DAVID POYER – Naval Officer – Adventurer – Author

Nearly fifty of David Poyer’s novels and nonfiction are in print with major publishers. He’s also published oral history, travel, biographical nonfiction, and collaborated on memoirs.  He’s been translated into Japanese, Dutch, Italian, Hungarian, and Serbo-Croatian, and rights have been sold for films. Writers he’s mentored have been taken on by major literary agencies, published by major houses, appeared on New York Times Top Ten bestseller lists, won the International Latino Book award and other prizes, and become college teachers. He currently teaches at the Ossabaw Island Writers’ Retreat.

His latest, The Academy, was published by St. Martin’s/Macmillan in December.

“The Academy, a profoundly human story, is a captivating and fitting finale to the Lenson series from David Poyer, a master in modern naval fiction.” – Quarterdeck Magazine.

“This long-running naval series continues full-steam ahead. . . [Poyer generates] top-notch suspense.” – Publishers Weekly

“The Lenson series is an intriguing alternate history saga […] Fans of the long-running series—will be well pleased.” – Booklist

David Poyer is set to captivate readers once again with THE ACADEMY, just published by St. Martin’s/Macmillan. Known for his gripping military fiction, Poyer brings to life a tale of courage, honor, and the complexities of life within the hallowed halls of a military academy. With high ethical stakes and a suspenseful past-and-present narrative, it’s Poyer’s capstone novel in the Dan Lenson series.

In his final tour of duty after a harrowing career at sea, Lenson is appointed Superintendent of the US Naval Academy at Annapolis. He begins at a difficult time: Congress is cutting military budgets in the wake of a devastating world war, calls for radical reform are upending traditions, and Dan himself faces legal jeopardy for his actions during the war. And when a Category 5 hurricane threatens to overwhelm the coast, Dan must fight to rescue the Academy itself.

Parallel to this narrative runs the dramatic story of Dan’s years as a first-class mid, many years before. A plebe he coaches commits suicide, and Dan is drawn into the investigation. The decisions he makes will shape how he comes to lead troops in battle and at peace.

What brought you to writing? I’m four years old, sitting on the porch with my mother. She’s reading to me, which she did a lot, and I’m grateful! But her stock answer for my questions, and I was full of questions in those days, was “God made it.”

Where did the moon come from? “God made it.” The sky? “God made it.” I ask her, then, “Where do books come from?” And she says – a sentence that changes my life – “Writers write them.”

I realized what I was here for.

Now, I didn’t start right away. I felt I had to go out, live, and see the world. In 1976, I was in the Navy when an accident dictated several months of leave in a cast to my waist. So I bought a desk and a typewriter and tried to write 50 to 60,000 words and have them all be different.

The result was The Hill, a YA novel about cross-country running and a small-town scandal. No one’s ever read it, though I’m thinking about publishing a limited edition. Maybe next year?

Tell us about your writing process. I believe waiting for inspiration is unfruitful and frustrating and a self-limiting strategy for a career novelist.

A group of contractors reports to a building site. Do they stand around waiting for inspiration as to what they will build? No. They have blueprints, lists of materials, timelines, and milestones. They may change a partition wall here and there, beef up a structure, or adjust to a new zoning regulation. But in general, they know where they’re going. They can work with a minimum of stress and uncertainty.

I operate the same way. My outlines run 10 to 15 single-spaced pages, organized by chapter. That charts my course, though I’m still free. When inspiration does strike, I’ll follow. But I modify the outline as I go. This synopsis becomes a sales tool for film rights or, sequels, or promotion.

How long did it take to write your first book? How long to get it published? As I said, I didn’t send out the first manuscript. The second, White Continent, is speculative fiction about a group establishing a technologically advanced colony in Antarctica. They declare independence and then have to defend themselves. It’s a Utopia, an Erewhon. I sent it out fifteen times and got it back fifteen times. So I put it away and started on another.

But if you persist, the Universe gives up on discouraging you. A newspaper editor persuaded me to pull the manuscript out and send it to a friend at Lippincott. Lippincott didn’t like it, but my editor’s friend’s secretary read the first page while it was in the mail room getting boxed up to go out. She liked that page, so she stole it and took it home. Read it and made her boyfriend read it the next time he came over. As luck would have it, he was an agent. He sold it to the first publisher he sent it to.

Do you ever kill a popular character? I have, though not without soul-searching. One of my recurring characters in the Dan Lenson books is SEAL Master Chief Teddy Oberg. He’s captured in a raid, tortured, sent to a horrific POW camp in Xinjiang, escapes, and leads a Uighur rebellion in Western China.

Over several volumes in my War with China arc, Oberg grew steadily darker. Eventually, in Violent Peace, he had to be terminated with extreme prejudice by a CIA agent, Andres Korzenowski. (A bow to Heart of Darkness. Joseph Conrad’s real name was Korzienowski.)  Some readers saw this coming. Others, who identified with Teddy as a fighter and overlooked his misogyny and ruthlessness, protested. But an author has to be true to the fact: governments feel no sense of loyalty when their tools outlive their usefulness.

Where do you place your settings – real or fictional locations? Saul Bellow says each writer has an “arcanum,” a milieu in which they can set any story. Mine is the Navy, the sea, and diving, with a sideline in Pennsylvania, where I grew up.

The Lenson novels are the most popular. The 22 books trace Dan’s arc as he begins in The Circle as an ensign and ends – in the final volume – as Superintendent of the US Naval Academy, a vice-admiral facing retirement.

The Hemlock County novels deal with the struggle of the people against the greed that’s historically plagued the Northern Appalachians: extractive industries, organized crime, and governmental corruption.

The Tiller Galloway novels are about a black sheep diver. Tiller joined the Coast Guard, served in Vietnam, then got tangled up with a cartel and went to prison. As an ex-con, he tries to make a living as a dive boat and salvage captain.

The Whiteness of the Whale and Ghosting are sailing novels set on the high seas.

So you can see how the settings of my books have reflected my arcanum!

Do you have any advice for new writers? This spring, I pulled together a group of articles and talks I’d published over the years. I rewrote and ordered them into chapters. Writing in the Age of AI came out from Northampton House Press in July. It explains how I approach writing how the process can be made easier, and advises writers on the best ways to deal with AI technology. Everything I know about writing is in that book!

Looking to the future, what’s in store for you? Finishing the Lenson series feels like retiring from the Navy, which I did after 30 years of active and reserve service. Like retiring from university teaching, which I did for 16 years. But I’m not going to stop writing. A day without writing feels like a day not fully lived.

There might be another Galloway. I may have one more sailing book. A memoir? Maybe. Right now, I’m taking a year off to mull things over. Digitize my photographs, overhaul the boat, and we’ll see what comes next.

Perhaps this account will inspire a few fans of your blog. I hope they’ll also pick up The Academy and enjoy the concluding – and, I hope, satisfying – chapter in Dan Lenson’s long, star-crossed career!

GROUPS:
Naval Academy Alumni Association,
Shipmate Magazine,
Authors Guild,
Surface Navy Association,
American Society of Naval Engineers,
Civilian Marksmanship Program,
Ossabaw Writers Retreat,
Writers Conference of Northern Appalachia,
Kevin Anderson Associates,
Eastern Shore of Virginia Public Library board,
Virginia Center for the Creative Arts.

Buy link: https://us.macmillan.com/books/9781250273086/theacademy

Contact: https://www.facebook.com/DavidPoyerBooks/

 

1 Comment

  1. Michael A. Black

    Your books sound fascinating , as does your life. Thank you for your service and good luck with your writing.

    Reply

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Ed Miracle – Sociological Science Fiction

I read to discover, to learn, and to be astonished.

Ed Miracle writes sociological science fiction. He lives with his wife in an adobe house they built together in Northern California. Ed is a university graduate who served six years in the U.S. Navy Submarine Service. Now retired from his computer systems career at Lawrence Livermore National Laboratory, Ed continues to support his community as a volunteer firefighter and emergency medical responder.

My novel, Maker Messiah, begins when a fierce young man unveils a Trojan horse technology that empowers ordinary citizens to subvert the world’s power elites. All of them. Overnight. Are his 55 million Maker machines destroying civilization, or is he a secular messiah bent on lifting humankind out of our existential ruts? More than a tale of survival, Maker Messiah explores the motives, possibilities, and intensely personal outcomes that arise from one man’s quest for his perfect revenge.

It has come to my attention that many novels are not really – at least not very – novel. Even science fiction has turned dark and fearful, too often derivative or predictable. Where did our visions for a better world go? Maker Messiah is one answer that over 3,000 readers are now pondering. Check it out and add your reviews at http://www.amazon.com/dp/b07wzgnlbv    (This story is not religious.)

Years ago, I joined Tri-Valley Writers Club, a local affiliate of California Writers Club, to find a critique group. Forming a sci-fi gang-of-two that expanded to four improved everything about my writing and added three good friends to my life. Not all critique groups are as happy as ours. Still, I recommend every writer regularly swap chapters or stories with other active scribblers. Unless you’re in a bar, then don’t.

I believe writing, as an unnatural act, should be indulged behind closed doors. If only to avoid getting caught with that cute little adverb on your lap. I can’t imagine delivering an unwritten, unpracticed speech, so I plan what I write. Not to limit the possibilities so much as to corral my impulses. If I need to get somewhere, it helps to see a destination with guideposts along the way, especially when detours pop up.

I re-wrote Maker Messiah from scratch five times, not counting multiple edits. I was so relieved to complete the first version, I hoped the product of my long labors would . . . work. Beta readers said it didn’t. I was disappointed, angry, determined to do better, so I got serious. I bought and read Everything About Writing. Basically, through draft after draft, I taught myself what worked and what worked better. A publisher read my third draft and suggested re-writing from a different character’s viewpoint, which I did in six months. “Sorry,” my crit group said, “It’s not that person’s story. It’s this other guy’s.” Back to square four. Moral: it ain’t good enough until it’s way better than good enough. Then push some more. If it’s not everything you’ve got, you’ll only cheat yourself.

Here are my essential writing guides:

  • The 10% Solution, Self-editing for the Modern Writer by Ken Rand (My editing bible)
  • Story Genius, How to Use Brain Science to Write a Riveting Novel by Lisa Cron
  • Damn Fine Story, Mastering the Tools of a Powerful Narrative by Chuck Wendig
  • Fire in Fiction by Donald Maas
  • Characters & Viewpoint by Orson Scott Card
  • Writing Tools, 55 Essential Strategies for Every Writer by Roy Peter Clark
  • Deep Point of View by Marcy Kennedy
  • Internal Dialog by Marcy Kennedy

Since publishing Maker Messiah, I’ve gathered a fistful of my smaller yarns, a mix of fiction and true events, between the covers of Short Stories with Long Tails. These include “Submarine Dreams,” my award-winning reply to the question, “What’s it like out there on a nuclear submarine?” http://www.amazon.com/dp/b0859r88ys

Finally, readers of this blog may contact me directly by email at edmiracle47@gmail.com  Flattery and supplication indicate good taste; insults are accepted only if they make me laugh.

2 Comments

  1. George Cramer

    Happy Birthday Ed – Thanks for visiting

    Reply
  2. Michael A. Black

    Your tenacity is impressive. Five rewrites is amazing. Most people would have given up. Your advice is very sound and well thought out. I also found it interesting that you listed Ken Rand’s book. I corresponded with him and found his commentaries on self editing very useful. I was saddened by his passing. Good luck, submariner.

    Reply

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