Mar 16, 2023 | Cozy, Mystery |
Marcia Rosen (aka M. Glenda Rosen) is the award-winning author of eleven books, including The Senior Sleuths and Dying To Be Beautiful Mystery Series and The Gourmet Gangster: Mysteries and Menus (Menus by her son Jory Rosen). She is also the author of The Woman’s Business Therapist and the award-winning My Memoir Workbook. For 25 years, she was the owner of a successful national marketing and public relations agency.
An Agatha, Raymond, Sherlock, and Me Mystery: Murder At The Zoo, will be published on March 14, 2023, by Artemesia Publishing.
March 2023: When she was a young girl, Miranda Scott read dozens of mystery books by authors such as Agatha Christie and Raymond Chandler, and she loved characters like Sherlock Holmes. Then she began hearing their voices in her head suggesting what she should and should not do. After a body is tossed into the lions’ habitat at the Zoo where she is the senior veterinarian, Miranda and Detective Bryan Anderson find themselves investigating several murders and dealing with a group of bad guys, while gangster friends of her father’s are trying to protect her. Miranda and Bryan alternate between flirting and fighting off romantic feelings. Murder seems to keep getting in their way! “An Agatha, Raymond, Sherlock and Me: Murder at The Zoo” is hard to put down! You’ll enjoy getting to know the characters as you read this engaging mystery.” Cat Harper, National Steinbeck Center
I start writing on blue, pink, or purple lines paper, then transfer what I like onto the computer. I realize it would probably be cumbersome to many, but I write, rewrite, write, and rewrite many times. Then it goes to my editor. Once she has done her magic, I still review the entire book and usually accept about 80 percent of her suggestions. I do accept all her corrections regarding punctuation, spelling, and grammar, aware that is not any part of my skill set.
I’m currently working on the first book in my new cozy mystery series:
An Agatha, Raymond, Sherlock, and Me: Murder At The Zoo, will be published March 14, 2023, by Artemesia Publishing (www.apbooks.net)
After a body is tossed into the lions’ habitat at the zoo where she is the senior veterinarian, Miranda and Detective Bryan Anderson find themselves investigating several murders and dealing with a group of bad guys, while gangster friends of her father are trying to protect her. Plus, Miranda and Bryan alternate between flirting and fighting off romantic feelings.
A clever, intriguing, and gripping new cozy mystery filled with exciting twists and turns, bizarre murders, and fascinating characters, including several dead authors who seem to speak to Veterinarian Miranda Scott. A fan since childhood of Agatha Christie, Raymond Chandler, and Sherlock Holmes, their voices seem to live in her head frequently telling her what to do…and not do. Especially when it comes to solving mysteries. Murders, deceit, revenge, a gangster father, and a godfather also often get in the way of a fine romance!
Yes. Association memberships have been very helpful to me many times and in a number of ways. There is support, friendship, good connections, and opportunities to promote a book and publish articles on Association sites. They are an excellent resource for information on some murder/police details. I’m a member of:
Public Safety Writer’s Association
Sisters-in-crime (Croak&Dagger) New Mexico
Women Writing the West
National Association of Independent Writers & Editors
My advice for new writers, even old ones who have been writing for quite some time, is the same I give to myself when I have a moment of faltering. Believe in yourself, listen to your own voice, not others, be willing to ask for help and get good help, and even be willing to pay for it. Be persistent. Know you have the right to be a writer!
March 14, 2023 Murder At The Zoo will be available at the above plus www.aptbooks.net
Mar 6, 2023 | Uncategorized, Young Adult |
MARISA FIFE holds a BS in Pre-Veterinary & Animal Science from the University of Massachusetts and a BSN in Nursing from Johns Hopkins University. Her work experiences have led her from monitoring songbirds for biological surveys to rehabilitating wildlife to caring for Oncology patients on bone marrow transplant floors.
Her first fiction short story, The Woman in Brown, was published in 2022.
The Woman in Brown is a historical suspense short story set in America in the 1930s about two damaged people on the run trying to escape the clutches of a cold-blooded killer.
Do you write in more than one genre? I like exploring many genres, my favorites being mystery, suspense, fantasy, romance, and westerns. I also love a good horror-comedy. I also enjoy writing for different audiences, such as adults and children. Everything’s fun to explore, really.
What are you currently working on? A quirky contemporary fantasy/mystery novel and a historical mystery novella. Then revisions, revisions, revisions on my 2022 writing projects.
Who’s your favorite author? Laurie R. King, author of the Mary Russell series, the first of which is The Beekeeper’s Apprentice. I’ve been hooked on this series since I was a teen and can’t recommend it enough.
Do you outline, or are you a pantser? I do a little of both as needed. When I first start writing a story, the planning stage involves a lot of brainstorming and organic free writing. I add in structure with an outline, but I’m not afraid to switch up that outline as needed, depending on how the story is proceeding. This allows me freedom while also keeping my feet on the ground.
What kind of research do you do? If I’m writing about a real-world place, I try to go there and take in how it is and what perceptions I have while I’m in it. Then most of my research moves online. I review newspapers and magazines and try to keep to verified historical sources when seeking facts about a particular time or place. If it’s a story set in contemporary times, I’ll watch news clips from the last few years to see what’s going on in that area or read first-hand accounts from people who live in that location if they are available.
If it’s not a real-world place, I base my fantasy settings on a mashup of actual places in the world or someplace made up that pops into my mind based on my experiences. Movies are also a fun place to find possible fantasy settings, characters, and storylines. Lastly, I read a few current books in whatever genre that I’m writing in to get a feel for what’s trending out there and why it trends.
What is the best book you have ever read? Mary Shelley’s Frankenstein. I think it holds a warning to humankind that is still relevant today in our age of ground-breaking scientific and technological innovation.
Groups I belong to:
Mystery Writers of America
Sisters in Crime
Society of Children’s Book Writers and Illustrators.
How do our readers contact you?
Readers may contact me at www.marisafife.com.
My short story, The Woman in Brown, is available on Amazon as an ebook, audiobook, and paperback here.
Mar 2, 2023 | Crime, Mystery |
Damyanti’s short fiction has been published at Smokelong, Ambit, Litro, Puerto del Sol, and she helps edit The Forge literary magazine. Her Amazon-bestselling crime novel, You Beneath Your Skin, was optioned for screen. Her next crime novel, The Blue Bar, was published by Thomas & Mercer and was one of 2023’s Most Anticipated Mysteries & Thrillers on Goodreads. She’s an active member of Sisters in Crime and a member and volunteer at Crime Writers of Color.
THE BLUE BAR – In gritty, glam Mumbai, a dynamic police officer and a bar girl in love are unaware that a serial predator is watching them both.
Where do you write? What, if any, distractions do you allow? – I’m not very fussy about where I write, but it turns out I write little at my desk. I can get words out at the library, at a food court, and on a park bench, but at home, it is mostly the sofa or the bed. At food courts and parks, I see a lot of color and movement, which helps me focus. I block out the sound with white noise on my headphones.
What is the most challenging part of your writing process? I’d say the copy-edits. By this time, I’m so familiar with the manuscript and have changed it so many times that it’s impossible to see it with any clarity, and they come to me with tight deadlines from my publisher. I need a lot of help to see what’s going wrong at the language level with the text.
Do you have subplots? If so, how do you weave them into the novel’s arc? I definitely write subplots. In my crime novels, romance is often a subplot employed To provide an echo or a contrast to the theme that the protagonists illustrate with their lives.
Sometimes, they bring in a bit of relief from what can be some very dark and gruesome main storylines.
It can also heighten the conflict and tension in the dominant story: a romance subplot between the protagonists of a crime novel definitely heightens the stakes. It’s not about a victim and a rescuer anymore: it is about two people who love each other, and the reader feels more deeply invested in their fates.
How do you raise the stakes for your protagonist—for the antagonist? A powerful antagonist would often help raise stakes for the protagonist and vice versa. If the protagonist and antagonist are evenly matched, they can truly challenge each other, and the outcome of their conflict is in doubt till the end, keeping the reader turning the pages.
Time running out—like ticking clock, as well as inclement weather, can raise stakes. If the protagonist or antagonist’s family or love lives are involved, the stakes of a violent event will soar. When the beef is personal, reader engagement rises.
Do you outline, or are you a pantser? I began my writing life as a literary short story writer, so I thought I could be a pantser all my life. While writing crime novels, though, I realized I needed at least a cursory outline in order to work faster. These days I must write outlines because I need to flesh out the books I’m planning for my agent and editor. I veer off the story in the telling, so in a way, that’s pantsing, but I’m a pantser with an outline.
What is the best book you have ever read? The best book is always the last favorite book I read, but the one I keep going back to at times of personal turmoil is Old Man and the Sea, where an old man battles over days and miles with a fish bigger than his boat.
He wins, but sharks feed on the fish on the way to the shore, and he tows back an enormous skeleton.
It brings back to me the beauty of human endurance and the triumph and futility of all effort— a healthy reminder that nothing lasts. The biggest wins mean nothing against the sharks of mortality, and that’s part of life. We need to find our meaning elsewhere.
What are you currently working on? I’m finishing up the edits of THE BLUE MONSOON, the second in the Blue Mumbai Series contracted with Thomas & Mercer, and this crime novel is about religion, caste, and castration in the background of a hair factory in Mumbai.
It’s the sequel to THE BLUE BAR, which was published on January 1 this year, and was a number 1 International Release on Amazon.
Where can our followers buy your books? https://linktr.ee/damyantibiswas
List of Facebook groups:
The Savvy Writer’s Snug
Psychological Thriller Readers
ITW Debut Class Authors
Women reading Great books
Literary Crime Novels
Curated Book Resources
Feb 27, 2023 | Uncategorized |
If It Ain’t Broke, Don’t Fix It
G.P. Gottlieb is the author of Charred: A Whipped and Sipped Mystery (D.X. Varos Publishing 2023), the third in her culinary mystery series. She is host for New Books in Literature, a podcast channel on the New Books Network, and has interviewed over 170 authors. You can read more about her at her site: https://www.gpgottlieb.com/, on Facebook: authorgottlieb, and Instagram: WhippedSipped.
In the first draft of Charred: A Whipped and Sipped Mystery (DX Varos 2023), I just wrote whatever popped into my head. I created superfluous back stories for nearly every character, including a few of protagonist Alene Baron’s many employees in the café. I included details that nobody cares about, mentioned the protagonist’s run-in with a mean girl in middle school even though she’s a grown woman with children of her own, and went on for pages about her sister.
I let my imagination go wild. I also covered memories of Alene’s mother who died of breast cancer, her post-graduation trip to Greece, and her thoughts about several previous boyfriends. There were pages and pages about her ex-husband. None of it was important to the story, which takes place during the summer of 2020. You might remember that was when a highly contagious and poorly understood virus was galloping across the globe, killing millions, and forcing many of us to hide in our homes.
The pandemic is one of several struggles my protagonist faces. It doesn’t play a leading role, but rumbles in the background like a volcano about to erupt. I remember those months of worrying about homeless people and those forced to beg on streets that were empty of cars or pedestrians. We could walk for miles (in sweet home, Chicago), and see very few other people braving the possibility of crossing paths with the virus.
The characters in my book were frightened, like all of us. I wanted to tell those stories – it didn’t matter if they were going to be cut later because they helped me get into the characters’ heads. The pandemic was like a simmering evil presence, sitting in the corner holding a weapon – everyone was afraid, but we all went about our business because there is a limit to how much time any of us can spend staring at the walls before we go mad.
In ongoing chapters, my protagonist struggles with a decision about admitting something important. In my first draft, she flashes back to missing her cousin’s funeral while she was traveling in Greece with her best friend. She remembers the sun, the history, and that her guilt boiled down to disappointing her parents. When she finally faces her current dilemma, the reader understands that she’s conscious of all the wrong decisions she’s made, even though I cut those early travel scenes.
After I’ve filled extraneous pages with a myriad of unnecessary details, and the first draft is achingly long, I start the process that will turn it into a readable novel. My goal is to focus on telling a story in which each chapter moves the action, and the combination of all the chapters form a forward thrusting arc. I make sure that the pandemic is tucked behind a wall – still there, but not pounding on the glass to be let in.
Each time I’ve completed another draft, I’d show it to my editor/teacher, who has a gift for striking out what can go unsaid, and highlighting what needs more attention. This is the third book she’s helped me pull together with ideas for re-ordering chapters, adding missing information, strengthening the climax, and polishing the ending.
Sometimes I wonder if I could save time and effort by avoiding my propensity for long, blabby explanations and my need to tell you everything I know about any given person or situation. That happens both in writing and real life. But my method has worked for three books now, and as we often say, “If it ain’t broke, don’t fix it*.”
*The phrase has been attributed to a government official during the administration of President Jimmy Carter, but there are enough earlier quotes to keep it solidly in the, “It is said” realm of aphorisms.
Feb 23, 2023 | Mystery, Police Procedural / Crime, Thriller |
Helen Starbuck, no relation to the coffee bunch, is an award-winning author of the standalone suspense novels Legacy of Secrets, Finding Alex, and The Woman He Used to Know, and the Annie Collins Mystery Series. A native, her books are set in Denver and other Colorado locations. Her writing companion is her cat Bean.
A Cold Case of Conscience, an Annie Collins Mystery – Helping Detective Frost review cold cases, Annie Collins can’t resist the pull of a recent murder that may be connected to a 20-year-old cold case. To further complicate matters, Annie’s husband’s ability to tolerate the repercussions of her involvement with Frost is at an end, forcing her to choose between helping Frost or potentially damaging her marriage.
Writers and their characters are strange bedfellows. The fiction writing process is an odd one, for me at least. I often wonder if other writers have strong-willed characters and if they behave or run wild? My characters are very opinionated. They don’t run wild, but boy can they be hard to wrangle. They often come to me in the middle of the night with, “Have you thought about this?” Propositions to let me know they’ve decided to do something different or that I have taken them in the wrong direction. It’s my imagination—I don’t need meds—but I’ve begun to wonder if my characters live in an alternate universe that I am allowed to tap into. Their worlds are very real to me.
I hadn’t planned on writing a series, but I like my characters so much that I ended up doing just that. And they often morph into ways I hadn’t planned on. Detective Frost, a character in my Annie Collins Mystery Series, was supposed to be a one-off character, but he decided to be a mainstay of the series. It didn’t take a lot to persuade me; he’s a very likable, irascible character who keeps Annie, my main character, grounded. Angel Cisneros was, initially, just going to be Annie’s neighbor—a lawyer for her to bounce ideas off, but no major romance. Then he decided to fall in love with her and become more than a friend. That was not my plan. Although now, I can’t imagine telling the story any other way.
Characters can also be a major pain. The first three books in the series, The Mad Hatter’s Son, No Pity in Death, and The Burden of Hate, seemed to flow from my brain to the page without too much difficulty. There were times when I struggled or boxed myself into a corner or got lost in the weeds, but my characters talked to me, and ideas were abundant. After The Burden of Hate was published, they went silent. I joke that I put my main characters through such hell in Burden, that they didn’t want anything to do with me. But it was true—they weren’t giving me any help. I came up with four different plot ideas, none of which I was keen about, and all of which were vetoed by my editor and my beta readers. I was stymied.
It was at that point that two brand new characters appeared and told me a story about a family filled with secrets and a daughter’s search for answers. At a writing seminar, the teacher put several copies of iconic paintings on the table and told us to pick one that spoke to us and write about it for fifteen minutes. A picture of an old, abandoned farmhouse in the midst of a field of grass called to me, and Kate Earnshaw and Evan Hastings started talking. That was the beginning of Legacy of Secrets, a standalone romantic suspense novel.
Annie Collins and Angel Cisneros from the series were still refusing to talk to me, so I decided to stop stressing about it and let other stories come. And they did. Driving to Boulder along Highway 93 one afternoon, the beginning to Finding Alex popped into my head with the thought that the drop offs along both sides of the highway would be a perfect place to leave a body. But, I thought, what if the person wasn’t dead and stumbled out into the highway in front of a detective’s car? Blake Halloran and Alex Kincaid began telling their story. In The Woman He Used to Know, a scene between Nick Ryan and Elizabeth Harper that ends disastrously and later places Nick in a compromising position popped into my head clear as a bell.
Four years later, after my three standalone novels were written and published, Annie and Angel finally decided to talk to me. Unfortunately, they wanted to tell me all about their private lives and weren’t all that interested in a mystery. I gave in to them and wrote a number of short stories about their lives to keep them talking. I struggled with a plot, and I struggled with them, but at last, a plot for book four materialized.
A Cold Case of Conscience will be out in 2023, and Annie, Angel, and I are happy to be talking again. I haven’t decided if book four will be the last in the series, but there are plenty of other characters who are anxious to tell their stories. It’s important to listen to them.
Colorado Author’s League
Rocky Mountain Fiction Writers
Sisters in Crime (National and Colorado chapter)
Rocky Mountain Mystery Writers of America (National and local)
Another Glenda!! Wahoo!
Yes we’re like Glenda the good witches::))
I’m familiar with this lady’s great books and highly recommend them. She’s also an expert on marketing and is a wealth of information on numerous topics related to the publishing field. Marcia, I’m glad to see you’re starting a new series. Best of luck to you on that. It sounds really fascinating. My only question is Raymond Chandler going to stay on the wagon. 😉
Mike, Raymond Chandler is on the wagon in my book, but still calls women dames, and is very bossy and evne has a few disagreements with Sherlock which Agatha tries to stop.
Thanks for such wonderful comments..
Thanks so much for featuring me on your blog, looks great. PSWA….What a great organization, so many generous, thoughtful members, Marcia