Today’s Guest is Lanie Longshore
Lani Longshore introduces us to science fiction, quilting and writing about life (blog)
The Chenille Ultimatum (with Ann Anastasio). Susan thought she was done with space aliens when she sent her mother, Edna, and daughter Cecily as ambassadors to the planet Schtatik. Instead, she must travel across the galaxy to stop a civil war that Edna started when she made herself queen of one of the clans. As Susan struggles to make everyone calm down, she learns how strong she really is, and how important it is to carry an embroidery project wherever she goes.
When did you realize you wanted to write novels? I’ve thought of myself as a writer since elementary school. In high school and college, I produced short stories, poems, essays, and news articles. I was fortunate enough to find a good writing support group as an adult and wrote my first (still unpublished) novel.
How long was your road to publication? The first book in the Chenille series, Death By Chenille, was published twenty years after I began writing novels. I’m working on the fourth novel in that series with co-author Ann Anastasio.
Are you traditionally published, indie published, or a hybrid author? I am indie published.
Where do you write? I write at my computer desk in the family room. I transitioned from writing by hand to a typewriter when I interned at a local weekly newspaper while in high school. In college, my portable typewriter took up most of my desk.
Is silence golden, or do you need music to write by? Since I write in the family room, I write to all sorts of sound. Sometimes there is music, sometimes the television is on, sometimes there is only the drone of the dishwasher from the kitchen. As other people are often in the room, the choice of music isn’t entirely up to me, so I’ve learned to embrace all genres.
How much of your plots and characters are drawn from real life? While aspects of the plots and characters’ are drawn from life, I avoid pulling too much from my own experience. My co-author and I used to perform on the quilt lecture circuit, producing 1-act musicals about quilts and the women who make them. The real story behind a quilt isn’t always entertaining. We took the part that fit our needs and made up the rest, a process we’ve continued in our cozy sci-fi novels about quilters who repeatedly save the world from alien invasions.
Describe your process for naming your characters? I go through a baby book first. If that fails, I start searching the bookshelves for author names I can adapt. If that fails, I go to actors’ names I can manipulate. There was an old movie on TV when I needed a name for a secondary character in the first Chenille novel, Death By Chenille, so Randolph Scott became Scott Randolph.
What’s the quirkiest quirk one of your characters has? One of my aliens puffs out colored smoke from his body whenever he gets emotional. The colors match the emotion.
If you could have written any book (one that someone else has already written,) which one would it be? Why? There are many books I wish I had written, but I am reading A Gentleman in Moscow now by Amor Towles and would love to have written it. His character studies are brilliant, and his plot devices are amazing.
What’s your biggest pet peeve? Complicated punctuation in dialog. People speak in pauses and full stops. Who do you know who speaks in semi-colons? No one, that’s who! It’s rare enough to find someone who speaks in full sentences, so I prefer authors to stick to dashes, commas, and periods (with the occasional exclamation point and question mark where required).
You’re stranded on a deserted island. What are your three must-haves? I don’t suppose I could pull an ocean-going boat, fuel for me and the boat, and a really strong radio from a parallel universe, could I? Okay, then I’ll want a food replicator because I’m a vegetarian, so all the fish in the sea won’t do me any good, and what’s the use of life without chocolate? I’ll also want embroidery supplies to make fiber art to decorate my hut (I get a hut, right?), and a crate of notebooks and pens.
What’s the best book you’ve ever read? I’ve never been able to answer that question because there are so many wonderful books available and more on the way. I also can’t settle on a favorite color or even a favorite candy bar.
What’s on the horizon for you? If the Lord is willing and the creek don’t rise, I’ll finish the fourth book in the Chenille series, The Captain and Chenille, by spring.
Anything else you’d like to tell us about yourself and/or your books? When I finally outgrew imagining I knew everything, I realized if I wanted to know anything at all, I should say yes whenever someone offered to teach me. It’s why I know how to quilt when I don’t have a domestic bone in my body (okay, I love to cook, but that’s a survival skill), and why I’m a black belt in karate when I come from a long line of pacifists. Three bits of trivia: I’ve seen Lenin’s Tomb; two of my quilting students were recipients of presidential pardons for federal crimes; both sides of my family have scandals regarding running away from the clan and taking the reasons why to the grave. As to my books, The Chenille series came out of a failed plan to create a platform for a quilting technique book. Ann and I had a great idea, and our proposal received favorable comments, but we weren’t famous enough in quilt circles for a publisher to take a chance on us. We decided we would write a novel to get some publicity. Quilting mysteries were just starting to take off, but neither Ann nor I had enough confidence we could write a good mystery. Since we had already created quilting vaudeville with our 1-act musical comedies, we decided to create quilting science fiction. We still aren’t well known enough to get our technique book published, but we’re working on our fourth novel. The remarkable thing about our collaboration is that Ann and her family moved several states away before we had finished our second book, and yet we still managed to get that one and the third book completed.
I imagine quilting is a lot like writing a novel. Interesting interview. Interesting take on things. Keep writing.
Great interview, George. Lani, I’m with you on semicolons in dialogue.
I agree, no semi-colons in dialogue. However, I love them elsewhere.