, and short stories have appeared in diverse publications, including the California Quarterly, KRCB Radio, Morning Haiku, and Mystery Readers Journal.
A graduate of the University of Denver (B.A.) and Sonoma State University (M.A.), Ana teaches creative writing, produces the monthly North Bay Poetics poetry event on Zoom, and operates her editing company, JAM Manuscript Consulting—“Spread Excellence.” She’s also the 2022 SinC-NorCal programs chair. In her “past life,” she has prepared taxes, taught ESL, worked for a PI, consulted brujos and out-run gun totin’ maniacs on lonely Mexican highways—the inspiration for the JadeAnne Stone Mexico Adventures.
Ana, husband David, ace gopher hunter Alison, and a host of birds, opossums, skunks, deer, fox, coyotes, and occasionally the neighboring goats co-habitat an acre of Northern California.
After earning her M.A., Ana finally answered her mother’s question, “What are you planning to do with that expensive education?” Be a paperback writer. (ebook and audiobook, too!)
The JadeAnne Stone Mexico Adventures: A missing persons case to locate an American gone missing in the resorts of Ixtapa and Zihuatanejo turns investigator JadeAnne Stone’s life into a nightmare of secrets, betrayals, and pursuit as she and her dog are ensnared in a web of trafficking. Who will she trust as loyalties shift and greed rules?
JadeAnne and I are thrilled to be back on George’s blog. Since our first visit, we’ve published books two and three of the JadeAnne Stone Mexico Adventures. And now we’re unpublishing them. Why on earth? Because I’ve been picked up by Indies United Publishing House who is re-releasing second editions of all three books and publishing the 4th this year. An Ambitious publishing schedule, but penance for taking 28 years from being threatened on a lonely stretch of the Pan American Highway in Michoacán (the inspiration and inciting incident) to publication of Book 1, Set Up. I’m paying my dues now with the new covers, more revision, and editing, as well as finishing Coyote—Pursuit and Terror Across the Border (there’s going to be an exciting chase, shoot-out, and lots of suspense), which will release in November.
Set Up re-released February 16, 2022.
People ask about my writing process. Unfortunately, I’m lousy at discipline and routine. The most challenging part of the process is getting myself to sit down at the computer to write. I always find pressing things to accomplish first. Today it was weeding. But I’m really fortunate to be blessed with a large, light-filled writing studio on the second story of a barn behind my house. I look into oaks and eucalyptus and can watch the birds, the play of light and shadow through the leaves, listen to the soft susurrus of the breeze off the coast, and, when I’m not distracted, write. I’m making good use of our wonderful Sisters in Crime write-ins (I attend 1 Pm and 10 Pm currently) and my M/W/F Study Hall with my writing students. I use the social writing time for outlining, revision, poetry writing, blogging, or brainstorming character names, which often come through reading my mail. In book 4, we’re going to have two new bad guys: Denver “Zeke” Stoner and Slim Killins. I have no idea who they are or what parts they’ll play yet, but when I went to mark my mail-in Recall ballot in the California recall election, there they were. The good news, I get to my desk every day since COVID and sometimes three times, even if I’m not specifically writing, but I’m most productive with high-intensity writing stints like NaNoWriMo.
A huge help in launching my writing career (besides retiring in January) is Sisters in Crime NorCal. I can’t stress enough how beneficial professional organizations and conferences can be to your development as a writer, marketer, and speaker. I’ve met many wonderful writers and readers who’ve helped me, taught me, and encouraged me. I’m a member of several branches of SINC, MWA NorCal, California Writers Club, and a Left Coast Crime attendee and participant. I’m looking forward to our LCC after two years without a conference. I’m excited about Albuquerque, too. The big chase scene culminating in the climax of Coyote will take place between Albuquerque and Denver, and I’m going to take a few days while I’m in the “area” to scout out locations. I try to experience my settings whenever I can. However, I’ll leave the shoot-out to vicarious experience and my imagination—but I’ll know what the air feels like and how the trees smell!
I write in more than one genre. I’m currently completing a memoir of my years in Mexico, and occasionally I write book reviews and short personal essays. I have two poetry chapbooks published, and I’m working on a third of “found” poems on climate change. I’m also writing the great American dysfunctional family novel told in three voices: the dying matriarch with dementia, the elder daughter who is deceased, and the resentful second daughter. Luckily the dead sister is pretty funny.
Two events brought me to writing: I’ve always loved reading stories and wrote a short story entitled “Me and My Dinosaur” instead of writing my third-grade dinosaur report. My teacher Mrs. Clancy loved it, and I got to read it to the class. (This trick worked again in Medieval History at University—I wrote a short story instead of writing a term paper, Another A, but no public reading). The second push toward writing was when I was 11 or 12, and a palm reader predicted I’d be a bestseller by the time I was 50. Isn’t 70 the new fifty?
I’m on my way! Set Up released on 2/16, The Hydra Effect releases 5/18, Nothing Comes After Z 8/17, and Coyote 11/16.
Find me at:
Her new romantic comedy mystery, Temporarily out of Luck is the third in the Hattie Cooks mysteries and follows Temporarily Employed and Temporarily Insane.
Here’s a bit from TOOL: Great job. What man? And murder. Newly employed at Wedding Wonderland, Hattie Cooks is learning the industry from a woman she greatly admires. When her former brother-in-law is found dead in his luxury SUV, all fingers point to Hattie’s sister, who is planning her own I Dos.
Detective Allan Wellborn is caught between a rock and a hard place—Hattie’s family and investigating the murder of a well-connected Sommerville resident, the same loser who was once married to Hattie’s sister. Determining who’s the bad guy—or gal—isn’t going to be easy and sure to piss off someone. Can Hattie beat the clock to find out who murdered Tracey’s ex before she is charged with the crime and her wedding is ruined?
Where do you write? What, if any, distractions do you allow? I start my day with an early workout, eat breakfast, shower, and am usually working at my desk by 9-ish. I get all the nuts and bolts out of the way, then move to writing. I like music in the background, like classical guitar, Simply Frank, 70’s. My two malt-poos plop on the couch but sit up when I move about in case they might miss something.
Who’s currently your favorite author? In my early mom years, I discovered Dick Francis and have followed on to Felix Francis, who I met last year at Bouchercon—a fun thrill for me. I like Sophie Kinsella, Marian Keyes, Jill Mansell, Carl Hiassen. And revisit Emilie Loring, Mary Stewart.
How long did it take you to write your first book? I tackled my mystery head-on and had a good draft in less than a year. I subbed to some contests and did well. I met my critique partner in my local RWA chapter, and we traded work. She changed my life with her six 800-word short stories for Woman’s World magazine. I got the rhythm and wrote my own shorts. Soon I was subbing stories and sold lots. I still like writing them and have indie pubbed several collections. After a while, I tackled my mystery with new eyes and was offered a contract.
Do you base any of your characters on real people? Lordy, the things people say, what they wear, what they look like! These details make characters really come alive and not be paper dolls. My sons live in fear they might do something and end up in my book (and yes, they have. LOL.).
What is the best book you ever read? I’ve only read two books and then instantly reread them—A Knight in Shining Armor by Jude Devereaux and Come to Grief by Dick Francis. Rebecca by Daphne du Maurier is up there. In eighth grade, my English teacher assigned our class to read a book and give an oral book report. I was terrified! However, I managed, and afterward, the teacher told me I could have read a more challenging book. I asked my friend what she read. She said, “Rebecca.” That book pushed me into reading more adult books, specifically Agatha Christie.
A little bit about Vicki: Funny, sweet, and quirky, Vicki Batman’s stories are full of her hallmark humor, romance and will delight all readers. She has sold many award-winning, and bestselling romantic comedy works to magazines and, most recently, three humorous romantic mysteries. An avid Jazzerciser. Handbag lover. Mahjong player. Yoga practitioner. Movie fan. Book devourer. Cat fancier. Best Mom Ever. And adores Handsome Hubby.
Find Vicki Batman at:
Author Central: https://www.amazon.com/author/vickibatman/
The Birth of The Mona Lisa Sisters
Ten years ago, I was managing Safety and Security for Palm, Inc. A few months later, Hewlett-Packard acquired Palm in what is often referred to as a disastrous acquisition. Not long after, H-P began the layoffs. I got a weekly list of those to be laid off the following week. When the notice came for my team, I gave them the week off to start on a job hunt. A few weeks later, I learned I would be terminated the following Monday. I cleaned out my office but hung around in case there were any problems.
Then began my introduction to how rampant age-discrimination had become. After three months, it was so obvious; I started a spreadsheet. I recorded 140 applications after that. Often, I could swear the hiring company had used my resume as the requirement for the position. My mistake was being honest. I included that I was a Vietnam War Veteran. Any H/R person in the world would spot that and know I was at least sixty years old. I got one interview. I walked in, business suit, tie, and white hair. The two people I talked with were wide-eyed twenty-somethings. They were polite in their T-Shirts, torn pants, and sandals . . .for about five minutes. Then, “Thank you for coming in, George. Have a good day.”
Early 2012, I saw that the local senior center was offering a writing class. I figured it might help with a new resume—wrong. It was a fiction writing class. I was learning creative writing, and I loved it. After a month or so, the instructor passed out random pictures to each student. The assignment: “Study the image, take fifteen minutes, and describe the scene.”
I took one look at my picture, two girls looking up at the Mona Lisa, and ignored the assignment. In those fifteen minutes, I knew I would write a novel. I had notes on paper, the story in my mind, and the title. And it all came together to form the genesis for The Mona Lisa Sisters.
That began an eight-year journey.
I enrolled at Las Positas College and took writing classes. Unlike my earlier college years, it was no longer drudgery. I earned straight As. The assignments lead to multiple revisions of my novel.
In a class taught by Karin Spirn, I read about a fantastic instructor at UC Berkeley who did not have a doctorate. Instead, he held an MFA. In another class, I was introduced to the work of Native American poet Joy Harjo. She was recently appointed to a third term as the U.S. Poet Laureate. I began following her on social media. I saw that Harjo was a guest lecturer at the Institute of American Indian Arts, MFA Program. An enrolled descendant of the Karuk Tribe of California, I called IAIA and applied. Five days later, I received an acceptance notice for the Low-Residency MFA Program. IAIA, Santa Fe, New Mexico.
For the next two years, my manuscript was my thesis paper, The Mona Lisa Sisters. I rewrote, revised, and learned. My mentors were terrific and have, over time, become much more to me. One area that I got dinged on was when I brought my characters to the dinner table. The settings often lacked enough detail to draw the reader into the scene. Ismet “Izzy” Prcic, roared “People don’t go to dinner and leave. They eat. What the “F” are they eating—saying?”
Mona Lisa is set in the early 1890s. So, I had much research to do before bringing food to the table. I did it—overdid it—added several thousand words. Izzy, “I don’t need to know every single effen thing they ate and how it was prepared.” I subtracted words to please him.
Each addition or subtraction required rewrites.
The program required a great deal more than working on my manuscript. I attended lectures, readings, workshops, and read and wrote critical reviews of over forty books. Two authors I had held extreme distaste for became favorites—Albert Camus and Joyce Carol Oates. Most of those forty books are full of underlining, highlighting, and writing in the margins. My mentors and I collaborated on the selection of books. Native Americans wrote at least half our choices. I was introduced to the work of such great authors as,
- Debra Magpie Earling (Bitterroot Salish) – Perma Red
- Louise Erdrich (Chippewa) – The Round House
- David Treuer (Ojibwe) – Little
- Leslie Marmon Silko (Laguna Pueblo) – Ceremony
I met many who shared their world and writing. I met Joy Harjo and chatted over cafeteria dinner. Tommy Orange, There There, was a contemporary, as was Angela Trudell Vasquez. Angie is the Poet Laureate of Madison, Wisconsin.
When I faced the challenge of my thesis/manuscript, one of the questions came from another, fantastic teacher and author, Pam Houston. Her first question had to do with the scenes set in . . . the dining room. I shouldn’t have, but I laughed. I know Izzy put her up to it.
This year, I finished the twenty-third revision of The Mona Lisa Sisters. Agent queries had been returned with polite rejections. I sat back, told the manuscript, “I’m starting to hate you. I’m finished.”
I reached out to Paula Chinick of Russian Hill Press and told her I was done and wanted her to publish the bloody thing. She agreed. I figured my work was done—wrong.
The cover design took months. Getting back-cover reviews became urgent. I was stuck until I recalled a talk where a young author mentioned he sent out requests to known authors and asked them to read and write reviews. “What have I got to lose?” I asked myself and sent out four requests. Three agreed to write reviews. I even had one person, out of the blue, offer to write one.
I used two. Ramona Ausubel wrote one. I love her novel No One is Here Except All of Us. The other, by playwright, editor, and UCLA instructor Victoria Zackheim. I also used a Kirkus review.
Violet (Vi) Moore came on board as the editor. She forced me to pick up the manuscript and read it line by line and make corrections before she would touch it. I’m glad she did. Over two months, we made more corrections and changes than I will ever admit.
Then the galleys came, and Paula made me do it all over again. The editor is usually done by then–nope. Vi called and ordered me to reread it. I know we missed at least one typo. One of my readers sent me a note informing me of my oversight.
Paula, Vi, and the cover design team were all very reasonable in the charges to bring the project to fruition.
Amazon released The Mona Lisa Sisters on August 14, 2020. A little over eight years after the instructor handed me a picture of two young girls looking at the Mona Lisa.
I met and have become friends with so many fine people as the result of my diving into the world of fiction writing. I have been and will forever be blessed for having started the journey when I couldn’t find a job.