Marie Sutro is an award-winning and bestselling crime fiction author. In 2018, she won the IBPA Benjamin Franklin Award for the Best New Voice in Fiction for her debut novel, Dark Associations. She is a member of Sisters in Crime and a volunteer with California Library Literacy Services.
Her great-grandfather, grandfather, and father served in the San Francisco Police Department, collectively inspiring her writing. She resides in Northern California and is currently working on the next Kate Barnes story.
April 26, 2022, is the release date for Dark Obsessions – The darkest woods hide the darkest of obsessions. SFPD Detective Kate Barnes heads to Washington and finds herself embroiled in a complex case of ever-increasing horrors.
Available for preorder at Amazon and Barnes & Noble, as well as independent bookstores
What brought you to writing? My love of writing burgeoned from an early love of reading. As an ardent bibliophile, the only thing I enjoy more than reading a book is writing one for the enjoyment of others.
In addition, I have always been a huge fan of mysteries and puzzles. Add to that a family legacy wherein my father, grandfather, and great-grandfather all served in the San Francisco Police Department, and crime writing was a natural choice.
What kind of research do you do? Given the nature of my writing, my research is extremely broad. In one sitting, I may go from perusing sales listings for boats (used for the Foul Rudder in Dark Obsessions) to reviewing autopsy photos. While I appreciate the accessibility of online research, I am a big proponent of visiting places and people whenever possible. I am willing to go wherever the answers can be found, including crimes labs, shooting ranges, nature preserves, police departments, and a variety of diverse locales.
Where do you place your settings—real or fictional locations? One of my favorite things about reading is the ability to visit places I have never been to and may never get the chance to see. I always try to incorporate as many real locations in my stories as possible to give others the same opportunity. Fictional settings are reserved for places where a specific plot point or subplot point requires attributes I cannot get from real locations (ex. Aaru in Dark Obsessions). I spend a substantial amount of time on research to ensure fictional, and real places fit together seamlessly.
Has an association membership helped you with your writing? Being a member of Sisters in Crime has been an important part of my writing journey. One of the greatest benefits of membership has been the wonderful support of the Sisters in Crime writing community. They offer an ongoing wealth of informational programs ranging from technical writing assistance to research references and marketing tips.
Do you have subplots? If so, how do you weave them into the novel’s arc? Subplots are a great way to add different types of suspense into the story while enriching the characters. They can also be great ways to strengthen the threads between books in a series. While I always start with a story outline, many of my subplots seem to pop up on their own as I write. Those moments when a new subplot takes off on its own are always magical.
Do you have any advice for new writers? The best advice I can give is to be open and enjoy the journey. While the path is fraught with challenges, it is also full of sources of inspiration and joy. New ideas and feedback are like sunlight. Be willing to pull the drapes wide open!
Sabrina Flynn is the author of Ravenwood Mysteries, set in Victorian San Francisco.
When she’s not exploring the seedy alleyways of the Barbary Coast, she dabbles in fantasy and steampunk. She has a habit of throwing herself into wild oceans and gator-infested lakes.
Her new historical mystery, Beyond the Pale, is the eighth book in the Ravenwood Mystery series. An innocent accused. An infamous hotel. And a murder everyone wants to hide.
While recovering from a brutal beating, Atticus Riot is arrested for the murder of his ex-agent—the same agent who left Riot for dead. His wife and partner, Isobel Amsel, watches helplessly as he’s taken to San Francisco’s notorious ‘sweat box’ for interrogation by an inspector with a grudge.
Desperate to save her husband, Isobel seeks out the one ally they have—only he’s in the infamous Hotel Nymphia, neck-deep in a murder investigation with a ghastly corpse and over three hundred suspects. In exchange for the inspector’s aid, Isobel agrees to work as a consulting detective on his case.
Now Isobel needs to prove Riot’s innocence while tracking down a killer no one wants to be caught. The diverging trails lead to an old friend, a tangled web of secret lives, and one all-consuming question: where’s the line between justice and murder?
Do you write in more than one genre? I feel comfortable writing in all genres. I’m currently published in historical mystery, epic fantasy, Gaslamp fantasy, and have a WW1 thriller I’m editing along with a planned contemporary mystery series. It’s always hard for me to pin a genre on the novels I write. Ravenwood Mysteries is a mix of mystery, history, romance, action and adventure, wild west, Victorian, and noir.
Tell us about your writing process: I just tell myself a story. I’ll start at a point or with a vague idea, and that’s pretty much it. My writing process is a lot like hiking to a distant mountain. I know the starting point; I know where I want to end up, but I have no clue what lies between those two points. And sometimes, the twists and turns and obstacles along the way take me to an entirely different mountain. But that’s all right. It’s the journey that’s exciting.
*Note from George: I love Sabrina’s example of hiking from a point to a distant mountain and all the obstacles one faces.
We hear of strong-willed characters. Do yours behave, or do they run the show? I’m an organic writer. So my characters definitely run the show. I don’t know what they’re going to say until I type it, then end up laughing at whatever joke they cracked. There have been numerous times when I want them to do one thing, and they just won’t do it. For example, in the first book, Atticus Riot showed up with a gentleman’s walking stick. I didn’t know why he had a walking stick. I tried to make him limp, but he wouldn’t limp. So I tried to take it away from him, and that didn’t work either. I said, ‘Fine, keep the stick!’ And it wasn’t until halfway through the book that I was like… ‘Oooh, that’s why you have the stick.’ Then in book three, I discovered the stick had sentimental value, so I’ve learned to just go along with the unexpected.
What’s the most challenging thing about writing characters from the opposite sex? I grew up with four brothers, so I actually find writing feminine women difficult. It’s hard for me to connect and understand women (or men) who are stylishly dressed, are worried about breaking a nail, or getting sweaty because it will mess up their hair. I’m not big on talking about feelings in my prose either. I’d rather show it than tell it. So I think that’s something my readers notice pretty quickly with my writing. Several readers have compared Ravenwood Mysteries to some classic noir authors like Raymond Chandler.
Do you ever kill a popular character? If so, what happens to your story? Death is the end of a story. It’s a common everyday occurrence where life goes on for the living. So it’s not something that’s thrilling to me or even shocking in a book. It’s just… death. It’s much more interesting to me as a reader (and writer) to read about people who survive against all odds. Writing characters who live and thrive despite difficult circumstances is the hard part. Death is easy to write.
In my epic fantasy series, I came to a place where the hero could have died this epic death that would’ve been perfect for him, but I found keeping him alive left more of an impact.
Do you have subplots? If so, how do you weave them into the novel’s arc? Oooh, do I ever. I come from an epic fantasy background, so I naturally write overarching storylines into my mystery series. I plant seeds throughout my books for future books in the series. For example, the first sentence in the first chapter of the first book (From the Ashes) isn’t explained until book four of Ravenwood Mysteries. I did the same with another subplot that’s been woven throughout the series, and that will finally be addressed in book nine. I usually have multiple storylines and mysteries going at once, which keeps things interesting.
What kind of research do you do? Lots of reading. And not just from one source. Newspaper archives are great, but they can be slanted one way or the other, so I look for other sources as close to 1900 as I can find. It’s a great way to pick up the actual language of the time and not fictionalized vocabulary and slang.
I’m also very hands on whenever possible. When I lived across from San Francisco, I tried to visit whatever place I was writing about. But so much of San Francisco was destroyed in the 1906 fire that most places have changed locations or were destroyed. Isobel, one of my protagonists, is big on sailing, so I took a sailing class in the bay to get a better feel of it. And when my protagonist was learning lock-picking, I bought a set of lock picks to practice with.
But I think my most drastic bit of research was when I tossed a protagonist overboard into San Francisco Bay, and a beta-reader claimed she would’ve drowned, been eaten by a shark, or died of hypothermia. So I jumped off a ferry at Alcatraz and swam to Aquatic Park in San Francisco sans wetsuit. She didn’t argue with me anymore.
Looking to the future, what’s in store for you? Hopefully, lots of ocean swimming, trail running, and writing!
Where can we find you and your latest work, Beyond The Pale: http://www.sabrinaflynn.com
My books are on all the major online retailers. Here are some links.
Bookbub profile: https://www.bookbub.com/authors/sabrina-flynn
Apple books: https://books.apple.com/us/author/sabrina-flynn/id747418916
Mystery/Thriller, Supernatural, Military
In Blood Debt, San Francisco Homicide Investigator and Vietnam veteran Vince Torelli strives to clean up the violence in San Francisco. But, after a suspect in a double murder is killed during an attempted arrest, he finds himself protecting the good police officers of the city he considers family. His efforts put him in the line of fire when he’s targeted. The brother of the suspect victim wants revenge on the officers responsible, and he’ll stop at nothing. He kidnaps Vince, a man obsessively loyal to his job as well as those he works with and defends, a man as smart and committed to his principles as the criminals he catches almost without fail. Vince knows best, though; a blood debt always demands payment.
How long have you wanted to write? When I was a young boy, my mother instilled in me a love of books and reading. I read mostly adventure stories, in particular, a lot of Edgar Rice Burroughs, and I admired how he could spin such wonderful stories. I vowed at a young age to write my own stories someday, as I knew the joy I got from books. I wanted to someday write books that would give that joy to others.
How long did it take you to reach your goal of publication? Many years! With growing up, school, college, the Army, becoming a police officer, marriage, and raising two children, there just wasn’t time for me to write, though I never lost the desire. The opportunity came when the kids were in college, and I had finished my master’s degree. One afternoon, another sergeant and fellow Vietnam Veteran and I were swapping stories from our tours in the police department briefing room. Other officers heard us and stopped to listen. They told me later that day I should write my stories down, they would make a good book. That night, I began writing.
Are you traditionally published, indie published, or a hybrid author? Traditionally published. I researched small publishers, on the advice of a genuinely nice lady, and very prolific author I had met at a writer’s conference and was lucky enough to have one accept my manuscript. I have been with them, Writers Exchange, for 18 years, and all five of my books have been published by them. I have two new novels currently in their queue undergoing editing. I hope to have them published by mid-2021. By the way, that nice lady and I are fast friends and have been for 20 years.
Where do you write? A small 4th bedroom in my house was converted to an office/writing room. It gives me the privacy I need to concentrate, with no interruptions from family (other than the dogs). I have a TV in there. I tune to soft rock music, at low volume, as a background when writing. I find I am more proficient when writing with the background music. It helps me concentrate.
Where do you find your characters? How do you name them? All of them are drawn from real life, at least the main characters. I’ve patterned them after friends, family, and other people I know or have known. Obviously, I change the names, but I have had some readers recognize the character and ask me if the character is based on them, or on so-and-so. I usually tell them, “not entirely.” A couple of times, I have used their real names, with permission, of course, because the name suits the character. Those persons really get a kick out of being in the book!
I try to develop names that suit the characters. If a tough guy is needed, I’m not going to name him Chad, or Chip, or Timmy, etc. I chose Vince Torelli as the name for the protagonist in five of my books—a tough, dedicated, homicide inspector with San Francisco PD. An Italian name, to me, rings of toughness. Of course, the character’s personality has to echo the tough name. I also like to have the protagonist exhibit compassion at times, too. I try to avoid cliché names like “Reaper,” “Savage,” and the like.
Real settings or fictional towns? I use both. In M.P., a Novel of Vietnam, all the locations were real, and all the military units, from whichever side, were real and operated in the area at the time setting of the book. All the areas mentioned in the Torelli books, in San Francisco and the greater Bay Area, are real, as are all towns, streets, highways, hotels, restaurants, etc. I even used the address of my childhood home in one of the books! I like to think it adds a sense of realism when the reader knows or has visited the areas where the scenes take place.
If you could have written any book already written, which one would it be? Any of the Tarzan books! ERB is my absolute favorite author, and I have read almost everything he has written (80 books), a lot of them more than once. His writing is what got me hooked on reading and inspired me to become a writer. By the way, I have 73 of his books in my bookcase.
One other book is The Old Man and the Sea by Ernest Hemingway. An absolutely amazing book, skillfully written. I felt I was on the boat with him. Some of the best descriptive writing I’ve read.
You’re stranded on a deserted island.. what must you have? All my ERB books, my reading glasses, and a Lazy-boy recliner
Anything else you’d like to tell us about yourself and/or your books? As I mentioned, I have written seven books—five published (in Kindle and paperback) and two at the publisher’s. I have posted the first chapters of all my published work on my webpage, including a couple of short stories (non-published). Please take a few minutes to visit the site, learn more about me, view some photos, and read the excerpts. Between the five books and a short story, I have been fortunate to receive eight writing competition awards.
A big thank you to my friend, and award-winning author, George Cramer, for inviting me to post at his blog.
If any of you read a book of mine or the short stories, I would love to hear from you. Please post a review at Amazom.com, or send it directly to me so I can post it at other sites.
Thanks for taking the time to read about me and my writing. I appreciate it.
Best wishes, John
Website and links: www.jschembra.com https://www.facebook.com/Books-by-John